WHAT IT’S ABOUT?
Pixar makes it ten gems in a row with this enchanting animated story of 78-year-old Carl Fredricksen a recent widower who decides to fulfill his (plus his late wife’s) lifelong dream of tying thousands of balloons to their house and floating off to a mountaintop in South America. But he soon discovers a stowaway in the form of Russell a precocious eight-year-old “Wilderness Explorer” who he reluctantly allows to accompany him on his journey. Together the unlikely pair embark on the adventure of a lifetime encountering Kevin a rare 13-foot tall-flightless bird; Dug an overly-friendly talking pooch; and Charles Muntz a once-famous adventurer who now lives alone in a massive airship surrounded by a pack of attack dogs.
WHO’S IN IT?
Sticking to their general custom of casting actors not big stars in key voice roles Pixar assembled a superb cast for Up led by veteran TV star Ed Asner (The Mary Tyler Moore Show) as the aged Carl who takes flight in his house and finds there is a lot to learn about life even as you near death. Asner’s grumpy delivery provides the perfect counterpoint to nine-year-old Jordan Nagai’s Russell a bright and optimistic kid who proves an invaluable assistant to Carl throughout their journey. Christopher Plummer (The Sound of Music) is authoritative and intriguing as the obsessed Muntz and John Ratzenberger (Cheers) extends his streak of Pixar films to 10 as a construction engineer who tries to convince Carl to sell his house. Bob Peterson does delightful double duty as two of the key dog voices lovable Dug and the menacing Alpha head of the pack.
Like Pixar’s previous Oscar-winning masterpiece Wall-E Up is a ‘toon that is not content to explore the same places we’ve seen in previous animated blockbusters. Centering an action comedy around a 78-year-old man isn’t a strategy you’ll find in the youth-obsessed Hollywood recipe book but it pays great dividends here with a moral that life’s greatest adventure is the one you share with someone you love. The non-humans — particularly Kevin and Dug — are hilarious and unique and a silent sequence detailing the courtship and marriage of the Fredricksens is a sweet touch that could have come straight out of a Charlie Chaplin movie.
With a string of critically-acclaimed hits that includes Toy Story Finding Nemo The Incredibles Ratatouille Wall-E and now Up Pixar is ruining it for everyone else. There is simply no way they can be topped when it comes to pushing the boundaries of animated movies. Bad for other studios. Good for us.
Could Up which just became the first animated film to open the Cannes Film Festival also become the first to be nominated for the Best Picture Oscar since Beauty and the Beast in 1991 (before the Animation category was even established)? At this point in the year it’s actually a good bet. Whatever the case expect Up to earn several nominations come Oscar time.
A swashbuckling swordfight across the skies between two near-octogenarians? It’s the best action scene in a summer full of ‘em.
NETFLIX OR MULTIPLEX?
Oh pleeeeeease! Get to a theater fast. Up is also available in 3-D at select locations. Either way it’s a must-see.
Based on E.B. White’s enduring children’s story we meet Wilbur the Pig (Dominic Scott Kay) a runt who is saved from the axe by a little farm girl named Fern (Dakota Fanning). She raises Wilbur from infancy but eventually she has to send Wilbur over to her uncle’s neighboring farm since there’s no room for a pig in her house. There in the barn Wilbur meets the assortment of colorful animal characters: Betsy (Reba McEntire) and Bitsy (Kathy Bates) two pessimistic cows; motherly goose Gussy (Oprah Winfrey) and her henpecked hubby Golly (Cedric the Entertainer); Samuel (John Cleese) an uptight sheep; the skittish horse Ike (Robert Redford); the self-serving rat Templeton (Steve Buscemi); and of course sweet Charlotte (Julia Roberts) a spider with a heart of gold. When the naïve Wilbur finds out he might be Christmas dinner Charlotte makes a promise to her new friend that she’ll do everything in her power to make sure Wilbur sees the Christmas snow—and everyone ends up helping her out. What could be more fun than to voice a barnyard animal? Winfrey and Cedric’s geese banter is like an old married couple. Cleese gives Samuel the sheep a certain upper-crustiness. Redford is actually pretty funny as a horse who’s deathly afraid of spiders (“I’ll listen to you but I just can’t look at you”). Buscemi is a particularly nice choice as the sneaky rat Templeton who only thinks about filling his belly with food (no typecasting there we swear). For pure comic relief there are also two crows voiced by Andre Benjamin and Thomas Haden Church who just can’t quite get around the whole scarecrow thing. And as Charlotte Roberts has a truly soothing and loving tone sort of how you’d imagine it from the book. As for the human aspect Fanning continues to do what she does best playing Fern with the right amount of youthful innocence spunkiness and determination. Just wondering how we are going to handle it when this amazing little actress grows up and starts doing like adult things. Actually it is sort of a shame they couldn’t get a live-action version of Charlotte's Web made before Babe. Sure there was the 1973 animated cutesy film but a live-action adaptation of this timeless tale really should have been the standard by which all computer-generated talking farm animal movies would follow don’t you think? Instead Charlotte's Web pales ever so slightly in comparison. Oh well water under the bridge. Director Gary Winick (13 Going on 30) still manages to invoke the wonderful and uplifting spirit of the novel keeping faithful to the text in all ways. Visually the film is crisp and flawless in its execution particularly in the beauty and splendor of how Charlotte spins her webs and emotionally hearts will indeed swell and tears will flow. Charlotte's Web is the perfect family movie to inspire the next generation of young readers and viewers as well as for the rest of us who fondly remember the childhood classic.
October 25, 2002 1:51pm EST
Captain Sean Murphy (Gabriel Byrne) leads a salvage team of five people aboard the tugboat Arctic Warrior with Maureen (Julianna Margulies) as something of a second in command. At a bar one night the crew is approached by a Canadian Air Force pilot (Desmond Harrington) who while monitoring icebergs in the Bering Sea spotted a mysterious vessel. He offers to divulge its location for a cut of whatever it's worth. What the crew finds are the decaying remains of the Antonio Graza an Italian cruise ship thought to be lost at sea for more than 40 years. While scavenging the vessel for valuables the salvage team discovers that something horrendous happened on board four decades ago. To make matters worse the crew starts seeing ghosts including a little girl named Katie (Emily Browning) who warns them to get off the ship before it's too late. Let's just say that the plot involves something about a ghost tricking people into boarding the ship in order to amass a certain amount of souls and complete a mission of sorts. Don't be surprised if you find yourself scratching your head when the ghost's true intentions are revealed--the film leaves many questions unanswered.
Former ER star Margulies (Dinosaur) shares the lead here with Byrne (End of Days) and the most refreshing thing of all is that there is no romance between the two characters. Maureen is a tough and independent woman who has no qualms about living at sea with a bunch of grubby men and Margulies portrays that well. We are told that Maureen and Byrne's character Murphy have a father-daughter-type relationship but that is not explored on screen. While Byrne plays a convincing rugged sea captain his character is never delved into and is dismissed rather abruptly. In fact that is the biggest problem with most of the actors and their characters; they are more like slightly more developed extras brought in to become victims rather than the film's protagonists. Harrington's (We Were Soldiers) character Jack is not as glazed over as the others and the actor conveys the different sides of his personality well enough. The rest of the crew including Ron Eldard as Dodge Isaiah Washington as First Mate Greer Alex Dimitriades as Santos and Karl Urban as Munder do the best they could with the flat and disposable characters they are given.
Ghost Ship opens up with a fantastic scene that involves hundreds of crewmembers and passengers getting dismembered by a high tension wire that slices across the boats main deck. Too bad it's so implausible because unless the wire was lined with razor blades all those bodies wouldn't have been severed so neatly. The massacre is set aboard the Antonio Graza back in 1962 when cruises were still considered a luxury. But when the film zips back to present day it becomes less imaginative and director Steve Beck (Thirteen Ghosts) dips into the old haunted-stories bag o' tricks including ghost reflections in mirrors. But while the gags are a little worn they still scare and are constant enough to keep the film from lagging. The film comes in under 90 minutes which isn't short enough to graze over some of the story's plot holes. The characters for example jump in and out of the icy Bering Sea without the slightest quiver even though their survival time in the 45-degree waters would be measured in minutes. And if Ghost Ship sounds familiar that's because it was made in 1997 and called Event Horizon except that rescue mission was set in the year 2047 aboard a space ship.