If you were wondering what Hollywood will look like in the next five or 10 years, look no further than this talented group of young actors. Their impressive performances have put them on the map, and it doesn't look like they'll be going anywhere anytime soon. With a talent pool that includes film festival darling Ezra Miller, serious drama actor Dane DeHaan, and quirky ingenue Juno Temple, the future of film has never looked brighter.
Mackenzie FoyYou probably know her as Bella and Edward's half-human, half-vampire baby, Renesmee, from The Twilight Saga: Breaking Dawn, but Mackenzie Foy also appeared in this summer's The Conjouring with Patrick Wilson and Vera Farmiga. Next up, she'll star in the coming-of-age movie Wish You Well with Ellen Burstyn and Josh Lucas, and is signed on to voice a character in the film adaptation of French writer Antoine de Saint-Exupéry's famed novella The Little Prince. Not bad for a 12-year-old.
Dane DeHaanAfter churning out haunting and powerful performances in the supernatural thriller Chronicle and cop thriller The Place Beyond the Pines, Dane DeHaan is officially on our radar. He's also appeared alongside Hollywood heavyweights in Lawless and Lincoln. Currently, DeHaan is bringing his Beat Generation movie, Kill Your Darlings, to the film festival circuit. DeHaan plays darkly alluring musician Lucien Carr opposite Daniel Radcliffe as Beat poet Allen Ginsberg. Both the film and DeHaan's performance have earned rave reviews from critics. Next up, he'll star in Reese Witherspoon's dark murder drama Devil's Knot. We're sensing a theme for this talented young actor.
Bella ThorneAt just 15, Bella Thorne is already a seasoned pro in the industry. She's been making appearances on TV and in film since she was only 6 years old. Since 2010, she's starred on the Disney Channel dance show Shake It Up, which helped her score a record deal with Hollywood Records. Next up, she'll star in the film adaptation of popular kids book Alexander and the Terrible, Horrible, No Good, Very Bad Day alongside Jennifer Garner and Steve Carell.
Ezra MillerAfter his star-making performance in We Need to Talk About Kevin, everybody was talking about Ezra Miller. The movie was a hit at Cannes and Miller became an indie sensation overnight. He saw success again when he starred in last year's film adaptation of beloved teen novel The Perks of Being a Wallflower. Next up, you can catch Miller as Léon Depuis in Sophie Barthes's adaptation of Gustave Falubert's masterpiece Madame Bovary.
Juno TempleJuno Temple has had steady work since her childhood, appearing in acclaimed movies like Notes on a Scandal, Atonement, and The Other Boleyn Girl. Recent movies have shown that Temple is more than comfortable with her sexuality, such as Dirty Girl, Jack and Diane, a horror romance about two women who are lovers, and the Linda Lovelace biopic Lovelace, in which Temple plays Linda's best friend. Next up, Temple will appear in Malificent with Angelina Jolie, and the highly anticipated sequel Sin City: A Dame to Kill For.
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A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.