Rapper Wiz Khalifa skipped a court date in Texas on Wednesday (06Aug14) to play Pictionary with Megan Fox and Nick Cannon - and the whole thing was televised. A warrant was issued for the Black & Yellow hitmaker's arrest after he failed to show up for a hearing connected to his drugs bust in May (14) in El Paso, and he is sure to have angered local law enforcement officials with his TV appearance on The Tonight Show Starring Jimmy Fallon hours later.
He previously upset local cops hours after they booked him for trying to sneak marijuana onto a plane by posting a jailhouse 'selfie' online. The cheeky snap triggered an investigation into how the rapper was able to sneak a cellphone past arresting officers.
Khalifa also performed at the end of Fallon's show on Wednesday night.
An arrest warrant for Wiz Khalifa has been issued after the rapper failed to appear in court in El Paso, Texas on Wednesday (06Aug14). The Black & Yellow hitmaker was arrested in the city in May (14) after police at El Paso Airport caught him trying to sneak marijuana onto a plane.
He hit the headlines from behind bars when he posted a jailhouse 'selfie', which triggered an investigation.
Broadway's Tupac Shakur musical Holler If Ya Hear Me is to close early due to disappointing ticket sales.
The stage show, based on the music of the late rapper, officially opened at New York City's Palace Theatre on 19 June (14) and less than two months after its debut, the curtain will come down for the last time on Sunday (20Jul14).
Producer Eric L. Gold made the announcement on Monday night (14Jul14), attributing declining sales to the show's ultimate demise. He says, "We are so proud to be a part of this ground breaking production... My hope is that a production of this calibre, powerful in its story telling, filled with great performances and exciting contemporary dance and music will eventually receive the recognition it deserves."
"It saddens me that due to the financial burdens of Broadway, I was unable to sustain this production longer in order to give it time to bloom on Broadway. Tupac's urgent socially important insights and the audiences' nightly rousing standing ovations deserve to be experienced by the world."
The production reportedly cost $8 million (£4.7 million) to stage, and, after receiving mixed reviews from critics, box office figures have been declining ever since the show began previews on 2 June (14).
Alec Baldwin "felt sorry" for his former Broadway co-star Shia Labeouf when he saw the troubled actor walk a red carpet with a paper bag over his head. The Transformers actor has grabbed headlines over the last few weeks with his increasingly bizarre antics, which included donning the paper bag for the premiere of his film Nymphomaniac at a film festival in Germany, and launching himself as part of a live art show in Los Angeles.
Baldwin fell out with LaBeouf while they were working on Broadway play Orphans last year (13), and the young actor was subsequently fired from show, but the former 30 Rock star admits he feels bad about his current troubles.
In an article published in New York Magazine, Baldwin writes, "Shia LaBeouf went to a film screening recently and he wore a bag over his head and the bag says 'I Am Not Famous Anymore'. And there was truly a part of me that felt sorry for him, oddly enough."
Baldwin adds of his difficulties working with LaBeouf, "I'd heard from other people that he was potentially very difficult to work with, but I always ignore that because people say the same thing about me... LaBeouf seems to carry with him, to put it mildly, a jailhouse mentality wherever he goes... I think he was shocked (when he was fired). He had that card, that card you get when you make films that make a lot of money that gives you a certain kind of entitlement. I think he was surprised that it didn't work in the theatre".
A Florida judge has ordered a review of any further surveillance videos featuring Justin Bieber behind bars that prosecutors want to make public after footage of the singer getting strip-searched appeared online. The Baby hitmaker's lawyers petitioned a judge last week (ends09Feb14), urging him to block the release of the jailhouse videos and prosecutors have agreed to halt their plans pending a judge's review.
Bieber insiders tell TMZ.com that footage yet to be released features the singer's "intimate personal parts". The judge's decision will be made following the inspection of the remaining surveillance film.
Last week (ends07Feb14), it was revealed a police officer was facing an internal investigation over claims she attempted to take a picture of the singer while he was behind bars.
Bieber was arrested while taking part in a luxury sportscar drag race in Miami, Florida. He has been charged with driving under the influence, driving on a suspended licence and resisting arrest without violence and is due to appear in court in Florida on Friday (14Feb14).
This episode was all about the main characters dealing with problems and how to trust even those closest to them, including family.
Raylan Givens (Timothy Olyphant) was having a grand old time in the opulent home of Charles Monroe (Xander Berkeley), a money launderer for the Detroit Mob. He had company: Alison (Amy Smart), who was Loretta McCready's (Kaitlyn Dever) case worker. They weren't discussing work. Givens got interrupted twice, once by his boss, Art Mullen (Nick Searcy), who told him the case against Monroe was falling apart. The second interruption was a in the form of a rather large man named Henry Granger, outside with a baseball bat. Granger wasn't there to intimidate Givens: he may have been part of a plot to rob the Monroe house. It also turned out that Allison had planted evidence that wound up having Granger, who was a meth cook, lose custody of his child. Givens later visited Granger and set him straight and told him to never bother Alison again. Then, luck fell in their lap: Gloria, Monroe's 'maid'/girlfriend, came over and tried to open a hidden safe with bars of gold in it. It turned out the safe had been installed by Wynn Duffy (Jere Burns). So they had Gloria plant the idea that Duffy was the one who stole the money from the safe. Monroe took the bait and tried to kill Duffy, but got shot by Duffy's goon with Givens and Marshal Rachel Brooks (Erica Tazel) present. That problem solved, Givens and Allison picked up where they left off, though the seed of doubt had been planted that she was another in a string of no-good women that Givens was turning a blind eye to.
Boyd Crowder (Walton Goggins) started off trying to figure out who had stolen his drug shipment in the last episode. Aft first he thought Duffy had double-crossed him. After the bushy-eyebrowed criminal disabused him of that notion, he had a drug dealer, Cyrus (Bill Tangradi) brought in. After Duffy terrorized him by shooting a BB gun at his face repeatedly. Cyrus blurted out that he had told a hooker who had a thing for ... ahem ... pleasuring men with candy like Pop Rocks. (These events with Duffy all took place before the shootout with Monroe at Duffy's bus.) Boyd visited his fiance, Ava Crowder (Joelle Carter), in jail to see if she knew who the hooker was, since she used to be a madam. Ava didn't seem too impressed by his efforts to spring her and they fought about why Ava was there, exactly. She did apparently did give him the name of the hooker, though. Of course, Boyd, being a career criminal, had multiple problems. Lee Paxton (Sam Anderson), the man Boyd had beaten into a coma, was now awake and and wanted the sherriff, Mooney (William Gregory Lee) to kill him. Boyd, wanting to stay on this planet as long as he could, partnered with Paxton's wife, Mara (Karolina Wydra) and got her to get the jump on Mooney. Well, not exactly the jump ... she got a grip on him, if you know what I mean, while Boyd aimed a gun at his back. It looked like Mooney was Team Boyd again ... for now. They were going to have Mooney tell Lee that he had killed Boyd, and Mara was going to show him a picture of a dead man's hand with the same tattoo as Boyd's on it. That was an easy enough job, since Mara ran a funeral parlor and there would be no shortage of bodies. Boyd then brought had the hooker brought in a trunk. He took her cell phone and called a number and said, "Hello, cousin Johnny." It appeared that Johnny Crowder (David Meunier) was the traitor.
Dewey Crowe (Damon Herriman) had problems of his own. His cousin Darryl (Michael Rapaport) was still there, despite his obvious displeasure. Darryl told him that he was being ripped off, since he should have been making more money than he was. He pointed to a hotel that cost half of what Dewey had paid Boyd for this whorehouse. Dewey ran to Boyd to get a refund but the silver-tongued Crowder told him to stand up for himself, which he did. After he chewed out Darryl and told him to hit the road, Darryl, who admired him for his stance, took him to a back room and showed him why he was making less than he should. His employee, Wade Messer (James Le Gros), was skimming on behalf of Boyd. Darryl told Dewey that he needed to kill Messer, since he had stolen from him.
Nobody died in this episode, though it doesn't look good for Messer. Givens also gave Granger quite the bloody nose and Monroe apparently pulled through despite being shot by Duffy's bodyguard, Mikey.
"You wanna tell me why you had Captain Fauxhawk drag me over here?" -- Cyrus to Boyd.
"If you take those headphones off again, I'm going to staple them to your g-----n head!" --Boyd to Ava's lawyer, who wore them during their jailhouse chat so as to not hear their illicit discussions.
State of Boyd/Ava
There are already cracks in the relationship. Ava was very dismissive of Boyd during her jailhouse chat and Boyd and Mara seemed to be very sexually charged the scene when she looked over his chest and arms for a tattoo. It doesn't look like there will be wedding bells.
State of Raylan Givens
Well, there wasn't mention of Mullen looking more into the Nicky Augustine murders, but there was the sense that his boss was going to keep treating him like a child. First, there were the phone calls while Givens was at Monroe's place and then he had Brooks babysit him after the first run-in with Granger. On top of that, nobody seems to believe that Givens has good taste in women and that Allison is not going to be another woman who steals a piece of him, either physically, spiritually or materially (Yes, a woman once absconded with his money).
State of Boyd Crowder
Boyd's in a bad place now, but that's usually the spot where the head of a criminal empire is. Everybody's gunning for him and he's dealing with them as quickly as his facile mind can. It's going to be interesting to see how he takes on Johnny. He seemed to take a step back from that edge of insanity that he had teetered on in the season premiere, but it's a short stumble away.
Scottish singer Susan Boyle has become one of only a handful of artists to be granted permission to record a posthumous duet with late music legend Elvis Presley. The star has recorded a new version of Christmas carol Oh Come All Ye Faithful, which will feature on her upcoming holiday album Home For Christmas, and the track includes vocals from The King of Rock 'n' Roll, which have been added using studio technology.
Boyle has dedicated the song to her late father, who was a huge fan of Presley.
She says, "To put a unique twist on classic Christmas songs is truly wonderful. I grew up listening to Elvis and to sing with him, well, I didn't think it would be possible. Isn't technology brilliant? The track is for my father - and for Elvis."
Celine Dion has previously recorded a posthumous duet with the Jailhouse Rock hitmaker, along with his daughter Lisa Marie Presley.
Boyle's album also features a collaboration with crooner Johnny Mathis.
An electric guitar played by The Beatles legends John Lennon and George Harrison shattered auction estimates and sold for $408,000 (£263,000) in New York on Saturday (18May13). The custom-built VOX instrument, used by the late rockers at the height of the Fab Four's fame, was snapped up by an unidentified buyer at the Music Icons sale at the Hard Rock Cafe in Manhattan.
Bosses at Julien's Auctions previously predicted the guitar would fetch between $200,000 and $300,000 (£129,000-£194,000).
The instrument, which sold just a few years ago by Christie's Auction House for little more than $100,000 (£65,000), was played by Harrison while rehearsing I Am The Walrus, and by Lennon during a video session for the song Hello, Goodbye.
Both tracks were included on the Beatles' 1967 album Magical Mystery Tour.
Other highlights of Saturday's auction included a stage jumpsuit worn by David Cassidy, which sold for $18,750 (£12,097) and Conway Twitty's 1957 Gretsch Guitar, which went for $23,750 (£15,323).
A slew of Elvis Presley memorabilia also proved to be big draws - his Hagstrom Electric Guitar went under the hammer for $50,000 (£32,258), while a pair of shoes inscribed and worn by the King sold for $46,875 (£30,242), and the pants the legend sported in the video for Jailhouse Rock collected $12,500 (£8,065).
What happens when '60s radicals go underground, take on new identities, and resurface to live downright suburban lives?
So many of us can look back at different eras of our lives and say that we were different people, but for some members of groups like the Weather Underground, it's quite literally true. The Company You Keep takes its cues from those members of the Underground who left the group and remained fugitives, whether literally on the run or figuratively, with new names and lives. What's especially interesting is that these radical leftists, who some have called terrorists, are now our parents and grandparents, our lawyers and professors, living normal — one might even say bourgeois — lives.
That's the case with Jim Grant (Robert Redford), an upstanding citizen, father, and lawyer who takes on the sort of do-gooder cases that are usually the bread and butter of avowed bleeding hearts and not well-to-do widowers. When a former Weather Underground member named Sharon Solarz (Susan Sarandon) turns herself in, the story falls in the lap of Ben Shepard, a hungry young reporter played by a bespectacled and smarmy Shia LaBeouf. Once Ben starts sniffing around, Jim's guard goes up, which only makes the journalist more curious. What unfurls is a network of former Weathermen, some of whom still live under the radar and on the run, and others that left the group before things got too hairy. None of them are particularly thrilled to see their former comrade come calling, either. Ben's trying his damndest to stay on top of the story even as the trail takes him across the country, but Jim's one step ahead of him. The question is what he's running away from or, as Ben suspects, towards.
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The Company You Keep gives up its secrets too readily. Sharon Solarz is more than happy to grant her only jailhouse interview to Ben so she can expound on her radical values, though it's not clear why she was planning to give herself up or how the FBI managed to catch her beforehand. The FBI agents are just a tad too cartoonish, like Terrence Howard's suspicious Agent Cornelius and Anna Kendrick's Diana, who helps Ben out a little simply because he's the kind of jackass who would ask a former flame for such a favor. Other flourishes get lost in the mix; there are nods to the changing landscape of journalism, like Ben's harried boss played by Stanley Tucci, and a truncated subplot that gives you the feeling something was left on the cutting room floor, to the detriment to the story.
It's hard to deny the gravitas of Robert Redford, whether as a patron of the arts, a director, or an actor. His strength of character lends The Company You Keep an air of seriousness that benefits this promising thriller, but neither he nor the impressive cast can keep this film moving. Some of the scenes are wonderfully tense, but the energy lags when the focus shifts to Ben's storyline. He does get journalism points for using a microfiche reader, though.
The movie already clocks in at 125 minutes, so some of Jim's cross-country travels could have been trimmed. The quality of the filmmaking, from cinematography to the music by Cliff Martinez, is hard to find fault with, but The Company You Keep doesn't linger after the credits roll.
[Photo Credit: Sony Classics]
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You can't go home again. It's a maxim whose institution in our culture has spanned from Thomas Wolfe's eponymous novel to that first season episode of Battlestar Galactica, but is it a tried and true phrase to live by or a tired cliché rung up by the real estate industry? In the realm of television, many a star has attempted to revitalize past glory on the old stomping grounds, return to the network that launched his or her career in the first place. James Gandolfini, for instance, is returning to HBO (the old home of his historical series The Sopranos) with a new drama pilot titled Criminal Justice.
The Hollywood Reporter reveals that Gandolfini will headline the project, an adaptation of a BBC series that aired in 2008. The story follows the trial of a Pakistani-American murder suspect (Rizwan Ahmed) from inception to conclusion, with Gandolfini playing his second-rate defense attorney Jack Stone. Screenwriter Steven Zaillian (Schindler's List, Gangs of New York, The Girl with the Dragon Tattoo) will direct and co-write the pilot with The Wire writer Richard Price.
Although it's not unheard of for a star to find success with a second series on the network responsible for his or her renown, there are definitely motivations to branch out to other venues. Generally speaking, television actors looking for work following a hit series opt to showcase their versatility, rather than promote the idea that they can't do anything we haven't seen from them so far. Famously, the stars of Seinfeld have endured difficulty illustrating what they can do beyond the confines of what NBC's hit sitcom displayed. Both Michael Richards and Julia Louis-Dreyfus sought post-Seinfeld work on NBC, to little success: Richards' detective series The Michael Richards Show only ran for eight episodes in the year 2000, while Louis-Dreyfus' sitcom Watching Ellie only made it to 16 before ratings-provoked cancellation. It should be noted that Louis-Dreyfus has found much greater success on other networks; her CBS sitcom The New Adventures of Old Christine lasted five seasons, in addition to earning the actress an Emmy — a victory that her new HBO comedy Veep might well match.
Coming off of another NBC powerhouse, Friends, actor Matthew Perry has sought work on the network twice since putting Chandler Bing to rest. In 2006, he starred in the Aaron Sorkin drama Studio 60 on the Sunset Strip, which earned critical acclaim but only ran for one season. His new sitcom Go On premiered on the network this season, and has been a contributing factor in NBC's number one ratings status.
A greater certainty in star-network reunions existed in the past — at least on CBS. Responsible for hits like The Dick Van Dyke Show, The Many Loves of Dobie Gillis, and The Bob Newhart Show, CBS granted these series' featured actors Mary Tyler Moore, Bob Denver, and Bob Newhart followup shows The Mary Tyler Moore Show, Gilligan's Island, and Newhart — each of which were monumental success stories.
But with today's "less forgiving" television audiences, always looking for reasons to reject an actor's efforts to explore the new, the adherence to a network is riskier. The pattern suggested above is that when you see a star return to his or her network, you want to see that star doing the thing that instituted the fame. On The Michael Richards Show and Studio 60, the actors in question were too far gone from their Seinfeld and Friends characters. But Go On and the sitcoms of CBS yore reproduced the things we loved about Perry, Moore, Denver, and Newhart. The same can be said for Tony Danza, whose success on ABC's Taxi was transmitted to the network's later sitcom Who's the Boss?. If we're tuning into the same place to watch the same people, we want to see the same thing.
So how will Gandolfini fare on Criminal Justice? Is a jailhouse lawyer close enough to a mafioso to keep audiences engaged in the actor, or will people miss Tony Soprano an opt away from the new series? If viewers are willing to accept Gandolfini as anything other than Tony in the first place, the actor might have a hit on his hands. More than any pattern of which we might take note is the issue of quality. If Criminal Justice is well-written and accessible, then it could well be a hit. With the creative team of Zaillian and Price, and an actor like Gandolfini, quality is indeed promised. Now if only they could find a less generic title...
[Photo Credit: HBO]
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