The first five minutes of The Change-Up—a horrifying look into the world of late-night baby care complete with one of the more grotesque poop-to-face shots ever captured on film—sums up the movie's bait-and-switch. In most comedies this scene would be the first step towards a descent into hell that only Paul Blart: Mall Cop and Adam Sandler are capable of realizing. In The Change-Up it's a sequence that sets the bar as low as artistically possible so stars Jason Bateman and Ryan Reynolds can obliterate expectations with equally raunchy shocking and hilarious comedic stylings. Simply put The Change-Up is the funniest movie of the year.
Bateman plays Dave Lockwood a run-of-the-mill lawyer who works too hard juggles his parenting duties and struggles to find time to tell his wife he loves her. Dave's best friend Mitch (Reynolds) couldn't be more of the opposite—sleeping all day and spending his conscious hours wooing sexual partners while stoned out of his mind. The two are polar opposites making them the perfect candidates for a little bit of switcheroo magic. One particularly devastating night of alcohol and lamenting life's woes ends with the duo taking a leak into a magical fountain (go with it). Fate of course intervenes and when Dave and Mitch wake up they find themselves trapped in the one another's bodies.
There's no denying The Change-Up follows the Freaky Friday formula—but that's not a fault. The logic is already established giving Bateman Reynolds and director David Dobkin (Wedding Crashers) freedom to jump right into the crass humor hook. Bateman who's becoming a go-to straight man in Hollywood finds a refreshing opportunity in inhabiting Reynold's Mitch. The character's lack of self-censorship opens the floodgates for Bateman to poetically surface some of the English language's more horrendous sentences. A slang dictionary may be required to understand what bizarre body part synonyms are being dropped at rapid pace in this movie. Whether you comprehended them or not when they come out of Bateman's mouth they're priceless.
Same goes for Reynolds who escapes the box of fast-talking womanizer to play the uncomfortable family man. Judging an actor's versatility on a scene in which he's unwillingly placed at the center of a "lorno" (read: low-budget soft core pornography) may seem twisted but Reynolds sells it and makes it perfectly agonizing. Even obvious scenarios like "uh oh Dave's going to have to cheat on his wife in Mitch's body!" are twisted once twice three times over to pull the rug from under you.
The biggest surprise of The Change-Up is the movie's heart. Pummeling an audience with jokes is one thing but to sell genuine relationships underneath it makes it satisfying. The wavering friendship between the two lead knuckleheads is tangible and keeps an impossible plot device grounded while Leslie Mann (Knocked Up Funny People) as Dave's wife Jamie has her fair share of tender moments (as well as devilish laughs—there's a reason her husband Judd Apatow keeps casting her). In a movie that's constructed by textbook rules to have an ending that resonates with any sort of emotion is as surprising as watching a grown man toss a baby down next to a set of steak knives. Which coincidentally also happens in the movie.
In today's world where anything goes it's hard to whip up slapstick and one-liners that feel edgy and that leave your jaw on the floor. That's how The Change-Up hits—and it hits hard.
WHAT IT’S ABOUT?
Proving that everything “old” can be new again 17 Again opens in 1989 where star basketball player Mike O’Donnell turns his back on a college scholarship deciding instead to marry his girlfriend Scarlet when she reveals they are suddenly expecting a baby. Cut to 20 years later Mike’s marriage and job are floundering when he is physically transformed back into his 17-year-old self although his mind and sensibilities still remain that of a decidedly square thirtysomething dude. With the help of his nerdy-turned-billionaire best childhood buddy Ned he gets himself enrolled in the same school his own teenage kids now attend. Can he help them avert the same kinds of mistakes now that he (sorta) has a second chance to change?
WHO’S IN IT?
Zac Efron (High School Musical) shoots and scores in a breakout starring role. He shows he’s got the comic chops to believably pull off the way-out-there premise of being a 37-year-old trapped in a 17-year-old’s body. Matthew Perry (Friends) does a nice job bookending the movie as the older Mike but it’s Efron’s show all the way. Thomas Lennon follows up his hilarious supporting antics as the spurned man-date in I Love You Man with some equally amusing work as Mike’s friend Ned while Leslie Mann plays the estranged wife in style. As Mike’s kids who unknowingly become high school buds with their own father newcomer Sterling Knight and Michelle Trachtenberg get enough screen time to shine. Melora Hardin (The Office) is also quite funny as the school principal that lovelorn Ned keeps stalking.
Although the premise of the adult/kid switcheroo has been done to death director Burr Steers and writer Jason Filardi take it one step further a la It's a Wonderful Life or Damn Yankees by letting their main character regain his youth for the chance to see what his life would be like if he could live it another way. This fanciful premise makes this “teen” comedy one that adults will probably enjoy even more.
The filmmakers sometimes have a tendency to go over the top particularly in the "Star Wars fight sequence" when the newly transformed Mike confronts old friend Ned with the news and a laser battle erupts (!). Another scene where 17-year-old Mike is seduced by his own unwitting daughter may be funny but it veers a little too far into creepy territory.
DOES THIS SOUND FAMILIAR?
If you like 17 Again try renting 18 Again in which 81-year-old George Burns switches places with his grandson. Or how about Big Vice Versa Like Father Like Son or either version of Freaky Friday? And who said there are no original ideas in Hollywood ...
NETFLIX OR MULTIPLEX?
A no-brainer — the "Zac Pack" will be out in force on opening day.
Yet another in a LONG line of teenage sex comedies this one manages somehow to be fresh and appealing -- despite the formu-lay-ic premise. That’s right another horny 18 year-old boy (Josh Zuckerman) is determined to lose his virginity any way he can. Ian can’t seem to become a “man ” upstaged by a Lothario of an older brother Rex (James Marsden) and his even more successful 14 year-old younger brother. He is constantly humiliated by the giant donut costume he wears for his job at the mall and can’t even get to first base with Felicia (Amanda Crew) a girl who thinks of him only as her best friend and nothing more. With the pressure of going to college as a sexual outcast what’s a hot-to-trot young dude to do? In this case -- using encouragement from pal Lance (Clark Duke) and with Felicia along for the ride -- the threesome take off in the unsuspecting Rex’s prized Pontiac GTO for a cross-country drive Ian thinks will end with the payoff of sex with a hot blonde named Ms. Tasty (Katrina Bowden) he met on the Internet. Unfortunately the one-day outing turns into a three-day nightmare for the trio with brother Rex on their trail and friend Lance getting a little too cocksure for his own good. Oh and did we forget to mention the Amish farm they manage to work into the tour? In the obligatory Jason Biggs role Josh Zuckerman is totally winning as a sex-starved high school graduate looking desperately to tame his out-of-control libido. With sharp comic timing and no end to the ways he is willing to humiliate himself for the sake of his art Zuckerman should have a bright future. Although the casting of his friend Lance played by the pudgy Duke would seem to be an attempt to emulate the Michael Cera/Jonah Hill teaming of Superbad Duke’s go-for-the-big laughs approach feels like we are seeing this kind of goosed-up sex maniac act for the first time. As the female “best friend” Felicia Amanda Crew is very appealing and thankfully grounded in reality. Marsden is hilarious as dopey Rex who prizes his vintage GTO and his own sexual prowess even more than the love of little bro. Seth Green has some funny bits as the sarcastic Amish man who somehow seems to know how to fix hot rods. Bowden is gorgeous and devious as the Internet hottie who may not be all Ian hoped for. Special mention also to Charlie McDermott and Mark Young who as a recurring kind of geek chorus playing two inept high school girl magnets. NOT. Director and co-screenwriter (with John Morris) Sean Anders manages to infuse what could have been a stale leftover piece of American Pie with new life and that’s largely thanks to some very funny VERY raunchy situations he dreams up for these likeable and recognizable characters. The premise of a so-called Sex Drive also offers ripe opportunities in this genre and Anders gets a lot of play out of it particularly from Duke whose uninhibited acting grabs most of the big laughs. Although they crank the gross factor way up the film doesn’t lose sight that it’s mostly a coming-of-age comic look at a rite of passage most young guys -- and girls -- will identify with. Although much is predictable Sex Drive has a strong sense of what it wants to be and in the end even turns sweetly romantic something most films of this stripe rarely do.