The World Series is now underway, having kicked off Wednesday night with its first faceoff between the Detroit Tigers and the San Francisco Giants. And while baseball is all well and good, this budding rivalry revives an even more pressing question: which is better — tigers or giants? The Giants proved victorious last night, but who is more likely to reign supreme outside the realm of baseball?
For generations, humankind has grappled with this seemingly unanswerable query. Does superiority manifest in the striped feline beasts of the Asian mangroves or the mythical supersized men of beanstalk-topped kingdoms and other fantastical locale? It's been thus far impossible to determine. But luckily, in the vein of our politically charged Elephants Vs. Donkeys and Pizza Vs. Burritos debates, we have chosen some of the most worthy representatives of each category throughout the history of pop culture and pinned them against one another.
Weigh in on the age-old battle below.
THE DISNEY PLAYOFFS: Rajah Vs. Willie the Giant
Pitching for the Tigers: Rajah, the faithful sidekick of Princess Jasmine in Aladdin Stats: He's got loyalty, proclivity to transform into noteworthy mice for single frames at a time, and an acute understanding of human voice cues
Pitching for the Giants: Willie the Giant from Fun & Fancy Free Stats: He's especially confident, musically inclined, and has (nearly) complete control of the magic words
Snagging the victory for this one is certainly Rajah, a more beloved and memorable export of the Disney family than many of his vocal cohorts, the vociferous giant included.
THE CHILDHOOD LITERATURE PLAOFFS: Shere Khan Vs. The BFG
Catching for the Tigers: Shere Khan, the nefarious villain from Rudyard Kipling's The Jungle Book Stats: He's evil, cunning, wry, deceptive, and the most feared creature in all the land
Catching for the Giants: The BFG (Big Friendly Giant), created by the unparalleled children's novelist Roald DahlStats: He's tall, goofy, large of ears, and speaks with a babbling slang. All in the most lovable way imaginable.
The Giants take this one for sure, if only for the simple fact that the BFG is (unsurprisingly) friendly, as opposed to Shere Khan's evildom.
THE MASCOT PLAYOFFS: Tony the Tiger Vs. The Jolly Green Giant
Batting for the Tigers: Tony the Tiger, spokesfeline for Frosted FlakesStats: Dude's grrrreat!
Batting for the Giants: The Jolly Green Giant, representative of the Green Giant canned vegetables companyStats: An unconditional euphoria, especially in the presence of Earth-grown edibles
Another win for the Tigers — Tony maintains an iconic presence in childhood commerce; Jolly Green hasn't been noteworthy for some time.
THE ROBOTIC PLAYOFFS: Tigatron Vs. The Iron Giant
First Base for the Tigers: Beast Wars soldier TigatronStats: A deep connection to the Earth and a penchant for skillful programming
First Base for the Giants: The titular mechanical monster from The Iron Giant Stats: The government might be after him, but he's got a heartwarming friendship (and the voice of Vin Diesel) on his side.
Sorry, Transformers fans... but you go watch The Iron Giant and try to say that you can hold back the floodgates of tears. Can't be done.
THE NAUTICAL PLAYOFFS: Tiger Sharks Vs. Giant Squids
Left Field for the Tigers: Galeocerdo cuvier, a.k.a. the tiger sharkStats: True, it'll die if it ever stops swimming, but these guys and their brethren are deadly enough to warrant a Spielberg classic and an entire week on the Discovery Channel every summer.
Left Field for the Giants: The gigantic member of the genus Architeuthis Stats: The Giant Squid is a deep sea ocean dweller that few have seen but many have feared, earning form in many a society's most treacherous mythology (including Nintendo).
Easy pick: the Giants' own tentacled fielder. The only known natural predator of the sharks. Don't mess.
THE REAL PEOPLE PLAYOFFS: Tiger Woods Vs. Andre the Giant
Shortstop for the Tigers: Tiger WoodsStats: His sex scandal notoriety eventually usurped his athletic prowess, so that should say something.
Shortstop for the Giants: André "The Giant" RoussimoffStats: He offered the peanut, but he gave us the world.
Another win for the Giants. We love you, Fezzik.
THE PLAYOFFS OF THE FUTURE: Richard Parker Vs. Raine McCormack
Second Base for the Tigers: The Life of Pi's tiger, Richard ParkerStats: From the looks of the clips and trailers, he's got some potential (for a CGIger).
Second Base for the Giants: The yet unseen giant in Jack the Giant SlayerStats: Yet unseen!
The Tigers take this one, if only because we've actually seen Richard Parker. What are you hiding, Jack?
And so, it seems as though the Giants win out, four to three. Thus ends the age old battle... but will this determine the outcome of this year's World Series?
... Yes. Definitely. Put money on it.
[Photo Credit: Walt Disney; 20th Century Fox]
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Saturday was a big day for the TV world as the 2012 Creative Emmys took place. Hollywood.com was both backstage and on the carpet, bringing you the scoop direct from the source. HBO and its epic hit Game of Thrones were the night's biggest winners, with the network taking home 17 statues — six of them for GoT. CBS wasn't far behind with 13 wins, followed by PBS with 11. Frozen Planet, Great Expectations, and Saturday Night Live each took home four awards, resulting in a three-way-tie for second place after Game of Thrones. See below for the list of winners:
Outstanding Casting for a Drama Series: Junie Lowry Johnson, Libby Goldstein, Judy Henderson, Craig Fincannon, Lisa Mae Fincannon for Homeland
Outstanding Casting for a Miniseries, Movie, or a Special: David Rubin, Richard Hicks, Pat Moran, Kathleen Chopin for Game Change
Outstanding Casting for a Comedy Series: Jennifer Euston for Girls
Outstanding Guest Actress in a Comedy Series: Kathy Bates for Two and A Half Men
Outstanding Prosthetic Makeup for a Series, Miniseries, Movie, or a Special: Greg Nicotero, Jake Garber, Andy Schoneberg, Kevin Wasner, Gino Crognale, Carey Jonse, Garrett Immel for The Walking Dead
Outstanding Makeup for a Miniseries or a Movie (Non-Prosthetic): Mario Michisanti, Francesca Tampieri for Hatfields & McCoys
Outstanding Makeup for a Single-Camera Series (Non-Prosthetic): Paul Engelen, Melissa Lackersteen for Game of Thrones
Outstanding Makeup for a Multi-Camera Series or Special (Non-Prosthetic): Zena Shteysel, Angela Moos, Patti Ramsey Bortoli, Barbara Fonte, Sarah Woolf, Nadege Schoenfeld for Dancing With the Stars
Outstanding Costumes for a Series: Michele Clapton, Alexander Fordham, Chloe Aubry for Game of Thrones
Outstanding Costumes for a Miniseries, Movie or a Special: Annie Symons, Yvonne Duckett for Great Expectations
Outstanding Hairstyling for a Miniseries or a Movie: Monte C. Haught, Samantha Wade, Melanie Verkins, Natalie Driscoll, Michelle Ceglia for American Horror Story
Outstanding Hairstyling for a Multi-Camera Series or Special: Bettie O. Rogers, Jodi Mancuso, Inga Thrasher, Jennifer Stauffer, Cara Hannah Sullivan, Christal Schanes for Saturday Night Live
Outstanding Hairstyling for a Single-Camera Series: Anne "Nosh" Oldham, Christine Greenwood for Downton Abbey
Outstanding Guest Actor in a Drama Series: Jeremy Davies for Justified
Outstanding Choreography: Joshua Bergasse for Smash ("National Pastime", "Let's Be Bad", "Never Met A Wolf")
Outstanding Music Direction: Rob Berman, Rob Mathes for The Kennedy Center Honors
Outstanding Music Composition for a Series (Original Dramatic Score): John Lunn for Downton Abbey
Outstanding Music Composition for a Miniseries, Movie, or a Special (Original Dramatic Score): Javier Navarrete for Hemingway & Gellhorn
Outstanding Original Music and Lyrics: Adam Schlesinger, David Javerbaum for the 65th Annual Tony Awards ("It's Not Just for Gays Anymore")
Outstanding Art Direction for a Multi-Camera Series: Glenda Rovello, Amy Feldman for 2 Broke Girls ("And The Rich People Problems", "And The Reality Check", And The Pop Up Sale")
Outstanding Art Direction for Variety or Nonfiction Programming: Brian Stonestreet, Alana Billingsley, Matt Steinbrenner for The 54th Annual Grammy Awards, and Steve Bass, Seth Easter for The 65th Annual Tony Awards
Outstanding Art Direction for a Miniseries or Movie: David Roger, Paul Ghirardani, Jo Kornstein for Great Expectations
Outstanding Art Direction for a Single-Camera Series: Bill Groom, Adam Scher, Carol Silverman for Boardwalk Empire, and Gemma Jackson, Frank Walsh, Tina Jones for Game of Thrones
Outstanding Single-Camera Picture Editing for a Drama Series: Jordan Goldman, David Latham for Homeland
Outstanding Single-Camera Picture Editing for a Comedy Series: Steven A. Rasch for Curb Your Enthusiasm ("Palestinian Chicken")
Outstanding Multi-Camera Picture Editing for a Comedy Series: Sue Federman for How I Met Your Mother ("Trilogy Time")
Outstanding Single-Camera Picture Editing for a Miniseries or a Movie: Don Cassidy for Hatfields & McCoys - Part 2
Outstanding Picture Editing for Short-Form Segments and Variety Specials: Bill DeRonde, Chris Lovett, Mark Stepp, Pi Ware, John Zimmer, Ben Folts for 2012 Rock and Roll Hall of Fame Induction Ceremony
Outstanding Picture Editing for Nonfiction Programming: Andy Netley, Sharon Gillooly for Frozen Planet ("Ends of the Earth")
Outstanding Picture Editing for Reality Programming: Josh Earl, Alex Durham for Deadliest Catch ("I Don't Wanna Die")
Outstanding Animated Program: Bob Schooley, Mark McCorkle, Bret Haaland, Nick Filippi, Chris Neuhahn, Ant Ward, Andrew Heubner, David Knott, Shaun Cashman, Steve Loter, Christo Stamboliev for The Penguins of Madagascar: The Return of the Revenge of Dr. Blowhole
Outstanding Short-Format Animated Program: Brian A. Miller, Jennifer Pelphrey, Curtis Lelash, Rob Sorcher, JG Quintel, Mike Roth, Janet Dimon, Matt Price, Jack Thomas, John Infantino, Robert Alvarez for Regular Show ("Eggscellent")
Outstanding Voice-Over Performance: Maurice LaMarche for Futurama
Syd Cassyd Founders Award: Dick Askin
Governors Award: Dan Savage, Terry Miller for "It Gets Better"
Outstanding Special Visual Effects: Rainer Gombos, Juri Stanossek, Sven Martin, Steve Kullback, Jan Fielder, Chris Stenner, Tobias Mannewitz, Thilo Ewers, Adam Chazen for Game of Thrones ("Valar Morghulis")
Outstanding Special Visual Effects in a Supporting Role: Dave Taritero, Robert Stromberg, Richard Friedlander, Eran Dinur, David W. Reynolds, Matthew Conner, Austin Meyers, Jonathan Dorfman, Steve Kirshoff for Boardwalk Empire ("Georgia Peaches")
Outstanding Stunt Coordination: Peewee Piemonte for Southland
Outstanding Main Title Design: Nic Benns, Rodi Kaya, Tom Bromwich for Great Expectations
Outstanding Original Main Title Theme Music: Paul Englishby for Page Eight
Outstanding Commercial: "Best Job" (Procter & Gamble Corporate Brand) – Wieden + Kennedy, Ad Agency; Anonymous Content, Production Company
Outstanding Sound Mixing For Nonfiction Programming: Tom Paul for Paul Simon’s Graceland Journey: Under African Skies
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour): Matthew Waters, Onnalee Blank, Ronan Hill, Mervyn Moore for Game Of Thrones ("Blackwater")
Outstanding Sound Mixing for a Miniseries or a Movie: Stanomir Dragos, Christian Cooke, Brad Zoern for Hatfields & McCoys — Part 1
Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation: Stephen A. Tibbo, Dean Okrand, Brian R. Harman for Modern Family ("Dude Ranch")
Outstanding Sound Mixing for a Variety Series or Special: Paul Sandweiss, Tommy Vicari, Pablo Munguia, Kristian Pedregon for 84th Annual Academy Awards
Outstanding Sound Editing for a Miniseries, Movie, or a Special: Douglas Murray, Peter Horner, Kim Foscato, Steve Boeddeker, Casey Langfelder, Andrea Gard, Pat Jackson, Daniel Laurie, Goro Koyama, Andy Malcolm, Joanie Diener for Hemingway & Gellhorn
Outstanding Sound Editing for Nonfiction Programming (Single or Multi-Camera): Kate Hopkins, Tim Owens, Paul Fisher for Frozen Planet — Ends of the Earth
Outstanding Sound Editing For a Series: Peter Brown, Kira Roessler, Tim Hands, Paul Aulicino, Stephen P. Robinson, Vanessa Lapato, Brett Voss, James Moriana, Jeffrey Wilhoit, David Klotz for Game of Thrones ("Blackwater")
Outstanding Cinematography for a Multi-Camera Series: Steven V. Silver for Two and a Half Men ("Sips, Sonnets, and Sodomy")
Outstanding Cinematography for a Single-Camera Series: Jonathan Freeman for Boardwalk Empire ("21")
Outstanding Cinematography for a Miniseries or Movie: Florian Hoffmeister for Great Expectations
Outstanding Cinematography for Reality Programming: The Deadliest Catch team ("I Don't Want To Die")
Outstanding Cinematography for Nonfiction Programming: The Frozen Planet team ("Ends of the Earth")
Outstanding Technical Direction, Camerawork, Video Control for a Series: Steven Cimino, John Pinto, Paul J. Cangialosi, Len Weschler, Barry Frischer, Eric A. Einstein, Susan Noll, Frank Grisanti for Saturday Night Live (Host Mick Jagger)
Outstanding Technical Direction, Camerawork, Video Control for a Miniseries, Movie or Special: Steven Cimino, Paul J. Cangialosi, John Pinto, Chuck Goslin, Barry Frischer, Jeff Latonero, Len Weschler, Susan Noll, J.M. Hurley for Memphis (Great Performances)
Outstanding Lighting Design/Lighting Direction for a Variety Series: Robert Barnhart, Matt Firestone, Pete Radice, Patrick Boozer for So You Think You Can Dance (Season Eight Finale)
Outstanding Lighting Design/Lighting Direction for a Variety Special: Robert A. Dickinson, Jon Kusner, Travis Hagenbuch, Andy O'Reilly for The 54th Annual Grammy Awards
Outstanding Guest Actor in a Comedy Series: Jimmy Fallon for Saturday Night Live
Outstanding Directing for Nonfiction Programming: Martin Scorsese for George Harrison: Living in the Material World
Outstanding Writing for Nonfiction Programming: Geoffrey C. Ward for Prohibition — A Nation of Hypocrites
Exceptional Merit in Documentary Filmmaking: Connie Field, Lois Vossen, Sally Jo Fifer for Have You Heard From Johannesburg (Independent Lens)
Outstanding Nonfiction Special: Margaret Bodde, Emma Tillinger Koskoff, Blair Foster, Olivia Harrison, Nigel Sinclair, Martin Scorsese for George Harrison: Living in the Material World
Outstanding Nonfiction Series: Alastair Fothergill, Susan Winslow, Vanessa Berlowitz for Frozen Planet
Outstanding Directing for a Variety Series: Don Roy King for Saturday Night Live (Host Mick Jagger)
Outstanding Writing for a Variety Series: Tim Carvell, Rory Albanese, Kevin Bleyer, Rich Blomquist, Steve Bodow, Wyatt Cenac, Hallie Haglund, JR Havlan, Elliott Kalan, Dan McCoy, Jo Miller, John Oliver, Zhubin Parang, Daniel Radosh, Jason Ross, Jon Stewart for The Daily Show With Jon Stewart
Outstanding Variety Special: George Stevens, Jr., Michael M. Stevens for The Kennedy Center Honors
Outstanding Special Class Programs: Ricky Kirshner, Glenn Weiss, Neil Patrick Harris for 65th Annual Tony Awards
Outstanding Special Class: Short-Format Live-Action Entertainment Programs: Rob Corddry, Jonathan Stern, David Wain, Keith Crofford, Nick Weidenfeld, Rich Rosenthal for Children's Hospital
Outstanding Special-Class: Short-Format Nonfiction Programs: Michael M. Stevens for DGA Moments In Time
Outstanding Creative Achievement in Interactive Media — Enhancement to a Television Program or Series: John Wooden, Aaron Bleyaert, Conan O'Brien, Timothy Campbell for The Team Coco Sync App
Outstanding Creative Achievement in Interactive Media — Original Interactive Television Programming: Fourth Wall Studios for Dirty Work
Outstanding Children's Program: Ben Montanio, Vince Cheung, Todd J. Greenwald, Gigi McCreery, Perry Rein, Richard Goodman, Greg A. Hampson for Wizards of Waverly Place
Outstanding Children's Nonfiction, Reality or Reality-Competition Program: Carol-lynn Parente, Melissa Dino, Mason Rather, Kevin Clash for Sesame Street: Growing Hope Against Hunger
Outstanding Reality Program: Eli Holzman, Stephen Lambert, Chris Carlson, Scott Cooper, Sandi Johnson, Rachelle Mendez, Lety Quintanar, Rebekah Fry for Undercover Boss
Outstanding Guest Actress in a Drama Series: Martha Plimpton for The Good Wife
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Salt the propulsive new thriller from Phillip Noyce (Clear and Present Danger Patriot Games) has been dubbed “Bourne with boobs ” but that label isn’t entirely accurate. In the role of Evelyn Salt a CIA staffer hunted by her own agency after a Russian defector fingers her in a plot to murder Russia’s president Angelina Jolie keeps her two most potent weapons holstered hidden under pantsuits and trenchcoats and the various other components of a super-spy wardrobe that proudly emphasizes function over flash.
But flash is one thing Salt never lacks for. Its breathless cat-and-mouse game hits full-throttle almost from the outset when a former KGB officer named Orlov (Daniel Olbrychski) stumbles into a CIA interrogation room and begins spilling details of a vast conspiracy. Back in the ‘70s hardline elements of the Soviet regime launched an ambitious new front in the Cold War flooding the western world with orphans trained to infiltrate the security complexes of their adopted homelands and wait patiently — decades if necessary — for the order to initiate a series of assassinations intended to trigger a devastating nuclear clash between the superpowers from which the treacherous Reds would emerge triumphant.
The Soviet Union may have long ago collapsed (or did it? Hmmm...) but its army of brainwashed killer orphan spies remains in place and if this crazy Orlov fellow is to be believed they stand poised to reignite the Cold War. It’s a preposterous — even idiotic — scheme but no more so than any of our government’s various harebrained proposals to kill Castro back in the ‘60s. As such the CIA treats it with grave seriousness even the part that that pegs Salt who just happens to be a Russian-born orphan herself as a key player in the conspiracy.
Salt bristles at the accusation but suspecting a set-up she opts to flee rather than face interrogation from her bosses Winter (Liev Schreiber) and Peabody (Chiwetel Ejiofor). A former field agent she’s been confined to a desk job since a clandestine operation in North Korea went south leaving her with a nasty shiner and a rather unremarkable German boyfriend (now her unremarkable German husband). She’s clearly kept up her training during while cubicle-bound however and in a blaze of resourceful thinking and devastating Parkour Fu she fends off a dozen or so agents of questionable competence and takes to the streets where she sets about to clear her name and unravel the Commie orphan conspiracy before the authorities can catch up with her. That is if she isn’t a part of the conspiracy.
The premise which aims to resurrect Cold War tensions and graft them onto a modern-day spy thriller is absurdly clever — and cleverly absurd. But Kurt Wimmer’s screenplay isn’t satisfied with the merely clever and absurd — it must be mind-blowing. Salt is one of those thrillers that ladles out its backstory slowly and in tiny portions every once in a while dropping a revelatory bombshell that effectively blows the lid off everything that happened beforehand. No one is who they seem and every action every gesture no matter how seemingly trivial is imbued with some kind of grand significance. The effect of piling on one insane twist after another has the effect of gradually diluting the narrative. When anything is possible nothing really matters.
But spy thrillers by definition trade in the preposterous and the principal function of the summer blockbuster is to entertain. In that regard Salt more than fulfills its charge. Noyce wisely keeps the story moving at pace that allows little time for asking uncomfortable questions or poking holes in the film’s frail plot. And he has an able partner in the infinitely versatile Jolie who having already exhibited formidable action-hero chops in Wanted and the Tomb Raider films proves remarkably adept at the spy game as well.
It’s well-known that Jolie wasn’t the first choice to star in Salt joining the project only after Tom Cruise dropped out citing the story’s growing similarities to the Mission: Impossible films. But she’s more than just a capable replacement; she’s a welcome upgrade over Cruise not least because she’s over a decade younger (and a few inches taller) than her predecessor. Should Brad Bird require a pinch-hitter for Ethan Hunt he knows where to look.
Amy Winehouse's husband Blake Fielder-Civil has confessed to attacking a London pub landlord and attempting to pervert the course of justice.
The 26-year-old initially denied causing grievous bodily harm to landlord James King, 36, in an incident last July. In a bizarre twist, Fielder-Civil was then charged with teaming up with King to try to fix the outcome of that trial--a charge to which he also pleaded not guilty.
But on Monday, Judge David Radford--who is presiding over the case--lifted a media ban on the reporting of the guilty pleas of Fielder-Civil and his co-defendants.
Fielder-Civil--who is on remand at the capital's Pentonville Prison--is currently standing trial at Snaresbrook Crown Court in east London.
His co-defendant Michael Brown, 25 has pleaded guilty to a charge of grievous bodily harm, while Brown, Anthony Kelly, 25, and James Kennedy, 19, have all pleaded guilty to perverting the course of justice.
King is also on trial for attempting to pervert the course of justice.
Meanwhile, Radford has now allowed media outlets to report on an allegation that King could have been subjected to intimidation or duress, according to Britain's Sky News Web site.
The news comes one week after the trial kicked off last Monday.
All five men will be sentenced at a later date.
COPYRIGHT 2008 WORLD ENTERTAINMENT NEWS NETWORK LTD. All Global Rights Reserved.
Amy Winehouse’s husband Blake Fielder-Civil has been arrested over an alleged $400,000 plot to fix a trial.
The arrest came hours after police used a battering ram to smash down the door of the couple's London home on Thursday.
Fielder-Civil, 25, is being held by police at a North London police station on suspicion of perverting the course of justice with three other men aged 19, 22 and 25.
According to reports, Fielder-Civil was involved in an alleged plot to halt a trial in which he and pal Michael Brown have been accused of assaulting a barman causing GBH with intent.
It has been claimed alleged victim James King would have been paid $400,000 to withdraw his police statement.
As Fielder-Civil was led away by police officers, Winehouse told him, "Baby, I love you. I will be fine."
COPYRIGHT 2007 WORLD ENTERTAINMENT NEWS NETWORK LTD. All Global Rights Reserved.
SANTA MONICA, Calif., Feb. 7, 2000 -- At long last, an awards show that's dedicated solely to the people who are truly indispensable to Hollywood: makeup artists and hairstylists.
Yes, you heard right -- one entire awards ceremony, with all the necessary trimmings and accoutrements, has sprung up to give special notice to industry makeup artists and hairstylists ... and no one else. (Don't worry, plastic surgeons of America, you'll probably get your nods soon enough).
Nominations for the 1st Annual Hollywood Makeup Artists and Hair Stylist Guild Awards, honoring outstanding makeup and hair achievements in film and TV, were announced today. The nominees in the 17 categories were chosen by 1,100 active members of the International Alliance of Theatrical Stage Employees Local 706. Guild members will vote for the winners. Balloting begins Tuesday, with awards to be handed out March 19 at the Beverly Hilton Hotel.
If all this sounds terribly serious stuff -- it is, according to guild committee member Marvin Westmore, scion of George Westmore, who started the first makeup and hair department at the Selig studio in 1917, and for whom the Lifetime Achievement Award is named after.
"It's very difficult to get the makeup and hair artists recognized in a proper manner. In the makeup field, as in the hair field, there're a number of categories that are never considered," Westmore said today. "We've got a category on contemporary makeup and hair, historical makeup and hair ... and about 15 other categories that address other specialties. We feel that it's important to give all the industry hair and makeup artists their proper due and not just simply lump their achievements together."
Celeb presenters who will dignify the event include Christina Applegate, Annette Bening, Ellen Burstyn, Kim Delaney, Brendan Fraser, Ed Harris, Holly Hunter and Rob Lowe.
Here's the complete list of nominees:
Best Contemporary Makeup -- Feature
Debbie Zoller, James MacKinnon and Jill Cady for "Goodbye Lover" (Regency/Warner Bros.)
Ronnie Specter for "The Story of Us" (Castle Rock/Universal)
Allan Apone, Donald Mowat, Ron Snyder and Adam Brandy for "Three Kings" (Warner Bros.)
Toni G and Will Huff for "The General's Daughter" (Neufeld/Rehme Productions/Paramount)
Best Period Makeup -- Feature
Leonard Engleman for "Tea With Mussolini" (Universal/MGM)
Patty York, Cheryl Nick, Michele Burke and Steve Artmont for "Austin Powers: The Spy Who Shagged Me" (New Line)
Ronnie Specter for "A Midsummer Night's Dream" (Fox Searchlight)
Best Character Makeup -- Feature
Sheryl Leight Ptak for "Man on the Moon" (Jersey Films/Universal)
Cheri Minns for "Bicentennial Man" (Columbia/Touchstone)
Kevin Yagher, Peter Owen, Elizabeth Tag and Paul Gooch for "Sleepy Hollow" (Paramount)
Best Special Effects Makeup -- Feature
Michele Burke, Kenny Myers, Will Huff and Kevin Haney for Mike Myers as Austin Powers and Dr. Evil, and Vernon Troyer as Mini Me in "Austin Powers: The Spy Who Shagged Me" (New Line)
Greg Cannom and Wesley Wofford for "Bicentennial Man" (Columbia/Touchstone) Stan Winston and Mike Smithson for Mike Myers as Fat Bastard in "Austin Powers: The Spy Who Shagged Me" (New Line)
Best Contemporary Hair Styling -- Feature
Enzo Angileri for "The Thomas Crown Affair" (MGM)
Cydney Cornell for "American Beauty" (DreamWorks)
Paul LeBlanc for "Anywhere But Here" (Fox 2000 Pictures) Frances Mathais for "Simpatico" (Emotion Pictures/Canal Plus/King's Gate/Fine Line)
Best Period Hair Styling - Feature
Peter Tothpal, Janet McDonald and Angie Cameron for "The 13th Warrior" (Touchstone)
Candy Walken, Jeri Baker-Sadler, Jennifer O'Halloran and Toni-Ann Walker for "Austin Powers: The Spy Who Shagged Me" (New Line)
Vivian McAteer for "Tea With Mussolini" (Universal/MGM)
Best Contemporary Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Patty Bunch Leisure and Cynthia Bachman for "Big Brother Is Coming," "Will & Grace" (NBC)
Cynthia Bachman and Patty Bunch Leisure for "I Never Promised You An Olive Garden," "Will & Grace" (NBC)
James MacKinnon and Stephanie Fowler for "Thank You Providence," "Providence" (NBC)
Best Period Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Cheri Montesanto-Medcalf, Kevin Westmore and LaVerne Basham for "Triangle," "The X-Files" (Fox)
Marie DelPrete fpr "Between a Rock Star and Hard Place," "Rude Awakenings" (Showtime/Mandalay TV/Columbia/TriStar TV)
Lisa Layman, David Syner and Joseph Regina for "Pilot," "Freaks & Geeks" (NBC)
James MacKinnon and Stephanie Fowler for "He's Come Undone," "Providence" (NBC)
Best Character Makeup - Television
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #505, "Mad TV" (Fox)
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #507, "Mad TV" (Fox)
Cheri Montesanto-Medcatf and Kevin Westmore for "Two Fathers/One Son," "The X-Files" (Fox)
Best Special Effects Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Michael Westmore, Scott Wheeler, James Rohland and Ellis Burman for "Dark Frontiers," "Star Trek Voyager" (UPN/Paramount)
Todd A. McIntosh, Robin Beauxchesne, Douglas Noe and Brigette Myre-Ellis for "Living Conditions," "Buffy The Vampire Slayer" (Fox/WB)
Bill Corso and Douglas Noe for "Just Duet," "L.A. Doctors" (CBS)
Best Period Makeup - Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Sue Cabel, Matthew Mungle and Joe Hailey for "And The Beat Goes On: The Sonny and Cher Story" (ABC) Marvin Westmore,
June Westmore and John Jackson for "Lansky" (HBO)
Best Character Makeup --Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Douglas Noe for "A Lesson Before Dying" (HBO)
Best Contemporary Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Ken Nelson and Suzanne Kontonickas for "The Devil's Music," "Charmed" (Spelling Television/WB)
Tim Burke for "Homo For The Holidays," "Will & Grace" (NBC)
Darrell Fielder, Jonathan Hanousak and Joy Zapata for "The Final Frontier," "Mad About You" (NBC/Columbia TriStar TV)
Best Period Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Lana Heying for Episode #592 "Lataya, Letisha and Lanesha," "All That" (Nickelodeon)
Garbillera Pollina for "Prom Night," "That 70's Show" (Fox/Carsey-Werner)
Best Character Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Dugg Krikpatrick and Judith Teidemann for "Episode #511, "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Bride of Chaotica," "Star Trek Voyager" (Paramount/UPN)
Judith Teidemann, Dugg Krikpatrick and Chris Curry for "Who Wants To Be A Millionaire," "Mad TV" (Fox)
Best Innovative Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Dugg Krikpatrick for "Episode #505," "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Dragon's Teeth," "Star Trek Voyager" (Paramount/UPN)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Best Period Hair Styling - Television (For a Mini-Series or Movie o the Week)
Vickey Phillips, Gerald Coke-Riley, Patricia Gunlock and Michael White for "Purgatory" (TNT)
Matthew Kasten, Natascha Ladek and Mishell Chandler for "Annie" (Walt Disney Television/ABC)
Marlene Williams and Tim Jones for "And The Beat Goes On: The Sonny & Cher Story" (ABC/Larry Thompson)
George Westmore Lifetime Achievement Award