Before Hollywood's biggest stars deliver their acceptance speeches at Sunday's Academy Awards, the 2013 Writers Guild Awards have honored the folks who supply A-list actors and actresses with words. The 65th annual ceremony kicked off Sunday, celebrating the best and the brightest behind the scenes — and behind the pen — in television, film, and beyond in 2012.
But there were few surprises at the awards — Mark Boal picked up his second WGA win for Zero Dark Thirty (he won his first for Hurt Locker in 2010) while television's critical darlings, Breaking Bad and Louie proved to be victorious.
Who else was a big winner at the WGA awards? See below to find out!
MOTION PICTURE CATEGORIES
Zero Dark Thirty, written by Mark Boal; Columbia Pictures
Argo, screenplay by Chris Terrio; based on a selection from The Master of Disguise by Antonio J. Mendez and the Wired magazine article “The Great Escape” by Joshuah Bearman; Warner Bros. Pictures
Searching for Sugar Man, written by Malik Bendejelloul; Sony Pictures Classics
Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC
Louie, Written by Pamela Adlon, Vernon Chatman, Louis C.K.; FX
Girls, Written by Judd Apatow, Lesley Arfin, Lena Dunham, Sarah Heyward, Bruce Eric Kaplan, Jenni Konner, Deborah Schoeneman, Dan Sterling; HBO
Mad Men (AMC), Written by Semi Chellas and Matthew Weiner, "The Other Woman"
LONG FORM – ORIGINAL
Hatfields & McCoys (History Channel), Teleplay by Ted Mann and Ronald Parker, Story by Bill Kerby and Ted Mann, Nights Two and Three
LONG FORM – ADAPTED
Game Change (HBO), Written by Danny Strong, Based on the book by Mark Halperin and John Heilemann
Modern Family (ABC), Written By Elaine Ko; ABC, "Virgin Territory"
COMEDY/VARIETY (INCLUDING TALK) — SERIES
Portlandia, Written by Fred Armisen, Carrie Brownstein, Karey Dornetto, Jonathan Krisel, Bill Oakley
COMEDY/VARIETY — MUSIC, AWARDS, TRIBUTES — SPECIALS
66th Annual Tony Awards, Written by Dave Boone, Special Material by Paul Greenberg; Opening and Closing Songs by David Javerbaum, Adam Schlesinger; CBS
CHILDREN'S – EPISODIC & SPECIALS
Sesame Street (PBS), Written by Christine Ferraro, "The Good Sport"
CHILDREN'S — LONG FORM OR SPECIAL
"Girl vs. Monster," Story by Annie De Young; Teleplay by Annie De Young and Ron McGee; Disney Channel
The Simpsons, Written by David Mandel & Brian Kelley; Fox, "Ned and Edna's Blend Agenda"
The Young & the Restless, Written by Amanda Beall, Jeff Beldner, Brent Boyd, Susan Dansby, Janice Ferri Esser, Jay Gibson, Scott Hamner, Maria Kanelos, Natalie Minardi Slater, Beth Milstein, Michael Montgomery, Anne Schoettle, Linda Schreiber, Lisa Seidman, Sarah K. Smith, Christopher J. Whitesell, Teresa Zimmerman; CBS
DOCUMENTARY — CURRENT EVENTS
Frontline, Written by Martin Smith and Marcela Gaviria; PBS, "Money, Power and Wall Street: Episode One"
DOCUMENTARY — OTHER THAN CURRENT EVENTS
Nova, Written by Randall MacLowry; PBS, "The Fabric of the Cosmos: The Illusion of Time"
NEWS — REGULALRY SCHEDULED, BULLETIN, OR BREAKING REPORT
"Tragedy in Colorado: The Movie Theatre Massacre," Written by Lisa Ferri, Joel Siegel; ABC News
NEWS — REGULARLY SCHEDULED OR BREAKING REPORT
"World News This Year 2011," Written by Darren Reynolds; ABC News Radio
NEWS — ANALYSIS, FEATURE OR COMMENTARY
"Dishin Digital," Written by Robert Hawley, WCBS-AM
PROMOTIONAL WRITING AND GRAPHIC ANIMATION CATEGORIES
ON-AIR PROMOTION (RADIO OR TELEVISION)
"Partners," Written by Dan A. Greenberger, CBS
TELEVISION GRAPHIC ANIMATION
Sunday Morning with Charles Osgood, Animation by Bob Pook; CBS, "The Oscars"
NEW MEDIA AND VIDEOGAME CATEGORIES
OUTSTANDING ACHIEVEMENT IN WRITING DERIVATIVE NEW MEDIA
The Walking Dead: Cold Storage, Written by John Esposito (amctv.com) – “Hide And Seek,” “Keys to the Kingdom,” “The Chosen Ones,” “Parting Shots”
OUTSTANDING ACHIEVEMENT IN WRITING ORIGINAL NEW MEDIA
Jack In A Box, Written by Michael Cyril Creighton (jackinaboxsite.com) – “The Compromises, Episode 1,” “The Pest, Episode 3,” The Snake, Episode 4,” “The Bonding, Episode 6,” “The Future, Episode 7/Series Finale”
OUTSTANDING ACHIEVEMENT IN VIDEOGAME WRITING
Assassin's Creed III: Liberation, Scriptwriting by Richard Farrese, Jill Murray; Ubisoft
What do you think of this year's winners? Let us know in the comments!
Follow Alicia on Twitter @alicialutes.
I joked earlier in the season that Season 3 of Downton Abbey should have been called One and a Half Weddings and a Funeral but maybe it should have been called One and a Half Weddings and Two Funerals because now Matthew is dead. Yes, he suffered from a severe case of David Caruso-itis, which manifests itself as an insane ambition that leads a character to self-immoalte so he can attempt an inevitably unsuccessful movie career. It's such a sad and tragic illness.
But elsewhere there was a child born, a trip to Scotland, a lot of rather fruitless hunting (because Thomas wasn't invited, ZING!), and a day at the fair. All in all, a nice wrap up to this season. So, Brits, when can we expect the next installment?
Scotland: When I first realized that we'd all be going up north to Duneagle Castle in the season finale, I felt a little ripped off. This show isn't called Duneagel Castle, it's called Downton Abbey and I don't really care to learn about a whole different house, its lords, and its servants. But after our double-sized episode (which aired as the Christmas special in England, even though it was set in the summer) I was totally charmed. Not only did we have the glorious castles and all the spectacular shots of the scenery, but we also got to see a man named Shrimpy who wears kilts and our beloved Cousin Rose who was so much trouble at Downton and in London in the last episode. Then there was the theme music that was different but sounded wonderful, so that's an improvment. OK, maybe the highlands aren't so bad after all (Maybe there's a Duneagle spin-off in the future. Maybe we can call it Not's Landing.) The one thing I hated was when Mr. Bates said that the Grantham's hadn't been in a few years because of the war and Sybil's death, but they were going this year and Bates said it's the highlight of the Lord's summer. How does he know? He's never even been! He's only been at the house since just before the war. What a liar.
Edna, the Slutty House Maid: I'm sorry, but I love sluts and the only thing I love more than sluts are uppity sluts and that is why I have a huge passion for Edna, a slut of the first order with the worst accent this side of a Bostonian with a stutter. Edna comes onto the scene and out of the blue sets her sights on the one bachelor she thinks she can score with, Mr. Branson. I can't say I blame her because, as a fellow slut, I also have a weakness for the way he stretches out an undershirt. But how did she think this would end? Did she think that he would really marry her and get her out of the servants quarters for good? Didn't she realize she would be out on her duff faster than she could wash out her new man's mourning clothes? It was a good try though, Edna. Maybe should have made out with him a bit more before getting kicked out.
The Name Game: The most amusing part of the servants from Downton eating with the servants from Duneagle was the huge conversation they had about what to call each other. It's the custom, in a visiting house, to be called by the last name of the lord or lady that the servant is there serving (I guess it just makes things a lot easier than having to learn a bunch of stupid names). However it quickly devolves into a critique of how things are unconventional at Downton, like Anna isn't called Bates because there is already a Bates and she's been a house maid so they just call her Anna like always. It is a clever way to point out that, yes, Downton isn't really historically accurate, though it's a whole lot more fun.
Isobel and Violet's Feud: No matter how many miles separate them they still find a way to insult each other. When Violet is up north with her homely, mean, and screw-faced niece Susan, Isobel is back home dissing her to Branson. "I'm sure she doesn't like the working classes to read," Isobel scoffs about Violet's lack of progressive views. Still, I must say between getting Sybil to Downton for Mary's wedding, supporting Edith's new job, getting Ethel a post where everyone doesn't know she's a whore, getting Branson a job on the estate, and showing Rose some leniency because she's so young, our Dowager is too hip to be square.
RELATED: 'Downton Abbey' Recap: Matthew and Mary Are Expecting Good News
Everyone Knows Mary Is a Monster: Let's forget that Cora tells us that Lady Susan never liked Mary and that Edith knows that she is going to be mean about her new relationship with her editor Michael (and, honestly, Mary is unrelentingly cruel to poor Edith who had just been left at the altar a little more than a year ago). Even still both Mary and Matthew know that no one likes Mary. She knows that she's petty, cruel, and jealous with Edith and most people think that she's cold and heartless. Well, she is! What does Matthew see in her anyway? God, she's such a monster.
Hats: From Edith's orange headband to Violet's magical millinery to the deerstalkers (also known as "Sherlock Holmes hats") the men all wear hunting to this thing that Rose is wearing on her head, everyone was donning such wonderful chapeaux. No one does a headpiece like the British.
NEXT: Thomas and Jimmy Make Nice...
Thomas and Jimmy Make Nice: Wasn't it sweet that Thomas and Jimmy have become friends? Well, I don't really believe this plot line. It was just a year ago that Thomas tried to kiss rape Jimmy in his sleep and, even as Thomas is trying to make friends, he confesses that he was following Jimmy around the fair grounds like a gross stalker (maybe trying to catch a bit of drunk nookie with his intended?). But, yeah, I guess we'll just have to accept that they're peas in a pod now. And, boy, isn't it nice that all Thomas had to do to get Jimmy to trust him and be his friend is get the shit beat out of him? And all for a man who was going to ruin his life because he doesn't like the gays? Isn't that so nice? Man, this sounds more like something I hate.
Carson and Little Sybil: Wasn't it so cute when Carson came in and was holding little baby Sybil, bouncing her up and down, and cradling her the same way Courtney Love cradles a bottle of Maker's Mark at a party? Yes, it was cute. But it brings up another problem that I sort of love: Sybill really has no nanny. Well, she does. There is some woman named "Nanny," (which would be hilarious if there was a governess with the name "Nanny" but I think they just call her "Nanny" like Kathleen Turner calls her cat "Kitty Kitty" in The War of the Roses) who is the baby's actual nanny. Nanny is never around. We hear about her, but we never see her.
We know Ivy and Edna ,the slutty new house maid who was around for just one episode, but they still haven't seen who has been cast as one of the more important servants in the house? What, are they hoping to land someone famous and British like Baby Spice or Judi Dench or something and they don't want to show her face until a famous actress signs on the dotted line? Or maybe she'll be like Norm's wife Vera on Cheers – some crazy woman we always hear about but never see.
Shirtless Branson: Finally! And it was everything we hoped for.
O'Brien Meets Her Match: Sure Wilkinson may have a face like a deflated basketball, but I love that someone finally tried to out-bitch O'Brien. O'Brien and Thomas – whether they are getting along or at each others throats – are great foils, but seeing her just go after someone and totally try to destroy her was giving us everything we really want from this horn-headed demon from below the stairs.
Still, the storyline was underused and a little bit unresolved. We have no clue why Susan was so mean to her maid (unless it was just because she was sort of awful to everyone) and we have no idea how or why O'Brien would try to ruin her. What would she get out of the deal but satisfaction? And what happened to Wilkinson after O'Brien was whispering to her mistress? Our O'Brien is awful, but usually she only uses her manipulations to get something that she wants, not to be cruel out of spite.
RELATED: 'Downton Abbey' Recap: Everyone Is in Mourning
Rose Is Coming!: Oh, goodness me, we're going to get young Rose at Downton full time next season. Oh what delightful story lines she'll bring but doesn't this show need a few more men in its numbers? With Matthew biting the dust the only male upstairs that we're left with is Lord Grantham. Maybe Rose needs a brother? Or a cousin? Something!
Lord Grantham Finally Comes Around: Yes, it only took an entire season of him being wrong and ridiculed by just about every member of his family, but one trip to Scotland and he's realized that Matthew is right about taking Downton in a new direction and everyone was right for supporting him. Well, better late than never, I guess. But who is going to be the villain for next year? Maybe it can be Mr. Carson? He seems to be the only real conservative left.
Violet's Quip of the Week: "It's bad enough parenting a child when you like each other."
A Year Later: The only thing I hate more than seeing "A Year Later" just after the opening credits of something is seeing "Guest Starring Jessica Biel." No one wants to see Mrs. Timberlake in anything and no one wants to see Downton continue to jump around like Amanda Bynes after one too many Sugar-Free Red Bull and vodkas.
I know, I know, they had to go ahead a year so that Mary could have her baby and Matthew could die after holding it in his arms one time, but really, were there no moments in that year that were worth noting? It's like nothing at all happens at Downton for months or years at a time and then in the course of three days there is a baby born, a man dies, a young cousin comes to live with them, everyone goes to a fair, Thomas gets beat up, Jimmy forgives him, Mrs. Pattmore is in and out of love, there's a new housemaid who tries to sleep with Branson and gets fired, and something ridiculous having to do with Daisy. All of that happens in a week, but nothing, nothing at all happened in the year before? Please.
NEXT: The Episode's Big Death...
We All Knew He Was Going to Die: Thanks to the insane amount of time we had to wait before PBS aired this episode and the proliferation of social media and people watching the show in England Tweeting about it, we all knew Matthew was going to die at the end. We all knew it. Even if you somehow avoided all the direct spoilers, you still knew that someone huge was going to bite it and that it would be Matthew and that colored how you watched the entire episode. That's sad.
As it unspooled in merry old England, the end must have come as an "Oh no they didn't!" moment that you just don't believe, like when Ned Stark got his head cut off (spoiler alert!) in Season 1 of Game of Thrones. But we didn't get that. No, we were just waiting for the inevitable and, while it was good, it just didn't have the same impact. It's like going to see Psycho now knowing about the iconic shower scene where the heroine dies. If you had seen that when the movie was released, it would have been revolutionary to see a movie where what appeared to be the heroine died after 30 minutes, but now the impact is dulled. Sad, but true.
Bagpipes: The cliche is true. We all hate them.
Pairing Up: I do not like this inclination to find the show's next power couple by trying to put every single person in the cast with every other single person. Isobel and Dr. Clarkson deserve each other (they are both awful and insufferable) but I'm glad their union didn't work. The same for Mrs. Pattmore, who shouldn't have to settle for a fat, old, ugly grocer who wants to flirt with all the ladies. Thank God she didn't want him anyway. There is a slow burn where Carson and Mrs. Hughes are being pushed together and I don't like it one bit. Can't they be equals and friends who respect and support each other without falling into bed together? Please!
The Boring Bateses: Speaking of power couples, how awful are the Bateses? We wanted them to get together so bad and then when they finally did it has fizzled out faster than Sam and Diane (yes, that is two Cheers references in one recap). We had that whole awful tedium of Bates being in jail and now they're going on picnics and Anna is dancing and the whole thing is just so damn boring. Maybe it's time to ship these two off to America to earn their fortune and we can get some new characters who actually, you know, do something.
Our Poor Lady Edith: She can never be happy, our Edith, can she? Now she's in love with Michael, her editor, even though he is stuck married to a crazy lady. I love that Edith is going to have a "modern entanglement" with him and that she finally has someone to love who loves her back (though I did love Matthew's line, "We're not in a novel by Walter Scott!") but can't it ever be easy? Can't she just have someone who is actually available? Her father is never going to like this, but if it was too easy there wouldn't be much drama in this show, would there. Maybe the one upside of Matthew dying is that no one will know that her man is married to another, since he seems to be the only one that Michael told. But does Mary know the secret? And what will she do with it. Oh, she's totally going to ruin everything!
RELATED: 'Downton Abbey' Recap: Shocking Death Shocks Everyone with Deadly Shocks and Death
Daisy: How come the only person to win a prize at the fair is stupid Daisy! Why is she even around anymore other than to whine and be bad at her job? And wasn't she supposed to escape to a farm so we'd never have to look at her ever again? God, Daisy, go away!
Moseley: God, the only person I hate more than Daisy is stupid Mosely. Why not pair these two up and have them sail the Lucetania on their honeymoon or something?
There's Never Any Fun: There is one odd fact about Downton and that is no one can have a child without one of the parents dying (not only Sybill and Matthew, but the father of Ethel's son died too). But there is another odd fact: no one can have any fun without tragedy striking. The entire staff (minus Mr. Carson) gets the day off to go to the fair and Thomas gets the crap beat out of him and everyone has to go home early. The whole Grantham clan goes up north for a vacation and Mary goes home early to have her baby prematurely and then Matthew dies in a car crash. Can't these people even have a moment's peace?
Mrs. Hughes Making Us Cry: Why is Mrs. Hughes the sweetest and most noble character on the whole damn show? How does she turn a speech where she informs Branson that she has to fire Edna the slutty house maid, into a speech where she not only makes Branson cry but makes everyone watching at home well up too? Why does she have to let him know how great he is and how Sybill will miss him and how he's an inspiration for her daughter? Why does she make us all blubber and look like the bad example of runny mascara in a Maybelline ad? Why? Why?!
A Son: Really? Mary has a son? How predictable. Now of course I was saying that the show needs more men (wait until they do "16 years later" so we can see him all grown up) but wouldn't it have been more interesting if Mary had a daughter. Then who would be the heir to Downton? Maybe Edith would have to have a son to save the whole thing? This whole series started on the drama of who would inherit the house and that is not only a question for the family but, if you enlarge it, a question about who in England will inherit the burden of these houses. That is still a question worth asking and it might be more interesting if there were a few more daughters in the mix.
Mary Never Looks Bad: Why can't Mary, who is an absolute monster on the inside, ever look bad? She gives birth to this baby, prematurely, and the next you see her she is sitting in the hospital in a spotless white robe with her hair fixed so neatly, her complexion milky smooth, and her halo just in place. Meanwhile, Sybill gave birth and she looked like that little girl from The Ring after she woke up from a bad hangover. Edith gets jilted at the altar and renders her gowns asunder and messes up her air so she looks like a bald Britney Spears beating a paparazzi truck with her umbrella. But Mary, no, god forbid that she not look picture perfect for even one second. I'm sick of it! I'm sick of it all. If she's not all red-faced and blubbering in her mourning clothes at the beginning of next season, I'm quitting this series for good.
[Photo Credits: PBS (5)]
Kate Upton Bares All in Nothing But Body Paint: Video (Celebuzz)
The 2013 nominees for the Writers Guild of America awards have been announced. Writers, you say? Yes, writers! The people that make words dance on pages to create the worlds in which our favorite shows flourish. Some people, when confronted with a brilliant episode of television automatically assume the credit for its general goodness should go to the actors. But what about the writers? They are often just as (if not more so) likely to be the reason you laughed, cried, gasped, guffawed, or squirmed in your seat during last week's episode of your favorite show.
These makers of televised scripts carry a good chunk of a show's success (and failure) on their shoulders, and leading the pack of successful witty wordsmiths? Lena Dunham and her HBO darling Girls. Overall, it seems as though cable dramas fared better than broadcast (which, duh), but on the flip-side, broadcast comedies outdid their cable brethren. Breaking Bad cleaned up in the episodic drama category, and comedy lady hero Amy Poehler got herself a nod for the episode of Parks and Recreation she penned, "The Debate."
Check out the full list of nominees below!
Boardwalk Empire written by Dave Flebotte, Diane Frolov, Chris Haddock, Rolin Jones, Howard Korder, Steve Kornacki, Andrew Schneider, David Stenn, Terence Winter; HBO
Breaking Bad written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC
Game of Thrones written by David Benioff, Bryan Cogman, George R. R. Martin, Vanessa Taylor, D.B. Weiss; HBO
Homeland written by Henry Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Chip Johannessen, Meredith Stiehm; Showtime
Mad Men written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Brett Johnson, Janet Leahy, Victor Levin, Erin Levy, Frank Pierson, Michael Saltzman, Tom Smuts, Matthew Weiner; AMC
30 Rock written by Jack Burditt, Kay Cannon, Robert Carlock, Tom Ceraulo, Vali Chandrasekaran, Luke Del Tredici, Tina Fey, Lauren Gurganous, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, John Riggi, Josh Siegel, Ron Weiner, Tracey Wigfield; NBC
Girls written by Judd Apatow, Lesley Arfin, Lena Dunham, Sarah Heyward, Bruce Eric Kaplan, Jenni Konner, Deborah Schoeneman, Dan Sterling; HBO
Louie written by Pamela Adlon, Vernon Chatman, Louis C.K.; FX
Modern Family written by Cindy Chupack, Paul Corrigan, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Brad Walsh, Bill Wrubel, Danny Zuker; ABC
Parks and Recreation written by Megan Amram, Greg Daniels, Nate Dimeo, Katie Dippold, Daniel J. Goor, Norm Hiscock, Dave King, Greg Levine, Joe Mande, Aisha Muharrar, Nick Offerman, Chelsea Peretti, Amy Poehler, Alexandra Rushfield, Michael Schur, Mike Scully, Harris Wittels, Alan Yang; NBC
Girls written by Judd Apatow, Lesley Arfin, Lena Dunham, Sarah Heyward, Bruce Eric Kaplan, Jenni Konner, Deborah Schoeneman, Dan Sterling; HBO
The Mindy Project written by Ike Barinholtz, Jeremy Bronson, Linwood Boomer, Adam Countee, Harper Dill, Mindy Kaling, Chris McKenna, B.J. Novak, David Stassen, Matt Warburton; Fox
Nashville written by Wendy Calhoun, Jason George, David Gould, David Marshall Grant, Dee Johnson, Todd Ellis Kessler, Callie Khouri, Meredith Lavender, Nancy Miller, James Parriott, Liz Tigelaar, Marcie Ulin; ABC
The Newsroom written by Brendan Fehily, David Handelman, Cinque Henderson, Paul Redford, Ian Reichbach, Amy Rice, Aaron Sorkin, Gideon Yago; HBO
Veep written by Jesse Armstrong, Simon Blackwell, Roger Drew, Sean Gray, Armando Iannucci, Ian Martin, Tony Roche, Will Smith; HBO
“Buyout” (Breaking Bad), written by Gennifer Hutchison; AMC
"Dead Freight” (Breaking Bad), written by George Mastras; AMC
“Fifty-One” (Breaking Bad), written by Sam Catlin; AMC
“New Car Smell” (Homeland), written by Meredith Stiehm; Showtime
“The Other Woman” (Mad Men), written by Semi Chellas and Matthew Weiner; AMC
“Say My Name” (Breaking Bad), written by Thomas Schnauz; AMC
“The Debate” (Parks and Recreation), written by Amy Poehler; NBC
“Episode 9” (Episodes), written by David Crane & Jeffrey Klarik; Showtime
“Leap Day” (30 Rock), written by Luke Del Tredici; NBC
“Little Bo Bleep” (Modern Family), written by Cindy Chupack; ABC
“Mistery Date” (Modern Family), written by Jeffrey Richman; ABC
“Virgin Territory” (Modern Family), written by Elaine Ko; ABC
LONG FORM – ORIGINAL
Hatfields and McCoys, Nights 2 and 3, teleplay by Ted Mann and Ronald Parker, Story by Bill Kerby and Ted Mann; History Channel
Hemingway & Gelhorn written by Jerry Stahl and Barbara Turner; HBO
Pilot (Political Animals), written by Greg Berlanti; USA
LONG FORM – ADAPTED
Coma, Nights 1 and 2, teleplay by John McLaughlin, based on the book by Robin Cook; A&E
Game Change written by Danny Strong, based on the book by Mark Halperin and John Heilemann; HBO
“A Farewell to Arms” (Futurama), written by Josh Weinstein; Comedy Central
“Forget-Me-Not” (Family Guy), written by David A. Goodman; Fox
“Holidays of Future Passed” (The Simpsons), written by J. Stewart Burns; Fox
“Ned and Edna’s Blend Agenda” (The Simpsons), written by Jeff Westbrook; Fox
“Treehouse of Horror XXIII” (The Simpsons), written by David Mandel & Brian Kelley; Fox
COMEDY / VARIETY (INCLUDING TALK) – SERIES
The Colbert Report writers: Michael Brumm, Stephen Colbert, Rich Dahm, Paul Dinello, Eric Drysdale, Rob Dubbin, Glenn Eichler, Dan Guterman, Peter Gwinn, Barry Julien, Jay Katsir, Frank Lesser, Opus Moreschi, Tom Purcell, Meredith Scardino, Scott Sherman, Max Werner; Comedy Central
Conan writers: Jose Arroyo, Andres du Bouchet, Deon Cole, Josh Comers, Dan Cronin, Michael Gordon, Brian Kiley, Laurie Kilmartin, Rob Kutner, Todd Levin, Brian McCann, Conan O'Brien, Matt O'Brien, Jesse Popp, Andy Richter, Brian Stack, Mike Sweeney; TBS
The Daily Show With Jon Stewart writers: Rory Albanese, Kevin Bleyer, Richard Blomquist, Steve Bodow, Tim Carvell, Hallie Haglund, J.R. Havlan, Elliott Kalan, Dan McCoy, Jo Miller, John Oliver, Zhubin Parang, Daniel Radosh, Jason Ross, Jon Stewart; Comedy Central
Jimmy Kimmel Live writers: Tony Barbieri, Jonathan Bines, Joelle Boucai, Sal Iacono, Eric Immerman, Gary Greenberg, Josh Halloway, Bess Kalb, Jimmy Kimmel, Jeff Loveness, Molly McNearney, Bryan Paulk, Danny Ricker, Rick Rosner; ABC
Key & Peele writers: Jay Martel, Ian Roberts, Keegan Michael Key, Jordan Peele, Sean Conroy, Colton Dunn, Charlie Sanders, Alex Rubens, Rebecca Drysdale; Comedy Central
Portlandia writers: Fred R. Armisen, Carrie Brownstein, Karey Dornetto, Jonathan Krisel, Bill Oakley; IFC
Real Time With Bill Maher writers: Scott Carter, Adam Felber, Matt Gunn, Brian Jacobsmeyer, Jay Jaroch, Chris Kelly, Mike Larsen, Bill Maher, Billy Martin; HBO
Saturday Night Live Head writer: Seth Meyers. Writers: James Anderson, Alex Baze, Neil Casey, Jessica Conrad, James Downey, Shelly Gossman, Steve Higgins, Colin Jost, Zach Kanin, Chris Kelly, Joe Kelly, Erik Kenward, Rob Klein, Lorne Michaels, John Mulaney, Christine Nangle, Mike O’Brien, Josh Patten, Paula Pell, Marika Sawyer, Sarah Schneider, Pete Schultz, John Solomon, Kent Sublette, Bryan Tucker, Additional Sketch By Emily Spivey, Jorma Taccone, Additional Material By Frank Sebastiano; NBC Universal
COMEDY / VARIETY – MUSIC, AWARDS, TRIBUTES – SPECIALS
66th Annual Tony Awards written by Dave Boone; special material by Paul Greenberg; opening and closing songs by David Javerbaum, Adam Schlesinger; CBS
2012 Film Independent Spirit Awards written by Billy Kimball, Wayne Federman; IFC
After the Academy Awards Head writers Gary Greenberg, Molly McNearney. Writers Tony Barbieri, Jonathan Bines, Sal Iacono, Eric Immerman, Jimmy Kimmel, Jeffrey Loveness, Bryan Paulk, Danny Ricker, Richard G. Rosner; ABC
National Memorial Day Concert written by Joan Meyerson; PBS
Days of Our Lives written by Lorraine Broderick, Carolyn Culliton, Richard Culliton, Rick Draughon, Christopher Dunn, Lacey Dyer, Janet Iacobuzio, David A. Levinson, Ryan Quan, Dave Ryan, Melissa Salmons, Roger Schroeder, Elizabeth Snyder, Christopher J. Whitesell, Nancy Williams Watt; NBC
One Life to Live written by Lorraine Broderick, Ron Carlivati, Anna Theresa Cascio, Daniel J. O’Connor, Elizabeth Page, Jean Passanante, Melissa Salmons, Katherine Schock, Scott Sickles, Courtney Simon, Chris Van Etten; ABC
The Young and the Restless written by Amanda Beall, Jeff Beldner, Brent Boyd, Susan Dansby, Janice Ferri Esser, Jay Gibson, Scott Hamner, Maria Kanelos, Natalie Minardi Slater, Beth Milstein, Michael Montgomery, Anne Schoettle, Linda Schreiber, Lisa Seidman, Sarah K. Smith, Christopher J. Whitesell, Teresa Zimmerman; CBS
CHILDREN'S – EPISODIC & SPECIALS
“The Good Sport” (Sesame Street), written by Christine Ferraro; PBS
CHILDREN’S – LONG FORM OR SPECIAL
Girl vs. Monster story by Annie De Young; teleplay by Annie De Young and Ron McGee; Disney Channel
Winners will be announced on February 17th at events in New York and Los Angeles. What do you think of this year's nominees? Let us know in the comments!
[Photo Credit: Jojo Whilden/HBO]
Follow Alicia on Twitter @alicialutes
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