A Million Ways To Die In The West, Transformers: Age Of Extinction, Sex Tape and The Interview will 'fight' for the title of 2014's worst film at the Golden Raspberry Awards in February (15), according to a leaked list of potential nominees. With almost two weeks to go before the official Razzie nominations are announced, awards website GoldDerby.com has obtained the shortlists for Worst Film, Worst Remake, Worst Screenplay, Worst Screen Combo, Worst Director and Worst Actor, Actress, Supporting Actor and Supporting Actress.
Unsurprisingly, Transformers: Age of Extinction comes out on top with nine considerations including Worst Film, Worst Director (Michael Bay), Worst Sequel, Worst Screenplay and Worst Supporting Actor and Actress (Kelsey Grammer, Nicola Peltz and Sophie Miles).
It is closely followed by Seth MacFarlane's critically-mauled A Million Ways to Die in the West with eight nods, including Worst Film, Worst Director (MacFarlane) and Worst Actress (Charlize Theron). Saving Christmas, Sex Tape, Legend of Hercules and Haunted House 2 land six nominations, according to the leaked list, while Pompeii, The Expendables 3 and Johnny Depp's Transcendence bottom out with five apiece.
Cameron Diaz is among the potential nominees in the Worst Actress category with two films, Sex Tape and The Other Woman, and she's also up for Worst Supporting Actress for her role in Annie, while Glee star Lea Michele's voice in Legends of Oz: Dorothy's Return earns her a Razzie consideration for Worst Actress.
Seth Rogen's controversial new comedy picks up four early nods, including Worst Film and Worst Actor (Rogen and James Franco), and movie veteran Jane Fonda could land a Razzie for her role as a lesbian matriarch in This is Where I Leave You, while Kelsey Grammer, Mel Gibson and Arnold Schwarzenegger are all under consideration for a Worst Supporting Actor nomination for The Expendables 3.
The Golden Raspberry Awards nominations will be unveiled on 14 January (15).
Singer/actor Tyrese Gibson took his young daughter to a protest in Los Angeles for a staged "die-in", in response to recent U.S. grand jury decisions to clear police officers over the deaths of two men.
In the past few weeks, thousands of Americans have showed their outrage at the decisions to clear two cops who killed suspects Michael Brown and Eric Garner in separate incidents.
On Saturday (06Dec14), hundreds of citizens gathered for a protest dubbed Black Out Hollywood in Los Angeles, taking to the streets of Hollywood demanding justice. Gibson and his daughter Shayla attended the march and also participated in a "die-in" a demonstration in which activists sprawled on the ground.
Wearing all black, the participants spread out across the busy intersection of Hollywood and Highland, just steps away from the TCL Chinese Theater and Dolby Theatre, where the Oscars are held.
Gibson even got on a microphone to speak out during the event, saying, "It is hard for us to have faith in the system when there are so many secrets they keep from us. All lives matter."
He later took to Instagram.com to add on to his remarks, writing, "Today we made a statement - in this life it's not about ONLY taking a stand for the things that effect you directly - it's about taking a stand on behalf of 'Humanity'...
"I can't rest until things are different - today we marched a multi ethnic March on behalf of peace and integrity - if you don't stand for something you will for for anything (sic) - safety in our communities and the belief in the 'system' needs to be restored - the power in numbers was displayed today."
Actor Colin Farrell has been named the new face of Dolce & Gabbana's scent Intenso.
The Alexander star follows in the footsteps of Matthew McConaughey and Scarlett Johansson, who have also fronted fragrance campaigns for the Italian fashion house. A statement from designers Domenico Dolce and Stefano Gabbana reads: "We are incredibly happy to be working with such a great talent. When we created this fragrance, we immediately thought of Colin. He is the perfect embodiment of male strength and sensuality."
Lionsgate via Everett Collection
Even if you haven’t seen The Expendables or The Expendables 2, you’ll feel pretty confident in what sort of film you’ve signed on to watch by the end of the very first scene in Stallone and co’s latest on-in-years ensemble. Expendables 3 opens with an action sequence that lacks any visual coherence, falls short of its intended adrenaline, and hangs its sense of humor on a single meta joke about one cast member’s life outside the franchise. But then, almost instantly, you’ll be thrown for a loop. A very weird loop, in fact.
The second scene in the movie — a segue between the first high-intensity set piece and the next — is a long (and I mean long) silent shot of a helicopter landing outside of what, if memory serves, is Sylvester Stallone’s character’s HQ. It might not sound like a particularly big deal, but it takes form as a jarring, almost laughable dagger to the movie’s would-be momentum.
It’s the first of many instances of peculiarity so obtrusive it’s emotionally rewarding, and often (intentionally or otherwise… I really have no idea in most of these cases) quite funny. Between the running theme of characters staring motionlessly and wordlessly into the camera, a sullen montage documenting the empty lives of the Expendables when they’re not expendabling, and the bizarre reoccurrence of the word “s**tstorm,” you’ll discover a rare, inimitable identity in The Expendables 3: one that amounts to a better time than you might anticipate, and certainly more interesting one.
Of course, there are plenty of missed marks throughout the film. As established from minute one, the action is flagrantly uncoordinated, and a lot of the scripted comedy — the hypermasculine chiding and Arnold Schwarzenegger’s callback lines — will provoke hearty groans. But sweeping past the excess of the prerequisite bro jokes and ‘80s movie quotes, we get to the real fun. We get to the odd, often uncomfortable (and delightfully so) hiccups in pacing. We get to Mel Gibson spouting Biblical passages and tirades against big government. Best of all, we get to Antonio Banderas, prancing around the wide shot like a romantic bandit. Off to the side of the top-heavy bulk, these elements make up the real victory of Expendables 3: the fun is in the weird.
Follow @Michael Arbeiter | Follow @Hollywood_com
The former child star who played Mel Gibson's daughter in The Patriot has died at the age of 21. Skye McCole Bartusiak died at her home in Texas on Friday (18Jul14).
Bartusiak also appeared alongside Charlize Theron and Tobey Maguire in The Cider House Rules and in Don’t Say a Word, opposite Michael Douglas. She also featured in hit TV shows House and Lost.
She becomes the second member of Gibson's The Patriot family to die young - her movie brother Heath ledger passed away following a prescription drug overdose in 2008.
Columbia Pictures via Everett Collection
Are we headed for a Farrellaissance? Hopefully not, because that's a terrible bit of word play, but we are likely headed for some other, better realized pun about Colin Farrell's career upswing. The actor is currently in talks to star in the second season of True Detective, which probably doesn't click with some of Twitter's snarkier ideas via that whole "True Detective Season 2" meme that flooded the Internet a few months ago, but it does follow the TV series' modus operandi of targeting marquee movie stars to portray its brooding leads. Taylor Kitsch is also in talks for a lead role in the series, and would play opposite Farrell's character.
The union of Farrell and the HBO series feels almost symbiotic in nature. With only one season under its belt, True Detective has proved it has the ability to rejuvenate the career of wayward actors. Just look at what the series did for Matthew McConaughey. Some of us were in on the ground floor when McConaughey started his rise to renewed relevance, with roles in films like Richard Linklater's Bernie, the darker-than-dark Killer Joe, and the coming of age film Mud. But the general public really took notice of McConnaughey's career transformation (the McConaissance, as the phenomenon has come to be known) with the one-two punch of Dallas Buyers Club and True Detective. HBO's stylish and meditative crime drama became an unlikely sensation with viewers, and it gave people the chance to really see McConnaughey's brilliance as an actor. And suddenly Fools Gold, Failure to Launch, the shirtless jokes, and everything else we came to associate with the actor fell away. In eight short hours, he became Rust Cohle, waxing poetic about time and flat circles and winning the heart of TV fans everywhere. The same thing can easily happen with Colin Farrell.
There's no question that Farrell is talented, but his filmography reads like a list of wasted potential. His great films like In Bruges and Seven Psychopaths are nestled between some more unfortunate dreck like the shmaltzy Winter's Tale, the bland remake of Total Recall, and the dreary Dead Man Down. This lead role in True Detective could be just the shot in the arm that Farrell's career needs. And since Taylor Kitsch has been Hollywood's resident blockbuster killer for the past handful of years, maybe True Detective can help him as well.
The new trailer for The Expendables 3 shows off an unsurprising abundance of explosions, gunfire, and sexagenarians saying things like "Lock and load." A bit more surprising in its ubiquity, however, is the action hero's old friend the helicopter. Yes, any film bording the lethal dose of adrenaline is bound to feature a chopper or two, but the two-and-a-half minute preview for Sylvester Stallone's upcoming threequel shows off an irrational number whirlybirds. And yeah, those are the only slang words for "helicopter" I know, so we're going to have to get creative now.
We catch glimpse the first of many propellerinos swooping down over an enemy train to rescue the apparently nonexpendable Wesley Snipes from incarceration. After rendering the entire locomotive to ruins (hopefully those were Nazis or something and not, you know, just military men doing their job apprehending criminals), we move onto a slew of other hummingbots prime for adventure: one drops off a maniacal Mel Gibson. One launches explosive at the side of a dock. One hovers over the speeding car of Natalie Burn. And one hovers just out of reach of what we can only assume is a ketamine-engendered Sylvester Stallone. And that's not even counting the jets (of both the plane and Li variety) sprinkled throughout the trailer.
If the trailer offers up this many circle-spin-bumble-droids (too creative?), we can only imagine what the 103-minute runtime has in store.
Follow @Michael Arbeiter| Follow @Hollywood_com
Columbia Pictures via Everett Collection
"Who you gonna call?" If you had shouted that anywhere in the country during the summer of 1984, a multitude of voices would've screamed "Ghostbusters!" back at you.
The paranormal comedy starring Bill Murray, Dan Aykroyd and Harold Ramis and directed by Ivan Reitman was an immediate smash with its mix of broad humor and special effects hitting a home run with kids and their parents. You probably remember the giant Stay-Puft Marshmallow Man that nearly destroys New York, but here are some fun facts that you might not know.
When Aykroyd was originally writing his script for the movie he intended for John Belushi and Eddie Murphy to play Peter Venkman and Winston, the roles that eventually went to Murray and Ernie Hudson. Belushi died while he was still working on the script and the shooting schedule for Beverly Hills Cop forced Murphy to drop out.
John Candy was cast initially in the role of Louis, who becomes possessed by the Keymaster. Candy quit after Reitman wouldn't let him do the character his way, which included speaking with a German accent. He was replaced by Rick Moranis, who was Candy's longtime costar on SCTV.
It's all in the marketing. The initial advertising for the movie was simply posters with the "No Ghost" logo, followed by the Ghostbusters' car (Ecto-1) being driven around New York City without explanation.
After the movie opened, Reitman created a trailer out of the commercial in the film which gave a working 800 number. The number led to a message of Murray and Aykroyd saying that they were out catching ghosts. It reportedly received an average of 1,000 calls an hour every hour for six weeks.
Stay-Puft Marshmallows is not a real product, but in the movie there's a pack of them in Sigourney Weaver's apartment as well as a billboard on the side of a building advertising them.
Rietman was originally planning on doing a film version of Douglas Adams' The Hitchhikers Guide to the Galaxy. When the director and his producing partners contacted Aykroyd about being part of the project he instead pitched them his ghost movie.
The famous theme song by Ray Parker Jr. was number one on the Billboard charts for three weeks. Parker has said in interviews that he was inspired to write the song as a jingle in line with the commercial in the film after he saw a TV spot for a local plumber while trying to overcome a bout of writer's block. Huey Lewis apparently disagreed with that version of events since he sued Parker claiming that the melody plagiarized his song "I Want a New Drug." The dispute was resolved by an out-of-court settlement.
On the DVD commentary, Rietman confirms that Aykroyd's original script was set in the future where there were teams of Ghostbusters all over the world, with sci-fi touches like the Ecto-1 flying, and would've been too expensive to shoot. Ramis, who co-wrote Animal House and Caddyshack, was brought in to tone down Aykroyd's vision.
Ramis originally wasn't going to act in the movie, even though he had previously starred with Murray in Reitman's Stripes. He joined the cast after he formed a close association with the character while writing the script.
Ramis' character Dr. Egon Spengler was named after German philosopher Oswald Spengler who wrote The Decline of the West, which argued that all civilizations eventually break down.
Paul Reubens (Pee-Wee Herman) was originally offered the role of Gozer the Destructor. After he declined, the role was reworked and went to Yugoslavian model Slavitza Jovan.
Michael Keaton was in discussions for both the Venkman and Louis roles but turned them both down. Chevy Chase was also considered for Venkman, while Jeff Goldblum and Christopher Walken were among those talked about as possible Egons. Comedian Sandra Bernhard was offered the role of the Ghostbusters secretary that eventually went to Annie Potts, while Michael McKean was one of the other actors considered to replace Candy in the Louis role.
A real jail was used for the scene where the Ghostbusters are locked up, and Aykroyd believed the location to actually be haunted.
The exterior for the Ghostbusters headquarters is the real Hook and Ladder No. 8 Firehouse in the famous Tribeca neighborhood of Lower Manhattan. The location was almost closed as part of the city's budget cuts in 2011, but was one of 19 firehouses saved in a restructured plan by then Mayor Michael Bloomberg.
The movie was the first to have veteran broadcaster Larry King appear as himself, while porn actor Ron Jeremy and pop songstress Debbie Gibson were both extras during the filming.
The scene where Weaver levitates was done in the same manner as a magician uses in a stage show. Reitman had worked with illusionist Doug Henning on the Broadway show Merlin and was familiar with how the trick was done.
Actor William Atherton, who plays the Ghostbusters' nemesis Walter Peck, has long claimed in interviews that for years after the movie was released he would have people yelling at him on the street for his treatment of Murray and company. He said that it even led to physical altercations in bars. Atherton went on to play sleazy reporter Richard Thornburg in Die Hard and Die Hard 2.
The ghost that wreaks havoc on the Sedgewick Hotel didn't have a name in the script. The model that was used on set was nicknamed "Onion Head" because of its smell and Aykroyd joked that it was the ghost of Belushi. Fans of the movie started calling it Slimer and the name stuck, eventually being used in the animated series that the movie spawned.
Unbeknownst to the producers, Filmation had made a short-lived animated series in 1975 called The Ghost Busters. Heading off a potential lawsuit, Columbia paid Filmation a fee for using the name.
Murray agreed to do the movie only if Columbia Pictures would provide the funding for a film version of the W. Somerset Maugham novel The Razor's Edge that he would star in. Murray's pet project was released later in 1984 and made $6.6-million at the box office. Ghostbusters grossed more than $238-million in the United States alone.
MCA via Everett Collection
To Wong Foo, Thanks For Everything! Julie Newmar was ahead of its time. Audiences can easily take for granted the immense importance of this film. It’s a high profile film in the 1990s that features three high profile actors, Patrick Swayze, John Leguizamo, and Wesley Snipes playing gay men. Granted, they spend 99 percent of the movie in drag, but the film is monumental for the community. There’s wider acceptance of the gay community, appreciation for the art form of drag due to RuPaul’s Drag Race, and education about the clear distinctions between drag performers and trans women. But in 1995 this wasn’t the case. Sadly, this film is considered more of a cult classic than a major motion picture. All the same, the film is hilarious, quotable, and politically responsible. Here are some fun facts about the film:
Wesley Snipes and Jennifer Garner got to second base with the same man.Before he found success on Alias, Garner’s ex Michael Vartan had a major role in this film. In one scene, he antagonizes the ladies and Snipes grabs his privates and drags him by his member for an extended period of time.
Queen of 30 Rock You might think that Tracy Morgan and Snipes look equally bad in drag, but the real connection is Kathy Geiss. The nonverbal, unicorn loving CEO of GE was played by Marceline Hugot. She plays Katina one of the town’s residents in the film.
One Degree from Mindy Kaling As great as it would be to imagine Kaling playing a character named Noxema Jackson, the real connection is Beth Grant who plays The Mindy Project’s irate nurse Beverly also played irate townsperson Loretta.
Catwoman Connection Not only did the three leads all star with notable Catwoman Newmar in this film, all three have also starred with the most infamous Catwoman Halle Berry. Leguizamo in Executive Decision, Swayze in Father Hood, and Snipes in Jungle Fever. Snipes even dated Berry.
Start Your Engines, May the Best Woman Live Leguizamo has not been shy about his major friction with the late Swayze on set. Swayze was method and Leguizamo was improvising and making jokes to get more screen time. He says the two physically got into a fight until it was broken up by production. ChiChi, you in danger, girl!
A Cavalcade of Drag Stars This film was one of the first major motion pictures about drag. It gave early acting credits to RuPaul, Lady Bunny, Coco Peru, Laritza Dumount, and Flotilla DeBarge. It also was a major credit for the first transwoman on television Candis Cayne. Talk about helping to define the stars of tomorrow.
Work it Out! David Barton the founder of the popular New York City gym franchise has an early role as a muscle boy.
Drag is Leguizamo’s Bread and Butta’ By the time he did To Wong Foo, Leguizamo had already becoming accustomed to acting in drag. He played female roles in his one-man shows Mambo Mouth, Spic-O-Rama, and on his Fox series House of Buggin’.
Robin Williams: The Drag Years Although uncredited with his hilarious cameo, this film is sandwiched between Williams other two drag movies. In 1993, he gave old lady realness in Mrs. Doubtfire. In 1996, he played husband to a drag performer in The Birdcage.
Thanks for Everything, Carol Lynley! Before the producers secured the rights to Newmar’s name their alternate actress for the iconic photo that inspired the queens was Fantasy Island star Lynley. It doesn’t have the same ring to it, and she isn’t quite as statuesque.
It all goes back to Chinese Food. The name of the film was taken from a photo at a Times Square Chinese Restaurant that was later seen in the film where the ladies find the photo.
Curse of Wong Foo? Both Mel Gibson and Gary Oldman were in talks to potentially play drag queens in the film.
Is that a corn cob in your pocket, ma’am? Swayze surprised Chris Penn during the scene where he discovers Vida Boheme is a man. He hid a corn cob in his dress. Way to commit.
ABC Television Network
Lindsay Lohan has had multiple run-ins with the law but has served significant time only in rehab. Like Lohan, Paris Hilton walked in and out of prison. Directors Roman Polanski and Woody Allen have had questionable sex scandals and faced no jail time. Even O.J. Simpson was tried for murder and acquitted but then declared guilty in a civil trial. It’s unclear whether the court of justice gets interrupted by the court of public opinion, the legal system is not prepared to handle high profile inmates, or if justice can be effectively carried out with such high profile figures. So does the burden fall on Hollywood to police its own?
Shh! It’s a Secret
One challenge to Hollywood policing its celebrities is that they have high powered lawyers and are very litigious. How can journalists report on crimes if they are subject to high profile lawsuits? Also, if you’re rich enough you may have a built in network of alibis and accomplices. It’s easy to have "friends" (or paid-off bouncers) take the rap, or to have people in your employ sign non-disclosure agreements. But having inequitable legal protection does not allow celebrities to be above the law. Stars like Lindsay Lohan may not serve jail time, but judging from her reality show, the time incarcerated may have served her well. With so many celebrities dying of drug related deaths does this behavior not warrant some sort of action?
The NBA has banned Donald Sterling for life for inflammatory statements he made about minorities. Paula Deen was let go from The Food Network and lost many endorsements because of things she said. But what about the things actors and performers say that get out. During stand-up performances, Tracy Morgan said if his son was gay he would kill him, and Michael Richards used the N-word. Lest we forget the many inflammatory comments by Mel Gibson and Alec Baldwin. And yet, no one is around to fine, ban, or police them.
Shonda Rhimes: Avenger
One of the few showbiz figures policing her stars seems to be Shonda Rhimes. Columbus Short, star of Scandal, has been let go by ABC amid allegations of spousal abuse. It’s sad to lose such a vital character on the show but there are some things you just can’t abide. He may be able to get away without having to do prison time but he shouldn’t appear on a national television show, with major notoriety, about a Washington power player that is a woman. It’s unclear whether it is Rhimes or ABC that removed Short, but Rhimes does have a long history of keeping her actors in line. When Grey's Anatomy star Isaiah Washington engaged in a major physical altercation, used a gay slur, and outed an actor derisively, he was let go from the show. Now this may also be a case of responding to a public outcry but it was a decision based on outrage by the cast, crew, and creators. Regardless of whether it is ABC or Rhimes making the order, letting these actors go sends a clear message: this behavior is not permissible. Look at a show like Two and a Half Men, which kept Charlie Sheen on until his public face became too much to handle. The show was a cash cow but could have afforded to let Sheen go earlier. Clearly, he has issues with drugs and his own hubris. He didn’t start out at rock bottom and had the show intervened earlier his career might have been saved.
No one is above the law but it seems like actors and Hollywood types will not realize until they lose everything. The one lesson from Lohan’s OWN show Lindsay is that you can get yourself ejected from Hollywood for bad behavior. The trip back is an uphill climb. There’s tons of talented actors and directors, beautiful models, and enjoyable comedians… but you only get a few chances.