Troubled rapper Eminem pleaded no contest Monday to two gun-related charges stemming from an incident last year involving the Insane Clown Posse's road manager.
Eminem, whose real name is Marshall Mathers III, was charged with carrying a concealed firearm and brandishing a weapon during an argument with road manager of the rival band Insane Clown Posse outside a Royal Oak, Mich., stereo store in 2000.
The plead comes less than two weeks after Eminem received two years probation on a separate charge of carrying a concealed weapon during a brawl outside a Detroit-area nightclub. He also allegedly pistol-whipped a man he saw kissing his then wife, Kimberly Mathers. They are now divorcing.
Sentencing was schedule for Tuesday, June 5. He faced up to five years in prison, but he will now receive probation for pleading no contest.
VH1 moving beyond the music
VH1, known for its music videos, seems to be replacing the music with more original programming--comedies and dramas, to be exact.
The cable network has announced plans for a full slate of series, reality shows and feature-length films.
"We tried really hard to make sure that all our new shows are fundamentally about music," Lauren Zalanick, VH1's head of original programming, told The Associated Press.
Among some of the new programs is the drama Pulling the Strings, starring James Brolin as an entertainment mogul on the verge of a nervous breakdown. His wife, Barbra Streisand, will co-produce.
VH1 also plans to develop TV movies about MC Hammer and heavy metal rockers Def Leppard.
Looking for Bond
Little-known Scottish actor Gerald Butler may enjoy a license to kill as and when Pierce Brosnan hangs up his Walther PPK.
Several actors have been considered as the new James Bond, including British pop star Robbie Williams, but Butler may be the one to become the sixth actor to portray 007, as reported by Scotland's Daily Record newspaper.
Series producer Barbara Broccoli would like to cast a Scottish actor. The most famous Bond remains Sean Connery, a Scot.
"Gerard is one of the two people Barbara has appointments with," a source told the paper. "They are meeting to discuss replacing Pierce after his final movie."
Brosnan's contract expires after his fourth installment, which will go into production in January 2002.
Butler, who took up acting after earning a law degree from Glasgow University, was seen in last year's Wes Craven's Dracula 2000.
Braxton goes to the chapel
R&B singer Toni Braxton married her love of four years, Keri Lewis, the keyboardist for the group Mint Condition, on Saturday during a private outdoor ceremony.
Former Atlanta Mayor Andrew Young officiated the ceremony, as Braxton, 32, and Lewis, 28, exchanged vows in front of 250 guests at the 60-acre Dean Gardens estate in Atlanta.
Guests included singer Monica, rapper Mack 10, Tionne "T-Boz" Watkins and Rozonda "Chilli" Thomas of the R&B group TLC.
The bride wore an ivory satin gown with a notched and beaded bodice, and a beaded train and matching veil designed by Vera Wang. She also wore diamond-crusted gems designed by Stephen Russell, as reported by The Associated Press.
Colombian soap opera saying adios
Wildly popular Colombian soap opera Betty La Fea is winding down after a 1 ½-year run. The show revolves around an accountant, Betty, who wears braces, glasses, has a snorting laugh and facial hair. In a country that prides itself on its beautiful women and beauty contests, the show's success was phenomenal.
After more than 300 episodes, the writers and actors are extremely exhausted and glad to have a break, but fans are worried.
"I'm going to miss it, because it's been a lot of fun," Elkin Tovar, a 35-year-old chauffeur told The Associated Press. "But it will also be a bit of a break, because watching the show so often has become a form of slavery."
The show claimed 80 million viewers worldwide across Latin America and as far away as Hungary and Israel. Betty almost single-handedly rescued the Colombian TV network RCN from financial ruin, even as the country's unemployment is at an all-time low and violence is ripping through the nation.
Robin Hood lives on
USA Network is nearing production on a new reality series, based on super spies, which would bring a modern-day Robin Hood to television.
The series, tentatively called Break-In!, will feature two teams in a race to recover stolen artwork or government secrets and return them to their proper owners. The first to do so wins. The prize is yet to be determined.
The show takes its inspiration from such films as The Pink Panther or Mission: Impossible, during which protagonists execute elaborate plans to retrieve stolen items, Chris Sloan, USA Network's senior VP of reality programming, told Variety.
But the show won't show people how to pull off a crime, he said.
"That's why we're doing the fairly fantastical type of things-we're not breaking into someone's house. You're not going to hear us saying here's how you break in to steal the Oscars."
XFL's painful journey
The fate of the XFL has yet to be determined, but NBC Sports and the World Wrestling Federation are treating the low-rated series as a bad skin blemish they are trying to hide.
The XFL should make it to the 2002 season because "Vince [McMahon, chief of World Wrestling Federation] has the leverage to keep the weekly games on UPN Sunday night and TNN Sunday afternoon," David Carter, a principal in the Los Angeles-based Sports Business Group, told Variety.
The leverage is the Thursday-night WWF Smackdown, which is UPN's highest-rated series by far, and the Monday night Raw Is War on TNN, which is killing the competition on basic cable.
On NBC, the XFL averaged a 3.3 rating, 27% below the network's guarantees to advertisers.
NBC may stay on as an investor, but any idea that the network would switch the XFL Saturday night games to its sister network, CNBC, is just not going to happen.
"CNBC's demographic is the upscale white male executive in his 50s." Carter said. "The only two people in that category who watch XFL games are Vince McMahon and Dick Ebersol," chairman of NBC Sports.
Whatever the series has to do to make it, its going to have to prove it can generate revenues: it lost $40 million during its 2001 season, according to industry estimates.
WGA: Waiting to the last minute
With only nine days left before their contract expires, the Writers Guild of America and the Producers Alliance have yet to reach an agreement. Many insiders are saying the serious negotiations will happen in this final week before the contract expires.
Writers and many others are anxious about a strike because the talks, which resumed April 16, did not extend over the weekend. Companies are preparing to stop taking work from writers beginning next week.
There is a chance that the contract expiration may be extended to coincide with the Screen Actors Guild contract, which expires June 30. Although neither side will comment, other scenarios include the contract being extended only a few days-and only if the negotiations are moving forward in a significant way.
The agreement still boils down to around $100 million over three years, including WGA demands for boosted residuals in cable, video/DVD and foreign TV.
"Dances With Wolves" again
Pacifica Film Development has acquired the motion picture and television rights to Michael Blake's novel Holy Road, his sequel to the 1990 Dances With Wolves. Blake also will pen the screenplay, as he did with Wolves.
Holy Road continues the story of Lt. John Dunbar, now known as Dances With Wolves, who has, after 10 years, become a tribal warrior. When the white man invades once again, abducting his wife and youngest child, he embarks on a daring mission to rescue them.
No word on director or casting, but the novel is scheduled for a Sept. 15 publication. The screenplay should be finished by the end of the summer, depending on the potential strikes.
"Trap" continues on
Those pesky, adorable twins from The Parent Trap are back for more mischief.
Writers Derek Guiley and David Schneiderman will pen the Walt Disney Co.'s straight-to-video sequel to the hit film The Parent Trap, originally released in 1961 and remade in 1998.
This time around, the matchmaking girls have to deal with the perils of high school.
SANTA MONICA, Calif., Feb. 7, 2000 -- At long last, an awards show that's dedicated solely to the people who are truly indispensable to Hollywood: makeup artists and hairstylists.
Yes, you heard right -- one entire awards ceremony, with all the necessary trimmings and accoutrements, has sprung up to give special notice to industry makeup artists and hairstylists ... and no one else. (Don't worry, plastic surgeons of America, you'll probably get your nods soon enough).
Nominations for the 1st Annual Hollywood Makeup Artists and Hair Stylist Guild Awards, honoring outstanding makeup and hair achievements in film and TV, were announced today. The nominees in the 17 categories were chosen by 1,100 active members of the International Alliance of Theatrical Stage Employees Local 706. Guild members will vote for the winners. Balloting begins Tuesday, with awards to be handed out March 19 at the Beverly Hilton Hotel.
If all this sounds terribly serious stuff -- it is, according to guild committee member Marvin Westmore, scion of George Westmore, who started the first makeup and hair department at the Selig studio in 1917, and for whom the Lifetime Achievement Award is named after.
"It's very difficult to get the makeup and hair artists recognized in a proper manner. In the makeup field, as in the hair field, there're a number of categories that are never considered," Westmore said today. "We've got a category on contemporary makeup and hair, historical makeup and hair ... and about 15 other categories that address other specialties. We feel that it's important to give all the industry hair and makeup artists their proper due and not just simply lump their achievements together."
Celeb presenters who will dignify the event include Christina Applegate, Annette Bening, Ellen Burstyn, Kim Delaney, Brendan Fraser, Ed Harris, Holly Hunter and Rob Lowe.
Here's the complete list of nominees:
Best Contemporary Makeup -- Feature
Debbie Zoller, James MacKinnon and Jill Cady for "Goodbye Lover" (Regency/Warner Bros.)
Ronnie Specter for "The Story of Us" (Castle Rock/Universal)
Allan Apone, Donald Mowat, Ron Snyder and Adam Brandy for "Three Kings" (Warner Bros.)
Toni G and Will Huff for "The General's Daughter" (Neufeld/Rehme Productions/Paramount)
Best Period Makeup -- Feature
Leonard Engleman for "Tea With Mussolini" (Universal/MGM)
Patty York, Cheryl Nick, Michele Burke and Steve Artmont for "Austin Powers: The Spy Who Shagged Me" (New Line)
Ronnie Specter for "A Midsummer Night's Dream" (Fox Searchlight)
Best Character Makeup -- Feature
Sheryl Leight Ptak for "Man on the Moon" (Jersey Films/Universal)
Cheri Minns for "Bicentennial Man" (Columbia/Touchstone)
Kevin Yagher, Peter Owen, Elizabeth Tag and Paul Gooch for "Sleepy Hollow" (Paramount)
Best Special Effects Makeup -- Feature
Michele Burke, Kenny Myers, Will Huff and Kevin Haney for Mike Myers as Austin Powers and Dr. Evil, and Vernon Troyer as Mini Me in "Austin Powers: The Spy Who Shagged Me" (New Line)
Greg Cannom and Wesley Wofford for "Bicentennial Man" (Columbia/Touchstone) Stan Winston and Mike Smithson for Mike Myers as Fat Bastard in "Austin Powers: The Spy Who Shagged Me" (New Line)
Best Contemporary Hair Styling -- Feature
Enzo Angileri for "The Thomas Crown Affair" (MGM)
Cydney Cornell for "American Beauty" (DreamWorks)
Paul LeBlanc for "Anywhere But Here" (Fox 2000 Pictures) Frances Mathais for "Simpatico" (Emotion Pictures/Canal Plus/King's Gate/Fine Line)
Best Period Hair Styling - Feature
Peter Tothpal, Janet McDonald and Angie Cameron for "The 13th Warrior" (Touchstone)
Candy Walken, Jeri Baker-Sadler, Jennifer O'Halloran and Toni-Ann Walker for "Austin Powers: The Spy Who Shagged Me" (New Line)
Vivian McAteer for "Tea With Mussolini" (Universal/MGM)
Best Contemporary Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Patty Bunch Leisure and Cynthia Bachman for "Big Brother Is Coming," "Will & Grace" (NBC)
Cynthia Bachman and Patty Bunch Leisure for "I Never Promised You An Olive Garden," "Will & Grace" (NBC)
James MacKinnon and Stephanie Fowler for "Thank You Providence," "Providence" (NBC)
Best Period Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Cheri Montesanto-Medcalf, Kevin Westmore and LaVerne Basham for "Triangle," "The X-Files" (Fox)
Marie DelPrete fpr "Between a Rock Star and Hard Place," "Rude Awakenings" (Showtime/Mandalay TV/Columbia/TriStar TV)
Lisa Layman, David Syner and Joseph Regina for "Pilot," "Freaks & Geeks" (NBC)
James MacKinnon and Stephanie Fowler for "He's Come Undone," "Providence" (NBC)
Best Character Makeup - Television
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #505, "Mad TV" (Fox)
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #507, "Mad TV" (Fox)
Cheri Montesanto-Medcatf and Kevin Westmore for "Two Fathers/One Son," "The X-Files" (Fox)
Best Special Effects Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Michael Westmore, Scott Wheeler, James Rohland and Ellis Burman for "Dark Frontiers," "Star Trek Voyager" (UPN/Paramount)
Todd A. McIntosh, Robin Beauxchesne, Douglas Noe and Brigette Myre-Ellis for "Living Conditions," "Buffy The Vampire Slayer" (Fox/WB)
Bill Corso and Douglas Noe for "Just Duet," "L.A. Doctors" (CBS)
Best Period Makeup - Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Sue Cabel, Matthew Mungle and Joe Hailey for "And The Beat Goes On: The Sonny and Cher Story" (ABC) Marvin Westmore,
June Westmore and John Jackson for "Lansky" (HBO)
Best Character Makeup --Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Douglas Noe for "A Lesson Before Dying" (HBO)
Best Contemporary Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Ken Nelson and Suzanne Kontonickas for "The Devil's Music," "Charmed" (Spelling Television/WB)
Tim Burke for "Homo For The Holidays," "Will & Grace" (NBC)
Darrell Fielder, Jonathan Hanousak and Joy Zapata for "The Final Frontier," "Mad About You" (NBC/Columbia TriStar TV)
Best Period Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Lana Heying for Episode #592 "Lataya, Letisha and Lanesha," "All That" (Nickelodeon)
Garbillera Pollina for "Prom Night," "That 70's Show" (Fox/Carsey-Werner)
Best Character Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Dugg Krikpatrick and Judith Teidemann for "Episode #511, "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Bride of Chaotica," "Star Trek Voyager" (Paramount/UPN)
Judith Teidemann, Dugg Krikpatrick and Chris Curry for "Who Wants To Be A Millionaire," "Mad TV" (Fox)
Best Innovative Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Dugg Krikpatrick for "Episode #505," "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Dragon's Teeth," "Star Trek Voyager" (Paramount/UPN)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Best Period Hair Styling - Television (For a Mini-Series or Movie o the Week)
Vickey Phillips, Gerald Coke-Riley, Patricia Gunlock and Michael White for "Purgatory" (TNT)
Matthew Kasten, Natascha Ladek and Mishell Chandler for "Annie" (Walt Disney Television/ABC)
Marlene Williams and Tim Jones for "And The Beat Goes On: The Sonny & Cher Story" (ABC/Larry Thompson)
George Westmore Lifetime Achievement Award