The genesis of Universal's 47 Ronin is almost as tragic as the actual history that the movie is culling from. As the story goes, Universal saw the sprigs of talent sprouting from fresh faced director Carl Rinsch, whose previous experience was limited to just a couple of commercials and a nifty short film. The studio decided to ease the new director into feature filmmaking by cutting him what amounts to virtually a blank check, and giving him charge over a multi-national samurai fantasy epic. Almost impossibly, the film isn't a complete disaster. It's just a minor one.
47 Ronin follows the classic story of the titular team of warriors, a group of disgraced samurai who band together to seek revenge against a merciless warlord that betrayed and killed their master. But this isn't your grandfather's version of the story. 47 Ronin is an international affair, and it's covered with a veneer of Japanese mysticism and a thick coating of Hollywood lacquer, but east meets west rather uncomfortably, and it's mostly due to Keanu Reeves. Reeves' character is clearly crowbarred into the story that has no room for him, and it's plainly obvious where the seams of the story were stretched in order to patch him into the narrative. Reeves plays Kai, a half Japanese, half English orphan who is adopted by the samurai clan. His character serves no real purpose beyond being white, slicing things until they die, and playing the male lead of the most superfluous love story of the year. Rinsch simply can't make the inclusion of the character feel organic in any way, and "Kai" ends up feeling like a calculated studio move. It's a shame that the film spends so much time on Reeves when the real star is clearly Hiroyuki Sanada, who plays off the stoic samurai most believably among the rest of the cast.
It's also shame that with all the mysticism pumped into the story, there's no magic in the actual center of the film, the ronin themselves. The only personality trait a samurai is allowed to possess seems to be unerring stoicism, and between all 47 ronin, there are probably only three distinct samurai with any discernible character traits beyond an intense need to brood, and you'll probably only remember those three by the time the credits roll, only to promptly forget about them only a few hours later. Thankfully, Rinko Kikuchi's slinky and treacherous witch adds some much needed camp and personality to the mostly forgettable human characters.
And that's the issue with 47 Ronin. It's largely forgettable. When your film takes on a historical legend like the tale of the 47 ronin, a story that has been told and told again ad nauseum over the years, you really need to justify your own version. There are reels and reels of film dedicated to this story, and 47 Ronin doesn't manage to add anything significant to the canon. It promises to weld myth and history together, but does so clumsily, and while some of the action scenes are exciting, especially a particularly inspired set piece that involves the ronin noiselessly breaking into a heavily guarded fortress, the film is a bore when it's not clanking swords together.
The best player in the World for movie trailers, Hollywood interviews and movie clips.
47 Ronin is a film with many stories. As much as it is a tale about the revenge of four dozen masterless samurai, it's also the tale of an inexperienced filmmaker swallowed up by the enormity of blockbuster filmmaking. Most of all though, It's proof that you shouldn't cram Keanu Reeves into a movie that doesn't really need Keanu Reeves. What you're left with is a dull and bloated samurai epic that has its moments, but feels largely unnecessary.
Not to be confused with the 1979 ghost story The Changeling this Changeling is a horror story of a very different stripe. Based on a long forgotten case buried deep in the L.A. crime files this true tale revolves around the mysterious 1928 disappearance of 9-year-old Walter Collins. Set in an election year and with heavy political pressure on city officials and a corrupt LAPD they find a child five months later who they claim is Walter and arrange to reunite him with his mother Christine (Angelina Jolie). Only problem is she says this is not her kid. When she asks the police to continue trying to find her son she finds herself victimized and accused of being insane and unfit for not going along with the PR campaign informing the public that the police have solved the case. With the help of a community activist Reverend Briegleb (John Malkovich) she begins to fight the city and the police who try in every way to silence her even committing her to a mental institution. The film details not only her valiant quest to right a wrong and find her real son but serves as a probing indictment of the police state 1920’s Los Angeles had become. As in her searing portrayal of the pregnant Marianne Pearl in last year’s A Mighty Heart Angelina Jolie once again connects with her maternal side. In another challenging role she must exhibit a wide emotional range going from fear to anguish to anger to pure resolve in an effort to uncover the mystery of her son’s abduction. Splendidly outfitted in ‘20s garb Jolie delves deep into the soul of a woman who dared to go against the grain and challenge a corrupt police department in Prohibition-era L.A. She’s simply remarkable in the most intense determined and heartbreaking role of her career. As the man who helps out in her cause Malkovich is perfectly matched to Jolie. As the merciless Captain Jones who heads the investigation to find Walter Jeffrey Donovan (TV’s Burn Notice) is properly frustrating and imposing while Colm Feore gets the evil side of his LAPD police chief down pat. Nailing her few scenes Amy Ryan (Gone Baby Gone) plays a fellow psycho-ward inmate who helps Christine when she is institutionalized. Particularly impressive is Eddie Alderson as the 15-year-old nephew of the serial killer who leads police to a grisly crime scene and his uncle played a bit over the top by Jason Butler Harner. And filling out their juvenile roles nicely are Gattlin Griffith as Walter and eerie Devon Conti as the young man impersonating him. Clint Eastwood knows his way around ominous foreboding material so it’s no wonder he was instantly attracted to J. Michael Stracynski’s immaculately researched script. After Million Dollar Baby and Mystic River Eastwood exhibits a strong understanding of the dark side of human nature. Changeling fits right in with his oeuvre and he delivers yet another superbly crafted and acted film -- one that exists on two separate levels as a look at the corruption that crept into the LAPD of the era and as an impassioned journey of a woman trying to find a happy ending for herself and her son. Shot with the director’s usual ease Eastwood seems comfortable letting the almost unbelievable facts of the story speak for themselves and remarkably didn’t change a word of Stracynski’s fascinating screenplay. He doesn’t have to. The fact that it’s a true story that all really happened is simply incredible by itself. This is an unforgettable triumph for everyone involved.
A bounty of buzz-heavy, star-studded new releases will kick off the countdown to Christmas this year, promising something different and special each day of the week.
The holiday movie bonanza commences Tuesday with the limited release of Sony's "Girl, Interrupted." Adapted from Susanna Kaysen's critically acclaimed memoir, the film stars Winona Ryder and Angelina Jolie as two iconoclastic young women confined to a mental institution.
Lifting the box office spirit Wednesday are three wildly anticipated films of different ilk. Taking care of the laugh department is director Milos Forman's "Man on the Moon," where funnyman Jim Carrey plays funnyman Andy Kaufman.
For those lamenting the absence of televised sports programming on Christmas, there's Oliver Stone's adrenaline-racing, testosterone-pumping "Any Given Sunday," a homage to the gritty underside of football starring Al Pacino, Dennis Quaid and Cameron Diaz.
And for the romantically inclined, check out "Snow Falling on Cedars," an entangled tale of past love and lingering emotion set in the Pacific Northwest starring Ethan Hawke and directed by Scott Hicks ("Shine").
Christmas Day will see two new wide releases: DreamWorks' family friendly comedy "Galaxy Quest" with Tim Allen playing a passe TV actor enlisted to fight aliens in real life and Paramount's much-lauded "The Talented Mr. Ripley." In the Patricia Highsmith adaptation, Matt Damon plays a gay man hired to track down wayward playboy Jude Law in Italy and ends up assuming his life.
The big names don't stop there, though. Making their debut in limited engagements are three potential award winners and potential hits for the year 2000. They are Paramount's "Angela's Ashes," Buena Vista's buddy boxing flick "Play It to the Bone" with Antonio Banderas and Woody Harrelson and Fox Searhlight's ensemble drama "Titus" starring Anthony Hopkins and Jessica Lange.
Here's a complete list of this week's releases.
Opening Tuesday, Dec. 21
"Girl, Interrupted" (Sony) -- "Copland" director James Mangold adapts Susanna Kaysen's best-selling autobiographical novel to the big screen. Based on the author's brief confinement to a psychiatric ward during her teens, the film follows the troubled detainee portrayed by Winona Ryder as the line between sanity and madness disintegrates. Angelina Jolie co-stars as a fellow patient.
Opening Wednesday, Dec. 22
"Any Given Sunday" (Warners) -- Al Pacino plays a head football coach facing the worst season of his career. With record losses and plunging attendance, his future with the Miami Sharks is further jeopardized by the injury of his aging star quarterback played by Dennis Quaid. Under pressure to win at any cost, the veteran struggles to maintain his integrity on and off the sidelines.
"Man on the Moon" -- (Universal) "The People vs. Larry Flynt" director Milos Forman returns with a biopic on late comedian Andy Kaufman, best known for his role in "Taxi." Jim Carrey stars as the versatile comedian as the film traces various stages in Kaufman's career. Danny DeVito co-stars as his longtime manager, and Courtney Love plays his girlfriend.
"Snow Falling on Cedars" (Universal) -- "Shine" director Scott Hicks returns with a tale of intrigue and love set in 1954 on an island in the Pacific Northwest. Ethan Hawke stars as a reporter assigned to cover the trial of a Japanese man accused of the murder of a local fisherman. Youki Kudoh co-stars as Hawke's childhood flame and the wife of the accused (Rick Yune). Based on the best seller by David Guterson.
"Onegin" (Samuel Goldwyn) -- Set in 1820s Russia, Ralph Fiennes stars as a dashing aristocrat who's brought to the countryside through his inheritance of a large estate. There, he acquaints a doting young woman (Liv Tyler) whose love he refuses. Six years later, the two meet again on vastly different terms -- he's fallen obsessively in love with Tyler while she's comfortably married to another man.
"42 Up" (First Run) -- In 1964, filmmaker Michael Apted began his marathon documentary series about the lives of a group of 7-year-olds in England, each from radically different socioeconomic backgrounds. Since then, the director has continued to chronicle the ups and downs of his subjects at 7-year intervals. The sixth installment is the latest update on these people at the crossroad of the big 42.
Opening Friday, Dec. 24
"Pink Narcissus" (Strand) -- First released in 1971, this erotic phantasmagoria returns to the screen with all its campy outrageousness intact. The cult classic follows a beautiful young man, played by Bobby Kendall, as he journeys through a series of sexual fantasies with total abandon. Throughout the experience, the youth is plagued by one great fear -- growing old and losing his looks.
Opening Saturday, Dec. 25
"Galaxy Quest" (DreamWorks) -- Tim Allen plays an over-the-hill television star in this spaced out comedy. He finds himself responsible for the fate of the planet when too-eager aliens mistake the erstwhile actor and his peers as the "Captain Peter Quincy Taggart" starship crew. Now the reluctant actors must go into space for an intergalactic showdown. Sigourney Weaver co-stars.
"The Talented Mr. Ripley" (Paramount) -- Based on the acclaimed novel by Patricia Highsmith, Matt Damon stars as the gay, chameleon-like Tom Ripley, who is commissioned to retrieve an errant playboy (Jude Law) from Italy. The simple errand turns deadly as Damon develops an unhealthy obsession with the expatriate and his girlfriend (Gwyneth Paltrow)."The English Patient" director Anthony Minghella writes and directs.
"Angela's Ashes" (Paramount) -- Adapted from Frank McCourt's Pulitzer Prize-winning memoir, this film is a heartwarming document of the author's childhood in Ireland during the 1930s and '40s. Emily Watson ("Hilary & Jackie") and Robert Carlyle ("The Full Monty") co-star as Frank's working class parents. Directed by Alan Parker.
"Play It to the Bone" (Buena Vista) -- Out-of-work boxing rivals and friends (Woody Harrelson and Antonio Banderas) get the chance of a lifetime to work together in Las Vegas. Strapped for time, they hit the road with their friend (Lolita Davidovich) at the wheel. A riotous road trip ensues as the boxers scramble to make it to their big showdown.
"Titus" (Fox Searchlight) -- In this epic tale of revenge, Anthony Hopkins stars as Titus Andonicus, the Roman general who sows the seeds of vengeance when he executes the son of the enemy queen, played by Jessica Lange. The repercussions of his action are revealed when the vindictive woman becomes the new wife of the Roman emperor. Alan Cumming co-stars.
"The Cider House Rules" (Miramax) -- Directed by Lasse Hallstrom ("What's Eating Gilbert Grape") and adapted from John Irving's best-selling novel, this coming-of-age story casts Tobey Maguire as a young man who has spent his entire youth in an orphanage. Hungry for experience, he sets out to explore the world outside. Charlize Theron, Paul Rudd and Michael Caine co-star.
"Cradle Will Rock" (Buena Vista) -- Based on true events in the cultural and art scenes of 1930s New York City, this film follows various cultural workers -- including Mexican artist Diego Rivera, theater director Orson Welles and propagandist Margherita Sarfatti -- as they defend their artistic expressions in the face of political paranoia and government censorship. John Cusack, Bill Murray and Susan Sarandon co-star.
"Tumbleweeds" (Fine Line) -- Leaving an abusive boyfriend behind, single mother Janet McTeer and daughter Kimberly J. Brown head for the sunny suburbs of San Diego to start anew. Once again, McTeer swif ly enters into a destructive relationship and is tempted to look for an easy way out. However, her headstrong daughter, tired of her rootless existence, refuses to abandon her newly established life.