WHAT IT’S ABOUT?
Claire is an attractive CIA operative and Ray is an M16 agent who simultaneously leave their Governmental spy activities in the dust to try and profit from a battle between two rival multi-national corporations both trying to launch a new product that will transform the world and make billions. Their goal is to secure the top-secret formula and get a patent before they are outsmarted. While their respective egomaniacal CEOs engage in an unending battle of wills and one-upmanship Claire and Ray start out conning and playing one another in a clever game of industrial espionage that is even more complicated due to their own long-term romantic relationship.
WHO’S IN IT?
Reuniting Closer co-stars Julia Roberts (as Claire) and Clive Owen (as Ray) turns out to be an inspired idea. They turn out to be the perfect pair oozing movie-star charm and electricity in this elaborate con-game that might have been the kind of thing Audrey Hepburn and Cary Grant might have made in the '60s (in fact they did in Charade). Roberts with that infamous hairstyle back the way we like it and Owen looking great in sunglasses prove they have what it takes to navigate us through this ultra-complex plot in which no one is sure who they can trust at any given moment. They play it all in high style and the wit just flows as the story skirts back and forth during the period of five years. The supporting cast is well-chosen with juicy roles for Tom Wilkinson and Paul Giamatti (out of their John Adams duds) as the two CEOs going for each other’s throats. Giamatti who sometimes has a tendency to overdo it is especially slimy here and great fun to watch.
Big-star studio movies today rarely take risks and often talk down to the audience but in Duplicity writer/director Tony Gilroy (Michael Clayton) has crafted a complicated con-comedy that requires complete attention at all times just to keep up with the dense plot’s twists and turns. It’s the cinematic equivalent of a New York Times crossword puzzle and Gilroy and his top-drawer production team deliver a glossy beautiful-looking film that’s easy on the eyes hitting locations from Dubai to Rome to New York City.
Like any good puzzle it sometimes can be frustrating putting it all together and Gilroy’s habit of taking us back in time and then inching forward gets a little confusing even with the on-screen chyron pointing out where we are at any given moment. Stick with it though and you will be well-rewarded.
A scene near the end where the formula must be found scanned and faxed in a matter of minutes is sweat-inducing edge-of-your-seat moviemaking and it provides the ultimate opportunity for Roberts and Owen to take the “con” to the next level. Another where Roberts uses a thong to try and trick Owen into admitting an affair he never had is also priceless and gets right to the heart of the game-playing.
GO OUT AND GET POPCORN WHEN ...
Never. Stock up during the coming attractions. If you miss a moment of this entertaining romp you might never figure it all out.
At 63 Harry Sanborn (Jack Nicholson) has everything every guy wants: Money power and hordes of women under 30 throwing themselves at him. His current flame is Marin (Amanda Peet) whose mom famous Broadway playwright Erica Barry (Diane Keaton) has a sweet beach house in the Hamptons. The May-December couple has a romantic weekend in mind when they take the Long Island Expressway out to mom's fancy shack but their plans change when her high-strung mom and feminist aunt Zoe (Frances McDormand) turn up there too catching Harry raiding the fridge in his briefs. After such inauspicious beginnings it's not surprising that Harry and Erica are at each other's throats and shortly thereafter the stress gets to Harry and his ticker gives out. After consulting with hottie local doc Julian Mercer (Keanu Reeves) the crew decides that Harry unable to travel will have to recuperate in the Hamptons and Erica gets stuck taking care of the reluctant patient in her home while trying to write her new play. It all gets complicated when Erica and Harry start to fall for each other Marin breaks it off with Harry and Julian gets a yen to play doctor with Erica.
A deliciously well-cast romp Something's Gotta Give offers the versatile Keaton a sexy funny role--something that's no doubt hard for a woman over 30 to find in a town like Hollywood where lipo-sucked hips puffed lips tucked tummies and bouncy boobs tend to get more screen time than intelligent successful fiftysomething women whose brains are their biggest asset. Keaton runs with the opportunity proving that post-menopausal women can still be sexy and turning in what may be her best comic performance since Annie Hall. If her character is just the tiniest bit familiar she makes up for it with impeccable timing and great delivery of the film's generally smart dialogue. For once Nicholson's performance is enhanced by sharing the screen with an actress instead of the other way around; Keaton is every bit a match for his legendary talent and often commands more attention than he does. Still when the movie falls a bit flat and it occasionally does it's in the chemistry between the Nicholson and Keaton--she and Reeves make a much sexier onscreen couple. McDormand is formidable and funny as Erica's sister Zoe but her character regrettably all but disappears after the first act. Peet and Reeves don't have much to do comically compared to their older counterparts but they do well playing it straight against the rest of the outrageous cast.
Director/writer/producer Nancy Meyers is known for making films like this one with strong female characters. From her first producing/writing effort with Private Benjamin in 1980 to 2000's What Women Want which she produced Meyers' choice of films has changed with the times but stayed true to her primary focus--intelligent comedies with great roles for women. If her 1998 directorial debut with The Parent Trap remake could have been better chosen she's redeemed herself with Something's Gotta Give. Women everywhere especially those of a certain age will find in this film at last a love story that makes sense--and moviegoers around the country should be thrilled to see Nicholson finally get wise and hook up with somebody his own age.
Sundance Film Festival officials have announced entries for dramatic, documentary and "American Spectrum" categories of the 2004 festival, which runs Jan. 15 through Jan. 25 in Park City, Utah.
According to The Hollywood Reporter, the competitive categories at this year's festival include big-name actors appearing in films by relatively unknown directors, and a record-breaking number of projects from black filmmakers and projects influenced by Sept. 11:
Actor Kevin Bacon and his wife, Kyra Sedgwick, star alongside hip-hop artist Mos Def in The Woodsman, directed by Nicole Kassel. It revolves around a convicted pedophile who returns to his hometown after 12 years in prison and tries to start a new life.
Courteney Cox Arquette stars in November, directed by Greg Harrison, about a Los Angeles photographer who struggles to put the tragic circumstances of her boyfriend's death behind her.
John Curran's Adultery, starring Mark Ruffalo, Laura Dern, Peter Krause and Naomi Watts, follows two couples who are friends and whose relationships are intertwined.
Writer/director Rodney Evans' Brother to Brother is about an 18-year-old, gay, black artist who discovers the hidden legacies of gay and lesbian subcultures within the Harlem Renaissance. The film is one of a dozen projects that center on the black experience or are by black filmmakers--the most ever on a Sundance roster, according to the Reporter.
"We have 12 features that are either about, produced by or directed by African-American filmmakers," Festival director Geoff Gilmore said. "What's good is that it indicates that there are a lot of African-American filmmakers working in the independent arena because these are works that would not have been made for studios. It's really of interest to me to see a whole range of people now trying to produce independent work."
Gilmore added that some of the entries in this year's festival are the first generation of post-Sept. 11 films. "These are films by filmmakers that were entirely conceived, developed and then produced following those events," Gilmore told the Reporter. "The insularity of America pre-Sept. 11 and the assuredness that existed in the world at that time followed by the anxiety that exists in the world we are in now. These are films about trying to find things out."
The lineup for the festival's remaining categories and the opening night film are expected to be announced later today. Short films appearing at the festival will be announced Dec. 8.
The Best Thief in the World, Jacob Kornbluth
Book of Love, Alan Brown
Brother to Brother, Rodney Evans
Chrystal, Ray McKinnon
Down to the Bone, Debra Granik
Easy, Jane Weinstock
Evergreen, Enid Zentelis
Garden State, Zach Braff
Harry and Max, Christopher Munch
Maria Full of Grace, Joshua Marston
Napoleon Dynamite, Jared Hess
November, Greg Harrison
One Point O, Jeff Renfroe, MarteinnThorsson
Primer, Shane Carruth
Adultery, John Curran
The Woodsman, Nicole Kassell
A Place of Our Own, Stanley Nelson
Born Into Brothels, Ross Kauffman, ZanaBriksi
Chisholm '72 -- Unbought & Unbossed, Shola Lynch
Dig, Ondi Timoner
Farmingville, Catherine Tambini, Carlos Sandoval
The Fight, Barak Goodman
Heir to an Execution, Ivy Meeropol
Home of the Brave, Paola di Florio
I Like Killing Flies, Matt Mahurin
Imelda, Ramona S. Diaz
In the Realms of the Unreal, Jessica Yu
Deadline, Katy Chevigny, Kirsten Johnson
Neverland: The Rise and Fall of the Symbionese Liberation Army, Robert Stone
Persons of Interest, Alison Maclean, Tobias Perse
Super Size Me, Morgan Spurlock
Word Wars, Julian Petrillo
CSA: Confederate States of America, Kevin Willmott
Dandelion, Mark Milgard
Dirty Work, David Sampliner
Everyday People, Jim McKay
Lbs., Matthew Bonifacio
Let the Church Say Amen, David Petersen
Mean Creek, Jacob Aaron Estes
Metallica: Some Kind of Monster, Joe Berlinger & Bruce Sinofsky
MVP, Harry Davis
Open Water, Chris Kentis
Second Best, Eric Weber
September Tapes, Christian Johnston
Speak, Jessica Sharzer
Will Will Truman get lucky? Will Chandler and Monica tie the knot? Will Dawson and Pacey make up? And what's up with "Popular"?!
Those are some of the questions that have been posed and that will be answered during the fall season of television.
Herein is a critique of the fall seasons of 10 TV series that Hollywood.com staffers watch on a weekly basis:
"Will & Grace," NBC, Thursdays, 9 p.m. ET
Is "Will & Grace," the as-of-late-sometimes-hilarious sitcom about a gay man named Will Truman (Eric McCormack, who looks tan and really sexy this season), his best gay friend Jack McFarland (the always funny, over the top Emmy winner Sean Hayes), his best female friend Grace Adler (Debra Messing), and her lush of a socialite "employee" Karen Walker (Emmy winner Megan Mullally), falling from, er, grace this season? "Will & Grace" sadly has been spotty since its Emmy win for Best Comedy. McCormack has said that Will will date this season and have a number of boyfriends. The guest spot a few weeks back by Patrick Dempsey as one of those alleged future boyfriends was funny, and the exchange among Dempsey, McCormack and Hayes in Banana Republic (dancer-actor-singer-choreographer Jack is now a Banana Republic sales associate, headphones and all) was witty and pretty and ... well, you know. But last week's much-hyped guest spot by Cher was totally disappointing. The writing was weak for most of the episode, guest star Camryn Manheim was wasted and Cher appeared in only the last few minutes. What we needed was a half hour of "Jack & Cher." Here's hoping that Will hooks up with Mr. Banana Republic. Life is about the Banana, after all. Go, girlfriend. Grade: B-
"Friends," NBC, Thursdays, 8 p.m. ET
Some shows grind to a halt after two characters get together, but the pairing of Monica (Courteney Cox Arquette) and Chandler (Matthew Perry), who are set to wed this season, has created more hijinks than ever. They have created the funniest storylines of the season: Monica consults an elaborate wedding binder she's been keeping since 4th grade, only to find out that her parents spent her wedding fund on a beach house. Chandler keeps having embarrassing moments with his future father-in-law (Elliott Gould) and finds that he can't smile in photographs. Rachel (Jennifer Aniston) and Phoebe (Lisa Kudrow) compete for maid of honor (Phoebe wins, but lets Rachel do it because it means more to her). Meanwhile, the non-wedding-related storylines have fallen to the wayside: Rachel has hired a cute younger assistant she can't date; Joey's pilot gets canceled, and Phoebe just found out that her grandmother's secret cookie recipe is from Nestle Tollhouse. Ross (David Schwimmer), other than a memory-lane kiss with Rachel, is so far unlucky in love. But, in the funniest episode of the season, he finds an unlikely snuggling partner in Joey when the two accidentally nap together -- and like it. Grade: B+
"The West Wing," NBC, Wednesdays, 9 p.m. ET
This Emmy winner started its second season with a bang -- quite literally. After the cliffhanger from the end of the first season, wherein President Jed Bartlet (Martin Sheen) and Deputy Chief of Staff Josh Lyman (Bradley Whitford) were shot, the two-hour opener took viewers from the present to the past. The episode cleverly gave the audience the background of why Bartlet first got on the campaign trail and showed how his extraordinary staff was assembled, all while juxtaposed with the assassination crisis. And the show doesn't seem to be stopping, creating scenarios that mirror the current social and political climate -- including some controversial racial conflict. The cast is still outstanding -- including Emmy winners Allison Janney as Press Secretary C.J. Cregg and Richard Schiff as Communications Director Toby Ziegler. Guest spots by the likes of Timothy Busfield and John Laroquette added heart and intensity to the behind-the-scenes storylines. But the heart of the show remains Sheen as the wise and truthful President Bartlet, and given the current real-life situation in the political world, Bartlet would be considered a godsend. Grade: A
"Everybody Loves Raymond," CBS, Mondays, 9 p.m. ET
Though "Everybody Loves Raymond" does not tend to build upon storylines episode to episode, it has shown some resourcefulness this season. Bringing in guest stars such as Robert Culp as Debra Barone's (Emmy winner Patricia Heaton) dad was a nice touch, especially when it led to a hilarious dispute between in-laws. But the show has been quite hit-or-miss lately. Ray (Ray Romano) developing a fear of germs, for example -- interesting but not funny, especially for a character who already has three young children. Just a breakdown of logic there. Ray's brother Robert, the divorced cop (played with deadpan precision by Brad Garrett), has also been curiously underused thus far. Grade: B-
"ER," NBC, Thursdays, 10 p.m. ET
The best thing America's top drama -- for the past six seasons -- has done so far is not add any new characters. Drs. Greene and Corday (Anthony Edwards and Alex Kingston) have gotten engaged; Dr. Kovac (the very hunky Goran Visjnic) is feeling guilt over a guy he accidentally killed during a mugging; and Dr. Carter (Noah Wyle) is back from rehab and peeing in a cup whenever he's asked. Dr. Chen (Ming-Na) is pregnant by a doctor at another hospital; Dr. Benton (Eriq LaSalle) lost his surgical attending position and is now "demoted" to an ER post; and there are hints that Dr. Weaver (Laura Innes) is mulling a lesbian relationship. Oh yes, and they treat people, too. The strongest episodes are still the medical-oriented cases, especially the 22-week-old "miracle baby" who survived nearly an entire day. Medical student/nurse Abby Lockhart (Maura Tierney) is emerging as the emotional core, letting us miss Sherry Stringfield and Julianna Margulies a little less. What's left to do is to use more of Michael Michele, who plays pediatric resident Dr. Cleo Finch. "ER" is not consistently great, but it still keeps our pulses pounding. Grade: B
"Dawson's Creek," WB, Wednesdays, 8 p.m. ET
Last year ended with Joey (Katie Holmes) sailing into the sunset with Pacey (Joshua Jackson), leaving her best friend/soul mate Dawson (James Van Der Beek) weeping and alone. It's a good choice because Holmes and Jackson have decidedly better chemistry, and although they dispense the same amount of SAT-filled sentences (meanwhile Pacey is flunking school) as Joey and Dawson, this new couple have snappier arguments/flirtations. This season: Joey's repairing her friendship with Dawson, who's trying to move on by taking pictures and finding a new confidante in Pacey's older sister (Sasha Alexander), particularly after his parents discover that they're having another baby. Pacey and Dawson take (very small) steps toward reconciliation after the former's boat is swept into a storm and the latter risks his neck to save him. Jen (Michelle Williams) is temporarily ostracized from the group -- and from best friend Jack (Kerr Smith) -- when she lets the already medicated Andie (Meredith Monroe) try Ecstasy at a rave, causing her to collapse and nearly die. But it's Andie who gives the fractured group a chance to heal again when she announces that she's leaving Capeside to spend the rest of the year in Italy (she already got into Harvard early, dontcha know). In her tearjerking farewell, she implores her friends to make up, and it looks as if they will. Grade: B+
"Frasier," NBC, Tuesdays, 9 p.m. ET
In the early '90s -- in its third season -- "Seinfeld" began to structure its episodes around the supporting characters, not the title character. Suddenly, the same seems true about "Frasier." While the love affair between Niles (David Hyde Pierce) and Daphne (Jane Leeves) seemed to be the hook to get viewers back into the show early this fall, it remained the hook throughout most of the season. And it worked. Their relationship has spawned a number of morose storylines thus far, with ex-wives and ex-fiancees plotting against the likable couple, but Frasier himself seems to have been pushed aside, stuck with adequate conflicts such as his displeasure with his wealthy new boss. But it still works. And Niles pretending to still be married in social circles is surprisingly hilarious each time. Grade: B+
"Spin City," ABC, Wednesdays, 9 p.m. ET
No, you can't blame Charlie Sheen alone for "Spin City's" decline in popularity. It really comes down to the writing. Only one episode of "Spin City" this fall has been impressive -- the one where Sheen and Heather Locklear lock horns on the set of "Live With Regis" -- but little else has proven to be much of a surprise. Sure, Sheen's character, the deputy mayor of New York, is narcissistic, and yes, he has a tainted history with drugs, but didn't we already expect that? It's not Sheen's fault that this sort of cliched writing took place. It's not Locklear's fault that she has little chemistry with him. And it's not the viewers' fault for wanting to change the channel - even though it means the certain demise of one of their previously most beloved shows. We miss ya, Mike. Grade: C-
"Popular," WB, Fridays, 9 p.m. ET
The WB's "Popular" is one of the most underrated and funniest shows on television. It's sad that it's been relegated to a Friday night spot. The show boasts a fabulous ensemble cast of pretty people vs. Everyday people, although the two sides have been mingling more and more. School stud turned social pariah Josh Ford (Bryce Johnson) has hooked up with tree-hugger Lily Esposito (Tamara Mello) after the pair rescued a gay chimpanzee from the L.A. Zoo. It's a lame pairing, but player-player Josh has already hooked up with the rest of the ladies on the show, so I guess Lil' Lily was next. Alarming this season: Instead of funny gags such as kidnapping Gwyneth Paltrow's personal shopper and competing ruthlessly for Homecoming Queen, "Popular" has turned to Very Special Episodes. Harrison John (Christopher Gorham) is battling leukemia, Nicole Julian (Tammy Lynn Michaels) has cried ... twice(!) ... over her fall from popularity, Carmen Ferrera's (Sara Rue) mother is an alcoholic, and both reigning Homecoming Queen Brooke McQueen (Leslie Bibb) and Mike "Sugar Daddy" Bernadino are battling eating disorders. Not very funny stuff. This season has been more about tears over sadness and struggles rather than laughter. As Mary Cherry (the always hilarious Leslie Grossman) would say, let's get some laughs back, hon. And pronto! Grade: B-
"Ally McBeal," Fox, Mondays, 9 p.m. ET
After a disappointing third season, David E. Kelley's series was in need of some serious spice. Kelley tried everything to raise ratings, from a lesbian lip-lock to some full-blown musical mishmash, but nothing could save the sinking show. In a final act of desperation, Kelley brought in a fresh-from-the-cell Robert Downey Jr. Little did Kelley know that the criminal element would bring such critical success this fall. As a cute, clever attorney named Larry, Downey's straight but sarcastic delivery is the perfect foil for Ally's (Calista Flockhart) high-strung hysteria. He steals every scene with his flawless timing, then punctuates even the simplest sentence with that trademark sexy smirk. Downey may have been sent in to rekindle the spark, but his presence has set the show on fire and made "Ally McBeal" a must-see on Monday nights again. Grade: B+
Reviews by Jason Alcorn, Kit Bowen, Tracey Pollack, Ellen A. Kim and Don Chareunsy.