Billy Joel built his rocking pal Bruce Springsteen a new motorbike after The Boss fell in love with the Piano Man's one-of-a-kind Kawasaki. Joel recalls Springsteen visiting his garage in the middle of winter some years ago and taking his "Sacred Cow" for a ride.
In an excerpt from Tom Cotter's new book Rockin' Garages, Joel says, "Bruce is always looking for a character bike. He has one of the new Triumph Bonnevilles, which is a great bike. I told him about our shop, so he came down in the middle of winter. It’s freezing - minus five degrees - and he wants to take out my Sacred Cow bobber.
"I said, 'Are you crazy? It’s so cold...' and he had no gear, just a helmet. After a ride, he came back and said, 'I want you to build me that bike.' So he gave us the specs... It started out as a Kawasaki W650."
Cotter's new book also features information about and pictures of the bike and car collections of stars like Keith Urban, Sammy Hagar, AC/DC frontman Brian Johnson and Pink Floyd star Nick Mason.
It’s official. We’re all old. Today, June 11, is the 10th anniversary of American Idol, which means the series is basically the age of a precocious, articulate child. (Are you ready for the pre-teen years, Nigel Lythgoe?) In honor of the series that has surprised, delighted, entertained, and enraged us for the past 10 years, we’ve compiled the show’s best, worst, and WTF moments. But listing the series’ best performances would be too easy. Instead, we've decided to look back at the non-musical moments — after all, we can't forget the outrageous fights, falls, and outfits meriting a slack-jawed double-take. These are the non-competition-based moments you probably forgot (and many that you’re still trying to).
Thanks for 10 entertaining, perplexing years (and Season 9), Idol!
Best of the Best
Kelly Clarkson’s Finale Breakdown with Nikki McKibbin and Tamyra Gray: This adorable break of emotion follows what is still the best finale moment of the series (no winner’s single can beat “A Moment Like This”), but the best part was when Clarkson couldn’t manage the final line due to an overwhelming wave of emotion. And when Nikki and Tamyra joined her in a group hug and helped their girl out (Nikki perhaps a bit too much), it truly felt like an expression of family, instead of cutthroat competition.
Ruben Studdard Earns a Nickname: “The Velvet Teddy Bear”
Juanita Barber Gets Testy With Simon: She was wrong. So totally wrong. But man, did it feel good to see some dish it back to King of Mean, Simon Cowell.
Season 5’s Ayla Brown Gets Famous Again When Scott Brown Tells the World She’s “Available”: Hey, thank God her Idol fame came back into the spotlight, or she’d have to settle for just being Brown’s “available” daughter. No one wants to be famous for being pimped out by your politician father.
Sanjaya’s Ponk Hawk: There are no words for this glorious incident. Only video.
Anthony Fedorov’s Transformation: He showed up looking like Revenge of the Nerds: R&B Adventure, but by the end of his Season 4 run, he looked more like a back-up Nick Carter. How this prepared him for his future role as Jesus Christ: Superstar, remains a mystery.
Chris Sligh’s Inspiration for Auditioning Was “To Make David Hasselhoff Cry”: This guy, he’s got jokes. And that one was a classic.
Queen Couldn’t Stand Ace Young’s “We Will Rock You” Either: In rehearsals, Brian May tells Young, "I will not do that to my song," when the contestant asks if he could spice up its beats. There’s nothing quite like the vindication of knowing a legendary rock band agrees with you.
Phil Stacey’s Helluva Day: In the same day, Phil Stacey wowed the judging panel in his audition, walked away with a golden ticket, and became a father.
Kelly Pickler’s Wealth of Ditzy One-Liners: The Season 7 contestant never failed to make us laugh, even if she wasn’t sure why. From the mind-boggling “What’s a ballsy?” to the classic “I had salmon,” Miss Pickler regularly had us in stiches.
Idol Gives Back Gives Us a Good Laugh: Idol Gives Back gave us back a little hope after a dreadful Season 9 in the form of some giggles. Russell Brand and Jonah Hill attempted to make us laugh with their cross-promotional Get Him to the Greek mumbo jumbo, but it was Wanda Sykes grilling Simon that really did the trick. Plus, let us take hilarious note of Tim Urban’s ditzy moment at the 1:20 mark.
Kara and Paula Give Bikini Girl a Piece of Their Minds: The bobble-headed Bikini Girl of Season 8 has become infamous. Not only did she attempt to set women-kind back about a 100 years with her sexist stunt of an audition, but she just wasn’t that great. Leave it to the ladies, Kara and Paula, to show her what real singing sounds like… even if it did descend into the madness of a giggly screechfest.
Screechfest Part Deux: Katy Perry vs. Kara: We all knew it was almost time for Kara to take a hike, and Katy Perry was the perfect sassy lady to help her in the right direction (and throw a coke in her face).
Scotty McCreery Apologizes For Bullying Jacee Badeaux: During the Season 10 auditions, the poor 15-year-old was left without a group mere hours before group performances and no one would have the youngster. The little guy spent most of the night crying until he finally found a group, but the real tender moment came when future winner Scotty McCreery took to the stage to deliver a sincere apology for adding to the kid’s terror.
Heejun Han “Talks a Lot of Craps” About Richie The Cowboy: Best. Group Week Fight. Ever. Oh, Heejun, you need a sitcom. It was hilarious watching Richie push Heejun’s every button and hearing Heejun’s annoyed responses about “hating all cowboys… even the Dallas cowboys,” but his “apology” took the cake:
Next: And now, for the Worst moments…Worst Moments – So Bad, They’re Good
Ryan Starr’s Mind-Boggling Wardrobe: Note to future Idol contestants: Try not to look like you’re hoping to be America’s Next Singing Gladiator when you’re on that very public stage.
Clay Aiken. Singing a Grease Song. In a red leather jacket: Song choice aside, let us analyze this ridiculous get-up. Dear Clay, this was about as tough as a teddy bear in a gladiator costume. Sorry, Clay, but Tim Gunn would not approve.
William Hung Followed Up His Idol Audition With “Success”: And by that, we mean some very “discerning” consumers paid money for his “album.”
Elton John Called Voting “Racist” When Jennifer Hudson and LaToya London Were Eliminated: There’s just one small issue with Sir John’s argument. That same season, Fantasia Barrino took home the Idol title.
Jonathan Rey Throws Water at Simon: This angry auditioner didn’t like what Cowell had to say (either that or he was just as curious about what was in that mysterious Coke cup) and he upended Simon’s Coca-Cola Chalice all over the cranky judge.
The Brittenum Twins Break the Law Before Showtime: After making it through Hollywood week, these singing twins threw it all away when they were busted for identity theft and were removed from the show. Idol says: Crime Doesn’t Pay.
Season 6’s Jared Cotter Dedicates “Let’s Get It On” To His Parents: Yes, you should always thank your parents. But maybe, just maybe, check the words of the song you’re about to sing before you dedicate a sex anthem to mommy and daddy. It’s just a thought.
Danny Noriega Nabs Himself a Catchphrase: Too bad “I guess they weren’t likin' it” wasn’t what America was looking for in an Idol.
Simon Tells Ryan to “Come Out Already”: These two were constantly in hot water for their homophobic banter, but this cantankerous reply from Simon Cowell took the cake. It’s one of those things we wish we could forget, but unfortunately, it’s on YouTube.
Kristy Lee Cook Gets a Little Bold With Simon: There’s defending yourself, and then there’s sticking your foot in your mouth. Guess which one describes Kristy…
Ryan Tries to Hive-Five Scott MacIntyre: Hey Seacrest, let’s try to not grab a blind guy’s hand and force him to high five you. That’s not awkward at all.
Everything Siobhan Magnus Ever Wore: She may have had a set of pipes for days, but Siobhan consistently looked like she walked into a closet covered in glue and wore whatever managed to attach itself to her sticky figure.
Kara Picks a Fight With a Guy Who's Clearly Screwing With Her: Part of the deal for an American Idol judge is putting up with the obviously fabricated characters the producers throw at them, but usually, the judges seem to be in on the game. Kara didn't quite get that concept, especially when the handsome and terribly annoying Andrew Fenlon waltzed into the audition room.
Casey James’ Creepy Audition: Yes, Kara, you had to endure Bikini Girl, but please don’t turn what should be an innocent audition into your wild, uncomfortable fantasy. We don’t want to join you in that apparently dark place.
Jennifer Lopez Cries for Chris Medina: When the judges had to eliminate Season 10 hopeful Chris Medina, despite his incredible tear-jerker of a love story, we understood Jennifer's pain. Her drama taking up the majority of the camera time, however...
Jermaine Jones is Chastized and DQ’ed on National Television: It’s understandable that the Idol producers would like to make sure they explained Jones’ sudden departure, especially after the media broke the story before his last episode could air, but this “interview” was just cruel and unusual. It’s one thing to have your past indiscretions aired all over the media, but it’s completely another to have your past indiscretions explained to you like you’re a child in front of 14 million people.
The Birth of Randy’s “Yo” Pin: Season 11 saw Randy’s favorite accessory come out to compete against Steven Tyler’s scarf collection and Jennifer Lopez’ hair. There’s just one snag with his little plan: “Yo” is not a catchphrase, my friend.
What’s you favorite – or least favorite – non-musical Idol moment?
Follow Kelsea on Twitter @KelseaStahler
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Last year director Garry Marshall hit upon a devilishly canny approach to the romantic comedy. A more polished refinement of Hal Needham’s experimental Cannonball Run method it called for assembling a gaggle of famous faces from across the demographic spectrum and pairing them with a shallow day-in-the-life narrative packed with gobs of gooey sentiment. A cynical strategy to be sure but one that paid handsome dividends: Valentine’s Day earned over $56 million in its opening weekend surpassing even the rosiest of forecasts. Buoyed by the success Marshall and his screenwriter Katherine Fugate hastily retreated to the bowels of Hades to apply their lucrative formula to another holiday historically steeped in romantic significance and New Year’s Eve was born.
Set in Manhattan on the last day of the year New Year’s Eve crams together a dozen or so canned scenarios into one bloated barely coherent mass of cliches. As before Marshall’s recruited an impressive ensemble of minions to do his unholy bidding including Oscar winners Hilary Swank Halle Berry and Robert De Niro the latter luxuriating in a role that didn’t require him to get out of bed. High School Musical’s Zac Efron is paired up with ‘80s icon Michelle Pfeiffer – giving teenage girls and their fathers something to bond over – while Glee’s Lea Michele meets cute with a pajama-clad Ashton Kutcher. There’s Katherine Heigl in a familiar jilted-fiance role Sarah Jessica Parker as a fretful single mom and Chris “Ludacris” Bridges as the most laid-back cop in New York. Sofia Vergara and Hector Elizondo mine for cheap laughs with thick accents – his fake and hers real – and Jessica Biel and Josh Duhamel deftly mix beauty with blandness. Fans of awful music will delight in the sounds of Jon Bon Jovi straining against type to play a relevant pop musician.
The task of interweaving the various storylines is too great for Marshall and New Year’s Eve bears the distinct scent and stain of an editing-room bloodbath with plot holes so gaping that not even the brightest of celebrity smiles can obscure them. But that’s not the point – it never was. You should know better than to expect logic from a film that portrays 24-year-old Efron and 46-year-old Parker as brother-and-sister without bothering to explain how such an apparent scientific miracle might have come to pass. Marshall wagers that by the time the ball drops and the film’s last melodramatic sequence has ended prior transgressions will be absolved and moviegoers will be content to bask in New Year's Eve's artificial glow. The gambit worked for Valentine's Day; this time he may not be so fortunate.
Enigmatic and deliberate Tinker Tailor Soldier Spy makes no reservations while unraveling its heady spy story for better or worse. The film based on the bestselling novel by John Le Carre is purposefully perplexing effectively mirroring the central character George Smiley's (Gary Oldman) own mind-bending investigation of the British MI6's mole problem. But the slow burn pacing clinical shooting style and air of intrigue only go so far—Tinker Tailor Soldier Spy sports an incredible cast that can't dramatically translate the movie's impenetrable narrative. Almost from the get go the movie collapses under its own weight.
After a botched mission in Hungary that saw his colleague Jim (Mark Strong) gunned down in the streets Smiley and his boss Control (John Hurt) are released from the "Circus" (codename for England's Secret Intelligence Service). But soon after Smiley is brought back on board as an impartial observer tasked to uncover the possible infiltration of the organization. The former agent already dealing with the crippling of his own marriage attempts to sift through the history and current goings on of the Circus narrowing his hunt down to four colleagues: Percy aka "Tinker" (Toby Jones) Bill aka "Tailor" (Colin Firth) Roy aka "Soldier" (Ciaran Hinds) and Toy aka "Poor Man" (David Dencik). Working with Peter (Benedict Cumberbatch) a conflicted younger member of the service and Ricki (Tom Hardy) a rogue agent who has information of his own Smiley slowly uncovers the muddled truth—occasionally breaking in to his own work place and crossing his own friends to do so.
Describing Tinker Tailor Soldier Spy as dense doesn't seem complicated enough. The first hour of the monster mystery moves at a sloth's pace trickling out information like the tedious drips of a leaky faucet. The talent on display is undeniable but the characters Smiley included are so cold that a connection can never be made. TTSS sporadically jumps around from past to present timelines without any indication: a tactic that proves especially confusing when scenes play out in reoccurring locations. It's not until halfway through that the movie decides to kick into high gear Smiley's search for a culprit finally becoming clear enough to thrill. A film that takes its time is one thing but Tinker Tailor Soldier Spy does so without any edge or hook.
What the movie lacks in coherency it makes up for in style and thespian gravitas. Director Tomas Alfredson has assembled some of the finest British performers working today and they turn the script's inaccessible spy jargon into poetry. Firth stands out as the group's suave slimeball a departure from his usual nice guy roles. Hardy assures us he's the next big thing once again as the agency's resident moppet a lover who breaks down after a romantic fling uncovers horrifying truth. Oldman is given the most difficult task of the bunch turning the reserved contemplative Smiley into a real human. He half succeeds—his observational slant in the beginning feels like an extension of the movie's bigger problems but once gets going in the second half of the film he's quite a bit of fun.
Alfredson constructs Tinker Tailor Soldier Spy like a cinematic architect each frame dripping with perfectly kitschy '70s production design and camera angles that make the spine tingle. He creates paranoia through framing similar to the Coppola's terrifying The Conversation but unlike that film TTSS doesn't have the characters or story to match. The movie strives to withhold information and succeeds—too much so. Tinker Tailor Soldier Spy wants us to solve a mystery with George Smiley but it never clues us in to exactly why we should want to.