Space drama Gravity scooped a handful of top honours at the British Academy of Film and Television Arts (BAFTA) Awards on Sunday (16Feb14), including a Best Director prize for Alfonso Cuaron. The sci-fi hit, starring Sandra Bullock and George Clooney as astronauts stranded in outer space, also picked up awards for Best British Film, Best Cinematography, Best Music, and Best Visual Effects.
It was a disappointing night for Oscars favourite 12 Years A Slave - although the drama took home Best Film and Best Actor for Chiwetel Ejiofor, it lost out in a string of other top categories, including Best Supporting Actor (Michael Fassbender) and Best Adapted Screenplay, which was instead awarded to Philomena writers Steve Coogan and Jeff Pope.
There was also no trophy for Ejiofor's co-star, newcomer Lupita Nyong'o, who missed out on a Best Supporting Actress honour to Jennifer Lawrence; she was also denied the Rising Star Award, which went to We're The Millers actor Will Poulter.
Cate Blanchett was named Best Actress for her role in Woody Allen comedy Blue Jasmine, and Captain Phillips star Barkhad Abdi took home the Best Supporting Actor prize, while Dame Helen Mirren was honoured with a BAFTA Fellowship for Lifetime Achievement.
Collecting his Best Director award, Mexican moviemaker Cuaron said, "You can't tell from my accent but I consider myself a part of the British film industry. I've lived in London for the last 30 years and I've done almost half of my films in the U.K. I guess I make a good case for curbing immigration!"
The award ceremony's emotional highlight came as Blanchett dedicated her Best Actress trophy to her late friend Philip Seymour Hoffman, who died earlier this month (Feb14).
She said, "Phil, your monumental talent, your generosity, and your unflinching quest for the truth, both in art and life, will be missed, not only by me but by so many... Phil, buddy - this is for you, you b**tard! I hope you're proud."
The ceremony at the Royal Opera House was presented by Stephen Fry and featured guests including Leonardo DiCaprio, who presented the supporting actress award, Brad Pitt, Uma Thurman, Prince William, Amy Adams, Emma Thompson, and Stanley Tucci.
The list of 2014 BAFTA film award winners is:
- Best Film: 12 Years A Slave
- Best British Film: Gravity
- Best Director: Alfonso Cuaron (Gravity)
- Leading Actor: Chiwetel Ejiofor (12 Years A Slave)
- Leading Actress: Cate Blanchett (Blue Jasmine)
- Supporting Actor: Barkhad Abdi (Captain Phillips)
- Supporting Actress: Jennifer Lawrence (American Hustle)
- Best Original Screenplay: Eric Warren Singer, David O. Russell (American Hustle)
- Best Music: Steven Price (Gravity)
- Best Cinematography: Emmanuel Lubezki (Gravity)
- Best Editing: Dan Hanley & Mike Hill (Rush)
- Best Visual Effects: Tim Webber, Chris Lawrence, David Shirk, Neil Corbould & Nikki Penny (Gravity)
- Best Sound: Glenn Freemantle, Skip Lievsay, Christopher Benstead, Niv Adiri & Chris Munro (Gravity)
- Best Production Design: Catherine Martin & Beverley Dunn (The Great Gatsby)
- Best Costume Design: Catherine Martin (The Great Gatsby)
- Best Makeup & Hair: Evelyne Noraz & Lori McCoy-Bell (American Hustle)
- Rising Star: Will Poulter
- Best Adapted Screenplay: Steve Coogan & Jeff Pope (Philomena)
- Outstanding Debut: Kieran Evans (Kelly and Victor)
- Best Foreign Film: The Act of Killing
- Best Film Not in the English language: The Great Beauty
- Best Short Animation: Sleeping With the Fishes
- Best Short Film: Room 8
- Best Animated Film: Frozen
- Outstanding Contribution to British Cinema: Peter Greenaway
- BAFTA Fellowship for Lifetime Achievement: Dame Helen Mirren
Paramount via Everett Collection
With so many different awards organizations announcing their nominations one after the other, it's difficult to remember how heavily to weigh each one's picks when filling out your Oscar pool sheet. Generally speaking, the BAFTAs are a fairly safe guide when it comes to the Best Picture category. Since 2008, the British Academy of Film and Television Arts has accurately predicted the Academy's top winners, with (even more impressively) only two discrepancies in Best Picture nominations throughout those five years (both in 2012, interestingly enough). Looking at this latest batch of BAFTA's chief nominees — which includes...
American Hustle,Captain Phillips,Gravity,Philomena,and 12 Years a Slave
— we're not especially surprised by any of the films included in as much as we are a bit displaced over the absence of one of this past year's biggest titles: The Wolf of Wall Street. By now, everyone with his ear close to the conversation is predicting that Steve McQueen's 12 Years a Slave is a lock for the Best Picture Oscar, but the consideration rarely comes without honorable mention of Martin Scorsese's Wolf. Still, the satirical picture is far from awards fodder. Called far too "extreme" for the Academy's liking, the 3-hour tour de force of mortifying hedonism would be a far cry from an Oscar even without the competition of 12 Years. Instead, as suggested by BAFTA's list of Best Picture nods, organizations are leaning towards the safer, sweeter, more palatable, less controversial, and effectively less good spiritual counterpart to Wolf of Wall Street: American Hustle.
Hustle is a fine movie all its own — it's fun, dynamic, well-acted, and does indeed feel "lived in." But it falls shy of the artistic reach represented by fellow con man epic Wolf, to which comparisons are inevitable (you can hear a terrific discussion on the matter on the latest episode of Fighting in the War Room). While we'd be hard pressed to deny David O. Russell's funny, campy, emotionally charged picture its due recognition of quality, the choice to nominate it for Best Picture over Wolf of Wall Street seems like a statement of fear: "We don't want to nominate that large, messy, outrageous picture that's got everybody all in a huff," mutters a nervous BAFTA. "But what about the one with the hair? That's sorta like Wolf of Wall Street, but cleaner. Jolly good!"
The choice is a scary one, if only that it suggests the possibility that BAFTA has veered away from Wolf of Wall Street due to the volatility associated with the movie rather than due to the quality therein. By this token, would a few more Armond Whites have robbed 12 Years a Slave of its nomination? How about a few more Neil deGrasse Tysons stealing the nod from Gravity?
Hopefully, the Academy will not emulate this aversion to Scorsese's movie — one that more than deserves mention, and would even take home a few trophies in a just system. Peruse the rest of BAFTA's nominations below (which also, obscenely, omit Her in the Original Screenplay category) and share your thoughts on the matter.
BEST FILM12 YEARS A SLAVE Anthony Katagas, Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueenAMERICAN HUSTLE Charles Roven, Richard Suckle, Megan Ellison, Jonathan GordonCAPTAIN PHILLIPS Scott Rudin, Dana Brunetti, Michael De LucaGRAVITY Alfonso Cuarón, David HeymanPHILOMENA Gabrielle Tana, Steve Coogan, Tracey Seaward
DIRECTOR12 YEARS A SLAVE Steve McQueenAMERICAN HUSTLE David O. RussellCAPTAIN PHILLIPS Paul GreengrassGRAVITY Alfonso CuarónTHE WOLF OF WALL STREET Martin Scorsese
ORIGINAL SCREENPLAYAMERICAN HUSTLE Eric Warren Singer, David O. RussellBLUE JASMINE Woody AllenGRAVITY Alfonso Cuarón, Jonás CuarónINSIDE LLEWYN DAVIS Joel Coen, Ethan CoenNEBRASKA Bob Nelson
ADAPTED SCREENPLAY12 YEARS A SLAVE John RidleyBEHIND THE CANDELABRA Richard LaGraveneseCAPTAIN PHILLIPS Billy RayPHILOMENA Steve Coogan, Jeff PopeTHE WOLF OF WALL STREET Terence Winter
LEADING ACTORBRUCE DERN NebraskaCHIWETEL EJIOFOR 12 Years a SlaveCHRISTIAN BALE American HustleLEONARDO DICAPRIO The Wolf of Wall StreetTOM HANKS Captain Phillips
LEADING ACTRESSAMY ADAMS American HustleCATE BLANCHETT Blue JasmineEMMA THOMPSON Saving Mr. BanksJUDI DENCH PhilomenaSANDRA BULLOCK Gravity
SUPPORTING ACTORBARKHAD ABDI Captain PhillipsBRADLEY COOPER American HustleDANIEL BRÜHL RushMATT DAMON Behind the CandelabraMICHAEL FASSBENDER 12 Years a Slave
SUPPORTING ACTRESSJENNIFER LAWRENCE American HustleJULIA ROBERTS August: Osage CountyLUPITA NYONG’O 12 Years a SlaveOPRAH WINFREY The ButlerSALLY HAWKINS Blue Jasmine
OUTSTANDING BRITISH FILMGRAVITY Alfonso Cuarón, David Heyman, Jonás CuarónMANDELA: LONG WALK TO FREEDOM Justin Chadwick, Anant Singh, David M. Thompson, William NicholsonPHILOMENA Stephen Frears, Gabrielle Tana, Steve Coogan, Tracey Seaward, Jeff PopeRUSH Ron Howard, Andrew Eaton, Peter MorganSAVING MR. BANKS John Lee Hancock, Alison Owen, Ian Collie, Philip Steuer, Kelly Marcel, Sue SmithTHE SELFISH GIANT: Clio Barnard, Tracy O’Riordan
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCERCOLIN CARBERRY (Writer), GLENN PATTERSON (Writer) Good VibrationsKELLY MARCEL (Writer) Saving Mr. BanksKIERAN EVANS (Director/Writer) Kelly + VictorPAUL WRIGHT (Director/Writer), POLLY STOKES (Producer) For Those in PerilSCOTT GRAHAM (Director/Writer) Shell
FILM NOT IN THE ENGLISH LANGUAGETHE ACT OF KILLING Joshua Oppenheimer, Signe Byrge SørensenBLUE IS THE WARMEST COLOUR Abdellatif Kechiche, Brahim Chioua, Vincent MaravalTHE GREAT BEAUTY Paolo Sorrentino, Nicola Giuliano, Francesca CimaMETRO MANILA Sean Ellis, Mathilde CharpentierWADJDA Haifaa Al-Mansour, Gerhard Meixner, Roman Paul
DOCUMENTARYTHE ACT OF KILLING Joshua OppenheimerTHE ARMSTRONG LIE Alex GibneyBLACKFISH Gabriela CowperthwaiteTIM’S VERMEER Teller, Penn Jillette, Farley ZieglerWE STEAL SECRETS: THE STORY OF WIKILEAKS Alex GibneyANIMATED FILMDESPICABLE ME 2 Chris Renaud, Pierre CoffinFROZEN Chris Buck, Jennifer LeeMONSTERS UNIVERSITY Dan Scanlon
ORIGINAL MUSIC12 YEARS A SLAVE Hans ZimmerTHE BOOK THIEF John WilliamsCAPTAIN PHILLIPS Henry JackmanGRAVITY Steven PriceSAVING MR. BANKS Thomas Newman
CINEMATOGRAPHY12 YEARS A SLAVE Sean BobbittCAPTAIN PHILLIPS Barry AckroydGRAVITY Emmanuel LubezkiINSIDE LLEWYN DAVIS Bruno DelbonnelNEBRASKA Phedon Papamichael
EDITING12 YEARS A SLAVE Joe WalkerCAPTAIN PHILLIPS Christopher RouseGRAVITY Alfonso Cuarón, Mark SangerRUSH Dan Hanley, Mike HillTHE WOLF OF WALL STREET Thelma Schoonmaker
PRODUCTION DESIGN12 YEARS A SLAVE Adam Stockhausen, Alice BakerAMERICAN HUSTLE Judy Becker, Heather LoefflerBEHIND THE CANDELABRA Howard CummingsGRAVITY Andy Nicholson, Rosie Goodwin, Joanne WoodlardTHE GREAT GATSBY Catherine Martin, Beverley Dunn
COSTUME DESIGNAMERICAN HUSTLE Michael WilkinsonBEHIND THE CANDELABRA Ellen MirojnickTHE GREAT GATSBY Catherine MartinTHE INVISIBLE WOMAN Michael O’ConnorSAVING MR. BANKS Daniel Orlandi
MAKE UP & HAIRAMERICAN HUSTLE Evelyne Noraz, Lori McCoy-BellBEHIND THE CANDELABRA Kate Biscoe, Marie LarkinTHE BUTLER Debra Denson, Beverly Jo Pryor, Candace NealTHE GREAT GATSBY Maurizio Silvi, Kerry WarnTHE HOBBIT: THE DESOLATION OF SMAUG Peter Swords King, Richard Taylor, Rick Findlater
SOUNDALL IS LOST Richard Hymns, Steve Boeddeker, Brandon Proctor, Micah Bloomberg, Gillian ArthurCAPTAIN PHILLIPS Chris Burdon, Mark Taylor, Mike Prestwood Smith, Chris Munro, Oliver TarneyGRAVITY Glenn Freemantle, Skip Lievsay, Christopher Benstead, Niv Adiri, Chris MunroINSIDE LLEWYN DAVIS Peter F. Kurland, Skip Lievsay, Greg OrloffRUSH Danny Hambrook, Martin Steyer, Stefan Korte, Markus Stemler, Frank Kruse
SPECIAL VISUAL EFFECTSGRAVITY Tim Webber, Chris Lawrence, David Shirk, Neil Corbould, Nikki PennyTHE HOBBIT: THE DESOLATION OF SMAUG Joe Letteri, Eric Saindon, David Clayton, Eric ReynoldsIRON MAN 3 Bryan Grill, Christopher Townsend, Guy Williams, Dan SudickPACIFIC RIM Hal Hickel, John Knoll, Lindy De Quattro, Nigel SumnerSTAR TREK INTO DARKNESS Ben Grossmann, Burt Dalton, Patrick Tubach, Roger Guyett
BRITISH SHORT ANIMATIONEVERYTHING I CAN SEE FROM HERE Bjorn-Erik Aschim, Friederike Nicolaus, Sam TaylorI AM TOM MOODY Ainslie HendersonSLEEPING WITH THE FISHES James Walker, Sarah Woolner, Yousif Al-Khalifa
BRITISH SHORT FILMISLAND QUEEN Ben Mallaby, Nat LuurtsemaKEEPING UP WITH THE JONESES Megan Rubens, Michael Pearce, Selina LimORBIT EVER AFTER Chee-Lan Chan, Jamie Stone, Len RowlesROOM 8 James W. Griffiths, Sophie VennerSEA VIEW Anna Duffield, Jane Linfoot
Considering that every award show leading up to the Academy Awards helps predict who will take home the Oscar in each category, it's quite a good sign for both American Hustle and 12 Years a Slave that each film received 13 nominations for the 19th Critics' Choice Movie Awards.
American Hustle grabbed nods for Best Picture, Best Actor (Christian Bale), Best Supporting Actor (Bradley Cooper), Best Supporting Actress (Jennifer Lawrence), Best Acting Ensemble, Best Director (David O. Russell), Best Original Screenplay, Best Editing, Best Costume Design, Best Makeup, Best Comedy, Best Actor in a Comedy (Christian Bale), and Best Actress in a Comedy (Amy Adams). And 12 years a Slave nabbed nominations for Best Picture, Best Actor (Chiwetel Ejiofor), Best Supporting Actress (Lupita Nyong'o), Best Acting Ensemble, Best Director (Steve McQueen), Best Adapted Screenplay, Best Cinematography, Best Art Direction, Best Editing, Best Costume Design, Best Makeup, and Best Score.
Not far behind in the nominations race is Gravity with 10 nods and Captain Phillips, Her, Nebraska, and The Wolf of Wall Street with six each.
The Critics Choice Awards ceremony will be hosted by Aisha Tyler on The CW Jan. 16 at 8 PM.
Best PictureAmerican HustleCaptain PhillipsDallas Buyers ClubGravityHerInside Llewyn DavisNebraskaSaving Mr. Banks12 Years a SlaveThe Wolf of Wall Street
Best ActorChristian Bale – American HustleBruce Dern – NebraskaChiwetel Ejiofor – 12 Years a SlaveTom Hanks – Captain PhillipsMatthew McConaughey – Dallas Buyers ClubRobert Redford – All Is Lost
Best ActressCate Blanchett – Blue JasmineSandra Bullock – GravityJudi Dench – PhilomenaBrie Larson – Short Term 12Meryl Streep – August: Osage CountyEmma Thompson – Saving Mr. Banks
Best Supporting ActorBarkhad Abdi – Captain PhillipsDaniel Bruhl – RushBradley Cooper – American HustleMichael Fassbender – 12 Years a SlaveJames Gandolfini – Enough SaidJared Leto – Dallas Buyers Club
Best Supporting ActressScarlett Johansson – HerJennifer Lawrence – American HustleLupita Nyong’o – 12 Years a SlaveJulia Roberts – August: Osage CountyJune Squibb – NebraskaOprah Winfrey – Lee Daniels’ The Butler
Best Young Actor/ActressAsa Butterfield – Ender’s GameAdele Exarchopoulos – Blue Is the Warmest ColorLiam James – The Way Way BackSophie Nelisse – The Book ThiefTye Sheridan – Mud
Best Acting EnsembleAmerican HustleAugust: Osage CountyLee Daniels’ The ButlerNebraska12 Years a SlaveThe Wolf of Wall Street
Best DirectorAlfonso Cuaron – GravityPaul Greengrass – Captain PhillipsSpike Jonze – HerSteve McQueen – 12 Years a SlaveDavid O. Russell – American HustleMartin Scorsese – The Wolf of Wall Street
Best Original ScreenplayEric Singer and David O. Russell – American HustleWoody Allen – Blue JasmineSpike Jonze – HerJoel Coen & Ethan Coen – Inside Llewyn DavisBob Nelson – Nebraska
Best Adapted ScreenplayTracy Letts – August: Osage CountyRichard Linklater & Julie Delpy & Ethan Hawke – Before MidnightBilly Ray – Captain PhillipsSteve Coogan and Jeff Pope – PhilomenaJohn Ridley – 12 Years a SlaveTerence Winter – The Wolf of Wall Street
Best CinematographyEmmanuel Lubezki – GravityBruno Delbonnel – Inside Llewyn DavisPhedon Papamichael – NebraskaRoger Deakins – PrisonersSean Bobbitt – 12 Years a Slave
Best Art DirectionAndy Nicholson (Production Designer), Rosie Goodwin (Set Decorator) – GravityCatherine Martin (Production Designer), Beverley Dunn (Set Decorator) – The Great GatsbyK.K. Barrett (Production Designer), Gene Serdena (Set Decorator) – HerDan Hennah (Production Designer), Ra Vincent (Set Decorator) – The Hobbit: The Desolation of SmaugAdam Stockhausen (Production Designer), Alice Baker (Set Decorator) – 12 Years a Slave
Best EditingAlan Baumgarten, Jay Cassidy, Crispin Struthers – American HustleChristopher Rouse – Captain PhillipsAlfonso Cuarón, Mark Sanger – GravityDaniel P. Hanley, Mike Hill – RushJoe Walker – 12 Years a SlaveThelma Schoonmaker – The Wolf of Wall Street
Best Costume DesignMichael Wilkinson – American HustleCatherine Martin – The Great GatsbyBob Buck, Lesley Burkes-Harding, Ann Maskrey, Richard Taylor – The Hobbit: The Desolation of SmaugDaniel Orlandi – Saving Mr. BanksPatricia Norris – 12 Years a Slave
Best MakeupAmerican HustleThe Hobbit: The Desolation of SmaugLee Daniels’ The ButlerRush12 Years a Slave
Best Visual EffectsGravityThe Hobbit: The Desolation of SmaugIron Man 3Pacific RimStar Trek into Darkness
Best Animated FeatureThe CroodsDespicable Me 2FrozenMonsters UniversityThe Wind Rises
Best Action MovieThe Hunger Games: Catching FireIron Man 3Lone SurvivorRushStar Trek into Darkness
Best Actor in an Action MovieHenry Cavill – Man of SteelRobert Downey Jr. – Iron Man 3Brad Pitt – World War ZMark Wahlberg – Lone Survivor
Best Actress in an Action MovieSandra Bullock – GravityJennifer Lawrence – The Hunger Games: Catching FireEvangeline Lilly – The Hobbit: The Desolation of SmaugGwyneth Paltrow – Iron Man 3
Best ComedyAmerican HustleEnough SaidThe HeatThis Is the EndThe Way Way BackThe World’s End
Best Actor in a ComedyChristian Bale – American HustleLeonardo DiCaprio – The Wolf of Wall StreetJames Gandolfini – Enough SaidSimon Pegg – The World’s EndSam Rockwell – The Way Way Back
Best Actress in a ComedyAmy Adams – American HustleSandra Bullock – The HeatGreta Gerwig – Frances HaJulia Louis-Dreyfus – Enough SaidMelissa McCarthy – The Heat
Best Sci-fi/Horror MovieThe ConjuringGravityStar Trek into DarknessWorld War Z
Best Foreign Language FilmBlue Is the Warmest ColorThe Great BeautyThe HuntThe PastWadjda
Best Documentary FeatureThe Act of KillingBlackfishStories We TellTim’s Vermeer20 Feet from Stardom
Best Song"Atlas" – Coldplay – The Hunger Games: Catching Fire"Happy" – Pharrell Williams – Despicable Me 2"Let It Go" – Robert Lopez and Kristen Anderson-Lopez – Frozen"Ordinary Love" – U2 – Mandela: Long Walk to Freedom"Please Mr. Kennedy" – Justin Timberlake/Oscar Isaac/Adam Driver – Inside Llewyn Davis"Young and Beautiful" – Lana Del Rey – The Great Gatsby
Best ScoreSteven Price – GravityArcade Fire – HerThomas Newman – Saving Mr. BanksHans Zimmer – 12 Years a Slave
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.