Superstar couple Beyonce and Jay Z are set for a big night at the 2014 BET Awards with four nominations apiece. The Crazy in Love hitmakers will compete against each other in the Best Collaboration category, in which Beyonce's song Drunk in Love, which features her husband, will battle Jay Z and Justin Timberlake's Holy Grail. Drake and Majid Jordan's Hold On (We're Going Home), Robin Thicke, T.I. and Pharrell Williams' Blurred Lines, YG's My Hitta collaboration with Jeezy and Rich Homie Quan and I Luv This by August Alsina and Trinidad Jame$ are also up for the prize.
Meanwhile, rivals Jay Z and Drake will go toe to toe in the Best Male Hip Hop Artist category, alongside Future, J. Cole and Kendrick Lamar, while Beyonce will battle Janelle Monae, Jhene Aiko, K. Michelle, Rihanna and Tamar Braxton for the Best Female R&B/Pop Artist title. Jay Z and Beyonce will also vie for the coveted Video of the Year award with the videos for Drunk in Love and Partition, respectively. Pharrell Williams' Happy, Chris Brown's Fine China and Drake's Worst Behavior are also nominated.
In the movie categories, Angela Bassett, Gabrielle Union, Kerry Washington, Lupita Nyong'o and Oprah Winfrey will fight for the Best Actress prize, and Chiwetel Ejiofor, Forest Whitaker, Idris Elba, Kevin Hart and Michael B. Jordan are up for the Best Actor trophy. The Best Movie nominees are: 12 Years a Slave, The Best Man Holiday, Fruitvale Station, Kevin Hart: Let Me Explain and Lee Daniels' The Butler.
The 2014 BET Awards will be handed out at the Nokia Theatre in Los Angeles on 29 June (14).
The full list of nominees are:
Best Female R&B/Pop Artist: Beyonce, Janelle Monae, Jhene Aiko, K. Michelle, Rihanna, Tamar Braxton
Best Male R&B/Pop Artist: August Alsina, Chris Brown, John Legend, Justin Timberlake, Pharrell Williams
Best Group A$AP Mob Daft Punk Macklemore & Ryan Lewis TGT Young Money
Best Collaboration August Alsina featuring Trinidad Jame$ - I Luv This Beyonce featuring Jay Z - Drunk in Love Drake featuring Majid Jordan - Hold On (We're Going Home) Jay Z featuring Justin Timberlake - Holy Grail Robin Thicke featuring T.I. & Pharell Williams - Blurred Lines YG featuring Jeezy & Rich Homie Quan - My Hitta
Best Male Hip Hop Artist Drake Future J. Cole Jay Z Kendrick Lamar
Best Female Hip Hop Artist Angel Haze Charli Baltimore Eve Iggy Azalea Nicki Minaj Video of the Year Beyonce - Partition Beyonce featuring Jay Z - Drunk in Love Chris Brown - Fine China Drake - Worst Behavior Pharrell Williams - Happy
Video Director of the Year Benny Boom Chris Brown Colin Tiley Director X Hype Williams
Best New Artist Ariana Grande August Alsina Mack Wilds Rich Homie Quan ScHoolboy Q
Best Gospel Artist Donnie McClurkin Erica Campbell Hezekiah Walker Tamela Mann Tye Tribbett
Best Actress Angela Bassett Gabrielle Union Kerry Washington Lupita Nyong'o Oprah Winfrey
Best Actor Chiwetel Ejiofor Forest Whitaker Idris Elba Kevin Hart Michael B. Jordan
YoungStars Award Gabrielle Douglas Jacob Latimore Jaden Smith KeKe Palmer Zendaya
Best Movie 12 Years a Slave The Best Man Holiday Fruitvale Station Kevin Hart: Let Me Explain Lee Daniels' The Butler
Subway Sportswoman of the Year Brittney Griner Lolo Jones Serena Williams Skylar Diggins Venus Williams
Subway Sportsman of the Year Blake Griffin Carmelo Anthony Floyd Mayweather Jr. Kevin Durant LeBron James
Centric Award Aloe Blacc - The Man Jennifer Hudson featuring T.I. - I Can't Describe (The Way I Feel)" Jhene Aiko - The Worst LiV Warfield - Why Do You Lie? Wale featuring Sam Dew - LoveHate Thing
Best International Act: Africa Davido (Nigeria) Diamond Platnumz (Tanzania) Mafikizolo (South Africa) Sarkodie (Ghana) Tiwa Savage (Nigeria) Toofan (Togo)
Best International Act: UK Dizzee Rascal Ghetts Krept & Konan Laura Mvula Rita Ora Tinie Tempah
Warner Bros. Pictures via Everett Collection
With only a week and change having passed since the release of The Amazing Spider-Man 2, we no doubt feel the question living fresh in our minds: can we ever judge a remake without considering its predecessors? The conversation about the stark contrast in critical favor between Marc Webb's release and Sam Raimi's trilogy (the second installment of his franchise in particular) buzzed loudly, and we imagine the volume will keep in regards to Gareth Edwards' Godzilla. But it'll be a different sound altogether.
The original Godzilla, a Japanese film released in 1954, reinvented the identity of the monster movie, launched a 30-film legacy, and spoke legions about the political climate of its era. The most recent of these films — Roland Emmerich's 1998 American production — is universally bemoaned as a bigger disaster than anything to befall Tokyo at the hands of the giant reptile. With these two entries likely standing out as the most prominent in the minds of contemporary audiences, Edwards' Godzilla has some long shadows cast before it. And in approaching the new movie, one might not be able to avoid comparisons to either. It's fair — by taking on an existing property, a filmmaker knowingly takes on the connotations of that property. But the 2014 installment's great success is that it isn't much like any Godzilla movie we've seen before. In a great, great way.
This isn't 1954's Godzilla, a dire and occasionally dreary allegory that uses the supernatural to tell an important story about nuclear holocaust. A complete reversal, in fact, first and foremost Edwards' Godzilla is about its monsters. Any grand themes strewn throughout — the perseverence of nature, the follies of mankind, fatherhood, madness, faith — are all in service to the very simple mission to give us some cool, weighty, articulate sci-fi disaster. Elements of gravity are plotted all over the film's surface, with scientists, military men (kudos to Edwards for not going the typical "scientists = good/smart, military = bad/dumb" route in this film — everybody here is at least open to suggestion), doctors, police officers, and a compassionate bus driver all wrestling with options in the face of behemoth danger. The humanity is everpresent, but never especially intrusive. To reiterate, this isn't a film about any of these people, or what they do.
Warner Bros. Pictures via Everett Collection
The closest thing to a helping of thematic (or human) significance comes with Ken Watanabe's Dr. Serizawa, who spouts awe-stricken maxims about cryptozoology, the Earth, and the inevitable powerlessness of man. He might not be supplying anything more substantial than our central heroes (soft-hearted soldier Aaron Taylor-Johnson, dutiful medic and mom Elizabeth Olsen, right-all-along conspiracy theorist Bryan Cranston), but Watanabe's bonkers performance as the harried scientist is so bizarrely good that you might actually believe, for a scene or two, that it all does mean something.
Ultimately, the beauty of our latest taste of Godzilla lies not in the commitment to a message that made the original so important nor in the commitment to levity that made Emmerich's so pointless, but in its commitment to imagination. Edwards' creature design is dazzling, his deus ex machina are riveting, and the ultimate payoff to which he treats his audience is the sort of gangbusters crowd-pleaser that your average contemporary monster movie is too afraid to consider.
In fairness, this year's Godzilla might not be considered an adequate remake, not quite reciprocating the ideals, tone, or importance of the original. Sure, anyone looking for a 2014 answer to 1954's game-changing paragon will find sincere philosophy traded for pulsing adventure... but they'd have a hard time ignoring the emphatic charm of this new lens for the 60-year-old lizard, both a highly original composition and a tribute in its way to the very history of monster movies (a history that owes so much to the creature in question). So does Godzilla '14 successfully fill the shoes of Godzilla '54? No — it rips them apart and dons a totally new pair... though it still has a lot of nice things to say about the first kicks.
Oh, and the '98 Godzilla? Yeah, it's better than that.
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Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
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WHAT IT’S ABOUT?
Although The Great Buck Howard is not the literal story of the once popular (in the '60s and '70s) entertainer known as the Amazing Kreskin the film makes it known this is a pretty thinly disguised tribute to the man who made 88 appearances on Johnny Carson’s Tonight Show before fading into obscurity on the dinner theater circuit. Writer/director Sean McGinly who worked briefly as Kreskin’s assistant has reinvented him essentially as Buck Howard a “mentalist extraordinaire ” who once strode in the limelight with numerous TV and Vegas appearances but now plays faded community centers and hasn’t filled a theater in decades. As his new assistant law-school dropout Troy Gable quickly learns it isn’t easy working for Buck who still sees himself as a big star but when a quirk of fate intervenes and he really does get a second chance at the national spotlight neither one is quite prepared for what comes next.
WHO’S IN IT?
John Malkovich is a fine actor but he isn’t exactly known for comedy. As Buck Howard however he has the role of a lifetime and he’s simply amazing wryly funny as the has-been mentalist who would never admit he isn’t still every bit the top celebrity he used to be. Although Malkovich plays him somewhat pompously he’s ultimately quite touching as a celeb who once commanded great attention and still craves it on his own terms. As his new unwitting assistant Colin Hanks drolly underplays most of his scenes with Buck and effortlessly shows the quiet desperation of a wannabe writer who’s not exactly sure what he should be doing with his life. Emily Blunt is lovely as a publicist who helps engineer Buck’s surprising comeback; and there are also small but fun bits with Steve Zahn Griffin Dunne and even Colin’s real-life dad Tom Hanks whose company bankrolled the movie.
In the same sweet but low-key vein of My Favorite Year McGinly paints a portrait of the less glamorous aspect of showbiz when an outsized personality starts traveling on the downside of the entertainment world. Clearly his days with Kreskin gave him an entree into this life and his film is nicely observant and respectful. But still very funny.
The film plays it all a little too safe. It doesn’t seem to want to be anything more than a snapshot of life after huge success has faded; adding a little more complexity might have offered an even richer role for Malkovich. It’s pleasant but there’s not a whole lot of depth.
Buck hypnotizes a large crowd of volunteers but gets sidetracked and neglects to snap them out of it. It’s pricelessly funny and captures the ego of the guy perfectly in the expert hands of Malkovich.
Top Story: Prosecutor Suggests Michael Jackson May Flee U.S.
The prosecutor in Michael Jackson's child molestation case opposes reducing the pop star's $3 million bail out of concern he might flee the country, The Associated Press reports. Santa Barbara County District Attorney Tom Sneddon's office said Jackson's wealth requires at least the current bail, arguing the singer might choose to live out his life as "a wealthy absconder" rather than face a life term in a California prison. According to the motion filed by Deputy District Attorney Gerald McC. Franklin, there is concern Jackson might flee to a country that doesn't have an extradition agreement with the United States. "Mr. Jackson is known and adored--'adored' is not too strong a word--in many of the countries of Europe, the Near East and Africa," the motion said. "The defendant here is 'Michael Jackson, international celebrity,' a man whose lifestyle to date would not have prepared him to adapt readily to a prison environment and routine, and whose physical stature will present its own problems for him in making the necessary adjustments." In addition to child molestation, a grand jury indicted Jackson with a conspiracy count that alleged child abduction, false imprisonment and extortion.
Posh Stands By Her Man
Former Spice Girl Victoria Beckham says in Marie Claire's July issue that she has faith in her husband, English soccer star David Beckham. "I know my David's never cheated on me," she said in the interview in response to allegations Beckham had affairs with his former personal assistant and a model. The Beckhams recently announced that Victoria--still known as Posh Spice to many fans of the 1990s girl band--and their two children would move to Spain to be with David, who left Manchester United to play for Real Madrid last year. She also denied rumors she stayed with David to make money from the 'Beckham brand.' "I couldn't live a lie and it would be unfair on our children," she said. "We are working on things together, but it is absolutely not a business arrangement."
Sean Combs Didn't Expect Tony Nod for Raisin
Sean "P. Diddy" Combs, who is currently starring in the Broadway revival of Lorraine Hansberry's A Raisin in the Sun, told Reuters in a recent telephone interview he isn't bothered being the only star in the production not to get a Tony Award nomination. "I didn't expect to get nominated. That was not my motivation. I'm very realistic as a person about life and how you have to pay your dues and about the level I'm at as an actor. I have my time for awards," Combs said, adding: "There's nothing that can compare to people laughing about you for something and then every night, standing room only." Initial ticket sales for A Raisin in the Sun broke the 1,078-seat Royale Theatre record and routinely sells out.
Combs Goes From B'way To Politics
In other "P. Diddy" news, Combs told the New York Post Sunday he hopes to question President Bush and likely Democratic nominee John Kerry on his new MTV show, tentatively titled Project Change. The 34-year-old hip-hop impresario told the paper he plans to scout the streets of Harlem, Brooklyn and Detroit for "real people" to ask the questions. "The people who usually ask the candidates questions are screened, and I'm going to use real people off the streets to get their questions out there," Combs told The Post. "I'm going to make Kerry and Bush squirm." His goal is to encourage a record number of young people and minorities to vote.
Helen Hunt Has Baby Girl
Mad About You star Helen Hunt gave birth to a daughter on May 13 in Beverly Hills, Calif., Reuters reports. The baby, named MaKena lei Gordon Carnahan, is the first child for Hunt and director Matthew Carnahan. The couple began dating in 2001. The 40-year-old actress and her baby are "doing very well," her publicist said Friday.
Kirk, Anne Douglas Renew Wedding Vows
Anne and Kirk Douglas renewed their wedding vows for the second time in 50 years Sunday before 300 guests in a traditional Jewish ceremony at the Greystone Mansion in Beverly Hills, Calif., the AP reports. Guests included former First Lady Nancy Reagan, Merv Griffin, Dan Aykroyd, Lauren Bacall, Tony Curtis, Vidal Sassoon and Anjelica Huston. Family members included the Douglas' son Peter and Kirk Douglas' son, producer Joel Douglas, from his first marriage. Actors Eric and Michael Douglas were unable to attend. A publicist for Kirk Douglas said Michael Douglas was with his wife, Catherine Zeta-Jones, who is currently filming in Europe.
24 Whittles Cast for Upcoming Season
The Counter Terrorism Unit on Fox's drama 24 is getting its pink slip. Sources tell Reuters the actors who play Jack Bauer's (Kiefer Sutherland) CTU colleagues have been informed that their options as series regulars will not be picked up for the upcoming fall season. That includes Reiko Aylesworth and James Badge Dale, who play CTU members Michelle Dessler and Chase Edmunds. The two could return could return next season for guest appearances, along with Carlos Bernard, Zachary Quinto and Daniel Dae Kim, who played CTU members on a recurring basis. Elisha Cuthbert, who plays Jack's daughter and CTU analyst Kimberly Bauer, is expected to return next season.
Death Row Must Pay for Man's Injuries
Death Row Records was ordered to pay more than $162,000 to a man who said label owner Marion "Suge" Knight and his bodyguards attacked him at a recording studio in 2001, the AP reports. A Superior Court jury ruled that although Knight, who was not in the studio during the altercation, was not personally liable for the fight, Death Row Records was responsible for the actions of his security guards. Dwayne H. Baudy said he went to Con Am Studios in November of 2001 to meet an independent rap producer when he and a friend got into a confrontation with Death Row's security chief, Reginald Wright Jr. Wright said Baudy and his friend brandished guns after they were barred