Actor Keith Stanfield has been cast to play a young Snoop Dogg in the upcoming N.W.A. biopic.
The Purge: Anarchy star will join Jason Mitchell, Ice Cube's son O'Shea Jackson, Jr. and Corey Hawkins, who will portray the late Eazy-E, Ice Cube and Dr. Dre, respectively, in Straight Outta Compton, according to TheWrap.com. Meanwhile, Sheldon A. Smith has been chosen to play rapper Warren G and Carra Patterson from Why Did I Get Married Too? will portray Eazy-E's widow Tomica Woods.
F. Gary Gray will direct the film about Compton, California rappers Dr. Dre, Ice Cube, the late Eazy-E, MC Ren and DJ Yella's rise to fame in the late 1980s and their subsequent split in 1991.
The movie is scheduled to hit theatres in August, 2015.
Sideways star Paul Giamatti has given F. Gary Gray's N.W.A. biopic some real star power after signing on to play music mogul Jerry Heller in the film. Heller, who represented Elton John, Pink Floyd and Journey, managed the rap act that featured Ice Cube and Dr. Dre.
He also founded Ruthless Records with N.W.A. star Eazy-E.
Giamatti joins producer Ice Cube's son O'Shea Jackson, Jr. who will portray his dad in the movie, Straight Outta Compton, and other actors including Jason Mitchell and Corey Hawkins.
It's not the first time he'll play a ruthless music boss on the big screen - he portrayed Tom Cruise's slippery manager Paul Gill in Rock of Ages.
Actors Aldis Hodge and Neil Brown, Jr. have been added to the cast of the N.W.A. biopic Straight Outta Compton. Hodge will play MC Ren, while Brown Jr. will portray DJ Yella in the film, which will also feature Ice Cube's son O'Shea Jackson, Jr. as the MC, Corey Hawkins as Dr. Dre and Jason Mitchell as Eazy-E.
F. Gary Gray will direct the film about the Compton, California rappers' rise to fame in the late 1980s, and their subsequent split in 1991.
The movie is scheduled to hit theatres in August, 2015.
Rapper/actor Ice Cube has opened up about his controversial decision not to cast the late Eazy-E's son as the hip-hop icon in his forthcoming N.W.A. biopic, insisting the role required an experienced actor with "a lot of range". Eazy-E's son, Eric Wright, Jr., auditioned for the Straight Outta Compton film job and recently admitted he was disappointed after movie bosses decided to cast newcomer Jason Mitchell as the younger version of his tragic father.
Now Ice Cube, who is serving as one of the project's producers, has explained the reasons behind the decision, insisting aspiring actor Wright, Jr. simply wasn't a good fit.
Speaking to Colorado radio station KS 107.5, Ice Cube says, "He (Wright, Jr.) is an up-and-coming actor trying to do it, but we needed somebody who was a little more polished to play Eazy, because he goes through a lot in his life. He goes from selling dope in Compton to fighting for his life in a hospital bed. So we needed to find an actor with a lot of range. And we just couldn't use just anybody. We gave him (Wright, Jr.) a shot, and it just didn't work out."
Wright, Jr. wasn't the only N.W.A. offspring snubbed for a role in the film - Dr. Dre's aspiring actor/rapper son Curtis Young was also passed over in favour of Corey Hawkins, although Ice Cube's kid, O'Shea Jackson, Jr., will play his dad onscreen.
Meanwhile, the remaining N.W.A. bandmates MC Ren and DJ Yella will be played by Aldis Hodge and Neil Brown, Jr., respectively.
F. Gary Gray will direct the film about the rise of the iconic California rap group and their split in 1991.
The biopic is scheduled for release next summer (15).
The new N.W.A. biopic appears to have cost the planned sequel to Jeremy Renner's The Bourne Legacy a 2015 release. Sources close to the productions tell The Hollywood Reporter that director Justin Lin's Bourne sequel, starring Renner as Aaron Cross, has been pushed back to the summer of 2016 to make way for Straight Outta Compton.
The news comes just hours after movie executives confirmed the cast for the N.W.A. film, announcing Ice Cube's son O'Shea Jackson, Jr. will portray his father in the rags to riches story, alongside Corey Hawkins and Jason Mitchell as Dr. Dre and the late Eazy-E, respectively.
The biopic will now be released in August, 2015, taking over the Bourne film's release date.
Bosses at Universal movie studios have confirmed Corey Hawkins, O'shea Jackson, Jr. and Jason Mitchell will lead the cast of the N.W.A. biopic Straight Outta Compton.
Reports suggesting newcomer Marcus Callender had been cast as rapper Dr. Dre in the film surfaced earlier this week (begs16Jun14), but on Wednesday (18Jun14), movie executives revealed Non-Stop star Hawkins would take on the role.
As previously reported, Mitchell and Ice Cube's son Jackson, Jr. will portray the late Eazy-E and Ice Cube, respectively. F. Gary Gray will direct the film about the Compton, California rappers Dr. Dre, Ice Cube, the late Eazy-E, MC Ren and DJ Yella's rise to fame in the late 1980s and their subsequent split in 1991.
The movie is scheduled to hit theatres in August, 2015.
Universal Pictures via Everett Collection
Seventeen years ago, Harrison Ford grumbled four simple words that defined a genre, a demographic, and a country: "Get off my plane." In a pre-9/11 world, there was no shortage of jingoistic glee in a movie like Air Force One, in which a man's man American president doled out justice to a militia of Russian loyalist terrorists who made the silly mistake of attempting to hijack his flight home from Moscow. In 2014, we don't have the luxury of facing a plotline like this with reckless merriment. There's a damp gravity to the premise behind movies like Non-Stop, which in another time would have been nothing more than Taken on a Plane. But rigidly conscious of the connotations that attach to a story about a hijacking of a civilian international flight into John F. Kennedy Airport in New York City, Non-Stop doesn't play too fast and loose. It still plays, and has some good fun doing so, but carefully.
From the getgo, we're anchored into the grim narrative of Liam Neeson's U.S. Air Marshall Bill Marks, who settles his demons with a healthy spoonful of whiskey. A dutiful officer even when liquored up, Marks eyeballs every nameless face in London's Heathrow Airport, silently introducing the bevvy of characters who'll come into play later on. After takeoff, Marks finds himself on the unwitting prowl for the anonymous party who's attempting to take down the red-eye through a series of manipulative text messages, well-timed threats, and clandestine killings. Chatty passenger Julianne Moore and flight attendant Michelle Dockery join Marks in his efforts to identify the mysterious criminal before the entire aircraft falls to his or her whims. So less Taken, more Murder, She Wrote.
Our roundup of suspects challenges our (and their) preconceived notions, and quite laughably — most vocal among Neeson's fellow passengers are a white beta-male school teacher (Scoot McNairy), a black computer engineer with an attitude of entitlement (Nate Parker), a softspoken Middle Eastern surgeon whose headwear gets more than a few focal shots (Omar Metwally), a middle-aged white businessman whose latest account landed him more than your house is worth (Frank Deal), an irate black youngster draped in irreverence (Corey Hawkins), and a white, bald, machismo-howling New York cop who secretly accepts his gay brother (Corey Stoll). Just a few talking heads short of Do the Right Thing, Non-Stop manages to goof on each man's (notice that they're all men — Moore, Dockery, and a barely-in-the-movie Lupita Nyong’o are kept shy of the action for most of the film) distaste for and distrust of one another as they each try to sidle up to, or undermine the harried Marks.
Non-Stop plays an interesting game with its characters and its audience, simultaneously painting the ignorance of its characters with a thick coat of comedy while pointing its finger straight out at us with accusations that we, too, thought it was whoever we just learned it wasn't, and for all the wrong reasons. "Shame on you!" Non-Stop chides, adding, "But let's keep going, this is fun!"
It is fun — that's the miraculous thing. Without any "Get off my plane"s or "Yippee ki yay"s, Non-Stop keeps its action genre silliness in check (okay, there is a moment involving an airborne gun that'll institute some serious laugh-cheers), investing all of its good time in the game of claustrophobic Clue that we can't help but enjoy. It sacrifices some of its charm in a heavy-handed third act, tipping to one side of what was a pretty impressive balancing act up until that point. But its falter is not one that drags down the movie entirely. Fun and excitement are restored, sincerity is maintained, and even a few moments of sensitivity creep their way through. We might not live in a world of President Harrison Fords any longer, but Air Marshall Liam Neesons could actually be a step up.
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Best Motion Picture, Drama12 Years a SlaveGravityCaptain PhillipsRushPhilomena
Best Motion Picture, Musical or ComedyNebraskaAmerican HustleThe Wolf of Wall StreetInside Llewyn DavisHer
Best Actor in a Motion Picture, DramaChiwetel Ejiofor, 12 Years a SlaveMatthew McConaughey, Dallas Buyers Club Tom Hanks, Captain Phillips Robert Redford, All Is Lost Idris Elba, Mandela: Long Walk to Freedom
Best Actor in a Motion Picture, Musical or ComedyBruce Dern, NerbaskaLeonardo DiCaprio, The Wolf of Wall StreetChristian Bale, American HustleOscar Isaac, Inside Llewyn DavisJoaquin Phoenix, Her
Best Actress in a Motion Picture, DramaCate Blanchett, Blue JasmineSandra Bullock, GravityEmma Thompson, Saving Mr. BanksJudi Dench, PhilomenaKate Winslet, Labor Day
Best Actress in a Motion Picture, Musical or ComedyMeryl Streep, August: Osage CountyJulia Louis-Dreyfus, Enough SaidAmy Adams, American HustleJulie Delpy, Before MidnightGreta Gerwig, Frances Ha
Best Director - Motion PictureAlfonso Cuaron, GravitySteve McQueen, 12 Years a SlaveDavid O. Russell, American HustlePaul Greengrass, Captain PhillipsAlexander Payne, Nebraska
Best Screenplay - Motion PictureJohn Ridley, 12 Years a SlaveBob Nelson, NebraskaEric Warren Singer and David O. Russell, American HustleJeff Pope and Steve Coogan, PhilomenaSpike Jonze, Her
Best Supporting Actor in a Motion PictureMichael Fassbender, 12 Years a SlaveJared Leto, Dallas Buyers ClubBradley Cooper, American HustleDaniel Bruhl, RushBarkhad Abdi, Captain Phillips
Best Supporting Actress in a Motion PictureLupita Nyong'o, 12 Years a SlaveJennifer Lawrence, American HustleJulia Roberts, August: Osage CountyJune Squibb, NebraskaSally Hawkins, Blue Jasmine
Best TV Series, DramaBreaking BadDownton AbbeyHouse CardsMasters of SexThe Good Wife
Best TV Series, ComedyThe Big Bang TheoryModern FamilyGirlsBrooklyn Nine-NineParks and Recreation
Best Actor in a TV Series, DramaBryan Cranston, Breaking BadMichael Sheen, Masters of SexKevin Spacey, House of CardsJames Spader, The BlacklistLiev Schreiber, Ray Donovan
Best Actor in a TV Series, ComedyJason Bateman, Arrested DevelopmentDon Cheadle, House of LiesMichael J. Fox, The Michael J. FoxJim Parsons, The Big Bang TheoryAndy Samberg, Brooklyn Nine-Nine
Best Actress in a TV Series, DramaJulianne Margulies, The Good WifeKerry Washington, ScandalTatiana Maslany, Orphan BlackRobin Wright, House of CardsTaylor Schilling, Orange Is the New Black
Best Actress in a TV Series, Comedy Zooey Deschanel, New Girl Lena Dunham, Girls Julia Louis-Dreyfus, VeepAmy Poehler, Parks and Recreation Edie Falco, Nurse Jackie
Best Mini-Series or TV Movie American Horror Story: CovenBehind the CandelabraDancing on the EdgeTop of LakeWhite Queen
Best Actor in a Mini-Series or TV MovieMatt Damon, Behind the CandelabraChiwetel Ejiofor, Dancing on the EdgeIdris Elba, LutherAl Pacino, Phil SpectorMichael Douglas, Behind the Candelabra
Best Actress in a Mini-Series or TV MovieHelena Bonham Carter, Burton and TaylorRebecca Ferguson, White QueenJessica Lange, American Horror Story: CovenHelen Mirren, Phil SpectorElisabeth Moss, Top of the Lake
Best Supporting Actor in a Series, Mini-Series or TV MovieRob Lowe, Behind the Candelabra Josh Charles, The Good WifeAaron Paul, Breaking BadCorey Stoll, House of CardsJohn Voight, Ray Donovan
Best Supporting Actress in a Series, Mini-Series or TV MovieHayden Panetierre, NashvilleJacqueline Bisset, Dancing on the EdgeJanet McTeer, White QueenMonica Potter, ParenthoodSofia Vergara, Modern Family
Best Animated Feature FilmFrozenThe CroodsDespicable Me 2
Best Foreign Language FilmBlue Is the Warmest ColorThe PastThe HuntThe Wind RisesThe Great Beauty
Best Original Score - Motion PictureGravityThe Book Thief12 Years a SlaveAll Is LostMandela: Long Walk to Freedom
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The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.