The magical R-rating is both a gift and a curse to Adam Sandler's signature brand of lowbrow humor. In That's My Boy the comedian returns to the dim-witted roots that made him a star in early outings like Billy Madison and Happy Gilmore (complete with high-pitched mushmouth accent) but with a ramped up "ew" factor. Unrestrained Sandler piles on as many expletives and gross-out scenarios as a two-hour movie can hold — and it works out quite well. With costar Samberg nailing the disgusted straight man role Sandler's penchant for acting like a fool is enhanced by the sick stylings of director Sean Anders (Sex Drive) and only occasionally teetering into truly offensive territory. Laughs aren't guaranteed but the movie provokes (which is a big step up from Jack and Jill).
Back in the '80s Donny had a secret relationship with his teacher Ms. McGarricle that resulted in a son Han Solo (he's a middle schooler what do you expect?). The torrid affair put McGarricle in jail Donny into celebrity tabloid spotlight and Han Solo in the hands of a tween father. Thirty years later everyone's screwed up: Donny (Adam Sandler) is a drunk on the brink of jail time for tax evasion McGarricle's still in jail and Han Solo (Andy Samberg) now "Todd " is a successful number-cruncher with severe social issues. On the weekend of Todd's wedding Donny reenters his life hoping to bring revive their relationship and reunite him with his mother — that is on camera so Donny can make $50 000 from a gossip TV show and stay out of the slammer. Posing as Todd's long-lost best friend Donny stirs up trouble becoming buddies with Todd's friends and family and acting like a imbecile.
The wedding setup is overdone but always prime for comedy: plenty for a numbskull to screw up logical progression (there's a wedding at the end!) and a bachelor party scene to squeeze in the most disgusting bits and have them make sense. That's My Boy makes the most of its conventions — including what we all know and expect from a Sandler comedy — by continually one-upping itself. After a night of heavy drinking at the local strip club/omelette bar that results in do-it-yourself ear piercing and robbing a convenience store with Vanilla Ice Todd returns home to expel the night's worth of drinking all over his fiancee's wedding dress. Then he makes love to the dress. Then his fiancee (Leighton Meester) wakes up to find the dress. Then it goes even further than one would care to imagine. Grossed out yet? Amazingly lower-than-low brow material is handled with clever timing and great delivery. It's just that the foundation is bodily fluids.
That's My Boy falters when it throws in gags that serve zero purpose to the story. Strange racist humor a mentally retarded bar patron played by Nick Swardson (a Sandler mainstay) random allusions to Todd Bridges' drug habits — barrel-scraping one-offs that have nothing to do with the movie. At two hours the movie needs slimming and the fat is apparent. Thankfully the main ensemble goes to great lengths to make the hard R comedy click with Sandler and Samberg playing well off each other (although Samberg doesn't have the making of a leading man after this movie) and SNL alums like Will Forte Rachel Dratch and Ana Gasteyer driving by to bring the funny. Even Vanilla Ice's extended cameo fits the anything-goes tone playing a version of himself that befriended Donny in his celebrity days. Now he works at an ice skating rink.
After a few lame ducks That's My Boy is a return to form for Sandler. It wavers in quality but it has energy and color. A cash-in this is not and for any Sandler fan with a stomach for hardcore bathroom humor it's a must-see.
Back when Saturday Night Live based movies were good, Dana Carvey was king. Together with his comedic cohort Mike Myers, the legendary laugh man grossed hundreds of millions of dollars as Garth in the pairs Wayne's World films and brought many smiles to American faces via NBC's long running sketch comedy show. He's not appeared in a film since 2002's surprise hit The Master of Disguise, but will possibly make his return to the silver screen alongside another SNL vet.
Coming Soon reports that Carvey is set to cameo is Adam Sandler's forthcoming family film Jack and Jill, in which the $100 million man will play both the male and female leads. Plot details are pretty scarce, but we know that Al Pacino will co-star and Katie Holmes is rumored for a role in the comedy. Dennis Dugan, Sandler's frequent behind-the-camera collaborator on films like Grown Ups, You Don't Mess With The Zohan and Happy Gilmore (my personal favorite) will direct from a script by Steve Koren and Robert Smigel.
Though Jack and Jill is far from one of my more anticipated films of 2011, I have long hoped for the return of Carvey, who has enough mojo to fuel his own film (but I'll take him anyway I can get him). Part on, Garth!
Source: Coming Soon
Total loser Gus (Rob Schneider) and his equally derelict friends Richie (David Spade) and Clark (Jon Heder) spent a lot of time in their school days sitting on the bench during baseball games. Now all grown up they decide to help a kid Nelson (Max Prado) from being bullied on the field. It turns out his father Mel (Jon Lovitz) is a billionaire who hires the guys to build confidence in his son. If they play in a tournament and help wage war against the bullies of the world Mel will promise the winning team the greatest stadium ever built. They call their team "Mel's Tournament of Little Baseballers and Three Older Guys" and hire Reggie Jackson to train them. But it turns out Gus was really a bully back in school and he now has to win the team's trust back. These guys make the Three Stooges look like Harvard grads the Dumb and Dumber dudes look like geniuses. If you thought Jon Heder was an amazing talent and Napoleon Dynamite was extraordinarily innovative then this performance may be a major disappointment wiping out any hope the actor can play more than one note. Sure he may have stretched a bit as the scene-stealing bookstore owner in Reese Witherspoon's Just Like Heaven but he's even more of a dazed dumb slacker in Benchwarmers. Schneider and Spade have already proven to be one-note talents--Spade's little bratty boy routine is running as thin as is Schneider's hairline. The only good acting comes from anyone under the age of 20 particularly Prado and the kid bullies. Even though Adam Sandler has personally moved on he still hires his old pals to do the silly movies he used to do through his production company. We have already be subjected to Grandma's Boy--and now Benchwarmers. This time around producer Sandler also drags director Dennis Dugan into the mix. He’s the guy who helped turn the comic actor into a superstar in films such as Happy Gilmore and Big Daddy. But by trying to create that old magic with the new hot-slacker-du-jour Heder and ripping off The Bad News Bears story Sandler fails. Benchwarmers is just a waste of time for anyone over 12. But hey if being humiliated smashing mailboxes and tossing hot potatoes makes you laugh then there's a seat for you on this bench.