Bridging the world between horror and comedy the new web series Ghost Ghirls finds humor in the ghouslish. The show, executive produced by Jack Black and premiering on Yahoo! September 9th, stars Amanda Lund and Maria Blasucci as two hapless paranormal investigators.
Hollywood.com was lucky enough to commune with Lund and Blasucci about how Ghost Ghirls came about, whether they believe in the supernatural, and how they managed to get so many famous faces to haunt the online series.
How did the idea for Ghost Ghirls originate?Lund: Maria and I had been wanting to work with Jeremy Konner on a project for a while. We are all fans of the paranormal genre and thought it would be interesting to see these characters within it.
Blasucci: So the three of us wrote up a little ten page script and went out and shot it. It is so much fun writing for these characters.
How did Jack Black get involved in the project? What was it like working with him?Blasucci: Jeremy had known Jack Black for a while having worked as his assistant and the director of the Tenacious D documentary. Jack has always been really supportive of Jeremy and as soon as we brought it to him, Jack jumped onboard. Working with him was an absolute dream. He is the nicest and most caring guy.
Lund: Working with him was unreal! He has been so supportive. He showed up to set almost everyday while we were filming and called in a bunch of his famous pals to play parts. Really, I've learned so much by working with Jack Black. His enthusiasm and positivity are really contagious. We lucked out. Who was your favorite celebrity guest star to work with?Lund: This is tough! We had so many amazing people! It was pretty mind-blowing to work with Val Kilmer. Having Val, Dave Grohl and Jack Black on set all at once was like a beautiful dream I didn't want to wake up from. I think we shot like a 16 hour day when they were all there but no one cared because it was so amazing to watch them jam. (They were playing a Southern Rock Band). That was the most magical moment of filming.
Blasucci: All of the guest stars were so gracious and wonderful. Molly Shannon was really lovely and hilarious and Bob Odenkirk brought so much life to his character. He made the character so much richer than we could have imagined. I do love working with Jason Ritter. He did our pilot presentation and is in another episode as well. Having him and Jason Schwartzman on set was hilarious.
What was it like taking the show to San Diego Comic Con?Lund : I had never been to Comic Con and didn't know what to expect! I couldn't believe that so many people came out to see our panel. I think we got a really good response actually. I feel like the Comic Con audience is really open and enthusiastic when it comes to new shows so it was cool to hear some positive feedback. I wish I had brought a costume to wear because I felt so stupid in my shorts when everyone else was in sweet capes and stuff.
Blasucci: I agree with everything Amanda said... except she wasn't wearing shorts. That was a lie. Do you believe in ghosts? Have you ever seen a ghost?Lund: I've had a few seemingly paranormal experiences. When I was nine I thought I saw the ghost of my grandpa coming out of my bedroom ceiling. However, I had an extremely active imagination. I had like a dozen imaginary friends as well and had a lot of strange conspiracytheories.
Blasucci: I believe in ghosts. Why not, right? It's more fun to believe. I've never seen one though. I'm afraid of seeing one.
I'm going to steal a line from Scream: What's your favorite scary movie?Blasucci: I'm going to steal from your question and say Scream.
Lund: I love scary movies! I'm drawn toward the classic, slow-burning ones like Rosemary's Baby or The Omen. But don't get me wrong, the Scream films and I Know What You Did Last Summer are close to my heart. Why should viewers be excited to watch? Lund: Because Ghost Ghirls has something for everyone! It's funny...it's scary...it's full of amazing guest stars! And it's short and free! Blasucci: We find it to be a really entertaining show with a lot of heart. So check it out!
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Oscars Shmoscars. The Annie Awards are where the real glory is.
In all seriousness, animation is an unappreciated medium, so the 2011 Annie Awards is a phenomenon that really deserves our attention. The nominations are in for this year's awards ceremony, celebrating the art, production, writing, directing and acting in animated projects.
As you check out the nominees below, begin to realize that you're not nearly as happy as you could be. Then, watch all of the movies listed. Problem solved.
BEST ANIMATED FEATURE
A Cat in Paris – Folimage
Arrugas (Wrinkles) – Perro Verde Films, S.L.
Arthur Christmas – Sony Pictures Animation, Aardman Animations
Cars 2 – Pixar Animation Studios
Chico & Rita – Chico & Rita Distribution Limited
Kung Fu Panda 2 – DreamWorks Animation
Puss In Boots – DreamWorks Animation
Rango – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Production
Rio – Blue Sky Studios
Tintin – Amblin Entertainment, Wingnut Films and Kennedy/Marshall
BEST ANIMATED SPECIAL PRODUCTION
Adventure Time: Thank You – Cartoon Network Studios
Batman: Year One – Warner Bros. Animation
Ice Age: A Mammoth Christmas – Blue Sky Studios
Kung Fu Panda – Secrets of the Masters – DreamWorks Animation
Prey 2 –Blur Studio
Star Tours – Industrial Light & Magic
BEST ANIMATED SHORT SUBJECT
Adam and Dog – Lodge Films
I Tawt I Taw A Puddy Tat – Warner Bros. Animation
La Luna – Pixar Animation Studios
(Notes on) Biology – Ornana Films
Paths of Hate – Platige Image
Sunday – National Film Board of Canada
The Ballad of Nessie –Walt Disney Animation Studios
The Girl and the Fox – Base14
Wild Life – National Film Board of Canada and Studio GDS
BEST ANIMATED TELEVISION COMMERCIAL
Audi “Hummingbird” – The Mill
Geico “Foghorn” – Renegade Animation
McDonald’s “Apple Tree” – Duck Studios/Kompost
McDonald’s “Suzi Van Zoom” – Duck Studios/Kompost
Norton “Stuff”– Psyop
O2 “Niggles & Narks” – The Mill
Statoil “Good Night” – Studio AKA
“The Pirate” – Meindbender
Twinings “Sea” – Psyop
BEST GENERAL AUDIENCE ANIMATED TV PRODUCTION
Archer – FX Productions
Green Lantern: The Animated Series – Warner Bros. Animation
Hoops & YoYo Ruin Christmas - Hallmark
MAD – Warner Bros. Animation
Mary Shelley’s Frankenhole Season 2 – Starburns Industries, Inc.
Prep & Landing: Naughty vs. Nice – Walt Disney Animation Studios
Star Wars: The Clone Wars – Lucasfilm Animation, Ltd.
The Simpsons – Gracie Films
BEST ANIMATED TELEVISION PRODUCTION - PRESCHOOL
Chuggington – Ludorum Pictures
Disney's Jake and the Never Land Pirates – Disney Television Animation
Disney's Mickey Mouse Clubhouse – Disney Television Animation
The WotWots Season 2 – Pukeko Pictures
BEST ANIMATED TELEVISION PRODUCTION - CHILDREN
Fanboy and Chum Chum – Nickelodeon and Frederator
Kung Fu Panda – DreamWorks Animation
Penguins of Madagascar – DreamWorks Animation
The Amazing World of Gumball – Cartoon Network in Association with Dandelion Studios, Boulder Media & Studio Soi
BEST ANIMATED VIDEO GAME
Bumpy Road – Simogo
Catherine – Atlus
Gears of War 3 – Epic Games
Gesundheit – Konami Digital Entertainment
Ghost Trick: “Phantom Detective” – Capcom
Insanely Twisted Shadow Planet – Shadow Planet Productions, Gagne/Fuelcell
Ratchet and Clark: All 4 One – Insomniac
Rayman Origins – Ubisoft Montpellier
Unchartered 3: Drake’s Deception – Naughty Dog
ANIMATED EFFECTS IN AN ANIMATED PRODUCTION
Can Yuksel “Puss In Boots” DreamWorks Animation
Chase Cooper “Rango” Industrial Light & Magic
Dan Lund “Winnie The Pooh” Walt Disney Animation Studios
Dave Tidgewell “Kung Fu Panda 2” DreamWorks Animation
Eric Froemling “Cars 2” Pixar Animation Studios
Jason Mayer “Kung Fu Panda 2” DreamWorks Animation
Joel Aron “Star Wars: The Clone Wars” Lucasfilm Animation, Ltd.
Jon Reisch “Cars 2” Pixar Animation Studios
Kevin Romond “Tintin” Amblin Entertainment, Wingnut Films and Kennedy/Marshall
Willi Geiger “Rango” Industrial Light & Magic
ANIMATED EFFECTS IN A LIVE ACTION PRODUCTION
Branko Grujcic “Pirates of the Caribbean: On Stranger Tides” Industrial Light & Magic
Florent Andarra “Transformers: Dark of the Moon” Industrial Light & Magic
Gary Wu “Cowboys & Aliens” Industrial Light & Magic
Lee Uren “Cowboys & Aliens” Industrial Light & Magic
CHARACTER ANIMATION IN A TELEVISION PRODUCTION
Chad Sellers “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Michael Franceschi “Kung Fu Panda” Nickelodeon
Rebecca Wilson Bresee “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Sihanouk Mariona “Mary Shelley’s Frankenhole Season 2” Starburns Industries, Inc.
Tony Smeed “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
CHARACTER ANIMATION IN A FEATURE PRODUCTION
Andreas Deja “Winnie The Pooh” Walt Disney Animation Studios
Dan Wagner “Kung Fu Panda 2” DreamWorks Animation
Jeff Gabor “Rio” Blue Sky Studios
Mark Henn “Winnie The Pooh” Walt Disney Animation Studios
Olivier Staphylas “Puss In Boots” DreamWorks Animation
Patrik Puhala “Rio” Blue Sky Studios
Pierre Perifel “Kung Fu Panda 2” DreamWorks Animation
CHARACTER ANIMATION IN A LIVE ACTION PRODUCTION
Andy Arnett “HOP” Rhythm & Hues, Illumination Entertainment
David Lowry “Paul” Double Negative Visual Effects for Universal
Productions/Relativity Media/Working Title Films/Big Talk Productions
Eric Reynolds “Rise of the Planet of the Apes” 20th Century Fox
Mike Hull “Paul” Double Negative Visual Effects for Universal
Productions/Relativity Media/Working Title Films/Big Talk Productions
CHARACTER DESIGN IN A TELEVISION PRODUCTION
Bill Schwab “Prep & Landing” Walt Disney Animation Studios
Carl Raggio “Disney Kick Buttowski” Disney Television Animation
Chad Hurd “Archer” FX Productions
Chris Battle “Dan Vs.” Starz Film Roman
Eric Robles “Fanboy and Chum Chum” Nickelodeon & Frederator
Gordon Hammond “TUFF Puppy” Nickelodeon
Mike Dougherty “TUFF Puppy” Nickelodeon
Robert Ryan Cory “Secret Mountain Fort Awesome” Cartoon Network Studios
CHARACTER DESIGN IN A FEATURE PRODUCTION
Jay Shuster “Cars 2” Pixar Animation Studios
Mark “Crash” McCreery “Rango” Paramount Pictures and
Nickelodeon Movies present A Blind Wink/GK Films Productions
Patrick Mate “Puss In Boots” DreamWorks Animation
Peter de Seve “Arthur Christmas” Sony Pictures Animation, Aardman Animations
Sergio Pablos “Rio” Blue Sky Studios
DIRECTING IN A TELEVISION PRODUCTION
Brian Sheesley “Dan Vs.” Starz Film Roman
Chris Savino & Clay Morrow “ Disney Kick Buttowski” Disney Television Animation
Dan Riba “Ben 10 Ultimate Alien” Cartoon Network Studios
Duke Johnson “Community” 23 D Films, Inc.
Gabe Swarr “Kung Fu Panda” Nickelodeon
Ken Bruce “TUFF Puppy” Nickelodeon
Kevin Deters & Stevie Wermers-Skelton “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Matthew Nastuk “The Simpsons” Gracie Films
Mic Graves & Ben Bocquelet “The Amazing World of Gumball”
Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi
Peter Hausner “Ninjago: Masters of Spinjitzu” Wil Film
Steve Loter, Christo Stamboliev, Shaun Cashman, David Knott “Penguins of Madagascar” Nickelodeon and Technicolor
Tony Craig “Hoops & YoYo Ruin Christmas” Hallmark
DIRECTING IN A FEATURE PRODUCTION
Carlos Saldahna “Rio” Blue Sky Studios
Chris Miller “Puss In Boots” DreamWorks Animation
Don Hall & Stephen Anderson “Winnie The Pooh” Walt Disney Animation Studios
Gore Verbinski “Rango” Paramount Pictures and Nickelodeon Movies present a Blind Wink/GK Films Productions
Jennifer Yuh Nelson “Kung Fu Panda 2” DreamWorks Animation
Kelly Asbury “Gnomeo & Juliet” Touchstone Pictures
MUSIC IN A TELEVISION PRODUCTION
Adam Berry, Bob Schooley, Mark McCorkle “Penguins of Madagascar” Nickelodeon and Technicolor
Ben Locket “The Amazing World of Gumball” Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi
Frederik Wiedmann “Green Lantern The Animated Series” Warner Bros. Animation
Grace Potter, Michael Giacchino “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Joel McNeely, Brendan Milburn and Valerie Vigoda “Pixie Hollow Games” DisneyToon Studios
Kevin Kliesch “Thundercats” Warner Bros. Animation and Cartoon Network
Shawn Patterson, Zeb Wells “Robot Chicken” ShadowMachine and Stoopid Monkey in association with Adult Swim
MUSIC IN A FEATURE PRODUCTION
Henry Jackman “Puss In Boots” DreamWorks Animation
John Williams “Tintin” Amblin Entertainment, Wingnut Films and Kennedy/Marshall
Mikael Mutti, Siedah Garrett, Carlinhos Brown, Sergio Mendes, John Powell, “Rio” Blue Sky Studios
Zooey Deschannel, Kristen Anderson-Lopez, Henry Jackman, Robert Lopez “Winnie The Pooh” Walt Disney Animation Studios
PRODUCTION DESIGN IN A TELEVISION PRODUCTION
Mark Bodner, Chris Tsirgiotis, Sue Mondt and Daniel Elson “Secret Mountain Fort Awesome” Cartoon Network Studios
Peter Martin “Hoops & YoYo Ruin Christmas” Hallmark
PRODUCTION DESIGN IN A FEATURE PRODUCTION
Harley Jessup “Cars 2” Pixar Animation Studios
Paul Felix “Winnie The Pooh” Walt Disney Animation Studios
Raymond Zilbach “Kung Fu Panda 2” DreamWorks Animation
Tom Cardone, Kyle MacNaughton & Peter Chan “Rio” Blue Sky Studios
STORYBOARDING IN A TELEVISION PRODUCTION
Barry W. Johnson “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Benton Connor “Regular Show” Cartoon Network Studios
Brian Kesinger “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Dave Thomas “TUFF Puppy” Nickelodeon
Fred Gonzalez “TUFF Puppy” Nickelodeon
Joe Mateo “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Justin Nichols “Fanboy & Chum Chum” Nickelodeon & Frederator
Katie Rice “Fanboy & Chum Chum” Nickelodeon & Frederator
Rebecca Sugar “Adventure Time” Cartoon Network Studios
STORYBOARDING IN A FEATURE PRODUCTION
Bob Logan “Puss In Boots” DreamWorks Animation
David Gosman “Rango” Paramount Pictures & Nickelodeon Movies present A Blind Wink/GK Films Production
Gary Graham “Kung Fu Panda 2” DreamWorks Animation
Jeremy Spears “Winnie The Pooh” Walt Disney Animation Studios
Josh Hayes “Rango” Paramount Pictures & Nickelodeon Movies present A Blind Wink/GK Films Production
Kris Pearn “Arthur Christmas” Sony Pictures Animation, Aardman Animations
Nelson Yokota “Gnomeo and Juliet” Touchstone Pictures
Philip Craven “Kung Fu Panda 2” DreamWorks Animation
Scott Morse “Cars 2” Pixar Animation Studios
VOICE ACTING IN A TELEVISION PRODUCTION
Carlos Alazraqui as Denzel Crocker “Fairly OddParents” Nickelodeon
Dan Harmon as Jekyll “Mary Shelley’s Frankenhole Season 2” Starburns Industries, Inc.
Daran Norris as Cosmo “Fairly OddParents” Nickelodeon
Dee Bradley Baker as Obi-Wan “Star Wars: The Clone Wars” Lucasfilm Animation, Ltd.
Diedrich Bader as Batman “Batman: The Brave and the Bold” Warner Bros. Animation
H. Jon Benjamin as Sterling Archer “Archer” FX Productions
Jeff Bennett as Kowalski “Penguins of Madagascar” Nickelodeon and Technicolor
Jeff B. Davis as Victor Frankenstein “Mary Shelley’s Frankenhole Season 2” Starburns Industries, Inc.
Jessica Walter as Malory Archer “Archer” FX Productions
Judy Greer as Cheryl Tunt “Archer” FX Productions
Logan Grove as Gumball “The Amazing World of Gumball” Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi
Nika Futterman as Asajj Ventress “Star Wars: The Clone Wars” Lucasfilm Animation, Ltd.
Scott Adsit as the Creature “Mary Shelley’s Frankenhole Season 2” Starburns Industries, Inc.
Tara Strong as Timmy Turner “Fairly OddParents – Operation Dingleberg” Nickelodeon
VOICE ACTING IN A FEATURE PRODUCTION
Ashley Jensen as Bryony “Arthur Christmas” Sony Pictures Animation, Aardman Animations
Bill Nighy as Grandsanta “Arthur Christmas” Sony Pictures Animation, Aardman Animations
Gary Oldman as Shen “Kung Fu Panda 2” DreamWorks Animation
James Hong as Mr. Ping “Kung Fu Panda 2” DreamWorks Animation
Jemaine Clement as Nigel “Rio” Blue Sky Studios
Jim Cummings as Featherstone “Gnomeo and Juliet” Touchstone Pictures
Zach Galifianakis as Humpty Alexander Dumpty “Puss In Boots” DreamWorks Animation
WRITING IN A TELEVISION PRODUCTION
Blake Lemons, William Reiss, C.H. Greenblatt, Derek Evanick, Diana Lafyatis, Neil Graf “Disney Fish Hooks – Fish School Musical”
Disney Television AnimationCarolyn Omine “The Simpsons -Treehouse of Horror XXII” – Gracie Films
Dani MIchaeli, Sean Charmatz, Nate Cash, Luke Brookshier, Paul
Tibbitt “SpongeBob SquarePants - Patrick’s Staycation” Nickelodeon
Josh Weinstein “Futurama - All The President’s Heads” The Curiosity Company in association with 20th Century Fox Television
Kevin Sullivan, Will Schifrin, Ray DeLaurentis “TUFF Puppy Thunder Dog” Nickelodeon
Matt Maiellaro, Dave Willis “Agua Unit Patrol Squad 1 – The Creditor” Williams Street Studios, Adult Swim
Ray DeLaurentis, Will Schifrin “Fairly OddParents “Invasion of the Dads” Nickelodeon
Steve Wermers-Skelton, Kevin Deters “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
WRITING IN A FEATURE PRODUCTION
Andy Riley, Kevin Cecil, Mark Burton, Kathy Greenburg, Emily Cook, Rob Sprackling, John R. Smith, Kelly Asbury, Steve Hamilton “Gnomeo & Juliet” Touchstone Pictures
Brian Kesinger, Kendelle Hoyer, Don Dougherty, Clio Chang, Don Hall, Stephen Anderson “Winnie The Pooh” Walt Disney Animation Studios
John Logan, Gore Verbinski and James Byrkit “Rango” Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Productions
Sarah Smith, Peter Baynham “Arthur Christmas” Sony Pictures Animation, Aardman AnimationsSteve Moffat, Edgar Wright, Joe Cronish “Tintin” Amblin
Entertainment, Wingnut Films and Kennedy/Marshall
EDITING IN TELEVISION PRODUCTION
Garret Elkins “Mary Shelley’s Frankenhole Season 2” Starburn Industries, Inc.
Hugo Morales “Kung Fu Panda” Nickelodeon Jason W.A. Tucker “Star Wars: The Clone Wars” Lucasfilm Animation, Ltd.
Paul D. Calder “Futurama” The Curiosity Company in association with 20th Century Fox Television
Ted Machold, Jeff Adams, Doug Tiano, Bob Tomlin “Penguins of Madagascar” Nickelodeon and Technicolor
EDITING IN A FEATURE PRODUCTION
Clare Knight, A.C.E. “Kung Fu Panda 2” DreamWorks Animation
Craig Wood, A.C.E. “Rango” Paramount Pictures and Nickelodeon
Movies present A Blind Wink/GK Films Productions
Eric Dapkewicz “Puss In Boots” DreamWorks Animation
Michael Kahn “Tintin” Amblin Entertainment, Wingnut Films and Kennedy/Marshall
Stephen Schaffer, A.C.E. “Cars 2” Pixar Animation Studios
Winsor McCay Award – Walt Peregoy, Borge Ring, Robert Searle
June Foray – Art Leonardi
Special Achievement – Depth Analysis
At some point in the early years of the 21st century a bunch of Hollywood executives must have gotten together and decided that animated films should be made for all audiences. The goal was perhaps to make movies that are simultaneously accessible to the older and younger sets with colorful imagery that one expects from children’s films and two levels of humor: one that’s quite literal and harmless and another that’s somewhat subversive. The criteria has resulted in cross-generational hits like Wall-E and Madagascar and though it’s nice to be able to take my nephew to the movies and be as entertained by cartoon characters as he is I can’t help but wonder what happened to unabashedly innocent animated classics like A Goofy Movie and The Land Before Time?
Disney’s Winnie The Pooh is the answer to the Shrek’s and Hoodwinked!’s of the world: a short sweet simple and lighthearted tale of friendship that doesn’t need pop-culture references or snarky dialogue to put a smile on your face. Directors Stephen J. Anderson and Don Hall found some fresh ways to deliver adorable animation while keeping the carefree spirit of A.A. Milne’s source material in tact. Their story isn’t the most original; the first part of the film finds Pooh Piglet Tigger and Owl searching for Eeyore’s tail (a common plot point in the books and past Pooh films) and hits all the predictable notes but the second half mixes things up a bit as the crew searches for a missing Christopher Robin whom they believe has been kidnapped by a forest creature known as the “Backson” (it’s really just the result of the illiterate Owl or is it?).
The beauty of hand-drawn animation all but forgotten until recently is what makes Winnie the Pooh so incredibly magnetic. There’s an inexplicable crispness to the colors and characters that CG just can’t duplicate. It’s a more personal practice for the filmmakers and should provide a refreshing experience for audiences who have become jaded with the pristine presentation of computerized imagery. The film is bookended by brief live-action shots from inside Robin’s room an interesting dynamic that plays up the simplicity of youth ties it to these beloved characters and brings you right back to memories of your own childhood.
With a just-over-an-hour run time Winnie the Pooh is short enough to hold the attention of children but won’t bore the parents who will love the film mainly for nostalgic musings. Still it’s the young’uns who will most enjoy this breezy bright and enchanting film that proves old-school characters can appeal to new moviegoers.