Bille Golden (Isabel Rose) is a 30-something nightclub singer-slash-waitress who wishes she were performing doing the golden years of the 1950s cabaret. Billie's dream seems impossible: she's not a teenager anymore she's poor lives with her alcoholic mother and doesn't completely believe in herself…all the makings for depression. Along comes Prince Charming to rescue her in the form of one Greg Ellenbogen (Cameron Bancroft) her old high school crush who is now a very handsome and successful lawyer. The drawback? Greg does not believe in Billie's dream. Enter one Elliot Shepard (Andrew McCarthy) a pianist who is more into his art than earning money. Sparks fly when Elliot becomes Billie's music teacher. Of course in a very formulaic way she must choose between her two loves between money and passion.
An unknown Isabel Rose shines in this indie; she is an excellent singing and acting talent taking every scene and making it her own. However most of the others don't exactly hold their own--the already predictable movie proves more so with the mediocre acting of Cameron Bancroft and Andrew McCarthy. Both seem to go through the motions and only stick to the stereotypes of what their characters are: one rich and selfish the other artistic and caring. Victor Argo as Sal the nightclub owner is genuine and carries out his part well but is not seen enough. Eartha Kitt appears in a welcome cameo but in a key role that only plays up the film's unlikelihood.
Robert Cary co-wrote the screenplay (with star Rose) and directed the movie which may explain why there are no surprises. Without a different point of view he was unable to really give this film the space it needed to grow and develop. "I've always loved the musicals and romances of Hollywood's golden era specifically those films produced by the majors between the mid-30's and mid-50's " Cary has said. Those formulaic romantic plots of yesteryear may have worked in their time but Anything But Love ends up being just too unrealistic for today's savvier audiences. The plot in addition to Billie's dream sequences is too fairytale-like. Anything But Love fails at being old-fashioned and instead merely forces the audience to wait for the inevitable ending.
For bringing in 35 million viewers for its season finale and being television's most popular show, Friends and NBC claimed the prize of top network for the 2001-02 television season. CBS finished a solid second, with its show CSI: Crime Scene Investigation, the second most-watched show on the air, while ABC and Fox followed in third and fourth place, respectively.
Jerry Lewis returned home Tuesday after staying overnight at a hospital, where doctors made a routine check on a device that Lewis had surgically implanted April 8. The device, called Synergy Neurostimulation System, has helped eased chronic back pain Lewis has been suffering from years of pratfalls. He told the Las Vegas Sun that it has left him pain free for the first time in 30 years.
Actress Jenny McCarthy gave birth to a boy, Evan Joseph Asher, on Saturday. The baby weighed 7 pounds, 13 ounces and is the first child for McCarthy and her husband, director John Asher.
Wasting no time since announcing his departure from Saturday Night Live, funny guy Will Ferrell is set to star in a new film, Action Newsman. He'll play an egotistic local news anchorman threatened by an ambitious female newscaster who, unlike his character, has mastered journalism.
Annette Bening will star in a remake of the Disney film Freaky Friday. The story is about how a mother and her rebellious tomboy daughter, secretly wishing for each other's lives, switch bodies for a day. The original 1976 film starred Barbara Harris as the mother and a young Jodie Foster as the daughter.
In the Biz
Yet another thing the strange Michael Jackson is obsessed with: Sky News reported the Gloved One announced in Cannes that he'll be producing and starring in the film Wolfed, playing a werewolf. He's been fascinated with werewolves since seeing John Landis' 1981 film An American Werewolf in London and got to play one when Landis directed Jackson's music video to the hit song "Thriller."
Director Woody Allen filed a lawsuit last May against his former producer Jean Doumanian, claiming she cheated him out of $14 million in profits, and now Doumanian's lawyer says Allen has overstated what he is owed. According to The Associated Press, Doumanian's lawyer, Lee A. Armstrong, claimed he received a document from Allen's lawyer asking for only $2 million. Allen's camp denies the mix-up, saying Armstrong's "characterization of the document was completely false and uninformed."
Sony Pictures has picked up the rights to yet another Marvel comic-book hero: Ghost Rider. This superhero, named Johnny Blaze, makes a pact with the devil to save someone he loves, but the deal goes awry (as deals with the devil tend to do). Blaze, now embodied with superhuman powers, transforms into a ghost rider to try to reclaim his life, love and soul.
Quickly becoming a powerhouse producer in Hollywood, the multitalented Ice Cube has signed up to produce the comedy feature Race under his CubeVision banner. The film is a fish-out-of-water story about a black cab driver who gets involved in a stock-car race. Ice Cube will not be starring in this particular venture.
Looks like the rash of TV nostalgia shows will finally be tapering off after the May sweeps. According to AP, several TV executives have admitted that they may have overdone it with the clip-filled specials on such shows as The Cosby Show, M.A.S.H., The Mary Tyler Moore Show and Laverne and Shirley. Think so?
Pop-punk band Blink-182 will be making a guest appearance on the 300th episode of The Simpsons this fall. The show has Bart moving out of the Simpson house and into his own apartment, where the band and pro skater Tony Hawk are his neighbors. The episode will air next season.
You can't kill the Dead, man. That's right, the surviving members of The Grateful Dead will be jamming for the first time since lead singer Jerry Garcia died in 1995 of a heart attack, according to the AP. They will perform a two-day concert in East Troy, Wis., Aug. 3-4.
Variety reports producer Jerry Bruckheimer (Black Hawk Down) will be receiving the Albert R. Broccoli Award of Excellence at this year's Cinema Expo in June. Past recipients included producers Saul Zaentz, Brian Grazer and Claude Berri.
Now that word is out of Dr. Dolittle's ability to talk to animals his business is booming. Distraught pet owners ambush him outside his home and furry critters tap on his window during dinner all wanting some sort of advice. Joey the Raccoon has a special request: he has been sent by the God Beaver to solicit the doctor's help in saving their forest from developers. Dolittle reluctantly agrees to look for endangered species living in the forest so that the law can be invoked to protect it. He discovers Ava a lone Pacific Western Bear living in the soon-to-be-demolished forest and sets out to find her a mate. Enter Archie a performing circus bear. Dolittle convinces Archie that he would be happier living in the wild and to help the bear adjust to the wilderness the doc relocates his own city-dwelling family to the forest much to his teenage daughter Charisse's (Raven-Symoné) dismay. But the match between the two bears is not exactly made in heaven and when the plan backfires the animals organize and plot a worldwide strike.
Murphy seems lately to have traded in his adult-oriented comedy of the past (Beverly Hills Cop 48 Hours) for one that appeals to a younger audience (Dr. Dolittle Shrek). In Dr. Dolittle 2 Murphy is funny and comfortable enough in his role as the doc who can talk to creatures big and small but it is the animals that generate the biggest laughs. Smooth-talking Joey the Raccoon voiced by Michael Rapaport ( Men of Honor) positively steals the show with lines like "Mafia? We don't know anything about no Mafia do we boys?" The flighty voice of Lisa Kudrow who plays the endangered bear Ava is appropriate enough for the part but you can't help but wonder if it's Phoebe Buffay wrapped in a bear pelt. Norm Macdonald narrates the entire film as Lucky the Dog but the lines are surprisingly vacuous and Lucky spends most of his on-screen time peeing on things and making passes at wolves. A grown-up Raven-Simoné (The Cosby Show) returns to her role as Charisse Dolittle and is convincing enough as the brooding rebellious teenager fed up with animals clambering up her balcony and vying for her father's attention.
As with the acting the animals easily steal the show. The filmmakers use different methods to achieve realistic animal interaction including motion-control cameras that filmed the animals separately and later created a composite shot. Digital animation techniques animate some of the animal's mouths and facial features while others like Joey the Raccoon are completely animatronic and required several people to operate them during filming. These special effects must have burnt up most of the budget however because the outdoor sets with their moss-covered Styrofoam rocks look totally fabricated. The animals were amusing to watch and delivered good one-liners but they were mostly about defecating and bestial libido. Sadly not even the animal kingdom is able to transcend social stereotypes like Pepito the Mexican chameleon who gets excited at the mention of tacos or the French beret-clad monkey who is perpetually drunk. The film also portrays the life of a circus bear in a curiously positive light--unless they really do take bubble baths in swank accommodations--that clashes with the whole animal rights theme.