Sunday night marked the 2013 Academy Awards, when the best and the brightest in Hollywood gathered to celebrate the best and the brightest filmmaking of the year. And the ceremony came complete with a few surprises. Not only did Life of Pi walk away with the most wins of the evening — four Oscars — but the film's Ang Lee eked out David O. Russell and Steven Spielberg for Best Director. But there were some expected finishes as well: Jennifer Lawrence won Best Actress, Daniel Day-Lewis took Best Actor, and Adele even scored Best Original Song for "Skyfall."
But who else picked up awards? Check out the full list of winners below!
RELATED: Seth MacFarlane's Monologue: What'd You Think?
The 2013 Academy Award Winners:
Best Picture:Beasts Of The Southern WildSilver Lingings PlaybookZero Dark ThirtyLincolnLes MiserablesLife Of PiDjango UnchainedWinner: ArgoAmour
Best Actor:Winner: Daniel Day-Lewis, LincolnDenzel Washington, FlightHugh Jackman, Les MiserablesBradley Cooper, Silver Linings PlaybookJoaquin Phoenix, The Master
Best Actress:Naomi Watts, The ImpossibleJessica Chastain, Zero Dark ThirtyWinner: Jennifer Lawrence, Silver Linings PlaybookEmmanuelle Riva, AmourQuvenzhane Wallis, Beasts Of The Southern Wild
The 2013 Academy Award Winners:Best Director:David O. Russell, Silver Linings PlaybookWinner: Ang Lee, Life Of PiSteven Spielberg, LincolnMichael Haneke, AmourBenh Zeitlin,Beasts Of The Southern Wild
Best Writing, Original Screenplay:Flight, Written by John GatinsZero Dark Thirty, Written by Mark BoalWinner: Django Unchained, Written by Quentin TarantinoAmour, Written by Michael HanekeMoonrise Kingdom, Written by West Anderson and Roman Coppola
Best Writing, Adapted Screenplay:Beasts Of The Southern Wild, Screenplay by Lucy Alibar and Benh ZeitlinWinner: Argo, Written by Chris TerrioLincoln, Written by Tony KushnerSilver Linings Playbook, Written by David O. RussellLife Of Pi, Written by David Magee
Best Original Song:"Before My Time," Chasing Ice, Music and Lyric from J. Ralph"Pi Lullaby," Life Of Pi, Music by Mychael Danna; Lyric by Bombay Jayashri"Suddenly," Les Miserables, Music by Claude-Michel Schonberg; Lyric by Herbert Kretzmer and Alain Boubill"Everybody Needs a Best Friend," Ted, Music by Walter Murphy; Lyric by Seth MacFarlaneWinner: "Skyfall," Skyfall, Music and Lyric by Adele Adkins and Paul Epworth
Best Original Score:Anna Karenina, Dario MarianelliArgo, Alexandre DesplatWinner: Life Of Pi, Mychael DannaLincoln, John WilliamsSkyfall, Thomas Newman
Best Production Design:Anna Karenina, Sarah Greenwood (Production Design); Katie Spencer (Set Decoration)The Hobbit: An Unexpected Journey, Dan Hennah (Production Design); Ra Vincent and Simon Bright (Set Decoration)Les Miserables, Eve Stewart (Production Design); Anna Lynch-Robinson (Set Design)Life Of Pi, David Gropman (Production Design); Anna Pinnock (Set Decoration)Winner: Lincoln, Rick Carter (Production Design); Jim Erickson (Set Decoration)
Best Achievement in Film Editing:Winner: Argo, William GoldenbergLife Of Pi, Tim SquyresLincoln, Michael KahnSilver Linings Playbook, Jay Cassidy and Crispin StruthersZero Dark Thirty, Dylan Tichenor and William Goldenberg
Best Supporting Actress:Sally Field, LincolnWinner: Anne Hathaway, Les MiserablesJacki Weaver, Silver Linings PlaybookHelen Hunt, The SessionsAmy Adams, The Master
Best Achievement in Sound Editing:Argo, Erik Aadahl and Ethan Van der RynDjango Unchained, Wylie StatemanLife Of Pi, Eugene Gearty and Philip StocktonWinner: Skyfall, Per Hallberg and Karen Baker LandersWinner: Zero Dark Thirty, Paul N.J. Ottosson
Best Achievement in Sound Mixing:Argo, John Reitz, Gregg Rudloff, and Jose Antonio GarciaWinner: Les Miserables, Andy Nelson, Mark Peterson, and Simon HayesLife Of Pi, Rob Bartlett, D.M. Hemphill and Drew KuninLincoln, Andy Nelson, Gary Rydstrom, and Ronald JudkinsSkyfall, Scott Millan, Greg P. Russell, and Stuart Wilson
GALLERY: Oscars: 10 Best Dressed on the Red Carpet
Best Foreign Language Film of the Year:Winner: Amour, AustriaNo, ChileWar Witch, CanadaA Royal Affair, DenmarkKon-Tiki, Norway
Best Documentary Feature:5 Broken CamerasThe GatekeepersHow To Survive A PlagueThe Invisible WarWinner: Searching For Sugar Man
Best Documentary Short:Winner: Inocente, Sean Fine and Andrea Nix FineKings Point, Sari Gilman and Jedd WiderMondays At Racine, Cynthia Wade and Robin HonanOpen Heart, Kief Davidson and Cori Shepherd SternRedemption, Jon Alpert and Matthew O'Neill
Best Live Action Short Film:Asad, Bryan Buckley and Mino JarjouraBuzkashi Boys, Sam French and Ariel NasrWinner: Curfew, Shawn ChristensenDeath Of A Shadow (Dood Van Een Schadow), Tom Van Avermaet and Ellen De WaeleHenry, Yan England
Best Achievement in Makeup and Hairstyling:Hitchcock, Howard Berger, Peter Montagna, and Martin SamuelThe Hobbit: An Unexpected Journey, Peter Swords King, Rick Findlater, and Tami LaneWinner: Les Miserables, Lisa Westcott and Julie Dartnell
Best Achievement in Costume Design:Winner: Anna Karenina, Jacqueline DurranLes Miserables, Paco DelgadoLincoln, Joanna JohnstonMirror Mirror, Eiko IshiokaSnow White And The Huntsman, Colleen Atwood
RELATED: Oscars 5 Best NSFW Moments
Best Achievement in Visual Effects:The Hobbit: An Unexpected Journey, Joe Letteri, Eric Saindon, David Clayton, and R. Christopher WhiteWinner: Life Of Pi, Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. ElliottMarvel's The Avengers, Janek Sirrs, Jeff White, Guy Williams and Dan SudickPrometheus, Richard Stammers, Trevor Wood, Charley Henley and Martin HillSnow White And The Huntsman, Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson
Best Achievement in Cinematography:Anna Karenina, Seamus McGarveyDjango Unchained, Robert RichardsonWinner: Life Of Pi, Claudio MirandaLincoln, Janusz KaminskiSkyfall, Roger Deakins
Best Animated Feature:FrankenweenieThe Pirates! Band Of MisfitsWreck It RalphParaNormanWinner: Brave
Best Animated Short Film:Adam And Dog, Minkyu LeeFresh Guacamole, PESHead Over Heels, Timothy Reckart and Fodhla Cronin O'ReillyMaggie Simpson In "The Longest Daycare," David SilvermanWinner: Paperman, John Kahrs
RELATED: William Shatner Makes History at Oscars
Best Supporting Actor:Winner: Christoph Waltz, Django UnchainedPhilip Seymour Hoffman, The MasterRobert De Niro, Silver Linings PlaybookAlan Arkin, ArgoTommy Lee Jones, Lincoln
Follow Lindsey on Twitter @LDiMat.
[Photo Credit: Joe Klamar/Getty Images]
Oscars 2013 Special Coverage
Oscars 2013 Red Carpet Arrivals: PICS!
• Anne Hathaway: Oscar’s Worst Dressed?• 15 Oscar-Winning Nude Scenes• Seth MacFarlane’s Opening: How’d He Do?• Oscar's Problem With Pretty Boys• What Happened to Renee Zellweger's Face?• Oscars 2013: The Full Winners List• The Winner, According to You
From Our Partners:40 Most Revealing See-Through Red Carpet Looks (Vh1)33 Child Stars: Where Are They Now? (Celebuzz)
Theatrics slapstick and cheer are cinematic qualities you rarely find outside the realm of animation. Disney perfected it with their pantheon of cartoon classics mixing music humor spectacle and light-hearted drama that swept up children while still capturing the imaginations and hearts of their parents. But these days even reinterpretations of fairy tales get the gritty make-over leaving little room for silliness and unfiltered glee. Emerging through that dark cloud is Mirror Mirror a film that achieves every bit of imagination crafted by its two-dimensional predecessors and then some. Under the eye of master visualist Tarsem Singh (The Fall Immortals) Mirror Mirror's heightened realism imbues it with the power to pull off anything — and the movie never skimps on the anything.
Like its animated counterparts Mirror Mirror stays faithful to its source material but twists it just enough to feel unique. When Snow White (Lily Collins) was a little girl her father the King ventured into a nearby dark forest to do battle with an evil creature and was never seen or heard from again. The kingdom was inherited by The Queen (Julia Roberts) Snow's evil stepmother and the fair-skinned beauty lived locked up in the castle until her 18th birthday. Grown up and tired of her wicked parental substitute White sneaks out of the castle to the village for the first time. There she witnesses the economic horrors The Queen has imposed upon the people of her land all to fuel her expensive beautification. Along the way Snow also meets Prince Alcott (Armie Hammer) who is suffering from his own money troubles — mainly being robbed by a band of stilt-wearing dwarves. When the Queen catches wind of the secret excursion she casts Snow out of the castle to be murdered by her assistant Brighton (Nathan Lane).
Fairy tales take flack for rejecting the idea of women being capable but even with its flighty presentation and dedication to the old school Disney method Mirror Mirror empowers its Snow White in a genuine way thanks to Collins' snappy charming performance. After being set free by Brighton Snow crosses paths with the thieving dwarves and quickly takes a role on their pilfering team (which she helps turn in to a Robin Hooding business). Tarsem wisely mines a spectrum of personalities out of the seven dwarves instead of simply playing them for one note comedy. Sure there's plenty of slapstick and pun humor (purposefully and wonderfully corny) but each member of the septet stands out as a warm compassionate companion to Snow even in the fantasy world.
Mirror Mirror is richly designed and executed in true Tarsem-fashion with breathtaking costumes (everything from ball gowns to the dwarf expando-stilts to ridiculous pirate ship hats with working canons) whimsical sets and a pitch-perfect score by Disney-mainstay Alan Menken. The world is a storybook and even its monsters look like illustrations rather than photo-real creations. But what makes it all click is the actors. Collins holds her own against the legendary Julia Roberts who relishes in the fun she's having playing someone despicable. She delivers every word with playful bite and her rapport with Lane is off-the-wall fun. Armie Hammer riffs on his own Prince Charming physique as Alcott. The only real misgiving of the film is the undercooked relationship between him and Snow. We know they'll get together but the journey's half the fun and Mirror Mirror serves that portion undercooked.
Children will swoon for Mirror Mirror but there's plenty here for adults — dialogue peppered with sharp wisecracks and a visual style ripped from an elegant tapestry. The movie wears its heart on its sleeve and rarely do we get a picture where both the heart and the sleeve feel truly magical.
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
A Cab for Three was awarded the Golden Shell for best film at Spain's San Sebastian Film Festival. According to CNN, the film, directed by Orland Lubbert, was not among the favorites to win. French director Claude Chabrol was booed by the press and critics when he announced the award.
At a time when television talk show hosts are showing restraint and respect in dealing with the complexity of the terrorist attacks, the self-proclaimed King of All Media Howard Stern is taking a more tasteless approach. In the aftermath of the attacks, Stern has blamed the U.S.' lack of military response on the feminization of America. Entertainment Weekly quotes Stern as saying, "What's all this peace and love crap? [Let's] offer up someone from the Middle East."
Singer Tori Amos is addressing the issue of female victimization in her latest album, Strange Little Girls. According to SonicNet.com, Amos covers 12 songs written by men, giving them each a distinctive, female voice. Songs on the album include Eminem's "97 Bonnie & Clyde," the Velvet Underground's "New Age," Tom Waits' "Time," and the Beatles' "Happiness is a Warm Gun."
A coalition of entertainment companies on Monday will try to strike down legislation requiring music labels to offer the same licensing deal at the same price to all online music ventures, Variety reports. The legislation was introduced by Rep. Rick Boucher (R-Va.) this summer over concerns that major record labels would somehow lock up the online music business.
The Directors Guild of America has agreed to early negotiations with the Alliance of Motion Picture & Television Producers, Variety reports. While the DGA's current three-year contract with the AMPTP does not run out until June 30, 2002, they are hoping to avoid showbiz disruptions like this year's writers and actor's sagas.
Producer Quincy Jones has an autobiography coming out Oct. 9, aptly titled Q: The Autobiography of Quincy Jones. According to The Associated Press, Q will cover his days of working with Count Basie to Michael Jackson's Thriller. "[Jackson] was so shy he'd sit down and sing behind the couch with his back to me while I sat there with my hands over my eyes with the lights off," Quincy says.
Country singer Naomi Judd will act as honorary chairwoman for a campaign to build Kentucky's first freestanding hospice facility for the dying, The Associated Press reports. The group hopes to raise $1.5 million for the 10-bed, 12,000-square-foot Community Hospice.
At a Friday summit in Washington sponsored by the Congressional Black Caucus, rap leaders were urged to help others understand rap music as a positive force. According to Variety, the panel included the president-CEO of the Recording Industry Assn. of America Hilary Rosen, Def Jam Records' founder Russell Simmons and NAACP president-CEO Kweisi Mfume.
Spirited Away, a Japanese animated movie, has set a new audience record in Japan, Variety reports. The film, which debuted on July 20, has reached 16.9 viewers and grossed about $184.14 million. Distributor Toho Co. expects the film to surpass Titanic's gross in the next few weeks. As of Wednesday, the film was $4.27 million shy of Titanic's all-time high.
Chelsea Clinton, the daughter of former U.S. President Bill Clinton, is starting a two-year course in International Relations at Oxford University. According to Reuters, father and daughter arrived in London on Sunday surrounded by British and U.S. security officials. Clinton, who attended Oxford from 1968-1970, has been quoted as saying he is taken with the idea of returning to his alma mater in a teaching role.