Robert Zemeckis is a blockbuster director at heart. Action has never been an issue for the man behind Back to the Future. When he puts aside the high concept adventures for emotional human stories — think Forrest Gump or Cast Away — he still goes big. His latest Flight continues the trend revolving the story of one man's fight with alcoholism around a terrifying plane crash. Zemeckis expertly crafts his roaring centerpiece and while he finds an agile performer in Denzel Washington the hour-and-a-half of Flight after the shocking moment can't sustain the power. The "big" works. The intimate drowns.
Washington stars as Whip Whitaker a reckless airline pilot who balances his days flying jumbo jets with picking up women snorting lines of cocaine and drinking himself to sleep. Although drunk for the flight that will change his life forever that's not the reason the plane goes down — in fact it may be the reason he thinks up his savvy landing solution in the first place. Writer John Gatins follows Whitaker into the aftermath madness: an investigation of what really happened during the flight Whitaker's battle to cap his addictions and budding relationships that if nurtured could save his life.
Zemeckis tops his own plane crash in Cast Away with the heart-pounding tailspin sequence (if you've ever been scared of flying before Flight will push into phobia territory). In the few scenes after the literal destruction Washington is able to convey an equal amount of power in the moments of mental destruction. Whitaker is obviously crushed by the events the bottle silently calling for him in every down moment. Flight strives for that level of introspection throughout eventually pairing Washington with equally distraught junkie Nicole (Kelly Reilly). Their relationship is barely fleshed out with the script time and time again resorting to obvious over-the-top depictions of substance abuse (a la Nic Cage's Leaving Las Vegas) and the bickering that follows. Washington's Whitaker hits is lowest point early sitting there until the climax of the film.
Sharing screentime with the intimate tale is the surprisingly comical attempt by the pilot's airline union buddy (Bruce Greenwood) and the company lawyer (Don Cheadle) to get Whitaker into shape. Prepping him for inquisitions looking into evidence from the wreckage and calling upon Whitaker's dealer Harling (John Goodman) to jump start their "hero" when the time is right the two men do everything they can to keep any blame being placed upon Whitaker by the National Transportation Safety Board investigators. The thread doesn't feel relevant to Whitaker's plight and in turn feels like unnecessary baggage that pads the runtime.
Everything in Fight shoots for the skies — and on purpose. The music is constantly swelling the photography glossy and unnatural and rarely do we breach Washington's wild exterior for a sense of what Whitaker's really grappling with. For Zemeckis Flight is still a spectacle film with Washington's ability to emote as the magical special effect. Instead of using it sparingly he once again goes big. Too big.
Stars Marcia Cross, Eva Longoria, Teri Hatcher and Felicity Huffman each received their personal copies of the top secret ending on 13 April - a month before the finale airs (13May12).
And Cross admits she had to wait before she could find out what was to become of her character Bree Van de Camp - because the final script was emailed to her as she was putting her twin daughters to bed.
She tells TV Guide magazine, "Once the girls were asleep I read it on my computer because there was all this anticipation."
And co-star Vanessa Williams was at her daughter's swimming competition when the electronic script arrived: "I put on my glasses and read the whole thing because I couldn't wait."
Meanwhile, Longoria, who insists the ending is "satisfying" for fans, admits the first read-through of the final script was an emotional experience.
She tells the publication, "(Narrator) Brenda (Strong) couldn't get through her voice-overs, I couldn't get through my dialogue."
No one is giving too much away but creator Cherry has confirmed he will be making an Alfred Hitchcock-style appearance towards the end of the finale, adding, "We have many, many guest stars who have been killed off who make an appearance."
And the writer/producer tells America's TV Guide magazine that there will be a flash-forward scene, during which all the leading characters will be aged as viewers learn the fate of their favourite characters.
Each new year produces a handful of it-girls and men of the moment, and we here at Hollywood.com like to get ahead of the game by letting you, our loyal readers, know who’s going to be a big deal. 2012 sees a gaggle of films big and small hit theaters, and with them an army of actors working hard to make the most of their packed schedules. Some are big-screen veterans, others are relatively new to showbiz, but all of them are must-know names.
*This list was compiled based on the amount of films/projects each actor is a part of that will release in 2012, factoring in the size of the film(s) and their overall celebrity status.
Cooper had a hell of a 2011, with The Hangover Part II and Limitless proving him a major box office draw and those dreamy eyes helping him join the ranks of People Magazine's Sexiest Man Alive. So what does the New Year have in store for him? No less than four films: David O. Russell’s new comedy The Silver Linings Playbook, in which he works with an eclectic ensemble including Jennifer Lawrence, Robert De Niro, Chris Tucker, Julia Stiles and more, the action-comedy Outrun, the dramatic thriller The Words (which co-stars Olivia Wilde and his new girlfriend Zoe Saldana) and The Place Beyond the Pines, the new film from Blue Valentine director Derek Cianfrance. All the while he’ll be shooting Paradise Lost, an epic FX-driven actioner from I, Robot director Alex Proyas.
This Aussie became the superhero-du-jour thanks to his breakout role as the God of Thunder in Marvel’s Thor earlier in 2011, and he’s capitalizing on his newfound fame in a big way. He’ll reprise the part in May’s The Avengers, and has one-of-two titular roles in one-of-two anticipated Snow White adaptations (Snow White and the Huntsman) in June. Additionally, a pair of pictures he shot long ago will finally hit theaters – first the horror-thriller Cabin in the Woods, followed by the remake of cult favorite Red Dawn. Add in Ron Howard’s Rush, which he’ll begin shooting this January for an early 2013/late 2012 awards run and you’re looking at one of the most exciting careers to follow!
Tatum made our list last year thanks to a packed schedule including The Dilemma, The Eagle, The Son of No One and more, and 2012 is just as busy for the young A-lister. In January, Steven Soderbergh’s Haywire will finally hit multiplexes (in which he has a bit part) and we could see his ensemble drama Ten Year go wide at some point, but even if it doesn’t he’s got plenty of major motion pictures to promote. First will be the romantic drama The Vow opposite Rachel McAdams, followed soon after by Sony’s 21 Jump Street reboot. On June 29th, he’ll release a pair of very different movies – Paramount’s G.I. Joe: Retaliation and his second collaboration with Soderbergh, the male strip flick Magic Mike. But the best is yet to come, as he’ll star in Moneyball director Bennett Miller’s new drama Foxcatcher opposite Steve Carell, due in 2013.
As stated in the introduction, this list is about both seasoned cinematic figures and rising stars, and was there anyone who had a more impressive year than newcomer Ms. Chastain? I think not. With films as wide ranging as Texas Killing Fields, The Debt, The Help and The Tree of Life (among others) she solidified herself as a dramatic force to be reckoned with in 2011, and the future is bright for the 30-year-old starlet. She’ll reunite with director Terrence Malick for his new, untitled romantic drama and also has a role in John Hillcoat’s anticipated prohibition thriller Wettest County opposite Shia LaBeouf, Tom Hardy and Gary Oldman. Additionally, she’ll star in a horror flick called Mama and a star-studded drama titled Tar with James Franco, Mila Kunis, Michelle Williams and more.
Here’s an example of a longtime film hero hitting it hard in 2012. While this isn’t the first fiscal year in which Willis has released multiple movies, it’s without question the busiest frame in his career. He’s slated to appear or star in no less than seven films, including big-budget blockbusters like G.I. Joe Retaliation and The Expendables 2, smaller action-thrillers Looper and The Cold Light of Day and more artful projects like Wes Anderson’s Moonrise Kingdom and Stephen Frears' Lay the Favorite. He’ll also turn up in the 50 Cent-produced thriller Fire with Fire and will shoot the highly-anticipated A Good Day to Die Hard and videogame adaptation Kane & Lynch throughout 2012. Not bad for an elder statesmen.
Though he’s best known as a modern TV icon thanks to his Emmy-winning role in AMC’s Breaking Bad, Cranston has been incredibly prolific on the big-screen in recent years. He appeared in six films in 2011, including Drive, The Lincoln Lawyer, Contagion and Larry Crowne, and has five major productions on the horizon in 2012. In January he’ll play an authoritative figure in Lucasfilm’s long-gestating wartime action flick Red Tails, followed by a turn in Disney’s mega-budgeted John Carter. He’s also got a part in Adam Shankman’s Rock of Ages adaptation and a villainous role in Sony’s Total Recall remake, and is currently filming Ben Affleck’s CIA drama Argo, set to hit theaters in September.
The former High School Musical star has been trying to establish himself as more than just a pretty face for some time, and 2012 could be a pivotal year in his career. He dabbles in commercial and independent fare next year, with starring roles in Universal’s Dr. Seuss adaptation The Lorax and Warner Bros.’ Nicholas Sparks adaptation The Lucky One as well as parts in Lee Daniels’ The Paperboy and Josh Radnor’s Liberal Arts. He’s also going to appear in an untitled ensemble drama alongside Dennis Quaid, Heather Graham and Clancy Brown.
We've had to wait until 2012 to finally see Baldwin's return to TV, and, lucky us - we'll also be treated to about five film roles from the beloved entertainer. He’s got parts in all kinds of movies, from indie comedy AmeriQua to indie drama Lucky Them, and even big studio flicks like Rock of Ages and DreamWorks Animation’s CGI spectacle Rise of the Guardians. But his most interesting project in unquestionably Nero Fiddled, Woody Allen’s new Rome-set romp, which will likely premiere at the 2012 Cannes Film Festival.
Biel is best known as a maker of mainstream movies (I Now Pronounce You Chuck and Larry, The A-Team, Valentine’s Day), but 2012 will see her release a diverse slate of films. She’s got one of two female lead roles in summer actioner Total Recall, and will play a pivotal part in Gabriele Muccino’s new dramedy Playing the Field. In addition, she’s got a horror thriller titled The Tall Man in the can, and is preparing to film a pair of pictures that could screen next year – The Devil and the Deep Blue Sea and Emanuel and the Truth About Fishes. With any luck, we could also see the long-delayed David O. Russell political rom-com Nailed (in which she plays the female lead) release, but I’m sadly not holding my breath. And if she ends up wedding Justin Timberlake (as engagement rumors started swirling around the web earlier this month), it’s going to be a landmark year for the former 7th Heaven star.
This young talent has been on the rise for awhile, and with a resume that includes work with Robert Zemeckis, Jon Favreau, Paul Weitz and Lisa Cholodenko it’s a wonder he hasn’t been propelled to the spotlight sooner. In 2012 he has five films to release, and by the time the year is over he’ll likely be a household name. First he reprises his role from 2008’s Journey to the Center of the Earth in Journey 2: The Mysterious Island, then appears in an anthology film that sports a directing roster including Benicio del Toro and Gaspar Noe. March sees him starring in one of the most eagerly awaited films of the year – The Hunger Games – while he’ll then appear in the art-house drama Carmel opposite Alfred Molina and Hayden Panettiere. Finally, he’ll star in MGM’s Red Dawn remake in November, and by that point he’ll probably have already cornered several major films for his future.
When is Franco NOT one of the busiest entertainers in showbiz? The Oscar-nominated actor and noted workaholic has been laboring at ludicrous speeds as of late, and his 2012 schedule is packed with somewhere between five and seven films that you'll probably never see including drama Maladies (with Catherine Keener and David Strathairn), thriller The Stare (opposite Winona Ryder), the fore mentioned ensemble drama Tar, the Linda Lovelace biopic Lovelace and another porn-centric drama called Cherry. All the while he’ll be shooting a documentary and filming projects for release in 2013. The man is a machine.
Finally, here’s yet another example of career resurgence. Goodman’s been working incredibly hard over the past few years and has been a part of some of the most acclaimed pictures of 2011 – Kevin Smith’s Red State and awards’ hopefuls The Artist and Extremely Loud and Incredibly Close. Next year, however, is a whole other animal, as he appears in five movies including indie dramedy Thicker, dark comedy Spring Break ’83, Focus Features animated fantasy ParaNorman, and a pair of important dramas from Ben Affleck (Argo) and Robert Zemeckis (Flight). In between pushing those pics, he'll be shooting the Coen Bros. new flick Inside Llewyn Davis and Pixar's anticipated prequel Monsters University. Walter Sobchak is back in the building people.
Set in what seems to be an idyllic 19th-century farming township The Village follows a close-knit community as they go about their daily lives. Soon however it becomes evident things aren't quite so simple. The villagers believe a race of ferocious mythological creatures lives in the woods surrounding their little valley but there's an unspoken truce between "Those We Don't Speak Of" and the townsfolk: don't go into their woods and they won't come chew up the town. That's all well and good until the quiet and resolute Lucius Hunt (Joaquin Phoenix) messes up the works. He tries to convince the village elders they need better medical supplies for the sick and that he should go through the woods into the neighboring towns to get them. The elders including Lucius' mother Alice Hunt (Sigourney Weaver) advises him to stay put but the young man doesn't listen to their warnings and breaches the boundaries anyway ever so slightly effectively ending the truce. Uh-oh. Then there's Ivy Walker (Bryce Dallas Howard) the beautiful and spirited blind daughter of the town leader Edward Walker (William Hurt) who captures Lucius' heart. Needless to say things get twisted pretty quickly (we are talking about a Shyamalan film after all) and it's Ivy who must eventually face entering the dreaded woods. As the menacing presence looms over the town her bravery becomes the only thing that can save them. But you'll soon be asking from what? There's the rub.
Shyamalan has finally made a movie in which there are no soulful moody eerily intelligent children in it. OK so maybe you'll miss Sixth Sense's Haley Joel Osment and his pale face or Signs's Rory Culkin with his big eyes just a little. But luckily Shyamalan has found a new wonder--newcomer Bryce Dallas Howard who replaced Kirsten Dunst as Ivy. As the daughter of the Oscar-winning director Ron Howard it's easy to see how she got her foot in the door but what's surprising is how affecting she is as Ivy. Playing a blind girl who must gather the courage to battle unseen fears isn't new--Audrey Hepburn was probably the best in the 1967 Wait Until Dark--yet the talented Howard's naturally blithe and spunky personality brings her own freshness to the character. Phoenix is also quite heartbreaking as Lucius who desperately loves Ivy but has trouble letting her know his feelings. His only way is by protecting her. Their moments together are exquisitely touching; all she has to do is reach out as the townsfolk scurry for cover from impending danger and he is there--no matter what. In the supporting roles veterans Hurt and Weaver as well as the rest of the elders including Shyamalan favorite Cherry Jones (Signs) and Troy's Brendan Gleeson do a nice job as the town's secretive leaders. But it's Adrien Brody in his first real role since winning Best Actor for The Pianist who stands out as fellow villager Noah a mentally impaired man whose own feelings for Ivy take a tragic turn.
In a way M. Night Shyamalan has become his own worst enemy having to live up to this reputation as a master of horror and suspense cloaking his projects in secrecy and generating unnecessary hype. But the fact of the matter is he is one of Hollywood's more brilliant minds on par with screenwriter Charlie Kaufman for originality who has an innate talent for crafting individual moments of genuine human emotions. Like Twilight
Zone's Rod Serling and Alfred Hitchcock before him Shyamalan is more fascinated by how people react in frightening situations rather than just scaring the bejeezus out of you--and with The Village Shyamalan delves deeper into human psyche more than ever before examining the age-old saying "The only thing we have to fear is fear itself." Having shot the film in southeast Pennsylvania the director meticulously built this 19th-century universe from the ground up with the wooden cabins and handmade props--and painting a picture of how fear of the unknown can propel a group of people to come together in harmony. Yet regardless of how the fear of big scary monsters brings the villagers together audiences may be expecting big scary monsters to come out of the woods and therefore may not appreciate the somewhat anti-climactic albeit twisty ending.
'N Sync SANTA MONICA, Calif., April 27, 2000 -- They made "Spice World," didn't they? Yes, they did, and so in the continuing tradition of pop stars turned movie stars -- a tradition that includes the good ("A Hard Day's Night"), the bad ("Under the Cherry Moon") and the unwatchable ("Spice World") -- comes word that the boybanders of 'N Sync are reportedly going big screen.
A company called Total Film says it'll unveil its cinematic vision with the teen idols May 16 at the Cannes Film Festival. For now, all we know is that Total Film is most eager to work with the Sync guys because they are, in a remarkable phrase, "an international musical treasure.''
Said Total Film Group Chairman and Chief Executive Gerald Green in a statement: "By turning to film, they will give their fans around the world a new medium in which to enjoy their remarkable talents."
The Total Film project supposedly is to start shooting in early 2001. The guys previously have been rumored to be doing a flick with Tom Hanks' production company.
'N Sync is currently the biggest-selling music act in the nation -- moving 4.84 million copies of its sophomore album, "No Strings Attached," since its release five weeks ago.
LOST IN THE TRANSLATION: MTV comic Tom Green, who underwent cancer surgery last month, will star in an English-language remake of Roberto Benigni's 1994 Italian comedy "The Monster," The Hollywood Reporter says.
GONE TO POT: Ashton Kutcher, resident dreamboat on Fox's "That '70s Show," will stretch his thespian muscles in "Dude, Where's My Car?," a stoner comedy for 20th Century Fox. The Reporter says a June start date is planned for the shoot.
GEE, DO YOU THINK VINCE VAUGHN IS AVAILABLE FOR THIS PROJECT, TOO? Universal Pictures, which in 1998 offered moviegoers the wholly unnecessary shot-by-shot remake of Alfred Hitchcock's "Psycho," is next planning to destroy, er, redo the master filmmaker's 1941 suspense classic "Suspicion," Daily Variety says. The original film starred one Cary Grant.