Jonah Hill poked fun at an ex-girlfriend while picking up GQ magazine's International Man of the Year honour in London on Tuesday night (02Sep14).
The Wolf of Wall Street star took aim at his sixth grade love while accepting the style trophy from Bradley Cooper. Hill said, "Emily, my first girlfriend... You broke my heart and left it shattered. It was really sad. I know you were young and love is wild and you grow apart, but I'm GQ International Man of the f**king Year!"
The twice Oscar-nominated star joined Colin Firth, Liam Neeson, Pharrell Williams, Van Morrison, New Order, new Doctor Who Peter Capaldi, racing driver Lewis Hamilton and Paulo Nutini among the big style winners, while Johnny Depp presented punk veteran Iggy Pop with GQ's Icon Award at the Royal Opera House.
And the women weren't left out - Kim Kardashian West, who was joined on the red carpet by her husband Kanye West, picked up the Woman of the Year prize and stunned in a custom-designed haute couture Ralph & Russo gown. Reminding the world her full name is now Kim Kardashian West, the reality TV star said, "I want to thank GQ for making me Woman of the Year, and my husband for making me feel like woman of the year every day."
Among those handing over the top prizes at the ceremony Lindsay Lohan, Bradley Cooper, Gerard Butler, Rita Ora, Cara Delevingne, Daisy Lowe, Bob Geldof, Pippa Middleton and author E.L. James, who presented her Fifty Shades of Grey star Jamie Dornan with a Breakthrough Award.
The full list of GQ Men of the Year Award winners is:
Comedian of the Year: John Bishop
Editor’s Special Award: Liam Neeson
Chef of the Year: Tom Kerridge
Designer of the Year: Christopher Bailey
International Man of the Year: Jonah Hill
Writer of the Year: Michael Lewis
Philanthropist of the Year: Tony Blair
Breakthrough Fashion Designers of the Year: Agi and Sam
TV Personality of the Year: Peter Capaldi
Innovator Award: Ewan Venters
Inspiration Award: New Order Hugo Boss
Most Stylish Man: Douglas Booth
Sportsman: Lewis Hamilton
Actor of the Year: Benedict Cumberbatch
Entrepreneur of the Year: Andre Balazs
Special Achievement: Paolo Nutini
Vertu Breakthrough Award: Jamie Dornan
Legend Award: Van Morrison
Solo Artist of the Year: Pharrell Williams
Leading Man of the Year: Colin Firth
Humanitarian of the Year: Ringo Starr
Woman of the Year: Kim Kardashian West
Icon Award: Iggy Pop
Tom Petty & The Heartbreakers keyboard player Benmont Tench is set to release his first-ever solo album. Tench's You Should Be So Lucky will debut on Tuesday (18Feb14) and will include collaborations with Petty, Ringo Starr and Ryan Adams. The album will include 10 original tracks and covers of Bob Dylan's Duquesne Whistle and blues standard Corrine, Corrina.
A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.
S1E2: Based on the first episode of HBO’s new drama Luck, I think it is no grand leap to assume that the show’s meager ratings will not be seeing a huge spike anytime soon. The subject matter, and the way it is delivered to audiences, is alienating to those not already well versed in the world of horserace gambling. As our TV editor, Kelsea Stahler, pointed out in her review of the pilot, Luck places a heavy focus on the emotionality inherent in horseracing—to the trainers, the jockeys, the gamblers, everybody. But interspersed are jargon-heavy conversations that act to further the plot and set us in a vividly realistic depiction of the scenery. To those of us who are complete strangers to the racetrack, these conversations do more harm than good.
But the second episode, while not completely free of this problem (I won’t exactly call it a flaw, because the show doesn’t seem at all oblivious to what it is doing), is a clear indicator of why HBO might have decided to pick up the series for a second season. We already guessed that Luck’s strongest selling point would be its cast. Film legends like Dustin Hoffman, Nick Nolte and Dennis Farina lead the list of players in this drama. And even if the premise doesn’t grip you inherently, they will. The cast—and the characters—are exemplary.
“Like the whole state economy, the track is desperate for new streams of revenue. The perfect f**king Trojan Horse.” – Ace
We see Hoffman’s Chester “Ace” Bernstein, just freed from a three-year stint in jail—all because he took the fall for his partner (the yet-unseen Michael Gambon)—getting readily back into the game. But as we learned in the pilot, Bernstein is not the man he used to be. His mind is going. His temper is unkempt. I predict a long, slow demolition of this character from the inside out. This week, Bernstein institutes a meeting with potential investors for his racetrack purchase—but his agitated demeanor is a deterrent to the men. Right by Ace’s side is the wide-eyed thug Gus (Farrina), whose experience with gambling is akin to that of the confused viewer I described above. Ep.2 Clip - Comprende? Although we haven’t seen Gus lose his cool just yet—he actually seems the kindest of the characters we’ve met so far—his one-off comment about plugging Ace’s betrayer Michael (Gambon) and Ace’s description of his assistant as “hot under the collar” might suggest a background in playing rough. It also might suggest a degree of projecting for Ace, whose collar is perpetually on fire. As the duo struggles to find its place back in the underworld, I find their scenes together to be delightfully classic. They’re an old school formula: Rocky and Mugsy. The small, shot-calling brains with the hot temper, and his mild-mannered, milder-minded muscle. A line of dialogue in the pilot makes the pairing really endearing: “I don’t trust anybody. Even myself,” says Bernstein, concluding to Gus: “You get a pass.” Unconditional (and unlikely) friendships amid worlds of deceit and corruption are terrific story devices. I’m looking forward to see how far this one takes us. “I appreciate the good fortune we’ve had, but ball-breaking over my wardrobe is not my idea of fun. And my mental adroitness is dulled by this constant negativity!” – Lonnie In the pilot, the band of Marcus (Kevin Dunn), Jerry (Jason Gedrick), Renzo (Ritchie Coster) and the Ringo the group, Lonnie (Ian Hart), were mostly just noise to wade through due to the heavy amount of technical chitchat about the gambling process. But the second episode boosted them up to a dynamic force, thrusting them at odds with one another due to divergent perspectives on how to handle their newfound riches. Marcus, the unofficial leader of the group and rejecter of all ideas not his own, insists that they all lay low with their intake for the time being, as not to attract any attention. The others succumb to various weaknesses. Jerry, apparently a gambling addict (there has to be at least one in a show like this) spends an inordinate amount of time losing at a poker table to a trash talking high roller. Lonnie lets two women get the better of him—they beat him senseless after he suggests that he’ll be cutting off ties (and funds). There’s something fantastically interesting about this aspect of the series: four men—not friends, not family, not coworkers…four men disconnected by everything except for their partnership in what might well prove to be a problematic financial deal—are bound to one another and forced to wade through the consequences together. Their actions affect each other (as Marcus chants throughout the episode), so they need to keep tabs on one another. When a badly injured Lonnie is delivered to the neighboring motel doors of Marcus and Renzo, the two anxiously take him into the room to tend to him. They’re all in this together, despite having absolutely no emotional connection to one another. Yet. Ep.2 Clip - Ready? “You know what breaking legs sounds like? Branches snapping…” – Walter
But the most wonderful part of the show, as we might have guessed from the first episode, is Nick Nolte’s Walter Smith. A pained, guilt-driven man whose heart bleeds endlessly. He loves horses. He can’t get over the murder of a prized racehorse who cost some business associates a good deal of money. And his heart bleeds (thought slightly less so) for young rider Rosie (Kerry Condon), whom he looks into helping out professionally after he refuses to let her handle the horse he most prizes presently. Smith is a man dipped in such a thick sap of sadness that every word he utters is so valuable. I cannot see this character getting boring, or alienating. He is pure, raw emotion, and his will be the journey—if only one rears—that keeps us adhered to the show cathartically. The remaining characters are interesting in their own right. Richard Kind plays Joey Rathburn, a version of his regular type amped up with more anxiety than he can handle. His business partner, trainer Turo Escalante (John Ortiz) is as hotheaded and distrustful as Bernstein is said to be. He chastises his good-natured jockey, the young Cajun boy Leon Micheaux (Tom Payne) for “flapping his mouth” about his horse’s ability. Escalante values the secrecy of his horse’s abilities in order to keep bets on and barters for him few and far between. When word gets out about the horse’s ability and a cowboy named Mulligan wagers a purchase, Escalante is furious—and Renzo, whose mission was to buy the horse himself, is let down. After the pilot, the second episode of Luck is a refreshing, deeply human piece of work that promises good things for the future of the show. What did you think of the episode? Are those of you with limited knowledge of the gambling world deterred by the show? How about those who know a lot about gambling—is the show getting it right? Let us know in the comments section, or on Twitter (@MichaelArbeiter).
The Forgetting Sarah Marshall star will ask the drummer a number of questions for the Town Hall With Ringo Starr show, to be aired live from Los Angeles on 30 January (12) for Sirius XM.
Brand, who is a "massive fan" of the veteran musician, says, "Now we can unravel the enigma of Ringo."
The show, on which Starr will perform a number of songs, airs a day before he releases his 17th studio album, Ringo 2012.
Bruce Springsteen, Coldplay and Tom Petty have all previously had their own 'Town Hall' specials.
So, let's just put this out there: this is a Martin Scorsese film. And it's about The Beatles. Scratch that; it's about the BEST Beatle. So if you don't want desperately to see this movie, then you're just being a contrarian for the sake of it. Sure, the below trailer for Scorsese's George Harrison: Living in the Material World seems to cover a lot of well-tread territory -- but it still looks fresh, gripping, and more important than anything, spirited. The film involves collaborative efforts from Paul McCartney, Ringo Starr, Eric Idle, Terry Gilliam, Tom Petty... even Yoko Ono. It looks like a true testament to one of the truest public artists of the twentieth century, and incredibly engrossing.
If you were hoping for a rousing, hilarious episode of Saturday Night Live this weekend, prepare to be disappointed. The all Elton John episode was without a doubt, one of the worst episodes this season despite Elton's ability to take whatever material they threw at him AND the fact that celebrity walk-ons were rampant. (Seriously, Jake Gyllenhaal stopped by, Carmello Anthony waltzed into a few sketches, and Tom Hanks practically hijacked the whole show.) We still love Elton, even though the SNL writers made him dress up like a poorly-dressed gay cowboy and another tasteless gay stereotype and otherwise just had him be himself in every other sketch. He did the best he could with what he was given. Here are the skits you need to see just so you know what everyone's blabbing about in the break room.
You know it's not a great episode when one of the best sketches is a reprisal of one we've seen over and over again. We got another Lawrence Welk cold open featuring whatever SNL girls they had at hand, Elton John in a pink -- or lilac, I really can't tell -- and of course Kristen Wiig's Junice. Sure the character's a little old at this point, but she never ceases to be entertaining. Plus, Elton John as some Liberace-type singer was pretty funny.
From one of the funniest to one of the worst skits from last night: The Digital Short. You know it's bad when it gets help from Tom Hanks and Elton John AND they acknowledge that it's bad and it's STILL not funny. Enter, Laser Cats The Musical, a.k.a. the second Laser Cats Digital Short that should never have been made.
Finally, we have the Knights of The Realm. It was just one of many skits that attempted to really stick it to England but it was just plain awful. It's like they ingested every half-baked Brit stereotype and regurgitated it for us. They tried the whole let's make fun of the Brits game with Russell Brand and again here with Elton, but let's hope they stop embarrassing themselves when Helen Mirren takes her turn at hosting. Luckily for us, we get a weird but entertaining Michael Caine impression from Tom Hanks, a damn good Ringo from Fred Armisen, and a bitchy burn on the Spiderman musical from Sir Elton.
The two movie icons' western heroes in the films Stagecoach and Shane, respectively, feature in Cowboys & Indians magazine's list of the 15 most beloved film characters.
Also making the grade: Gary Cooper's Will Kane from High Noon; Steve McQueen's Tom Horn; Marlon Brando's Rio from One Eyed Jacks, and Val Kilmer's Doc Holliday from Tombstone.
Legendary movie cowboy Wayne makes the list twice - he's also honoured for his role of Tom Doniphon in 1962 film The Man Who Shot Liberty Valance.
Ewan McGregor may enjoy working in Hollywood, but he would never live there. McGregor said he loathes the Los Angeles studio system because it dehumanizes actors by putting them on A, B and C lists according to how much money they can make for a studio, he told Britain's The Mail on Sunday's You Magazine. Apparently unaware that studios see actors as being bankable commodities, the actor told the magazine: "We're not a bunch of letters to make you money--we're people." McGregor also denied rumors that he was romantically involved with his Moulin Rouge costar Nicole Kidman.
Comic Judy Gold gave birth Thursday to a 7-pound, 8-ounce boy, The Associated Press reports. Gold, who hosts HBO's At the Multiplex With Judy Gold, and baby Benjamin Dov Callahan-Gold are doing fine.
More than 500 friends and coworkers attended a memorial Monday to Jack Lemmon at the Paramount Studios theater, AP reports. In attendance were actors Kevin Spacey, Hank Azaria, Tom Hanks and comedy writer Larry Gelbart. Lemmon died June 27 of cancer at the age of 76.
The 15th annual Hispanic Heritage Awards will honor director-writer Gregory Nava, artist and educator Judith Baca, Pulitzer Prize-winning newspaper columnist Liz Balmaseda, tennis player Joe Fernandez and journalist talk-show host Cristina Saralegui, AP reports. The awards, to be held Aug. 25, will be broadcast Sept. 22 on NBC, with Gloria Estefan among the featured performers.
A federal judge in Los Angeles ruled that Barbie, the sexy plastic siren, could be used in some controversial artistic photographs, Reuters reports. Judge Ronald Lew ruled Monday that artist Tom Forsythe could use Barbie dolls in a series of limited edition photographs that depicts them in various sexually explicit poses. Forsythe said that his photos attempt to skewer the stereotyping of women and commodification of female bodies.
An anonymous collector bought a pizza-stained piece of paper signed by John Lennon, Paul McCartney and George Harrison for $24,000 at a Melbourne auction on Monday, AP reports. The paper was signed in during the Beatles 1964 Australian tour. Drummer Ringo Starr was not on the tour because of a bout with laryngitis.
The Red Hot Chili Peppers have canceled a concert in Tel Aviv because of sudden outbursts of suicide bombings in Israel. According to Reuters, some 20,000 tickets had already been sold for the concert, to be held at the end of August. Fans will be reimbursed for the tickets. Israeli tourism has dropped 50 percent since the bloodshed began, forcing the shut down of hotels and airlines to cut back on flights.
CNN is in talks with Rush Limbaugh about hosting a show, Variey reports. The network declined to comment on the talks but said it is always looking for a diversity of on-air voices. In the past, Limbaugh dubbed the network the "Clinton News Network". CNN is apparently attempting to woo big-name personalities in a bid to increase ratings and come across as less liberal to attract more conservative viewers. Limbaugh's TV show Rush Limbaugh, The Television Show failed to take off in 1992.
The new two-hour TV movie The Brady Bunch in Washington has papa Brady as president of the United States with wife Carol as vice president, Army Archerd reported in Variety. The movie apparently pokes fun at the White House, past and present. The film is executive produced by Sherwood Schwartz, with his son Lloyd producing and writing with Sherwood's daughter Hope Juber. Filming will take place in Toronto using a Canadian crew and actors.
Even though Rush Hour 2 has grossed an estimated $131.9 million at the domestic box office so far, industry insiders are wondering whether the movie could have made more had Regal Cinemas not passed on the movie. According to The Hollywood Reporter, New Line Cinemas and Regal Cinema were involved in a dispute over film rental negotiations. Regal initially refused to screen the film as long as New Line sought firm-term rental negotiations. Regal claims that New Line broke off negotiations at the 11th hour and insists that missing Rush Hour 2 would not harm the company financially. The Regal Cinema chain has 4,067 screens.
A new series of Absolutely Fabulous will debut on the BBC's fall TV schedule, the BBC News reports. The British comedy, which stars Jennifer Saunders, Joanna Lumley and Julia Sawalha, centers on a neurotic fashion publicist and her best friend, an outrageous fashion editor. The series also airs on the Comedy Central network.