Fun Size may be the only production from kid-centric studio Nickelodeon to also feature underage drinking (complete with red solo cups) and boob groping. The murky demographic for the movie ends up hurting the well-intentioned Halloween flick — it's not quite suitable for the young ones nor is it funny or wild enough for the Gossip Girl crowd which director Josh Schwartz (creator of the show) knows well. Instead we get a floundering trick or treat adventure that reduces the colorful twisted holiday to a meandering situational comedy.
Nick TV grad Victoria Justice (Victorious) stars as Wren a high school "geek" who finds herself unable to bag the guy of her dreams (who adores her) but finds a glimmer of hope in the big cool kids' Halloween party. Ready for a night out with her best friend April (Jane Levy) Wren thinks life is finally going her way until her Mom (Chelsea Handler) sticks her with her troublemaking little brother Albert (Jackson Nicoll) for the night. If chaperoning Albert wasn't already the worst thing in the world Wren finds herself in an even bigger dilemma when her brother wanders off into his own night of mischievous debauchery.
The "one crazy night" formula fits perfectly with Halloween but Fun Size struggles to find interesting material for its eclectic ensemble. Unlike many of the young actresses who have previously collaborated with Schwartz Justice seems unable to crack his voice and comedic style. She's too hip to too aware to play someone struggling with high school. The material doesn't serve her or Levy either; off-color jokes and a bizarre sense of entitlement turn them into two people you don't want to see succeed. Luckily for the audience during their sweeping search for Albert Wren and April cross paths with two true nerd-looking boys: Roosevelt (Thomas Mann) and Peng (Osric Chau) who along with feeling like real teenagers actually land a joke or two.
Interwoven into this speedy adventure — Fun Size clocks in at a little over 75 minutes giving little time to flesh out our teenage heroes — is Albert's encounter with a convenience store clerk named Fuzzy. The adults of Fun Size see the ten-year-old Albert as a parter-in-crime rather than a lost little boy. Fuzzy recruits him for a raid on his ex-girlfriend's house; after running away he meets a lady who brings him to a nightclub. At one point a sleazebag kidnaps Albert and locks him in his bedroom. If Fun Size were madcap it may all make sense. Instead things just happen — and it's not hilarious scary or even deranged.
Nick's '90s sitcom Pete & Pete created an amazing sense of weirdness and heart in its exploits of two teenage brothers. Anyone could watch and enjoy it. Fun Size has a beautiful look (the colors of Halloween are mesmerizing) and Schwartz as always has impeccable soundtrack tastes but when it comes to telling a story that feels both relatable and wonderfully weird — what Pete & Pete did so well — the movie falls flat. It's stereotype humor (the movie packs many a fat and gay joke) doesn't cut it — when paired to Nick's best efforts the movie lives up to the title: a bite-size portion of a bigger better cinematic sweet.
WHAT IT’S ABOUT?
For real estate broker Peter Klaven the bride wasn’t hard to land; it’s finding a best man that’s proving the real challenge. After he gets engaged to sweet Zooey he realizes he has no close male friendships so he sets off on a series of “man dates” to rectify the situation until he finally stumbles upon Sydney Fife a care-free bachelor and Peter’s polar opposite. An immediate best-buddy connection is formed as the two bond to Rush music and engage in honest mano et mano conversation. But when the bromance gets a little too intense it causes ripples in his relationship with Zooey and threatens the wedding.
WHO’S IN IT?
With a cast who mainly cut their teeth in TV sitcoms and improv this is can’t-miss comedy providing the best role Paul Rudd has had to date. Playing Peter as the ultimate female-loving straight guy a potential bride’s dream because he likes to cuddle up on the couch and watch chick flicks like Chocolat Rudd is hilarious especially later on as he tries the male-bonding thing with Sydney -- using hip phrases and non-sequiturs he is incapable of uttering with any level of competence. There’s a grounded sweetness to Rudd in this role and he never loses sight of the character. Rudd and Jason Segel (Forgetting Sarah Marshall) are sensationally funny together -- the best movie buddy team in years. That’s largely because Segel also is down-to-earth in a role that could have soared over the top but never does. The two are always believable and that’s key to making the comedy work as well as it does. Rashida Jones is refreshingly likeable and sweetly understanding if frustrated as Peter’s fiancée. As her BFFs are: Jaime Pressly (My Name Is Earl) who is always battling with her hubby (a riotous Jon Favreau) and Sarah Burns as the awkwardly man-hungry Hailey are highly amusing. SNL’s Andy Samberg is surprisingly understated as Peter’s gay brother and there are nice moments from J.K Simmons (Juno) and Jane Curtin as their parents. And watch out for Thomas Lennon who steals his few scenes as Doug a spurned early “man date” of Peter’s. The original Incredible Hulk Lou Ferrigno also turns up as himself in a wryly amusing running gag.
This is a broad comic premise but it’s never allowed to careen out of control allowing everyone to create three-dimensional human beings despite the hijinks going on around them. The bits with Rudd and Segel jamming on Rush songs are great and so is the endless stream of corny catchphrases such as Rudd’s "we’re just chillaxin’" and Segel’s "Dude Von Dudenstein."
Considering the smart instinctual comic chops that writer/director John Hamburg (Along Came Polly) displays here he could have cut back on the raunch which gets piled on a little thick at times for the film’s own good; although compared to last week’s dreadful buddy bomb Miss March this is Disney stuff.
There are too many to name but the Chinese restaurant engagement dinner is a comic knockout particularly when it comes to Segel’s toast -- full of thinly disguised and totally inappropriate sexual innuendo.