Mad Men looked set to dominate the night, going in with 19 top nominations, and it continued its winning streak for the best drama title for the fourth year in a row.
But the stars of the period drama didn't fair so well - Jon Hamm was a four-time loser for Outstanding Lead Actor in a Drama Series - Kyle Chandler claimed that prize for his role in Friday Night Lights, while Julianna Margulies beat the likes of Elisabeth Moss (Mad Men), Mariska Hargitay (Law & Order: Special Victims Unit) and Kathy Bates (Harry's Law) to take home the female equivalent for her turn in The Good Wife.
Meanwhile, Modern Family started the Emmys as they planned to go on - TV husband and wife Ty Burrell and Julie Bowen kicked off the celebrations by walking away with the acting honours for Outstanding Supporting Performance in a Comedy Series.
The hit programme went on to earn accolades for writing and directing before being crowned best comedy at the end of the event.
It was a good night for the Brits too - Kate Winslet was named Lead Actress in a Miniseries or Movie for Mildred Pierce, while Downton Abbey's Dame Maggie Smith claimed the supporting actress in a miniseries or movie title.
Justin Timberlake (Saturday Night Live) and Gwyneth Paltrow (Glee) were already winners before the red carpet at Los Angeles' Nokia Theatre was even rolled out - they were honoured at the Primetime Creative Arts Emmy Awards last weekend (10Sep11) in the Outstanding Guest Performance in a Comedy Series category.
Awards host Jane Lynch opened the show with a song-and-dance sequence featuring Star Trek's Leonard Nimoy and the cast of Mad Men, while Andy Samberg's comedy rap trio The Lonely Island, featuring crooner Michael Bolton and R&B singer Akon, and rapper/actor LL Cool J, were among the musical acts providing the entertainment in between awards at Los Angeles' Nokia Theatre.
The main list of winners at the 63rd Primetime Emmy Awards is as follows:
Outstanding Lead Actor In A Comedy Series: Jim Parsons - The Big Bang Theory
Outstanding Lead Actress In A Comedy Series: Melissa McCarthy - Mike & Molly
Outstanding Lead Actor In A Drama Series: Kyle Chandler - Friday Night Lights
Outstanding Lead Actress In A Drama Series: Julianna Marguiles - The Good Wife
Outstanding Lead Actor In A Miniseries Or A Movie: Barry Pepper - The Kennedys
Outstanding Lead Actress In A Miniseries Or A Movie: Kate Winslet - Mildred Pierce
Outstanding Supporting Actor In A Comedy Series: Ty Burrell - Modern Family
Outstanding Supporting Actress In A Comedy Series: Julie Bowen - Modern Family
Outstanding Supporting Actor In A Drama Series: Peter Dinklage - Game Of Thrones
Outstanding Supporting Actress In A Drama Series: Margo Martindale - Justified
Outstanding Supporting Actor In A Miniseries Or A Movie: Guy Pearce - Mildred Pierce
Outstanding Supporting Actress In A Miniseries Or A Movie: Maggie Smith - Downton Abbey
Outstanding Guest Actor In A Comedy Series: Justin Timberlake - Saturday Night Live (Host)
Outstanding Guest Actress In A Comedy Series: Gwyneth Paltrow - Glee
Outstanding Guest Actor In A Drama Series: Paul McCrane - Harry's Law
Outstanding Guest Actress In A Drama Series: Loretta Devine - Grey's Anatomy
Outstanding Comedy Series: Modern Family
Outstanding Drama Series: Mad Men
Outstanding Miniseries Or Movie: Downton Abbey (Masterpiece)
Outstanding Variety, Music Or Comedy Series: The Daily Show With Jon Stewart
Outstanding Animated Programme: Futurama
Outstanding Variety, Music Or Comedy Special: The Kennedy Center Honors
Outstanding Reality Programme: Deadliest Catch
Outstanding Reality-Competition Programme: The Amazing Race
Outstanding Writing For A Comedy Series: Steven Levitan and Jeffrey Richman - Modern Family (Episode: Caught In The Act)
Outstanding Writing For A Drama Series: Jason Katims - Friday Night Lights (Episode: Always)
Outstanding Writing For A Miniseries, Movie Or A Dramatic Special: Julian Fellowes - Downton Abbey (Masterpiece)
Outstanding Writing For A Variety, Music Or Comedy Series: Steve Bodow, Tim Carvell, Rory Albanese, Kevin Bleyer, Rich Blomquist, Wyatt Cenac, Hallie Haglund, J.R. Havlan, Elliot Kalan, Josh Lieb, Sam Means, Jo Miller, John Oliver, Daniel Radosh, Jason Ross, Jon Stewart - The Daily Show With Jon Stewart
Outstanding Writing For A Variety, Music Or Comedy Special: David Boone, Matt Roberts, and Mo Rocca - 64th Annual Tony Awards
Outstanding Directing For A Comedy Series: Michael Alan Spiller - Modern Family
Outstanding Directing For A Drama Series: Martin Scorsese - Boardwalk Empire
Outstanding Directing For A Miniseries, Movie Or A Dramatic Special: Brian Percival - Downton Abbey (Masterpiece)
Outstanding Directing For A Variety, Music Or Comedy Series: Donny Roy King - Saturday Night Live (Host: Justin Timberlake)
Outstanding Directing For A Variety, Music Or Comedy Special: Lonny Price - Sondheim! The Birthday Concert.
National Lampoon's Van Wilder: The Rise of Taj shares something in common with another recent equally unnecessary sequel Big Momma's House 2: Its title is an absolute misnomer since Van Wilder (Ryan Reynolds) is nowhere to be seen in his own sequel--just like Big Momma’s house in its sequel. Ah but the title of the latest National Lampoon installment is still the movie’s most intelligible facet. Taj Mahal Badalandabad (Kal Penn) has moved on from being Van’s beleaguered bumbling assistant and is now off to England’s prestigious Camford University to continue his education. He arrives on campus thinking he’s been accepted to an elite fraternity only to be derisively turned down by uptight and arrogant Pipp (Daniel Percival). He’s relegated to “The Barn ” the campus loser dwelling and vows to turn its misfits into winners so he can not only get back at Pipp but also to steal his girlfriend Charlotte (Lauren Cohan). Despite his best efforts to prove otherwise Kal Penn is a talented actor’s actor. He has sold his soul for a few million bucks and to stoner frat-dude fans thanks to the Van Wilder movies and Harold and Kumar Go to White Castle and its planned 2008 sequel but he has a true thespian’s pedigree. His future is rich with bigger and better roles (especially March’s The Namesake his first dramatic lead). His talent is visible and audible in Taj but so at times is his empty soul like when you can occasionally hear the nuances in his faux-Indian accent. Penn still remains the only reason to watch the movie aside from occasional breast flashes (courtesy of a curvaceous Holly Davidson Sadie Frost’s sister) and he should keep the predominantly immature contingency satisfied. The incredibly beautiful Cohan who had a small part in Casanova shows some promise not to mention far too much class for this movie. But sometimes a National Lampoon movie is the best vehicle for a beautiful young actress to break through into the mainstream. Where to begin on a movie’s flaws that are so vast they’re like grains of sand on a beach. Mercy is reserved for directors who actually try for something different but wind up failing miserably; then there’s Taj’s Mort Nathan who literally tries to be the same (as college comedies of years past)--but winds up failing miserably. Nathan’s only other movie the Cuba Gooding career-ender Boat Trip will follow him around wherever he may descend but his latest offering just barely tops that one. The hopefully ashamed writer freshman David Drew Gallagher is also in need of a serious hazing after this effort. He steals the playbook from movies like Revenge of the Nerds and Old School but truly cannot manage a single genuine laugh. The director and writer together though are a veritable calamity and the movie’s lone joke. Their combined work is uneven unlike ever before--even for a movie that needn’t worry about production blunders because of its fan base. Every time there is an almost maudlin moment of tenderness the duo further hammer the nail in their coffin--that is until Nathan’s next National Lampoon movie (2008’s Bag Boy).