It wasn't exactly like the nosy newspaper said it was going to be, but as expected, "American Beauty" was the big winner, nabbing a field-best five Oscars, including Best Picture, at tonight's 72nd Annual Academy Awards.
"Beauty" star Kevin Spacey was named Best Actor. The relatively no-name Hilary Swank ("Boys Don't Cry") bested Spacey's big-name co-star Annette Bening in the Best Actress race. The Wall Street Journal may have spoiled some of the surprises (including the Swank victory) with its controversial scoop-the-Oscars story Friday, but nobody here seemed to care.
Perhaps the biggest surprise of the night was looking at the night's scorecard and realizing that, after "American Beauty" (which also claimed wins for Best Director, Best Cinematography and Best Original Screenplay), the other big film was "The Matrix," which swept the four technical categories in which it was nominated.
Here's an annotated recap of the night's winners at the Los Angeles Shrine Auditorium:
BEST PICTURE: "American Beauty."
Kevin Spacey BEST ACTOR: Kevin Spacey, "American Beauty." Heavy favorite or no, Spacey says he's "stunned" and goes on to inexplicably thank, um, Jack Lemmon. Backstage, when the "American Beauty" winners converge with the adoring press, Spacey explains that he first met Lemmon when he was 13 (Spacey, not Lemmon) and considers him a mentor. Lemmon's turn as a corporate schmuck in "The Apartment" (1960), in fact, was the inspiration for Spacey's Oscar-winning performance. "He really was a model for Lester Burnham. Without his performance in 'The Apartment,' it never would have been possible for me," Spacey says. The press here are adept at posing some odd questions, and when a scribe asks Spacey if he was "surprised" that he got so emotional onstage (and thus stammered through his acceptance), the actor retorts: "Actually, I was experiencing an aneurysm."
BEST ACTRESS: Hilary Swank, "Boys Don't Cry." "We have come a long way," says the star, formerly of "The Next Karate Kid." And, for those wondering what husband Chad Lowe said in Hilary's ear before she accepted her award, it was: "Breathe and be free." He should have said, "Don't forget to thank me when you're up there," 'cause once she took the stage, he started bawling (aw!) and she started talking about not him.
Hilary Swank Backstage, Swank fixes the boo-boo with a "Thank you, honey, you're my everything," and explains that the faux pax occurred because "it's very surreal up there." Meanwhile, Swank proves the hippest and most chatty Oscar winner paraded in front of reporters. She waxes about living in a car with her mom ("My mom has been the biggest believer in me. … We picked up from Washington state, we got in our Oldsmobile with $75 to our name, and we drove down to Los Angeles" and lived on air mattresses until Swank got a job on "Growing Pains").
Michael Caine BEST SUPPORTING ACTOR: Michael Caine, "The Cider House Rules." On stage, a hyperventilating Caine reels off a the-other-guys-were-really-wonderful-too speech. By the time he finishes, it's Friday. When Caine finally comes backstage, we raise our number in the air (that's the way it works back here if you want to ask a star a question -- getting called on is kind of like winning a raffle), but, no, we don't get called on. We actually had two questions we wanted to ask Caine -- one was about all the abortion protesters lining Jefferson Boulevard outside the Shrine tonight (he plays an abortion doctor in "Cider House'), the other one was, "Hey, Michael, what was the best part about making 'Jaws: The Revenge?'"
BEST SUPPORTING ACTRESS: Angelina Jolie, "Girl, Interrupted." Angelina Jolie Onstage, Jolie (looking like Wednesday from "The Addams Family") thanks her brother (a lot). Backstage, the 24-year-old-star offspring of Jon Voight (a winner himself for 1978's "Coming Home") gets used to the feel of Oscar. "My dad's mother had his [trophy] in a goldfish bowl, on the mantelpiece," Jolie says. "I never held it. You know, you grow up with it, and you kind of think it's just this strange thing in grandma's house." As for the brother thing -- the guy's name is James Haven Voight and, according to Jolie, "he and I were each other's everything."
BEST DIRECTOR: Sam Mendes, "American Beauty."
BEST ORIGINAL SCREENPLAY: Alan Ball, "American Beauty." Ball used to write for "Cybill." He doesn't write for "Cybill" anymore. Instead, he uses his mike time at the Shrine to thank plastic bags that float in the wind and, you know, inspire him.
BEST ADAPTED SCREENPLAY: John Irving, "The Cider House Rules." After author Irving thanks Miramax on stage for having the guts to make a film about the "abortion issue" and praises Planned Parenthood for getting behind the film, Irving ducks out -- he's the only high-profile Oscar winner to avoid meeting the press backstage.
IRVING G. THALBERG MEMORIAL AWARD: Warren Beatty. In a rambling to-all-the-girls-I've-loved-before speech, Beatty pays tribute to wife Annette Bening: "She is my treasure." Reflecting on his award in the press boom afterward, Beatty talks a lot of cybertalk about the "broadband revolution" and delivers some of that great stammering that he's known and loved for. Asked whether he's dismayed that Bening didn't get the Best Actress nod, the almost-presidential candidate star says: "I'm disappointed, but Annette did win. She's, it, it's, this thing about, I mean, who could possibly say that Annette is anything other than a winner? So, uh, it's one, one, and, and I think that Hilary gave a terrific performance in a wonderful movie, you know. I don't think it's the greatest idea in the world to think of these things as competitive."
TELECAST ASIDE NO. 1: Jack Nicholson introduces a filmed tribute on the subject of Warren "Mad Dog" Beatty. In a fit of good taste, the package features just one testimonial from a Beatty ex-girlfriend (Julie Christie).
TELECAST ASIDE NO. 2: Edward Norton pulls duty on introducing the perfunctory people-who-died-last-year clips. Madeline Kahn and George C. Scott win on the applause-o-meter. Proving timing is everything, Hedy Lamarr, who passed away in January about 50 years after she was really famous, draws only minor hand-clappage. And, hey, what about Bones McCoy? Didn't DeForest Kelley, who played the good "Star Trek" doctor die in 1999, too? Respondeth Academy spokesman John Pavlik when asked about the omission: "Who?"
BEST SONG: "You'll Be in My Heart" (from "Tarzan"), Phil Collins. Backstage, as Mr. "Sussudio" drones on about how the critics never like his music and so forth, most of the disinterested reporters watch Michael Caine on the TV monitors. To add insult to insult, one writer prefaces his question to Collins with a "Congratulations, guy."
TELECAST ASIDE NO. 3: Best Song presenter Cher is attacked by her dress. She declines to press charges.
TELECAST ASIDE NO. 4: "South Park" warbler Robin Williams sings "fart" and "bitch" on national television. In other news, the world goes to hell in a handbasket.
TELECAST ASIDE NO. 5: Horshack from "Welcome Back Kotter" sings the Oscar-nominated "Music of My Heart" with Gloria Estefan. Er, make that 'N Sync's Justin Timberlake sings "Music of My Heart" with Gloria Estefan.
BEST ORIGINAL SCORE: "The Red Violin." We do not think Keanu Reeves was forced at gunpoint to present this category. We just think it sounded that way.
TELECAST ASIDE NO. 6: The Oscar producers may have eliminated The Pointless Dance Number, but they've come up with a new one: The Pointless Song Medley. Time to go to refrigerator. Unless you're into hearing Queen Latifah "sing" "The Way We Were." Others on hand: Trisha Yearwood and Garth Brooks, apparently after taking a wrong turn at the Coun ry Music Association Awards.
BEST CINEMATOGRAPHY: Conrad L. Hall, "American Beauty." This is Hall's second win. He won his first Oscar a hundred years ago (well, back in 1970 for "Butch Cassidy and the Sundance Kid").
BEST ART DIRECTION: "Sleepy Hollow."
BEST MAKEUP: "Topsy-Turvy."
BEST EDITING: "The Matrix."
BEST VISUAL EFFECTS: "The Matrix." Presenter Arnold Schwarzenegger's hair color, while a fine visual effect in itself, apparently did not qualify.
BEST SOUND-EFFECTS EDITING: "The Matrix" (again). Somewhere, George Lucas broods.
BEST SOUND: "The Matrix." A few minutes after this category is announced, an Academy staffer asks the backstage media if anyone is interested in meeting "The Matrix" sound-geek guys, no hands are raised; ditto for the "Topsy-Turvy" folks who took the Oscar for Best Makeup. Know this: The Oscar press cares about stars, not necessarily winners.
BEST COSTUME DESIGN: "Topsy-Turvy." Backstage, winner Lindy Hemming isn't totally ignored, but the best question a reporter can muster is, "What do you think of all the outfits the stars are wearing?"
HONORARY OSCAR: Andrzej Wajda Jane Fonda -- sans Ted Turner or a cause -- does the presenting honors on this one. Without incident, she introduces Polish filmmaker Wajda who surprises no one by speaking in, yes, Polish.
BEST FOREIGN LANGUAGE FILM: "All About My Mother" (Spain). "PEEEEDROOO" Almodovar (in the vernacular of presenter Penelope Cruz) accepts the Oscar. When the Director Who Made Antonio Banderas a Star comes backstage, he's greeted by rousing applause, much of which comes from the substantial Latin media corps. In addition to picking up the Oscar, Almodovar gets points back here for his wild hair, cool all-black tuxedo and (natch) cool name.
BEST DOCUMENTARY FEATURE: "One Day in September." This is first (and only) upset of the night. The heavy, heavy favorite was "Buena Vista Social Club" (aka the only doc civilians have heard of).
BEST DOCUMENTARY SHORT: "King Gimp." Was this an upset? Heck if we know.
BEST ANIMATED SHORT: "The Old Man and the Sea."
BEST LIVE ACTION SHORT: "My Mother Dreams the Satan's Disciples in New York." No, we've never heard of it, either.
TELECAST ASIDE NO. 7: In his opening, host Billy Crystal acknowledges Willie Fulgear, the man who found Oscar, ending a week's worth of media oversaturation.
TELECAST ASIDE NO. 8: Hackneyed or tradition? Doesn't matter. Billy Crystal's going to do it, anyway -- his opening song salute to the Best Picture nominees. This year, "The Green Mile" gets set to the tune of "Green Acres," "The Sixth Sense," to "People," "The Insider" to "The Minute Waltz," "The Cider House Rules" to "Mame," "American Beauty" to "The Lady Is a Tramp."
TELECAST ASIDE NO. 9: Academy of Motion Picture Arts and Sciences President Robert Rehme opens the show. Exciting, no? No. But it's only a front -- a way to intro host Billy Crystal's romp through cinema history, including stops in "Casablanca," "The French Connection" and "West Side Story." Fortunately, Crystal avoids a detour to "My Giant" Village.
"Star Trek" fans have a Bones to pick with the Academy of Motion Picture Arts and Sciences. On Sunday's Oscar telecast, actor DeForest Kelley, aka Dr. Leonard "Bones" McCoy of the Starship Enterprise crew, was excluded from the annual montage of Actors Who Died Since The Last Oscars -- even though the man had impeccable credentials, having died himself June 11 at age 79.
As Bones himself might say: "He's dead, Jim!"
Trekkers, understandably, are not taking the snub lightly.
Soon after the Oscars, the alt.startrek Internet newsgroup was buzzing. Asked one post: "Did anyone else notice that the Academy totally snubbed DeForest Kelley and John Colicos [the evil Count Baltar from the "Battlestar Galactica" TV series, who died March 6] during the memoriam section tonight? What the hell?"
Turns out that lots of other people did notice and, as of Tuesday, more than 100 messages about Kelley had been posted in several newsgroups.
Fandom is fired up.
"It was a tragedy that DeForest Kelley wasn't announced in the 'in memoriam' tributes. We should all call the Academy and let them know we are upset," Mary Jensen, author of the DeForest Kelley Tribute Page (http://members.tripod.com/~Nimoy_Kelley/kelley.html), tells Hollywood.com.
"If they tell you, 'He's just a TV personality and not a motion-picture personality,' then let them know he made 20 movies and this his star on the Hollywood Walk of Fame is for his contribution to the motion picture industry," says Jensen.
Jensen's got a point: Kelley had quite a film career, dating back to the 1940s and '50s, when he played bad guys in westerns such as "Gunfight at the O.K. Corral" (1957), "Raintree County" (1957) and "Apache Uprising" (1966). Heck, he was even in "Night of the Lepus," a 1972 movie about giant bunny rabbits terrorizing people in the Australian outback.
Even his "Trek" gig wasn't strictly small screen. In addition to playing the crusty physician (who often complained, "I'm just a country doctor!'' when treating intergalactic diseases) on the original "Star Trek" TV show (1966-69), Kelley starred in the first six "Trek" feature films.
So what happened? Why was Bones forgotten, while other recently deceased Hollywood personalities -- Hedy Lamarr, Desmond Llewelyn ("Q" from the James Bond flicks), even Jim Varney (late star of the "Ernest" movies) -- were paid tribute? (As for John Colicos, we can kind of understand why he didn't make the Oscars cut, as he was mostly a TV actor.)
Hollywood.com first asked the Academy's John Pavlik about the Kelley oversight Sunday night, while the Oscars were still in progress, and he was perplexed.
"Who?" Pavlik asked, finally surmising that "somebody must've forgotten" the sci-fi icon.
On Wednesday, Jane Labonte, another Academy spokesperson, was equally devoid of knowledge and an explanation, saying the memorial montage is put together by a free-lance production team which, now that the festivities are over, has disbanded for the year.
"I have no clue how they pick them [the dead stars featured in the montage]," Labonte said.
And although some "Star Trek" fans are complaining in cyberspace, Labonte said none have called the Academy to berate the Oscars personally.
Yes, but their phasers are set on stun.
For all the controversy and hype surrounding "Eyes Wide Shut," the film will most likely be remembered as director Stanley Kubrick's last opus -- finished just days before he died in his sleep March 7.
The 70-year-old eccentric filmmaker's career was founded on spectacle, from the shocking "A Clockwork Orange" to the profound "2001: A Space Odyssey." It somehow seemed fitting that "Eyes Wide Shut," despite the star talent of Tom Cruise and Nicole Kidman, would make its mark by bearing the director's ghost.
The year that was marked the passing of other legends, as well -- from George C. Scott (Kubrick's "Dr. Strangelove" star) to singer Mel Tormé to movie critic Gene Siskel.
Some, like Sylvia Sidney and DeForest Kelley, died after long, rich careers; others, such as Dana Plato and David Strickland, succumbed in relative youth to their inner demons.
From marquee names to behind the sceners, Hollywood will mourn:
Kirk Alyn, 88, died March 14. In 1948, the first actor to play Superman on the big screen.
Hoyt Axton, 61, died Oct. 26, heart attack. Singer-actor who wrote hits such as Three Dog Night's "Joy to the World"; appeared in "Gremlins" and "The Black Stallion."
Ian Bannen, 71, died Nov. 3, car accident. Theater veteran who starred in "Waking Ned Devine," appeared in "Braveheart" and was nominated for an Oscar in 1965 for "Flight of the Phoenix."
Mary Kay Bergman, 38, died Nov. 11, suicide. Actress who voiced numerous "South Park" characters in the TV series and film.
Dirk Bogarde, 78, died May 8, heart attack. British veteran of more than 70 films, including "Death in Venice."
Rory Calhoun, 76, died April 28, emphysema and diabetes. Western film actor in the 1940s and '50s and star of CBS' "The Texan" series.
Allan Carr, 62, died June 29, cancer. Producer of the hit 1978 musical "Grease" and Tony Award winner for "La Cage aux Folles" on Broadway.
Iron Eyes Cody, about 90, died Jan 4, natural causes. American American actor best known as the "Crying Indian" in 1970s anti-litter public-service announcements.
Ellen Corby, 87, died April 14. Oscar nominee for the 1948 film "I Remember Mama"; Emmy winner for her grandmother role on TV's "The Waltons."
Harry Crane, 85, died Sept. 14, cancer. Co-created the TV sitcom "The Honeymooners''; wrote for entertainers such as the Marx Brothers, Red Skelton and Bing Crosby.
Charles Crichton, 89, died Sept. 14. Acclaimed British director of film comedies, including "The Lavender Hill Mob" and "A Fish Called Wanda."
Frank De Vol, 88, died Oct. 27, congestive heart failure. Film composer who received Oscar nominations for "Hush ... Hush, Sweet Charlotte," "Pillow Talk" and "Guess Who's Coming to Dinner.'' Wrote the theme music for TV's "The Brady Bunch."
Edward Dmytryk, 90, died July 1, heart and kidney failure. Directed films such as "The Caine Mutiny"; one of the blacklisted Hollywood Ten during the 1940s Red Scare.
Allen Funt, 84, died Sept. 5, complications from stroke. Hosted and created prankster TV show "Candid Camera."
Betty Lou Gerson, 84, died Jan. 12, stroke. Provided the voice for villainess Cruella De Vil in Disney's 1961 animated "One Hundred and One Dalmatians."
Ernest Gold, 77, died March 17, complications from stroke. Composer for films such as "It's a Man, Mad, Mad, Mad World"; won an Academy Award for "Exodus."
Sandra Gould, 73, died July 20, stroke. Played nosy neighbor Gladys Kravitz on TV's "Bewitched."
Huntz Hall, 78, died Jan. 30, heart failure. Starred in more than 100 "Dead End Kids" and "Bowery Boys" films in the 1930s through the '50s.
Brion James, 54, died Aug. 7, heart attack. Played the murderous droid Leon in Ridley Scott's "Blade Runner."
Madeline Kahn Madeline Kahn, 57, died Dec. 3, ovarian cancer. Oscar-nominated actress-comedian who starred in "Blazing Saddles" and "Paper Moon."
Garson Kanin, 86, died March 13, heart failure. Oscar-nominated screenwriter ("Adam's Rib," "Pat and Mike"); penned hit play "Born Yesterday." DeForest Kelley
DeForest Kelley, 79, died June 11, long illness. Starred as Dr. Leonard "Bones" McCoy on TV's original "Star Trek" series and in several of the franchise's big-screen movies.
Richard Kiley, 76, died March 5, bone marrow disease. Actor/singer best known for introducing audiences to original power ballad, "The Impossible Dream," via Broadway's "Man of La Mancha."
Stanley Kubrick, 70, died March 7 in his sleep. Acclaimed director of films such as "Dr. Strangelove," "Spartacus," "2001: A Space Odyssey," "A Clockwork Orange" and "The Shining."
Desmond Llewelyn, 85, died Dec. 19, car accident. British actor who played James Bond's gadget-guru Q through "From Russia With Love" (1963) to "The World Is Not Enough" (1999).
Victor Mature, 86, died Aug. 4, cancer. Hunky star of the 1940s and 50s, with leading roles in "Samson and Delilah" and "My Darling Clementine."
Jay Moloney, 35, died Nov. 16, suicide. Talent agent known as the "boy wonder," who once represented Hollywood heavies such as Steven Spielberg and Leonardo DiCaprio.
Clayton Moore, 85, died Dec. 28, heart attack. Longtime star of TV's "The Lone Ranger."
Dana Plato, 34, died May 8, apparent accidental drug overdose. Former child star of the 1970s sitcom "Diff'rent Strokes."
Abraham Polonsky, 88, died Oct. 26, heart attack. Oscar-nominated screenwriter ("Body and Soul"); one of the blacklisted Hollywood Ten.
Mario Puzo, 78, died July 2, heart failure. Novelist/screenwriter ("The Godfather") who two Oscars for his screenplays for "The Godfather" (1972) and "The Godfather Part II" (1974).
Irving Rapper, 101, died Dec. 20. Golden-era director best known for collaborating with Bette Davis on four films, including "Now, Voyager" (1942).
Oliver Reed, 61, died May 2, apparent heart attack. British actor best known for starring in "Oliver!" and "Women in Love."
Charles "Buddy" Rogers, 94, died April 21, natural causes. Starred in 1927's "Wings," the first film to win the Best Picture Oscar; widower of silent-star Mary Pickford.
George C. Scott George C. Scott, 71, died Sept. 22, ruptured abdominal aortic aneurysm. Gruff-voiced leading man who starred in "Dr. Strangelove" and "Anatomy of a Murder." Won (and refused) the Oscar for 1970's "Patton"; won Emmy and Golden Globe for 1997's Showtime film "12 Angry Men."
Sylvia Sidney, 88, died July 1, throat cancer. Veteran actress whose career spanned the 1930s through the 1990s. Nominated for an Oscar for 1973's "Summer Wishes, Winter Dreams." Gene Siskel
Gene Siskel, 53, died Feb. 20, brain tumor. With Roger Ebert, the nation's most influential movie critic and purveyor of the "thumbs up/thumbs down" rating system on their syndicated TV series. Writer for Chicago Tribune.
Susan Strasberg, 60, died Jan. 21, breast cancer. Theater/TV/film actress ("The Diary of Anne Frank"); daughter of famed acting guru Lee Strasberg; cohort of Marilyn Monroe.
David Strickland, 29, died March 23, suicide. Co-star of the NBC sitcom "Suddenly Susan"; played a lovelorn ex-boyfriend in "Forces of Nature" (1999).
Mel Torme, 73, died June 5, complications from stroke. Velvety crooner of jazz and pop, who co-wrote "The Christmas Song (Chestnuts Roasting on an Open Fire)."
Norman Wexler, 73, died Aug. 23, heart attack. Oscar-nominated screenwriter of "Joe" and "Serpico." Also wrote "Saturday Night Fever" and "Stayin' Alive."
John Woolf, 86, died June 28, heart failure. British producer of "Oliver!" and "The African Queen."