Fans of Chris Colfer, a two-time Emmy nominated and Golden Globe winner for his supporting role as Kurt on Glee, knew it was only a matter of time before the actor broke out on the big screen. But what they may not have expected is that the 21-year-old actor would do it with a script of his very own. The 2012 Tribeca Film Festival played host to Colfer's screenwriting debut, Struck By Lightning, a coming of age tale that draws on many of the young renaissance man's own experiences. The film follows Carson Phillips, an ambitious small towner who dreams of one day being a writer for the New Yorker. Unfortunately, he can't get any of his unmotivated peers to contribute to his lowly literary magazine. So Carson resorts to drastic measures: blackmail.
Kurt is a lovable teen (despite some of his diva like qualities), but Carson is a comparatively darker turn for Colfer. He's abrasive, arrogant and bent on getting his way. Colfer told me he couldn't wait to let him loose into the world. "He was never a way for me to differentiate myself from Glee. He's been with me much longer than Kurt Hummel. And he was created as a way for me to vent. A way for me therapeutically get out what I wanted to say to people who I went to school with everyday because I'd get my ass kicked. So I'd write it in a script and say, 'Ha, there!' I think the big thing about him is that he's so unlikable, but you support him on his journey. You're not supposed to like him, but you give him credit for being ambitious."
Colfer started sketching the first concepts for Struck By Lightning when he was in high school, shaping it into a one-man performance for his debate team. But when he discovered screenwriting, the format became an obsession. "I would go to Borders everyday after school and, I couldn't afford it because it was $40, but Sofia Coppola had published her screenplay to Marie Antoinette. And I would sit and read that screenplay for hours." Colfer doesn't hesitate to attribute his ability to get Struck By Lightning made to his role on Glee, but did he consult creator Ryan Murphy when he came down to finally penning the screenplay? "I never once asked Ryan about it ever. I respected him too much to be like, 'Here, read my script!' I'd be terrified if he saw the movie."
Though he shouldn't be. Whether it was the script or a chance to work with him, Colfer found it easy attracting the actors he was eyeing up for the individual parts. "Just like my movie, I blackmailed everyone to be in the movie [laughs]. We really hit the jackpot. The person I go to most is Allison [Janney] because when I was 17, thinking about writing a script someday, she was the only actress I ever had in my mind to play the role." Along with Janney, Colfer also pursued the legendary Polly Bergen. The name may not be instantly recognizable to people his age, but Colfer's been a fan of the actress/singer for a long time. "I loved Commander-in-Chief. I was 14 when it came out. Don't judge me! I loved Polly — she was hysterical. Then she was on Desperate Housewives after that. I remember the lunch ladies I was friends with in high school were huge fans of Polly Bergen and they would talk about all her own movies, Cape Fear and Kisses for My President and all that."
Struck By Lightning is a good-natured opportunity for Colfer to stretch his acting legs, but it doesn't arrive without controversy. In one scene, Carson blackmails two gay students into writing for his magazine, threatening to out them if they don't comply. The moment is particularly strange considering Colfer's work — his Glee character Kurt has arguably advanced the acceptance of gay youth on television and Colfer continues this advocacy off screen. When I asked him if the scene aligned with his sensibilities, he seemed conflicted. "Isn't that crazy? I hope they don't get mad at me for that. I definitely thought they might, but I think they'd also want to me to handle high school how high school is. That is how it is in high school. They're either out and proud or in the closet. There's no in-between. There's no, 'I'm not all the way there, but I'm somewhere in the grey.' That's based on something that actually happened. So I hope they don't get mad at me. I'm trying to validate it [laughs]." It's clear Colfer feels strongly about the evolution of gay rights across the globe. But at the end of the day his goal is creativity, not politics. "I can't be expected to promote the same stuff in everything that I do. And it's not like I treat the other characters with any disrespect that any of the characters see. One is fine with it! One is totally fine with it, it's the other that has an issue. So you see both perspectives of it."
While Colfer's script is rooted in truth, the writer/actor insists it's not biographical (which is evident, when you meet the upbeat and enthusiastic Colfer). That said, his old classmates and neighbors should look out for Easter eggs. "I grew up in Clovis and Clover is the name of the town. That's supposed to be a wink and a nudge. Clovis is 90,000 people, Clover is 9,000 people. It's an inside joke. When they see the movie, I hope they go 'Ha ha!' and not 'Son of a bitch!'" Those afraid that the actor may stick to what he knows, continuing to churn out high school-themed movies, don't fret. He's currently preparing to make a radical departure: "My next movie takes place in an asylum in the 1930s. It's twisted, dark…people are going to look at me differently when they find out. "
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Trailer: Glee Star Chris Colfer Wears Two Hats for Struck By Lightning
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Photo credit: Wenn.com
The Good Shepherd is billed as the story of how the CIA began but it is really the fictional story of Edward Wilson (Matt Damon) and his involvement in the first covert wing of the CIA. The story moves back and forth in time from when Edward is a literature student at Yale and a member of the secretive Skull and Bones club through the days following the Bay of Pigs in the early ‘60s. Edward is recruited into intelligence work at the beginning of World War II and learns the dark art of spying and espionage from the British. Meanwhile his personal life takes a back seat to his service for his country including alienating his wife Margaret “Clover” Wilson (Angelina Jolie) and their son. He is never home enough to effectively deal with the family problems his absence creates. By the end of the film as the twin disasters of the Bay of Pigs and his broken family unfold--and blame must be assigned--Edward ends up being a metaphor for the modern US intelligence service. Damon who has made a franchise out of playing the spy/assassin Bourne plays a very different kind of spy in The Good Shepherd. Wilson is a boring controlled buttoned down spy who is unfortunately more like the real thing than what we see in the movies. Damon does an excellent job however especially in those moments when he realizes he has screwed up. The actor stays controlled but finds a way to let the audience glimpse the pain of a man who has spent his life keeping his emotions and thoughts under wraps. Jolie is almost too luminous for the part of Edward's hapless wife. She is a bright spot in the movie as she transforms from the sexy/feisty Clover to the medicated/angry Margaret. Newcomer Eddie Redmayne also does a good job as the grown up Edward Wilson Jr. The rest of the cast is peppered with excellent performances from top-flight actors including William Hurt as a menacing intelligence heavy; Michael Gambon (Dumbledore in the Harry Potter series) as a British intelligence officer who’s fed up—and even De Niro himself as a general who’s the driving force behind the CIA’s beginning. De Niro captures the nature of the gray-flannelled spy but seems to get bogged down with material unable to craft a tight compelling film. The Good Shepherd is long and feels long with some of the transitions too abrupt. The subdued colors evoke the period of the film as well as play into the monotony that is intelligence work. But the problem with monotony is that it’s boring and boring is not something a movie should be. There are some incredibly intriguing scenes however and the film will certainly speak to any of those with genuine interests in the hardcore spy genre--obviously De Niro being one of them--but like its subject matter Shepherd will probably be too elusive for the casual viewer. De Niro seems much more comfortable in the details but less interested in keeping the story gripping. Ironically this is the exact opposite of the main character Edward Wilson who keeps his eye on the big picture but misses the small moments he should have noticed.