For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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Up until this point, there haven't been many big surprises in terms of Star Wars VII casting news. Director J.J. Abrams has amounted Original Trilogy veterans Mark Hamill, Carrie Fisher, and Harrison Ford to compile the cast list for the first of the forthcoming sequels, promising a Galaxy Far, Far Away that seems familiar. But if we're to believe the latest rumors, then we should have no concerns about the franchise picking up with something altogether fresh. Word is circulating from yet unconfirmed reports at Latino Review (which is well known, at least sarcastically, for its breaking Star Wars news) that Jonathan Rhys Meyers could be the first newbie to enter the Star Wars universe in the Abrams film.
At this point, Meyers' involvement and any role he might take on are little more than speculation. But the Irish actor — having earned cinematic acclaim in Woody Allen's Match Point, Ang Lee's Ride with the Devil, and the Showtime series The Tudors — would be a welcome addition to the Rebel Alliance. He can muster that Skywalker earnestness, that Solo edge. Or perhaps a denizen of the Dark Side? That mug playing puppeteer with the Force... that's a haunting thought.
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Robert Zemeckis is a blockbuster director at heart. Action has never been an issue for the man behind Back to the Future. When he puts aside the high concept adventures for emotional human stories — think Forrest Gump or Cast Away — he still goes big. His latest Flight continues the trend revolving the story of one man's fight with alcoholism around a terrifying plane crash. Zemeckis expertly crafts his roaring centerpiece and while he finds an agile performer in Denzel Washington the hour-and-a-half of Flight after the shocking moment can't sustain the power. The "big" works. The intimate drowns.
Washington stars as Whip Whitaker a reckless airline pilot who balances his days flying jumbo jets with picking up women snorting lines of cocaine and drinking himself to sleep. Although drunk for the flight that will change his life forever that's not the reason the plane goes down — in fact it may be the reason he thinks up his savvy landing solution in the first place. Writer John Gatins follows Whitaker into the aftermath madness: an investigation of what really happened during the flight Whitaker's battle to cap his addictions and budding relationships that if nurtured could save his life.
Zemeckis tops his own plane crash in Cast Away with the heart-pounding tailspin sequence (if you've ever been scared of flying before Flight will push into phobia territory). In the few scenes after the literal destruction Washington is able to convey an equal amount of power in the moments of mental destruction. Whitaker is obviously crushed by the events the bottle silently calling for him in every down moment. Flight strives for that level of introspection throughout eventually pairing Washington with equally distraught junkie Nicole (Kelly Reilly). Their relationship is barely fleshed out with the script time and time again resorting to obvious over-the-top depictions of substance abuse (a la Nic Cage's Leaving Las Vegas) and the bickering that follows. Washington's Whitaker hits is lowest point early sitting there until the climax of the film.
Sharing screentime with the intimate tale is the surprisingly comical attempt by the pilot's airline union buddy (Bruce Greenwood) and the company lawyer (Don Cheadle) to get Whitaker into shape. Prepping him for inquisitions looking into evidence from the wreckage and calling upon Whitaker's dealer Harling (John Goodman) to jump start their "hero" when the time is right the two men do everything they can to keep any blame being placed upon Whitaker by the National Transportation Safety Board investigators. The thread doesn't feel relevant to Whitaker's plight and in turn feels like unnecessary baggage that pads the runtime.
Everything in Fight shoots for the skies — and on purpose. The music is constantly swelling the photography glossy and unnatural and rarely do we breach Washington's wild exterior for a sense of what Whitaker's really grappling with. For Zemeckis Flight is still a spectacle film with Washington's ability to emote as the magical special effect. Instead of using it sparingly he once again goes big. Too big.
It's the biggest night in television. But will it be the most surprising one? Turns out, not quite. Though there were a few shockers during Sunday's 64th annual Emmy Awards — for instance, Homeland's Damian Lewis wins over Breaking Bad's Bryan Cranston — ABC's Modern Family was, per usual, the belle of the ball with four Emmys, including Outstanding Comedy series. Other big winners of the evening? Showtime's Homeland — which also picked up four wins, including Outstanding Drama — HBO's Game Change — which won four awards, including Best Miniseries or Movie — and Louis C.K., who won Outstanding Writing for his FX darling Louie and Outstanding Writing in a Variety, Music, or Comedy Special for Louis C.K. Live at the Beacon Theater.
Who else walked home with a gold statue? See the complete winners list below and be sure to check out our Emmys hub for all breaking news, interviews, and features surrounding the 2012 Emmys!
Outstanding Drama Series
Game of Thrones
Outstanding Supporting Actor in a Comedy Series Ed O'Neill, Modern Family Jesse Tyler Ferguson, Modern Family Ty Burrell, Modern Family Winner: Eric Stonestreet, Modern Family Bill Hader, Saturday Night Live Max Greenfield, New Girl
Outstanding Writing for a Comedy Series
Winner: Louis C.K., Louie
Lena Dunham, Girls
Amy Poehler, Parks and Recreation
Michael Schur, Parks and Recreation
Chris McKenna, Community
Outstanding Directing for a Comedy Series
Winner: Steve Levitan, Modern Family
Robert B. Weide, Curb Your Enthusiasm Lena Dunham, Girls Louis C.K., Duckling Jason Winer, Modern Family Jake Kasdan, New Girl
Outstanding Supporting Actress in a Comedy Series Mayim Bialik, The Big Bang Theory Merritt Wever, Nurse Jackie Winner: Julie Bowen, Modern Family Kristen Wiig, Saturday Night Live Sofia Vergara, Modern Family Kathryn Joosten, Desperate Housewives
Outstanding Comedy Series The Big Bang Theory Curb Your Enthusiasm Girls Winner: Modern Family 30 Rock Veep
Lead Actress in a Comedy Series Zooey Deschanel, New Girl Lena Dunham, Girls Edie Falco, Nurse Jackie Tina Fey, 30 Rock Winner: Julia Louis-Dreyfus, Veep Melissa McCarthy, Mike & Molly Amy Poehler, Parks and Recreation
Lead Actor in a Comedy Series Alec Baldwin, 30 Rock Don Cheadle, House of Lies Louis C.K., Louie Winner: Jon Cryer, Two and a Half Men Larry David, Curb Your Enthusiasm Jim Parsons, The Big Bang Theory
Outstanding Made for TV Movie/Miniseries American Horror Story Winner: Game Change Hatfields & McCoys Hemingway and Gellhorn Luther Sherlock: A Scandal in Belgravia
Leading Actor in a Made for TV Movie/Miniseries Woody Harrelson, Game Change Clive Owen, Hemingway & Gellhorn Benedict Cumberbatch, Sherlock: A Scandal in Belgravia Idris Elba, Luther Winner: Kevin Costner, Hatfields & McCoys Bill Paxton, Hatfields & McCoys
Lead Actress in a Made for TV Movie/Miniseries Winner: Julianne Moore, Game Change Connie Britton, American Horror Story Nicole Kidman, Hemingway & Gellhorn Emma Thompson, The Song of Lunch Ashley Judd, Missing Outstanding Reality-Competition Program Winner: The Amazing Race Dancing With the Stars Project Runway So You Think You Can Dance Top Chef The Voice Outstanding Host for a Reality or Reality-Competition Program Winner: Tom Bergeron, Dancing With The Stars Cat Deeley, So You Think You Can Dance Phil Keoghan, The Amazing Race Ryan Seacrest, American Idol Betty White, Betty White's Off Their Rockers Outstanding Reality Program Jamie Oliver’s Food Revolution MythBusters Antiques Roadshow Shark Tank Winner: Undercover Boss Who Do You Think You Are? Outstanding Nonfiction Series American Masters Anthony Bourdain: No Reservations Inside The Actors Studio The Weight Of The Nation Winner: Frozen Planet
Outstanding Variety, Music, or Comedy Series The Colbert Report Winner: The Daily Show with Jon Stewart Jimmy Kimmel Live! Late Night with Jimmy Fallon Real Time with Bill Maher Saturday Night Live Outstanding Variety Special Betty White's 90th Birthday: A Tribute To America's Golden Girl Kathy Griffin: Tired Hooker
Winner: The Kennedy Center Honors Mel Brooks And Dick Cavett Together Again Tony Bennett: Duets II (Great Performances)
Supporting Actor in a Drama Series Winner: Aaron Paul, Breaking Bad Giancarlo Esposito, Breaking Bad Brendan Coyle, Downton Abbey Jim Carter, Downton Abbey Jared Harris, Mad Men Peter Dinklage, Game of Thrones
Supporting Actress in a Drama Series Archie Panjabi, The Good Wife Anna Gunn, Breaking Bad Winner: Maggie Smith, Downton Abbey Joanna Froggatt, Downton Abbey Christina Hendricks, Mad Men Christine Baranski, The Good Wife
Supporting Actress in a Miniseries or Movie Sarah Paulson, Game Change Frances Conroy, American Horror Story Winner: Jessica Lange, American Horror Story Judy Davis, Page Eight Mare Winningham, Hatfields & McCoys Supporting Actor in a Miniseries or Movie Ed Harris, Game Change Denis O'Hare, American Horror Story David Strathairn, Hemingway & Gellhorn Martin Freeman, Sherlock: A Scandal in Belgravia Winner: Tom Berenger, Hatfields & McCoys Guest Actress in a Comedy Series Dot-Marie Jones, Glee Maya Rudolph, Saturday Night Live Melissa McCarthy, Saturday Night Live Elizabeth Banks, 30 Rock Margaret Cho, 30 Rock Winner: Kathy Bates, Two and a Half Men Guest Actor in a Comedy Series Michael J. Fox, Curb Your Enthusiasm Greg Kinnear, Modern Family Bobby Cannavale, Nurse Jackie Winner: Jimmy Fallon, Saturday Night Live Will Arnett, 30 Rock Jon Hamm, 30 Rock Guest Actress in a Drama Series Winner: Martha Plimpton, The Good Wife Loretta Devine, Grey's Anatomy Jean Smart, Harry's Law Julia Ormond, Mad Men Joan Cusack, Shameless Uma Thurman, Smash Guest Actor in a Drama Series Mark Margolis, Breaking Bad Dylan Baker, The Good Wife Michael J. Fox, The Good Wife Winner: Jeremy Davies, Justified Ben Feldman, Mad Men Jason Ritter, Parenthood Outstanding Animated Program American Dad Bob's Burgers Futurama Winner: The Penguins Of Madagascar: The Return Of The Revenge Of Dr. Blowhole The Simpsons Outstanding Children's Program Degrassi Good Luck Charlie iCarly Victorious Winner: Wizards Of Waverly Place
Writing for a Drama Series
Winner: Alex Gansa, Howard Gordon, Gideon Raff, Homeland
Directing for a Drama Series
Winner: Tim Van Patten, Boardwalk Empire
Vince Gilligan, Breaking Bad
Brian Percival, Downton Abbey
Phil Abraham, Mad Men
Michael Cuesta, Homeland
Lead Actor in a Drama Series
Winner: Damian Lewis, Homeland
Steve Buscemi, Boardwalk Empire
Michael C. Hall, Dexter
Bryan Cranston, Breaking Bad
Hugh Bonneville, Downton Abbey
Jon Hamm, Mad Men
Lead Actress in a Drama Series
Winner: Claire Danes, Homeland
Julianna Margulies, The Good Wife
Kathy Bates, Harry's Law
Elisabeth Moss, Mad Men
Michelle Dockery, Downton Abbey
Glenn Close, Damages
Writing for a Variety Special
Winner: Louis C.K., Louis C.K. Live At The Beacon Theatre
Dave Boone, Written by; Paul Greenberg, 65th Annual Tony Awards George Stevens, Jr., Written by; Michael M. Stevens, Written by; Sara Lukinson, Written by; Lewis Friedman, The Kennedy Center Honors
Jon Macks, Written by; Dave Boone, Written by; Carol Leifer, Written by; Tim Carvell, Special Material Written by; Jeff Cesario, Special Material Written by; Billy Crystal, Special Material Written by; Ed Driscoll, Special Material Written by; Billy Martin, Special Material Written by; Ben Schwartz, Special Material Written by; Marc Shaiman, Special Material Written by; Eric Stangel, Special Material Written by; Justin Stangel, Special Material Written by; David Steinberg, Special Material Written by; Mason Steinberg, Special Material Written by; Colleen Werthmann, 84th Annual Academy Awards
Jon Macks, Written by; Steve Ridgeway, Written by; Mason Steinberg, Written by; Brad Lachman, Betty White's 90th Birthday: A Tribute To America's Golden Girl
Directing for a Variety Special
Don Mischer, 84th Annual Academy Awards Louis J. Horvitz, The 54th Annual Grammy Awards Louis C.K, Louis C.K. Live at the Beacon Theatre Alan Skog, New York City Ballet George Balanchine's The Nutcracker (Live From Lincoln Center) Winner: Glenn Weiss, 65th Annual Tony Awards
Writing for a Miniseries, Movie, or a Dramatic Special
Winner: Danny Strong, Game Change
Ted Mann, Ronald Parker & Bill
Abi Morgan, The Hour
Neil Cross, Luther
Steven Moffat, Sherlock: A Scandal in Belgravia
Directing for a Miniseries, Movie, or a Dramatic Special
Winner: Jay Roach, Game Change
Philip Kaufman, Hemmingway & Gellhorn
Paul McGuigan, Sherlock: A Scandal in Belgravia
Kevin Reynolds, Hatfields & McCoys
Sam Miller, Luther
[Photo Credit: ABC]
Emmys Idle Threats: Give Steve Buscemi an Emmy or I'll Waste Away with Whiskey
Emmy Idle Threats: Give 'Game of Thrones' Emmy Gold or I'll Give (?) a Crown of Gold
Emmys Idle Threats: Give Lena Dunham an Emmy or Chris O'Dowd Will Yell at You
Kim Kardashian simply kan't keep her klothes on. (Or are they just running away from her like a single NBA player?) And, in case you thought Kardashian wasn't overexposed enough, here's another nearly nude photo of the reality star.
But Kardashian isn't the only celebrity who enjoys overexposure:
Heidi Klum has gotten naked at least six times in the last decade. Most recently, she posed in nothing but body paint for a new Astor Ad.
Nothing makes you forget that Sharper Image gadgets break immediately after their two-week warrantee like a stripped-down Megan Fox, who has also gotten into bed with Armani.
Channing Tatum, former stripper, has put his nude past to good use in his upcoming stripper comedy Magic Mike and every other film that required him to be shirtless. (So... every film he's ever starred in.)
It has been about 21 years since Mark Wahlberg posed as an underwear model for Calvin Klein, but the 40-year-old actor is back at the undressing game. In April, Wahlberg was pictured walking around in his boxer-briefs on the set of upcoming movie Pain and Gain. Your move, Daniel Craig.
To be honest, there's no Shame in Michael Fassbender taking his clothes off as often as he wants. It's hard not to resist his big, ahem, accent. [Celebuzz, Calvin Klein; Jeff Steinberg/PacificCoastNews.com] More: Heidi Klum Loves Being Naked Channing Tatum Stripping in Magic Mike Mark Wahlberg in Underwear 21 Years After Calvin Klein Ads
It's been 21 years since Mark Wahlberg won the world over in his drool-worthy Calvin Klein advertisements in the '90s. (We'll let that sink in for a minute.) But the actor has proved that despite being a married, father-of-four in his forties, he's still got what it takes to rock a pair of tight briefs. The Departed star, 40, showed off his impressive physique - along with his famous, er, Marky Mark - while filming scenes in nothing but his skivvies for his latest movie Pain and Gain, which is currently shooting in Miami. Check out the greatest before and after shot of all-time here:
[Photo credit: Calvin Klein; Jeff Steinberg/PacificCoastNews.com]
Okay, now that you've regained consciousness....
In the film, Wahlberg plays a steroid-abusing bodybuilder in Florida who gets caught up in an extortion ring and kidnapping scheme that goes terribly awry. And at one point he winds up in his underwear. It sells itself! Indeed, you'd be hard up to find a better man to gaze upon (well, maybe besides Michael Fassbender). He really is the whole package, if you catch my drift.
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The sportsman announced a hiatus from golf and went into hiding shortly after news of his many flings and infidelities hit the headlines in November (09).
Before his disappearance, he told the media he was keen to repair his fractured relationship with wife Elin Nordegren, and declared he needed to "be a better husband, father and person".
Two months later, and following a reported spell at a Mississippi sex addiction clinic, Woods is preparing to make a comeback - and he is expected to reveal his inclusion in the upcoming PGA Tour at Friday's press conference in Ponte Vedra Beach, Florida.
According to his agent, Mark Steinberg, Woods will also use the opportunity to publicly apologise for his recent behaviour.
Steinberg tells TMZ.com, "This is all about the next step. He's looking forward to it."
A statement posted on Woods' website on Wednesday (17Feb10) reads, "While Tiger feels that what happened is fundamentally a matter between him and his wife, he also recognizes that he has hurt and let down a lot of other people who were close to him. He also let down his fans. He wants to begin the process of making amends, and that's what he's going to discuss."
Bobby Garfield (David Morse) returns to his small hometown to attend the funeral of his childhood friend and remembers the fateful summer in 1960 when his whole world changed. The story flashes back to when 11-year-old Bobby (Anton Yelchin) and his best friends Carol (Mika Boorem) and Sully-John (Will Rothhaar) capture the pure joy of youthfulness. When a mysterious stranger named Ted Brautigan (Anthony Hopkins) moves upstairs and starts to pay attention to Bobby the boy suddenly realizes what's truly missing from his life--the love of a parent. Bobby's mother Liz (Hope Davis) is embittered by the death of Bobby's father and shows little compassion for her son's growing needs. Ted fills a void with the boy opening his eyes to the world around him and helps Bobby come to terms with his real feelings for Carol--and his mother. But Ted also has some deep dark secrets of his own and Bobby tries hard to stop danger from reaching the old man.
The performances make the film especially in the genuine camaraderie of the kids. Yelchin Boorem and Rothhaar never deliver a false move with an easiness that makes us believe we are simply watching three 11-year-old children grow up together. Yelchin in particular is able to get right to the heart of this young boy who misses his father and clings to the only adult who will listen. And his scenes with Boorem simply break your heart. (Davis) does an admirable job playing a part none too sympathetic. She manages to show a woman whose been beaten down but who does truly love her son in her own way. Morse too is one of those character actors you can plug in any movie and get a performance worth noting. In Hearts you want to see more of him. Of course the film shines brightest when Hopkins is on the screen. It may not be an Oscar-caliber performance but the actor is unparalleled in bringing a character to life--showing the subtleties of an old man looking for some peace in his life.
If you are expecting the Stephen King novel you may be disappointed. Screenwriter William Goldman and director Scott Hicks (Shine) deftly extracted the King formula of telling a story through a child's eye and explaining how the relationships formed as a child shaped the adult later. Hicks did an amazing job with his young actors especially Yelchin and Boorem. But where the novel continued into a supernatural theme explaining Brautigan's fear of being captured by "low men in yellow coats" (a reference to King's The Dark Tower series) the movie downplayed the mystical elements instead giving real explanations for Brautigan's man-on-the-run. That was the one problem with Hearts--we needed more danger. Introducing men from another dimension may not have been the way to go but had there been more tension the film would have resonated more especially when Bobby risked his own safety to save Ted.