Getty Images/Jason LaVeris
If there’s something strange with your comedy sequel, and things don’t look good, who you gonna call? Well, if the movie in question is Ghostbusters 3, you’re gonna call Paul Feig and hope that he can bring his golden touch to the troubled threequel. According to THR, the The Heat director is in talks to helm the film, which has been looking for someone to fill the opening left by Ivan Reitman, who left the project following Harold Ramis’ death in March. In addition to the new direction, Ghostbuster 3 will also be getting a makeover, and will reportedly center on an all-female team of parapsychologists.
Though the news has unsurprisingly been met with resistance from some fans who are reluctant to let go of the male characters they’re comfortable with, the general response from fans and critics has been positive with many looking forward to seeing the franchise get a breath of fresh air. And while it will likely be difficult seeing new faces in the ghostbusters’ jumpsuits – after all, who could possibly replace Bill Murray? – it shouldn’t be hard to find plenty of talented funny ladies who would be up for the challenge, and perfect for the roles. In case Feig is looking for a few casting suggestions, we’ve matched some of the best comedic actresses currently working with the original character archetypes to give him a sense of who would be perfect for Ghostbusters 3. You know, after Melissa McCarthy has been cast.
For the Peter Venkman Character: As the perpetually bored, slightly mischevious Gina Linetti on Brooklyn Nine Nine, Chelsea Peretti has proved that she has the right wit and attitude to take on Murray’s most famous role, along with just enough sweetness to match his heart of gold. Likewise, Jessica Williams has had the perfect showcase for her cynical, sarcastic side on The Daily Show, which would give the character the right amount of edge. And while Kaitlin Olson’s most famous character is better known for her jaded, sarcastic attitude and biting insults, the actress herself is equally capable of handling light-hearted moments, and she could use a breakout film role; as could Aisha Tyler, whose intelligent, dry wit and warm personality would make her an ideal team leader. Vote below, and read on to see who should play the Ray, the Egon, the Leon, and the Winston.
For the Ray Spatz Character: Though Kristen Schaal might be best-known for raunchy, shocking stand up persona, one only needs to watch a few episodes of Gravity Falls or Bob’s Burgers to know that she’s just as hilarious when playing wide-eyed, uninhibited enthusiasm... with an edge. Though they're often obnoxious and in-your-face, Jenny Slate's characters often still have some growing up to do, and her run as Marcel the Shell with Shoes On proves that she's equally adept at being innocent and adorable. Mindy Kaling’s over-the-top, goofy personality would also make her a solid fit for the childlike, excitable character, and if there’s anyone whose carved a niche in Hollywood with naïve, warm-hearted characters, it’s Kaling’s good friend Ellie Kemper, who had turned child-like innocence into an comedy gold. Vote below, and read on to see who should play the Egon, the Leon, and the Winston.
For the Egon Spengler Character: Playing a rigid, focused Egon Spengler-type requires someone who excels at playing the straight-man, and there’s nobody on television who currently does that better than Brooklyn Nine Nine’s Melissa Fumero, whose Amy Santiago is the perfect mix of goofy and Type-A. Broad City’s Abbi Jacobson is also at her most hilarious when she’s attempting to impose some kind of order on things that are beyond her control, and her talent at handling awkward situations is unparalleled. Many of Vanessa Bayer’s best SNL character exhibit a similar tightly-wound, nerdy awkwardness and she’s proven that she can earn laughs with just a few words. Meanwhile, Ana Gasteyer has brought dorky rigidity to new heights on Suburgatory, where she played the competitive perfectionist Shiela Shay. Vote below, and read on to see who should play the Leon and the Winston.
For the Leon Tully Character: Perhaps no actress has turned awkwardness into an art form quite like Miranda Hart, whose nerdy, well-meaning Chummy on Call the Midwife has nothing on the endearingly embarrassing title character in her sitcom Miranda. Likewise, Rachel Dratch has made a career playing a variety of hilarious, uncomfortable weirdoes from the fast-talking, PDA-friendly Denise to the socially-unaware Debbie Downer. But if there’s any actress who could be considered the female counterpart to Rick Moranis, it’s probably Amy Sedaris, whose iconic Jerri Blank is basically a warped version of the awkward, socially-inept but well-meaning nerds that Moranis has specialized in. Vote below, and read on to see who should play the Winston.
For the Winston Zeddemore Character: Though Rosa Diaz is a bit more violent and monotone than the straight-talking voice of reason that is Winston Zeddemore, Stephanie Beatriz has nonetheless proved herself talented at dishing out tough love to the idiots she surrounds herself with, as well as willing to go along with just about anything if there’s something in it for her. Shirley Bennet’s advice-giving, mothering would make Yvette Nicole Brown an excellent choice for the role as well, along with her talent for cutting through nonsense and ability to turn a sermon into a comedic showcase. Gina Torres has similarly specialized in tough, skeptical characters, and she’s especially good at imbuing them all with a slightly goofy sense of humor and warm heart, and though Nasim Pedrad has played plenty of weirdoes, she’s adept finding the funniest way to shake some sense into people – who’s a better voice of reason on SNL than her Arianna Huffington?
SANTA MONICA, Calif., Feb. 7, 2000 -- At long last, an awards show that's dedicated solely to the people who are truly indispensable to Hollywood: makeup artists and hairstylists.
Yes, you heard right -- one entire awards ceremony, with all the necessary trimmings and accoutrements, has sprung up to give special notice to industry makeup artists and hairstylists ... and no one else. (Don't worry, plastic surgeons of America, you'll probably get your nods soon enough).
Nominations for the 1st Annual Hollywood Makeup Artists and Hair Stylist Guild Awards, honoring outstanding makeup and hair achievements in film and TV, were announced today. The nominees in the 17 categories were chosen by 1,100 active members of the International Alliance of Theatrical Stage Employees Local 706. Guild members will vote for the winners. Balloting begins Tuesday, with awards to be handed out March 19 at the Beverly Hilton Hotel.
If all this sounds terribly serious stuff -- it is, according to guild committee member Marvin Westmore, scion of George Westmore, who started the first makeup and hair department at the Selig studio in 1917, and for whom the Lifetime Achievement Award is named after.
"It's very difficult to get the makeup and hair artists recognized in a proper manner. In the makeup field, as in the hair field, there're a number of categories that are never considered," Westmore said today. "We've got a category on contemporary makeup and hair, historical makeup and hair ... and about 15 other categories that address other specialties. We feel that it's important to give all the industry hair and makeup artists their proper due and not just simply lump their achievements together."
Celeb presenters who will dignify the event include Christina Applegate, Annette Bening, Ellen Burstyn, Kim Delaney, Brendan Fraser, Ed Harris, Holly Hunter and Rob Lowe.
Here's the complete list of nominees:
Best Contemporary Makeup -- Feature
Debbie Zoller, James MacKinnon and Jill Cady for "Goodbye Lover" (Regency/Warner Bros.)
Ronnie Specter for "The Story of Us" (Castle Rock/Universal)
Allan Apone, Donald Mowat, Ron Snyder and Adam Brandy for "Three Kings" (Warner Bros.)
Toni G and Will Huff for "The General's Daughter" (Neufeld/Rehme Productions/Paramount)
Best Period Makeup -- Feature
Leonard Engleman for "Tea With Mussolini" (Universal/MGM)
Patty York, Cheryl Nick, Michele Burke and Steve Artmont for "Austin Powers: The Spy Who Shagged Me" (New Line)
Ronnie Specter for "A Midsummer Night's Dream" (Fox Searchlight)
Best Character Makeup -- Feature
Sheryl Leight Ptak for "Man on the Moon" (Jersey Films/Universal)
Cheri Minns for "Bicentennial Man" (Columbia/Touchstone)
Kevin Yagher, Peter Owen, Elizabeth Tag and Paul Gooch for "Sleepy Hollow" (Paramount)
Best Special Effects Makeup -- Feature
Michele Burke, Kenny Myers, Will Huff and Kevin Haney for Mike Myers as Austin Powers and Dr. Evil, and Vernon Troyer as Mini Me in "Austin Powers: The Spy Who Shagged Me" (New Line)
Greg Cannom and Wesley Wofford for "Bicentennial Man" (Columbia/Touchstone) Stan Winston and Mike Smithson for Mike Myers as Fat Bastard in "Austin Powers: The Spy Who Shagged Me" (New Line)
Best Contemporary Hair Styling -- Feature
Enzo Angileri for "The Thomas Crown Affair" (MGM)
Cydney Cornell for "American Beauty" (DreamWorks)
Paul LeBlanc for "Anywhere But Here" (Fox 2000 Pictures) Frances Mathais for "Simpatico" (Emotion Pictures/Canal Plus/King's Gate/Fine Line)
Best Period Hair Styling - Feature
Peter Tothpal, Janet McDonald and Angie Cameron for "The 13th Warrior" (Touchstone)
Candy Walken, Jeri Baker-Sadler, Jennifer O'Halloran and Toni-Ann Walker for "Austin Powers: The Spy Who Shagged Me" (New Line)
Vivian McAteer for "Tea With Mussolini" (Universal/MGM)
Best Contemporary Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Patty Bunch Leisure and Cynthia Bachman for "Big Brother Is Coming," "Will & Grace" (NBC)
Cynthia Bachman and Patty Bunch Leisure for "I Never Promised You An Olive Garden," "Will & Grace" (NBC)
James MacKinnon and Stephanie Fowler for "Thank You Providence," "Providence" (NBC)
Best Period Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Cheri Montesanto-Medcalf, Kevin Westmore and LaVerne Basham for "Triangle," "The X-Files" (Fox)
Marie DelPrete fpr "Between a Rock Star and Hard Place," "Rude Awakenings" (Showtime/Mandalay TV/Columbia/TriStar TV)
Lisa Layman, David Syner and Joseph Regina for "Pilot," "Freaks & Geeks" (NBC)
James MacKinnon and Stephanie Fowler for "He's Come Undone," "Providence" (NBC)
Best Character Makeup - Television
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #505, "Mad TV" (Fox)
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #507, "Mad TV" (Fox)
Cheri Montesanto-Medcatf and Kevin Westmore for "Two Fathers/One Son," "The X-Files" (Fox)
Best Special Effects Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Michael Westmore, Scott Wheeler, James Rohland and Ellis Burman for "Dark Frontiers," "Star Trek Voyager" (UPN/Paramount)
Todd A. McIntosh, Robin Beauxchesne, Douglas Noe and Brigette Myre-Ellis for "Living Conditions," "Buffy The Vampire Slayer" (Fox/WB)
Bill Corso and Douglas Noe for "Just Duet," "L.A. Doctors" (CBS)
Best Period Makeup - Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Sue Cabel, Matthew Mungle and Joe Hailey for "And The Beat Goes On: The Sonny and Cher Story" (ABC) Marvin Westmore,
June Westmore and John Jackson for "Lansky" (HBO)
Best Character Makeup --Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Douglas Noe for "A Lesson Before Dying" (HBO)
Best Contemporary Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Ken Nelson and Suzanne Kontonickas for "The Devil's Music," "Charmed" (Spelling Television/WB)
Tim Burke for "Homo For The Holidays," "Will & Grace" (NBC)
Darrell Fielder, Jonathan Hanousak and Joy Zapata for "The Final Frontier," "Mad About You" (NBC/Columbia TriStar TV)
Best Period Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Lana Heying for Episode #592 "Lataya, Letisha and Lanesha," "All That" (Nickelodeon)
Garbillera Pollina for "Prom Night," "That 70's Show" (Fox/Carsey-Werner)
Best Character Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Dugg Krikpatrick and Judith Teidemann for "Episode #511, "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Bride of Chaotica," "Star Trek Voyager" (Paramount/UPN)
Judith Teidemann, Dugg Krikpatrick and Chris Curry for "Who Wants To Be A Millionaire," "Mad TV" (Fox)
Best Innovative Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Dugg Krikpatrick for "Episode #505," "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Dragon's Teeth," "Star Trek Voyager" (Paramount/UPN)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Best Period Hair Styling - Television (For a Mini-Series or Movie o the Week)
Vickey Phillips, Gerald Coke-Riley, Patricia Gunlock and Michael White for "Purgatory" (TNT)
Matthew Kasten, Natascha Ladek and Mishell Chandler for "Annie" (Walt Disney Television/ABC)
Marlene Williams and Tim Jones for "And The Beat Goes On: The Sonny & Cher Story" (ABC/Larry Thompson)
George Westmore Lifetime Achievement Award