Downton Abbey stars Jim Carter, Lesley Nicol, Rob James-Collier, and Phyllis Logan helped raise thousands of dollars for a cancer-detection charity at a special auction on Thursday (12Jun14). The actors are supporters of U.K. charity Medical Detection Dogs, which provides training for pooches to spot signs of cancer and alert diabetics to dangerous changes in their sugar levels.
The stars took part in a fundraising drive for the organisation in London on Thursday, joining a cruise along the Thames River before helping out with an auction.
Carter, who plays Mr. Carson in the period drama, even took on the role of auctioneer and helped to raise huge cash bids including $17,600 (£11,000) for a vacation on a yacht and $6,400 (£4,000) to visit the Downton Abbey crew during a day's filming.
Nicol, who plays Mrs. Patmore, says, "Medical Detection Dogs has become a passion for me. They are relatively young, and the work they do is absolutely awe-inspiring and I want everyone to know exactly who they are and what they do.
"As far as I am aware there is something like a three-year waiting list for assistance dogs - and that is before what they do has really become widely known! Can you imagine what will happen when it has?
"So obviously it's vital to give them the means to expand their work as soon as possible. These dogs are literally transforming and saving lives, on a daily basis. And if you are poorly, and there is this opportunity out there, three years to wait, is a very long time!"
This episode is channeling Season 1 but bringing way more drama. It’s great to see the return of the snarky, passive-aggressive Lady Mary Crawley (Michelle Dockery) we love to hate. She’s back to becoming stone faced and staring into space, viciously insulting her sister, and getting the best suitors. She’s not the only one back to their Season 1 personas. Thomas Barrow (Rob James-Collier) is back to scheming and has enlisted some help. Plus, the moment you have been waiting for ... the peace between the Dowager Countess (Maggie Smith) and Isobel Crawley (Penelope Wilton) is over. Full shade ahead!
Evelyn Napier (Brendan Patricks) stops by the Abbey. If you’ve forgotten him, he is the suitor that introduced Mary to Mr. Pamuk (Theo James). Mr. Pamuk was the guy that de-virginized her and died in her bed. Napier is working on a survey of how the war has affected Aristocratic manors. Speaking of manors, Lord Grantham (Hugh Bonneville) is dealing with the death of one of the estate’s farmers. Mr. Drewe (Andrew Scarborough), the farmer’s son, has inherited a significant amount of debt. Lord Grantham kindly pays the debt in exchange for Mr. Drewe working it off. The Lord is back to keeping secrets from fellow estate runners, Mary and Tom Branson (Allen Leech). Branson is threatening to move to the U.S. to escape the stuffy life of an aristocrat and spare his daughter any embarrassment.
Edith Crawley (Laura Carmichael) is lurking by the metaphorical mailbox waiting to hear back from Michael Gregson (Charles Edwards). It doesn’t look promising for him since he just moved to a pre-Nazi Germany. Drunk Liza Minnelli Cora Crawley (Elizabeth McGovern) adjusts to her new lady’s maid and tries to convince Mrs. Patmore (Lesley Nicol) that they need to buy a refrigerator.
Isobel takes an interest in a young neighborhood boy, Peg. She convinces the Dowager Countess to hire him. However, when an antique letter-opener goes missing, the Golden Girls clash over the boy’s guilt. It’s witty barbs and loud sighs. Here’s hoping they have a fight in a fountain like on Dynasty.
Alfred (Matt Milne) seems adept at cooking. He’s selected to apply for the apprenticeship at The Ritz. Everyone in the kitchen is excited but he’s nervous. Meanwhile, with the prospect of Alfred leaving, Carson (Jim Carter) offers the footman position to Mr. Molesley (Kevin Doyle). Despite willing to take any odd job in the village, do with that what you will, Molesley’s pride is hurt at the prospect of being demoted to footman. Alfred ends up not winning the internship so Molesley ends up red-faced when he returns for the job. Looks like Molesley is one step closer to suicide.
The disturbing Anna Rape storyline continues to get more depressing. Anna Bates (Joanne Froggatt) has been super icy to Bates (Brendan Coyle). Bates overhears Anna talking to Mrs. Hughes (Phyllis Logan) and he devises a plan to find out what happened. He threatens to leave unless Mrs. Hughes comes clean. Thinking on her feet, she invents an assailant that raped Anna during the concert. However, Bates is convinced it’s Mr. Green (Nigel Harman). This is where things get dark. To this point, Anna has not known his name was even Mr. Green. Also, Bates is getting very scary and murdery. His violent inclinations and Anna’s fear make it seem like he could be abusive. Here’s hoping the writers don’t go in that direction.
Style & Sass: Best Lines of the Night
Not the first time you have had the wrong end of the stick. –Mary to Edith
I wonder how your halo doesn’t grow heavy. It must be like wearing a tiara ‘round the clock. –The Dowager Countess to Isobel Round I
Mrs. Patmore, is there any aspect of the present day that you can accept without resistence? –Cora
Well M’lady I wouldn’t mind getting rid of my corset. –Mrs. Patmore’s response
What would you prefer that I invite the local criminals to drop in strip the house bare? –The Dowager Countess to Isobel Round II
There is no shortage of shocking moments this season. It looks like Downton Abbey is channeling Melrose Place. Here’s hoping that Heather Locklear stops by as a 1920s advertising executive hell-bent on getting her hands on the Abbey. The original Shady Lady Mary Crawley (Michelle Dockery) is replete with side-eyes, social slights, and aristocratic sass. Lady Edith is also making poor romantic choices as usual. Oh poor Edith, why are you so unlovable? Meanwhile, has anyone noticed that Cora (Elizabeth McGovern) sounds a lot like a slightly inebriated Liza Minnelli?
The party guests are slowly leaving. Michael Gregson (Charles Edwards) proved himself a hero. Miss Braithwaite (MyAnna Buring) has gone full-on Fatal Attraction on Tom Branson (Allen Leech). She is trying to turn their one-night-stand into a ticket to the wealth of Downton.
Lady Mary, Edith, Tom and Lady Rose MacClare (Lily James) head to London to stay with Lady Rosamund Painswick (Samantha Bond). They head to The Lotus Club to listen to some jazz. Steve Urkel Jack Ross (Gary Carr) serenedes with the most nasal rendition of 1920s jazz. When, Lady Rose’s escort gets sloppy, Jack saves the day by cutting in. However, Tom rushes to stop her from dancing with a black man. Racism is alive in London, people.
Lord Gillingham (Tom Cullen) is courting the hell out of Lady Mary. He even snuck on the same train to surprise her at home. He proposes but Mary has to decline but she does give him an epic kiss on the grounds.
The Drama: Not only is Mr. Gregson heading to a pre-World War 2 Germany to get a divorce, but they totally spent the night together. He seems somewhat above board since he gave Edith power of attorney over his finances. But ... does he plan to sleep with her and run? Also, has he left her with legal control for an ulterior motive?
Anna Bates (Joanne Froggatt) is still recovering from her attack and not doing so well since she has to see Mr. Green (Nigel Harman) before he leaves. She has become very icy to Bates (Brendan Coyle) and absolutely refuses to tell him why. She has even asked Mrs. Hughes (Phyllis Logan) to move back with the servants. Ivy (Cara Theobold) and Jimmy (Ed Speleers) have upgraded their lame courtship into full-on canoodling. Alfred (Matt Milne), jilted, has decided to apply for a cooking fellowship with The Ritz hotel. He may be leaving Downton like his aunt O’Brien. Carson (Jim Carter) is also beginning a very slow flirtation with Mrs. Hughes. Could the Mom and Pop of the staff get together for real?
The Drama: Mrs. Hughes plays Tom’s hero by destroying Braithwaite and her pregnancy claims. She finds a book about conception and bluffs Braithwaite into leaving Downton. She also tells her that if she makes a fuss she will never get a job in her lifetime. Now, if only Mrs. Hughes can tackle Anna’s attacker.
Best Lines of the Night
Don’t be transparent mamà, it doesn’t suit you. -Lady Mary to Cora
Don’t say I’m not good enough. If you were good enough for Lady Cybil Crawley then I’m good enough for you. -Braithwaite to Tom
Ivy moves a little fast for a beginner, don’t she -Daisy (Sophie McShera)
If we only had moral thoughts ... what would the poor church men find to do? -Dowager Countess (Maggie Smith)
Things have come to a pretty pass when you have to be rescued by a black band leader. -Lady Rosemound being a tad wee bit racist
Do you ever wonder why people dislike you so much? It’s because you’re sly, oily, and smug and I’m really pleased I got to tell you before I go. -Braithwaite to Barrow
If we’re playing the truth game. You’re a lying manipulative little witch and if your schemes have come to nothing I’m delighted. -Tom Barrow (Rob James-Collier) to Braithwaite
Edith is about as mysterious as a bucket. -Lady Mary
Now that obnoxiously loud commercials are officially a thing of the past, the No. 1 worst thing about being a television fan is the long, arduous wait for a beloved series known for long hiatuses to return. Though, knowing that someone else has seen it long before you have is a close second. No one knows that pain quite like Stephen Colbert who was outraged — outraged I tell you! — when he discovered that First Lady Michelle Obama (or, as he hilariously quipped, Lady Michelle Antoinette) got her hands on the hotly anticipated Season 3 premiere of Downton Abbey before we all get to watch on January 6.
The First Lady may be making her fellow Americans awfully jealous, but Colbert is never one to let his nation down. The host upped the ante and combined Downton with an equally beloved and anticipated, albeit slightly different, drama series, Breaking Bad for the unbelievably awesome mashup Breaking Abbey. With Downton Abbey cast members (who are continually proving to be some delightful, good-humored people) Hugh Bonneville (Robert Crawley), Jim Carter (Mr. Carson), and Rob James-Collier (Thomas Barrow) on board and channeling their inner Heisenbergs and Jesse Pinkmans, the parody trades meth for tea leaves and gives the AMC series' rough-around-the-edges dialogue some British flair. ("Mo' money, mo' quandaries!")
If this doesn't curb your hankering for Downton Abbey and/or Breaking Bad, someone may have to pop a cap in one's ass. This sketch — which also features a thugged-out Mark Consuelos as a client ("I'll take that s**t with some milk!") — is more addictive for TV junkies than some sweet blue tea, not to mention yet another example of why The Colbert Report deserves to get their damn Emmy already. Watch the very funny, very NSFW Breaking Abbey clip here:
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Okay, Bryan Cranston and Aaron Paul, your turn: Downton Bad. Make it happen, Colbert Nation.
[Photo credit: Comedy Central]
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While recent animated blockbusters have aimed to viewers of all ages starting with fantastical concepts and breathtaking visuals but tackling complex emotional issues along the way Ice Age: Continental Drift is crafted especially for the wee ones — and it works. Venturing back to prehistoric times once again the fourth Ice Age film paints broad strokes on the theme of familial relationships throwing in plenty of physical comedy along the way. The movie isn't that far off from one of the many Land Before Time direct-to-video sequels: not particularly innovative or necessary but harmless thrilling fun for anyone with a sense of humor. Unless they have a particular distaste for wooly mammoths the kids will love it.
Ice Age: Continental Drift continues to snowball its cartoon roster bringing back the original film's trio (Ray Romano as Manny the Mammoth Denis Leary as Diego the Sabertooth Tiger and John Leguizamo as Sid the Sloth) new faces acquired over the course of the franchise (Queen Latifah as Manny's wife Ellie) and a handful of new characters to spice things up everyone from Nicki Minaj as Manny's daughter Steffie to Wanda Sykes as Sid's wily grandma. The whole gang is living a pleasant existence as a herd with Manny's biggest problem being playing overbearing dad to the rebellious daughter. Teen mammoths they always want to go out and play by the waterfall! Whippersnappers.
The main thrust of the film comes when Scratch the Rat (whose silent comedy routines in the vein of Tex Avery/WB cartoons continue to be the series highlight) accidentally cracks the singular continent Pangea into the world we know today. Manny Diego and Sid find themselves stranded on an iceberg once again forced on a road trip journey of survival. The rest of the herd embarks to meet them giving Steffie time to realize the true meaning of friendship with help from her mole pal Louis (Josh Gad).
The ham-handed lessons may drag for those who've passed Kindergarten but Ice Age: Continental Drift is a lot of fun when the main gang crosses paths with a group of villainous pirates. (Back then monkeys rabbits and seals were hitting the high seas together pillaging via boat-shaped icebergs. Obviously.) Quickly Ice Age becomes an old school pirate adventure complete with maritime navigation buried treasure and sword fights. Gut (Peter Dinklage) an evil ape with a deadly... fingernail leads the evil-doers who pose an entertaining threat for the familiar bunch. Jennifer Lopez pops by as Gut's second-in-command Shira the White Tiger and the film's two cats have a chase scene that should rouse even the most apathetic adults. Hearing Dinklage (of Game of Thrones fame) belt out a pirate shanty may be worth the price of admission alone.
With solid action (that doesn't need the 3D addition) cartoony animation and gags out the wazoo Ice Age: Continental Drift is entertainment to enjoy with the whole family. Revelatory? Not quite. Until we get a feature length silent film of Scratch's acorn pursuit we may never see a "classic" Ice Age film but Continental Drift keeps it together long enough to tell a simple story with delightful flare that should hold attention spans of any length. Massive amounts of sugar not even required.
[Photo Credit: 20th Century Fox]