Whether or not you agree with the idea that we, as a society, have reached superhero saturation, there's no denying that 2014 has been one of the busiest years for caped crusaders in history, between Captain America: The Winter Soldier, Guardians of the Galaxy, the upcoming Teenage Mutant Ninja Turtles and the steady stream of Batman V Superman: Dawn of Justice set rumors. And if you were to take a casual glance at the films lined up for release over the next few months, it might seem as if there's no relief in sight. Do we really need two more intergalactic, justice-seeking adventures a month until New Year? Well, we have some good news for you: those probably aren't superhero movies. In fact, most of them probably aren't - they just have titles that would make just as much sense with a mask and a pair of tights. Don't believe us? Take a look at the rest of 2014 in movies:
Into the Storm This Is Not: An X-Men: Origins movie starring Lupita Nyong'o, nor a spinoff movie about the Fantastic Four’s twins Johnny and Sue.This Is: A found-footage disaster movie about a series of intense, deadly tornadoes that are tearing the country apart. It Opens: August 8
November Man This is Not: A film about a superhero with the ability to control weather conditions. Well, he can control the autumn. He’s the Thanksgiving superhero, is what we’re saying. This Is: A thriller about an ex-CIA operative who is hunting down a woman who holds the keys to an international conspiracy, while trying to escape the people who want to kill him, starring Pierce Brosnan and Olga Kurylenko. It Opens: August 27
The Green Inferno This is Not: The story of a hero who has the ability to burst into flames and control fire (green fire, obviously) after a freak accident involving industrial waste. This Is: A horror film that centers on a group of student activists who are fighting to save a tribe in the Amazon… only to discover that they’re a tribe of cannibals, written and directed by Eli Roth. It Opens: September 5
20th Century Fox
Gone Girl This Is Not: An action-comedy about a shy scientist who, after a failed experiment, develops the ability to turn herself invisible, and uses her powers to fight crime in a way that is not at all similar to the Invisible Woman. This Is: A psychological thriller about a woman who disappears on her anniversary, and the husband who becomes the media’s prime suspect after the journals she was writing are discovered, starring Ben Affleck and Rosamund Pike. It Opens: October 3
The Judge This is Not: The long-awaited follow up to 2012’s Dredd about British sci-fi hero Judge Dredd. This Is: A drama about a hot-shot lawyer who returns to his hometown after his mother’s death to discover that his estranged judge father is being investigated for manslaughter. It does, however, star a superhero: Robert Downey Jr. It Opens: October 10
Nightcrawler This Is Not: An X-Men: Origins movie starring Alan Cumming. This Is: A thriller about an ambitious reporter who gets in over his head in the world of late-night ambulance chasing and freelance crime journalism, starring Jake Gyllenhaal. It Opens: October 17
Birdman This Is Not: The Falcon solo movie we didn’t know we always wanted, nor is it a movie about any other superheroes who happen to have avian-related superpowers, potentially starring Anthony Mackie. This Is: A drama about a washed-up actor who is desperate to escape the shadow of his most famous character – Birdman – by mounting a Broadway show. However, between the fictional superhero of the title and the fact that it stars Batman (Michael Keaton), the Hulk (Edward Norton) and Gwen Stacy (Emma Stone), it might count as half a superhero movie. It Opens: October 17
Fury This Is Not: The highly anticipated, highly R-rated Nick Fury solo film. This Is: A World War II drama about a group of tank drivers who must go behind enemy lines to hold back German forces during the last days of the war, starring Brad Pitt, Shia LaBeouf and Logan Lerman. It Opens: November 14
In This Means War – a stylish action/rom-com hybrid from director McG – Tom Hardy (The Dark Knight Rises) and Chris Pine (Star Trek) star as CIA operatives whose close friendship is strained by the fires of romantic rivalry. Best pals FDR (Pine) and Tuck (Hardy) are equally accomplished at the spy game but their fortunes diverge dramatically in the dating realm: FDR (so nicknamed for his obvious resemblance to our 32nd president) is a smooth-talking player with an endless string of conquests while Tuck is a straight-laced introvert whose love life has stalled since his divorce. Enter Lauren (Reese Witherspoon) a pretty plucky consumer-products evaluator who piques both their interests in separate unrelated encounters. Tuck meets her via an online-dating site FDR at a video-rental store. (That Lauren is tech-savvy enough to date online but still rents movies in video stores is either a testament to her fascinating mix of contradictions or more likely an example of lazy screenwriting.)
When Tuck and FDR realize they’re pursuing the same girl it sparks their respective competitive natures and they decide to make a friendly game of it. But what begins as a good-natured rivalry swiftly devolves into romantic bloodsport with both men using the vast array of espionage tools at their disposal – from digital surveillance to poison darts – to gain an edge in the battle for Lauren’s affections. If her constitutional rights happen to be violated repeatedly in the process then so be it.
Lauren for her part remains oblivious to the clandestine machinations of her dueling suitors and happily basks in the sudden attention from two gorgeous men. Herein we find the Reese Witherspoon Dilemma: While certainly desirable Lauren is far from the irresistible Helen of Troy type that would inspire the likes of Tuck and FDR to risk their friendship their careers and potential incarceration for. At several points in This Means War I found myself wondering if there were no other peppy blondes in Los Angeles (where the film is primarily set) for these men to pursue. Then again this is a film that wishes us to believe that Tom Hardy would have trouble finding a date so perhaps plausibility is not its strong point.
When Lauren needs advice she looks to her boozy foul-mouthed best friend Trish (Chelsea Handler). Essentially an extension of Handler’s talk-show persona – an acquired taste if there ever was one – Trish’s dialogue consists almost exclusively of filthy one-liners delivered in rapid-fire succession. Handler does have some choice lines – indeed they’re practically the centerpiece of This Means War’s ad campaign – but the film derives the bulk of its humor from the outrageous lengths Tuck and FDR go to sabotage each others’ efforts a raucous game of spy-versus-spy that carries the film long after Handler’s shtick has grown stale.
Business occasionally intrudes upon matters in the guise of Heinrich (Til Schweiger) a Teutonic arms dealer bent on revenge for the death of his brother. The subplot is largely an afterthought existing primarily as a means to provide third-act fireworks – and to allow McGenius an outlet for his ADD-inspired aesthetic proclivities. The film’s action scenes are edited in such a manic quick-cut fashion that they become almost laughably incoherent. In fairness to McG he does stage a rather marvelous sequence in the middle of the film in which Tuck and FDR surreptitiously skulk about Lauren's apartment unaware of each other's presence carefully avoiding detection by Lauren who grooves absentmindedly to Montel Jordan's "This Is How We Do It." The whole scene unfolds in one continuous take – or is at least craftily constructed to appear as such – captured by one very agile steadicam operator.
Whatever his flaws as a director McG is at least smart enough to know how much a witty script and appealing leads can compensate for a film’s structural and logical deficiencies. He proved as much with Charlie’s Angels a film that enjoys a permanent spot on many a critic’s Guilty Pleasures list and does so again with This Means War. The film coasts on the chemistry of its three co-stars and only runs into trouble when the time comes to resolve its romantic competition which by the end has driven its male protagonists to engage in all manner of underhanded and duplicitous activities. This Means War being a commercial film – and likely an expensive one at that – Witherspoon's heroine is mandated to make a choice and McG all but sidesteps the whole thorny matter of Tuck and FDR’s unwavering dishonesty not to mention their craven disregard for her privacy. (They regularly eavesdrop on her activities.) For all their obvious charms the truth is that neither deserves Lauren – or anything other than a lengthy jail sentence for that matter.
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WHAT IT’S ABOUT?
Although The Great Buck Howard is not the literal story of the once popular (in the '60s and '70s) entertainer known as the Amazing Kreskin the film makes it known this is a pretty thinly disguised tribute to the man who made 88 appearances on Johnny Carson’s Tonight Show before fading into obscurity on the dinner theater circuit. Writer/director Sean McGinly who worked briefly as Kreskin’s assistant has reinvented him essentially as Buck Howard a “mentalist extraordinaire ” who once strode in the limelight with numerous TV and Vegas appearances but now plays faded community centers and hasn’t filled a theater in decades. As his new assistant law-school dropout Troy Gable quickly learns it isn’t easy working for Buck who still sees himself as a big star but when a quirk of fate intervenes and he really does get a second chance at the national spotlight neither one is quite prepared for what comes next.
WHO’S IN IT?
John Malkovich is a fine actor but he isn’t exactly known for comedy. As Buck Howard however he has the role of a lifetime and he’s simply amazing wryly funny as the has-been mentalist who would never admit he isn’t still every bit the top celebrity he used to be. Although Malkovich plays him somewhat pompously he’s ultimately quite touching as a celeb who once commanded great attention and still craves it on his own terms. As his new unwitting assistant Colin Hanks drolly underplays most of his scenes with Buck and effortlessly shows the quiet desperation of a wannabe writer who’s not exactly sure what he should be doing with his life. Emily Blunt is lovely as a publicist who helps engineer Buck’s surprising comeback; and there are also small but fun bits with Steve Zahn Griffin Dunne and even Colin’s real-life dad Tom Hanks whose company bankrolled the movie.
In the same sweet but low-key vein of My Favorite Year McGinly paints a portrait of the less glamorous aspect of showbiz when an outsized personality starts traveling on the downside of the entertainment world. Clearly his days with Kreskin gave him an entree into this life and his film is nicely observant and respectful. But still very funny.
The film plays it all a little too safe. It doesn’t seem to want to be anything more than a snapshot of life after huge success has faded; adding a little more complexity might have offered an even richer role for Malkovich. It’s pleasant but there’s not a whole lot of depth.
Buck hypnotizes a large crowd of volunteers but gets sidetracked and neglects to snap them out of it. It’s pricelessly funny and captures the ego of the guy perfectly in the expert hands of Malkovich.