For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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Hurricane? What hurricane? The windy, worrisome ways don't deter Hollywood from making moves and news. So why not use this last bit of power on your laptop and check out everything you missed while you were searching high and low for the last loaf of Wonderbread, shall we? Priorities, you are in-check!
It's A Guest-Star Parade on New Girl!: What happens when Olivia Munn, Jamie Lee Curtis, and Rob Reiner get guest-star arcs on a TV show? Well, for New Girl fans, it's just one piece of an already packed second season of the FOX comedy darling. According to showrunner Liz Meriwether, this new batch of guest stars made quite a mark. Having Reiner on set for the week was a challenge: "I was trying to play it cool, but every time I was around him, I was shaking a little bit! The things that he’s done are so unbelievable," said Meriwether. "I got to yell at Jamie Lee Curtis," explained actress Hannah Simone. And Munn? Well she got hit in the face during a stripper fight. Natch. "We actually just shot this huge stripper fight last night and she got hit in the face!" quipped Meriwether. Just another day with...who's that girl? Oh right, it's Jess. [Hollywood Reporter]
The Voice Changes the Rules: The folks at The Voice are switching things up for Season 3! Much like on their rival X Factor, this season, not every judge needs to have a contestant in the Final Four. Beginning on Nov. 13, the bottom two will be sent home regardless of what team they're on: which is great for viewers and teams with more than one powerhouse, but bad for coaches with subpar contestants, and those hangers-on who just want one more week. [TVLine]
Rebecca Romijn Pilots at TNT: Rebecca Romjin is set to play Michelle Maxwell, one-half of the titled team, King and Maxwell at TNT. Her character is reportedly a former secret services agent charged with investigating politically sensitive cases. Her partner, Sean King, will also apparently provide some sort of romantic element to the relationship. Ooh! Saucy! And, it seems there's a bit of a Homeland element to the whole thing, as Maxwell is seen as a very accomplished investigator that was forced out of the Secret Service and is determined to redeem herself. Paging Carrie Matheson! [EW]
Ethan Embry Enchanted by Once Upon: Another day, another guest star for Once Upon a Time. This time, it's Ethan Embry who has snagged a recurring role, as an out-of-town visitor to Storybrooke. Little else is known about his role, but we're sure it will be simply magical. [TVLine]
Dan Harmon Goes Adult Swimming: Looks like the Community creator will be without a show no longer! Adult Swim confirmed its picked up Rick & Morty, a new animated series slated for release in early 2014. Hopefully there's only one timeline for this show. [Dave Itzkoff]
Josh Lyman Bradley Whitford Marries a Trophy Wife: Excitement abounds for The West Wing fans, as one its most-beloved stars, Bradley Whitford has continued a bit of a career resurgence. The Emmy-winning actor has signed on to star opposite Malin Akerman in Trophy Wife, a single-camera comedy project about a former party girl (Akerman) who falls in love with a man (Whitford) with three manipulative kids and two judgmental ex-wives. [TVLine]
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A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
Theatrics slapstick and cheer are cinematic qualities you rarely find outside the realm of animation. Disney perfected it with their pantheon of cartoon classics mixing music humor spectacle and light-hearted drama that swept up children while still capturing the imaginations and hearts of their parents. But these days even reinterpretations of fairy tales get the gritty make-over leaving little room for silliness and unfiltered glee. Emerging through that dark cloud is Mirror Mirror a film that achieves every bit of imagination crafted by its two-dimensional predecessors and then some. Under the eye of master visualist Tarsem Singh (The Fall Immortals) Mirror Mirror's heightened realism imbues it with the power to pull off anything — and the movie never skimps on the anything.
Like its animated counterparts Mirror Mirror stays faithful to its source material but twists it just enough to feel unique. When Snow White (Lily Collins) was a little girl her father the King ventured into a nearby dark forest to do battle with an evil creature and was never seen or heard from again. The kingdom was inherited by The Queen (Julia Roberts) Snow's evil stepmother and the fair-skinned beauty lived locked up in the castle until her 18th birthday. Grown up and tired of her wicked parental substitute White sneaks out of the castle to the village for the first time. There she witnesses the economic horrors The Queen has imposed upon the people of her land all to fuel her expensive beautification. Along the way Snow also meets Prince Alcott (Armie Hammer) who is suffering from his own money troubles — mainly being robbed by a band of stilt-wearing dwarves. When the Queen catches wind of the secret excursion she casts Snow out of the castle to be murdered by her assistant Brighton (Nathan Lane).
Fairy tales take flack for rejecting the idea of women being capable but even with its flighty presentation and dedication to the old school Disney method Mirror Mirror empowers its Snow White in a genuine way thanks to Collins' snappy charming performance. After being set free by Brighton Snow crosses paths with the thieving dwarves and quickly takes a role on their pilfering team (which she helps turn in to a Robin Hooding business). Tarsem wisely mines a spectrum of personalities out of the seven dwarves instead of simply playing them for one note comedy. Sure there's plenty of slapstick and pun humor (purposefully and wonderfully corny) but each member of the septet stands out as a warm compassionate companion to Snow even in the fantasy world.
Mirror Mirror is richly designed and executed in true Tarsem-fashion with breathtaking costumes (everything from ball gowns to the dwarf expando-stilts to ridiculous pirate ship hats with working canons) whimsical sets and a pitch-perfect score by Disney-mainstay Alan Menken. The world is a storybook and even its monsters look like illustrations rather than photo-real creations. But what makes it all click is the actors. Collins holds her own against the legendary Julia Roberts who relishes in the fun she's having playing someone despicable. She delivers every word with playful bite and her rapport with Lane is off-the-wall fun. Armie Hammer riffs on his own Prince Charming physique as Alcott. The only real misgiving of the film is the undercooked relationship between him and Snow. We know they'll get together but the journey's half the fun and Mirror Mirror serves that portion undercooked.
Children will swoon for Mirror Mirror but there's plenty here for adults — dialogue peppered with sharp wisecracks and a visual style ripped from an elegant tapestry. The movie wears its heart on its sleeve and rarely do we get a picture where both the heart and the sleeve feel truly magical.
Doug Henning, the perpetually upbeat, curly haired, mustachioed magician who made illusion a multimedia affair (on the road, on stage, on television) in the 1970s and 1980s, died Monday in Los Angeles. He was 52.
Henning had suffered from liver cancer for five months.
Henning revived the popularity of magic through the rock musical "The Magic Show" in the 1970s, which ran on Broadway for more than four years. He returned to the stage for "Merlin" and "Doug Henning's World of Magic" in the 1980s. Henning is survived by his wife, Debbie.
The hip-hop world, meanwhile, is mourning the loss of Big Punisher (a.k.a. Christopher Rios) who died Monday in New York at age 28. The 698-pound Puerto Rican-born rapper, whose double-platinum album "Capital Punishment" spawned the hit single "Still Not a Player" in 1998, was thought to have suffered a heart attack. A Westchester County, N.Y., medical examiner, said that while Rios had an enlarged heart and other health problems, the cause of death would not be determined until autopsy tests were complete. Rios is survived by wife Liza and three young children.
In other obituary notices: "Lonesome" Dave Peverett, lead singer of the British blues-rock quartet Foghat, died Monday at age 56 of complications from liver cancer; and Hercules, the grizzly bear who starred in Disney films, commercials and once wrestled with Roger Moore in the James Bond film "Octopussy." Hercules passed away Monday at age 25.
LEAPIN' LIZARDS: OK, warning to potential "Magnolia" moviegoers: If you don't want to read about a key plot point, THEN SKIP THE REST OF THIS ITEM.
Anyway ... those frogs that rain down on "Magnolia" at the end of the film? Well, they're widely assumed to be a biblical reference to the book of Exodus. But director Paul Thomas Anderson says the inspiration came from writer Charles Fort first, God second.
Fort was known for compiling clippings about strange, unexplained phenomena, and Anderson used his story about three men being hanged named Green, Berry and Hill in a town called Green Berry Hill to open the film. He also found the frog-shower tidbit from Fort's various accounts.
"He thought it shouldn't be explained or that there was a far better explanation. He believed in a place called Megonia, a mythical place above the firmament where stuff would go up to and hang out before dropping back down to Earth. 'Magnolia' is a little tribute to that," the 30-year-old director says in Daily Variety. "And it sounds funny, but he believed that you can judge a society by the health of its frogs. That doesn't seem too crazy to me because our frogs are getting all deformed and dying."
EXPECTING: "Spin City's" Michael Boatman, who plays Carter, the deadpan-funny gay special assistant on minority affairs, is about to be a father again, according to People magazine. Boatman, 35, and wife Myra are expecting their second child, due in July. The baby will join sister Jordan, 3 ... ...
"Baywatch's" Brooke Burns, 21, is expecting her first child with husband Julian McMahon of NBC's "Profiler." The two were married Dec. 22.
IN COURT: Looks like "Veronica's Closet" co-star Wallace Langham will have to face hate-crime charges after all. A Los Angeles judge refused Monday to drop the case, in which Langham was accused of beating a gay tabloid reporter during a supermarket altercation. Despite a civil settlement between the actor and the journalist, the judge says the case must go forward because it was "a fairly brutal attack" and because Langham, 34, allegedly used slurs against the victim. ...
... Rapper-entrepreneur Sean "Puffy" Combs pleaded not guilty Monday to charges he was in possession of two illegal guns after a Manhattan nightclub shooting Dec. 27 that injured three people. Combs was indicted Jan. 13 with criminal possession of a weapon. Combs and girlfriend Jennifer Lopez were taken into custody after they allegedly fled the scene of the shooting in the rapper's sport utility vehicle, but Lopez was released without charges after questioning ...
... And we're happy to report that John Tesh has won back his name. Celebsites.com has agreed to return the cybername Johntesh.com to the ex-"Entertainment Tonight" host after the TV personality-musician filed suit in federal court.
LAUDED: The Publicist Guild of America has announced its nominations for the Maxwell Weinberg Publicists Showmanship Awards, honoring PR types.
In the film categories, the nominees are the publicists for "American Beauty," "The Matrix," "Stuart Little," The Talented Mr. Ripley and "Toy Story 2"; the television nominees are "Annie," "Everybody Loves Raymond," "Judging Amy," "Law & Order," "Law & Order: Special Victims Unit" and "The West Wing.". The awards will be handed out March 22 at the Beverly Hilton in Beverly Hills, Calif. ...
... Tom Sherak, chairman of 20th Century Fox's Domestic Film Group and senior VP of Fox Filmed Entertainment, will receive the Sherrill Corwin Humanitarian Award at ShoWest for his involvement with numerous charities. The National Association of Theater Owners will give Sherak the honor, which has not been awarded since 1994, during its convention March 6-9 in Las Vegas.
QUICK TAKES: Two-time Oscar-winner Dustin Hoffman will pull the early-morning shift to help announce the nominations for the 72nd Annual Academy Awards bright and early Feb. 15. He'll be joined by Academy President Robert Rehme. ...
... Jude Law ("The Talented Mr. Ripley") has joined the presenting team for Oscar night March 26 at the Los Angeles Shrine Auditorium. ...
... Elizabeth Taylor is scheduled to hold an online chat session on AOL Live from 9-9:30 p.m. EST on Wednesday as a kickoff to Valentine's Day. Ironically, Dame Liz will be advising men on romantic gifts and other gestures. Tip No. 1: If your lady can't remember if your present was better than that of hubby No. 4 or No. 7, it's a very bad sign.