For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
Freddy Krueger and Jason Vorhees teamed up this weekend to defend their No. 1 title at the box office--and it worked: Freddy vs. Jason managed to murder the competition for the second week in a row with $13.4 million*.
Freddy vs. Jason was followed by the '70s inspired police pic S.W.A.T., which claimed the No. 2 spot with $10.8 million, while the Western Open Range and the family remake Freaky Friday tied for third place with $9.4 million apiece. The Jackie Chan martial arts actioner The Medallion, the only one of this week's new wide releases to crack the Top Five, followed with $8.2 million.
The two new comedies, however, failed to tickle the fancy of moviegoers. The finally released, two-year-old Ashton Kutcher laffer My Boss's Daughter premiered in tenth place with $5 million while the hip-hop comedy Marci X disappeared off the charts with a paltry $865,000.
Although Freddy vs. Jason dropped off significantly from its $36.4 million high last week, it is the first summer film since X2: X-Men United to spend two weekends in a row at the top of the box office. But after a full month of $30 million plus openers, the box office lost its typical end of summer steam.
This week's Top 12 films grossed a total of $86.1 million, down a little more than 35 percent from last week, when they earned $132.6 million. The total, however, was up almost 33 percent form this time last year, when the Top 12 films grossed $64.8 million.
THE TOP TEN
New Line Cinema's R rated horror flick Freddy vs. Jason defended its No. 1 title for the second week in a row with an ESTIMATED $13.4 million (-63%) in 3,014 theaters (unchanged). Its $4,463 per theater average was the highest of any movie playing wide this week. Its cume is approximately $61.4 million.
Directed by Ronny Yu, it stars Robert Englund and Ken Kirzinger.
Sony Pictures' PG-13 rated S.W.A.T. retained in its No. 2 spot in its third week with an ESTIMATED $10.8 million (-40%) in 3,204 theaters (-16 theaters; $3,371 per theater). Its cume is approximately $88 million.
Directed by Clark Johnson, it stars Colin Farrell, Samuel L. Jackson, LL Cool J and Michelle Rodriguez.
Buena Vista's R rated Western Open Range also held on to third place in its second week with an ESTIMATED $9.4 million (-33%) in 2,075 theaters (+88 theaters; $4,346 per theater). Its cume is approximately $29 2 million.
Directed by and starring Kevin Costner, it also stars Robert Duvall, Annette Bening, Diego Luna and Michael Gambon.
Buena Vista's PG rated family remake Freaky Friday tied for third place in its third week with an ESTIMATED $9.4 million (-30%) in 3,058 theaters (+79 theaters; $3,074 per theater). Its cume is $74.5 million.
Directed by Mark Waters, it stars Jamie Lee Curtis, Lindsay Lohan, Chad Michael Murray and Mark Harmon.
*Box office estimates provided by Exhibitor Relations, Inc.
Sony Pictures' PG-13 rated martial arts actioner The Medallion premiered in fifth place with an ESTIMATED $8.2 million at 2,648 theaters, with a $3,097 per theater average.
The film, Jackie Chan's first theatrical release in three years without a famous co-star, revolves around a Hong Kong detective who must protect a Buddhist monk child and a mysterious medallion from a ruthless crime lord.
Directed by Gordon Chan, it stars Jackie Chan, Lee Evans and Claire Forlani.
Buena Vista Pictures' PG-13 rated fantasy pic Pirates of the Caribbean: The Curse of the Black Pearl remained strong in sixth place in its seventh week with an ESTIMATED $7.3 million (-20%) at 2,404 theaters (-306 theaters; $2,500 per theater). Its cume is approximately $261 million.
Directed by Gore Verbinski and produced by Jerry Bruckheimer, it stars Johnny Depp, Geoffrey Rush, Orlando Bloom and Keira Knightley.
Universal Pictures' PG-13 rated equestrian drama Seabiscuit gained a spot to finish in the No. 7 position in its fifth week with ESTIMATED $6.3 million (-22%) in 2,534 theaters (+72 theaters; $2,500 per theater). Its cume is approximately $93.1 million and headed for the $100 million mark.
Directed by Gary Ross, it stars Tobey Maguire, Jeff Bridges and Chris Cooper as three down-and-out men who find fame and fortune in an equally down-and-out racehorse.
MGM's PG-13 rated riches-to-rags tale Uptown Girls dropped three rungs to place eight in its second week with an ESTIMATED $5.6 million (-50%) in 2,495 theaters (unchanged; $2,244 per theater). Its cume is approximately $22.3 million.
Directed by Boaz Yakin, it stars Brittany Murphy, Dakota Fanning, Donald Faison, Marley Shelton and Heather Locklear.
Universal Picture's R rated teen comedy American Wedding fell two spots to finish ninth in fourth week with an ESTIMATED $5.7 million (-34%) at 2,467 theaters (-518 theaters; $2,260 per theater). Its cume is $90.6 million.
Directed by Jesse Dylan, it stars Jason Biggs, Seann William Scott, Alyson Hannigan, Eddie Kaye Thomas and Thomas Ian Nicholas.
Rounding out the Top Ten is Dimension Films' PG-13 rated fowl comedy My Boss's Daughter, which debuted in tenth place with an ESTIMATED $5 million in 2,201 theaters with a $2,272 per theater average.
In the film, a young executive housesits for his boss and tends to his prized pet owl in hopes of skipping a few rungs up the corporate ladder.
Directed by David Zucker, it stars Ashton Kutcher, Tara Reid, Molly Shannon and Andy Richter.
Paramount Pictures R rated hip-hop comedy Marci X opened to a disappointing $875,000 in 1,200 theaters with a $721 per theater average.
In the film, a New York Jewish socialite is forced to take over a hard-core hip-hop label and deal with a controversial rapper whose record is gaining some negative publicity.
Directed by Paul Rudnick, it stars Lisa Kudrow, Damon Wayans, Richard Benjamin, Christine Baranski and Jane Krakowski.
Fox Searchlight's R rated teen drama Thirteen, meanwhile, opened in five theaters to an impressive $112,213 with a $22,443 per theater average.
The movie focuses on an innocent, pigtailed 13-year-old who enters junior high with a promising future ahead of her, until she falls in with the ultra-popular, hottest girl in school and is introduced to a world of sex, drugs and misdemeanors.
Directed by Catherine Hardwicke, it stars Holly Hunter, Evan Rachel Wood and Nikki Reed.
Miramax Film's PG-13 rated comedy The Battle of Shaker Heights, winner of the 2002 Project Greenlight competition developed by Ben Affleck and Matt Damon, also opened in limited release this week. The film took in $52,000 in 5 theaters with a $10,400 per theater average.
Set in the Cleveland suburb of Shaker Heights, the film is about a teenage World War II buff and battle re-enactor, Kelly Enswiler, who is encouraged by a new friend to take on the school bully.
Directed by Kyle Rankin and Efram Potelle, it stars Shia LaBeouf, Kathleen Quinlan, Amy Smart and Shiri Appleby.
Last year's top three included: Buena Vista's PG-13 rated sci-fi thriller Signs, which reclaimed the No. 1 spot in its fourth week of release with $14.2 million at 3,453 theaters ($4,137 per theater average); Sony's PG-13 rated actioner xXx, which dropped to second place its third week with $13.2 million in 3,517 theaters ($3,770 per theater average); and Dimension's Spy Kids 2: The Island of Lost Dreams, which came in third in its third week with $7.5 million at 3,307 theaters ($2,295 per theater).