As the winds of award show nominations pick up, you won't be surprised to find 12 Years a Slave at the top of every list. But the Academy, the Golden Globes, and the various other captains of the circuit are inclined to overlook some of our smaller, more personal favorites in lieu of the big, grand, and wholly unavoidable awardable pictures like Steven McQueen's American slavery epic. That is not to rob 12 Years of Slave of its due credit — the film absolutely deserves as much awards attention as it is getting. It's simply the sort of movie that you know will get awards attention right out of the gate... whereas pictures just as pristine such as Noah Baumbach and Greta Gerwig's Frances Ha, likely won't be the center of attention come Oscar night. But that's what the Independent Spirit Awards are for: to recognize the movies that we cherish with intimacy rather than with grandeur. Among them are Frances Ha, new release Nebraska, Robert Redford's nearly wordless All Is Lost (also a viable candidate for the Academy, due to its own dezzling veneer), the Coen Bros' upcoming Inside Llewyn Davis, and, yes, of course, 12 Years a Slave.
Check out the full list of nods below.
BEST FEATURE 12 Years A Slave All Is Lost Frances Ha Inside Llewyn Davis Nebraska
BEST LEAD FEMALE Cate Blanchett, Blue Jasmine Julie Delpy, Before Midnight Gaby Hoffman, Crystal Fairy Brie Larson, Short Term 12 Shailene Woodley, The Spectacular Now
BEST LEAD MALE Bruce Dern, Nebraska Chiwetel Ejiofor, 12 Years A Slave Oscar Isaac, Inside Llewyn Davis Michael B. Jordan, Fruitvale Station Matthew McConaughey, Dallas Buyers Club Robert Redford, All Is Lost
BEST SUPPORTING FEMALE Melonie Diaz, Fruitvale StationSally Hawkins, Blue Jasmine Lupita Nyong'o, 12 Years A Slave Yolanda Ross, Go For Sisters June Squibb, Nebraska
BEST SUPPORTING MALE Michael Fassbender, 12 Years A Slave Will Forte, Nebraska James Gandolfini, Enough Said Jared Leto, Dallas Buyers Club Keith Stanfield, Short Term 12
BEST DIRECTOR Shane Carruth, Upstream Color J.C. Chandor, All Is Lost Steve McQueen, 12 Years A Slave Jeff Nichols, Mud Alexander Payne, Nebraska
BEST FIRST FEATUREBlue Caprice Concussion Fruitvale Station Una Noche Wadjda
JOHN CASSAVETES AWARD Computer Chess Crystal Fairy Museum Hours Pit Stop This Is Martin Bonner
BEST SCREENPLAY Woody Allen, Blue Jasmine Julie Delpy, Ethan Hawke, Richard Linklater, Before Midnight Nicole Holofcener, Enough Said Scott Neustadter & Michael H. Weber, The Spectacular Now John Ridley, 12 Years A Slave
BEST FIRST SCREENPLAY Lake Bell, In A World Joseph Gordon-Levitt, Don Jon Bob Nelson, Nebraska Jill Soloway, Afternoon Delight Michael Starburry, The Inevitable Defeat Of Mister & Pete
BEST CINEMATOGRAPHYSean Bobbitt, 12 Years A Slave Benoit Debie, Spring Breakers Bruno Delbonnel, Inside Llewyn Davis Frank G. Demarco, All Is Lost Matthias Grunsky, Computer Chess
BEST EDITING Shane Carruth & David Lowery, Upstream Color Jem Cohen & Marc Vives, Museum Hours Jennifer Lame, Frances Ha Cindy Lee, Una Noche Nat Sanders, Short Term 12
BEST INTERNATIONAL FILM A Touch Of Sin Blue Is The Warmest ColorGloriaThe Great Beauty The Hunt
BEST DOCUMENTARYThe Act Of Killing After Tiller Gideon's ArmyThe Square Twenty Feet From Stardom
PIAGET PRODUCERS AWARDToby Halbrooks & James M. JohnsonJacob JaffkeAndrea RoaFerderick Thornton
TRUER THAN FICTION AWARDS Kalyanee Mam, A River Changes Course Jason Osder, Let The Fire Burn Stephanie Spray & Pancho Valez, Manakamana
SOMEONE TO WATCH AWARDS Aaron Douglas Johnston, My Sisters' Quinceanera Shaka King, Newlyweeds Madeleine Olnek, The Foxy Merkins
ROBERT ALTMAN AWARDMud
Troubled by unfortunate event after unfortunate event The Watch sidesteps faux pas to come out on top as a consistently funny sci-fi comedy that doesn't let its high concept tangle up a bevy of one-liners. The script penned by Jared Stern Seth Rogen and Evan Goldberg assumes you've seen a few movies before entering the theater (mainly any sci-fi movie made in the 1980s). "Summer movie logic" is the foundation for The Watch's ridiculous plot which finds four adult nincompoops teaming up to form a Neighborhood Watch trying to solve the murder of a local Costco employee and eventually pursuing a killer extraterrestrial. Instead of making sense of it all The Watch wisely focuses on its four leads: Ben Stiller Vince Vaughn Jonah Hill and The IT Crowd's Richard Ayoade — a quartet whose bro banter goes a long way in spicing up the dust-covered material. There's nothing revelatory to be found in The Watch but the cast's knack for improv a poetry of the profane makes the adventure worth…viewing.
Director Akiva Schaffer (Hot Rod) establishes his two-dimensional characters quickly and bluntly smashing together broad personality types like a Hadron Collider of cinematic comedy. Stiller's Evan is a micromanaging do-gooder who can't find time for his wife; Hill's Franklin is a mildly disturbed weapons enthusiast yearning to join the police; Ayoade is the quaint weirdo who joins the Watch to fill the void left by his divorce; Vince Vaughn is Vince Vaughn: a loud crass gent looking for a bit of male bonding. The ragtag team assembles to fight crime but they spend most of their time drinking beers in a minivan — an affair they dub "stakeouts." A perfect opportunity for banter.
For a movie about enforcing the law and alien invasions there's a surprising lack of action in The Watch. Long stretches of the film see the central players yapping back and forth about everything: Russian nesting dolls peeing in cans or the similar viscosities of alien goo and human excrement. Charisma goes a long way and Vaughn does much of the heavy lifting making up for lost time out of the spotlight (he's been virtually nonexistent since 2005's Wedding Crashers). The man spits out jokes like no other — the rest of the cast barely keeps up. Ayoade balances out Vaughn's bombardment with a tempered timed delivery that's uniquely British and rarely found on the American big screen. Even when nothing's happening in The Watch it's rarely boring.
The Watch is at its best when it goes a step further mixing the group in with outsiders and throwing them off their rhythm. Billy Crudup cuts loose as a creepy neighbor and its delightfully weird while the always-impressive Rosemarie DeWitt as Evan's wife Abby brings unexpected warmth to the couple's relationship. Sadly The Watch mishandles its greatest asset: the aliens. The film never finds a pitch perfect blend of comedy and science fiction (Ghostbusters or Galaxy Quest this is not); a few scenes where the two come together hint at the best possible scenario but more often than not The Watch avoids its sci-fi roots. A moment in which the guys haul a dead alien back to their man cave plays like an E.T.-inspired version of The Hangover credits. It's lewd and ridiculous but the rest of the film struggles to maintain that energy.
Stiller Vaughn Hill and Ayoade have all proved themselves able funnymen capable of taking weak and tired material up a notch which they're forced to do in every moment of The Watch. Schaffer can handle his talent but his direction isn't adding anything to the mix. By the third slow-motion-set-to-gangster-rap scene The Lonely Island member's obsession with non-cool-coolness is officially just an attempt at being cool (which is not all that funny). The Watch has a greater opportunity than most comedy blockbusters to go absolutely bonkers: it's rated R. But instead of taking its twist and running with it the movie plays it safe. In this case safe is non-stop jokes about the many facets of human reproduction.
While recent animated blockbusters have aimed to viewers of all ages starting with fantastical concepts and breathtaking visuals but tackling complex emotional issues along the way Ice Age: Continental Drift is crafted especially for the wee ones — and it works. Venturing back to prehistoric times once again the fourth Ice Age film paints broad strokes on the theme of familial relationships throwing in plenty of physical comedy along the way. The movie isn't that far off from one of the many Land Before Time direct-to-video sequels: not particularly innovative or necessary but harmless thrilling fun for anyone with a sense of humor. Unless they have a particular distaste for wooly mammoths the kids will love it.
Ice Age: Continental Drift continues to snowball its cartoon roster bringing back the original film's trio (Ray Romano as Manny the Mammoth Denis Leary as Diego the Sabertooth Tiger and John Leguizamo as Sid the Sloth) new faces acquired over the course of the franchise (Queen Latifah as Manny's wife Ellie) and a handful of new characters to spice things up everyone from Nicki Minaj as Manny's daughter Steffie to Wanda Sykes as Sid's wily grandma. The whole gang is living a pleasant existence as a herd with Manny's biggest problem being playing overbearing dad to the rebellious daughter. Teen mammoths they always want to go out and play by the waterfall! Whippersnappers.
The main thrust of the film comes when Scratch the Rat (whose silent comedy routines in the vein of Tex Avery/WB cartoons continue to be the series highlight) accidentally cracks the singular continent Pangea into the world we know today. Manny Diego and Sid find themselves stranded on an iceberg once again forced on a road trip journey of survival. The rest of the herd embarks to meet them giving Steffie time to realize the true meaning of friendship with help from her mole pal Louis (Josh Gad).
The ham-handed lessons may drag for those who've passed Kindergarten but Ice Age: Continental Drift is a lot of fun when the main gang crosses paths with a group of villainous pirates. (Back then monkeys rabbits and seals were hitting the high seas together pillaging via boat-shaped icebergs. Obviously.) Quickly Ice Age becomes an old school pirate adventure complete with maritime navigation buried treasure and sword fights. Gut (Peter Dinklage) an evil ape with a deadly... fingernail leads the evil-doers who pose an entertaining threat for the familiar bunch. Jennifer Lopez pops by as Gut's second-in-command Shira the White Tiger and the film's two cats have a chase scene that should rouse even the most apathetic adults. Hearing Dinklage (of Game of Thrones fame) belt out a pirate shanty may be worth the price of admission alone.
With solid action (that doesn't need the 3D addition) cartoony animation and gags out the wazoo Ice Age: Continental Drift is entertainment to enjoy with the whole family. Revelatory? Not quite. Until we get a feature length silent film of Scratch's acorn pursuit we may never see a "classic" Ice Age film but Continental Drift keeps it together long enough to tell a simple story with delightful flare that should hold attention spans of any length. Massive amounts of sugar not even required.
[Photo Credit: 20th Century Fox]
The magical R-rating is both a gift and a curse to Adam Sandler's signature brand of lowbrow humor. In That's My Boy the comedian returns to the dim-witted roots that made him a star in early outings like Billy Madison and Happy Gilmore (complete with high-pitched mushmouth accent) but with a ramped up "ew" factor. Unrestrained Sandler piles on as many expletives and gross-out scenarios as a two-hour movie can hold — and it works out quite well. With costar Samberg nailing the disgusted straight man role Sandler's penchant for acting like a fool is enhanced by the sick stylings of director Sean Anders (Sex Drive) and only occasionally teetering into truly offensive territory. Laughs aren't guaranteed but the movie provokes (which is a big step up from Jack and Jill).
Back in the '80s Donny had a secret relationship with his teacher Ms. McGarricle that resulted in a son Han Solo (he's a middle schooler what do you expect?). The torrid affair put McGarricle in jail Donny into celebrity tabloid spotlight and Han Solo in the hands of a tween father. Thirty years later everyone's screwed up: Donny (Adam Sandler) is a drunk on the brink of jail time for tax evasion McGarricle's still in jail and Han Solo (Andy Samberg) now "Todd " is a successful number-cruncher with severe social issues. On the weekend of Todd's wedding Donny reenters his life hoping to bring revive their relationship and reunite him with his mother — that is on camera so Donny can make $50 000 from a gossip TV show and stay out of the slammer. Posing as Todd's long-lost best friend Donny stirs up trouble becoming buddies with Todd's friends and family and acting like a imbecile.
The wedding setup is overdone but always prime for comedy: plenty for a numbskull to screw up logical progression (there's a wedding at the end!) and a bachelor party scene to squeeze in the most disgusting bits and have them make sense. That's My Boy makes the most of its conventions — including what we all know and expect from a Sandler comedy — by continually one-upping itself. After a night of heavy drinking at the local strip club/omelette bar that results in do-it-yourself ear piercing and robbing a convenience store with Vanilla Ice Todd returns home to expel the night's worth of drinking all over his fiancee's wedding dress. Then he makes love to the dress. Then his fiancee (Leighton Meester) wakes up to find the dress. Then it goes even further than one would care to imagine. Grossed out yet? Amazingly lower-than-low brow material is handled with clever timing and great delivery. It's just that the foundation is bodily fluids.
That's My Boy falters when it throws in gags that serve zero purpose to the story. Strange racist humor a mentally retarded bar patron played by Nick Swardson (a Sandler mainstay) random allusions to Todd Bridges' drug habits — barrel-scraping one-offs that have nothing to do with the movie. At two hours the movie needs slimming and the fat is apparent. Thankfully the main ensemble goes to great lengths to make the hard R comedy click with Sandler and Samberg playing well off each other (although Samberg doesn't have the making of a leading man after this movie) and SNL alums like Will Forte Rachel Dratch and Ana Gasteyer driving by to bring the funny. Even Vanilla Ice's extended cameo fits the anything-goes tone playing a version of himself that befriended Donny in his celebrity days. Now he works at an ice skating rink.
After a few lame ducks That's My Boy is a return to form for Sandler. It wavers in quality but it has energy and color. A cash-in this is not and for any Sandler fan with a stomach for hardcore bathroom humor it's a must-see.
There were very few concretely good movies this year (I’m pretty sure The Situation has written more books than there are worthwhile flicks from 2010). Whenever one like Inception or Black Swan or Toy Story 3 came out and totally blew our minds, we were so thankful because it meant we didn't have to keep sucking the marrow out of mediocre movies in hope of getting one drop of enjoyable cinema. Finally there was somewhere we could turn for definitive and dependable entertainment! However, the supreme goodness of movies like Inception and Toy Story 3 cast a shadow over the majority of this year's releases and the coming of the new year and award season means some unlucky films will be forgotten. Here are the top ten movies we're most likely to forget ever existed once the clock strikes 12 on New Year's Eve and we're making out with a doorman.
A leap year happens only once every four years and a movie about a leap year hardly ever happens, so it’s no wonder this “romantic comedy” starring Amy Adams and Matthew Goode isn’t in the forefront of your mind. Also, it was released way back on January 8th, so it’s had a lot of time to collect dust on the shelf with Peabody, whose eyes are vacant of your love. AND ALSO, Leap Year was about a woman who comes across as utterly unlikable based on how she perpetuates the belief that women can’t be the ones to propose marriage over the course of her quest to prove otherwise. In other words, a movie that seeks to redefine marital traditions, but ends up reinforcing them in the end? In 2010, the year where people are proposing to their spouses via viral videos? Unbelievable.
The Killer Inside Me
Not to be confused with the good movie, I Know Who Killed Me! TKIM starred Casey Affleck, Kate Hudson and Jessica Alba and was about the old wives tale of a Texas deputy sheriff who sleeps with a prostitute and her allure turns someone into a serial killer. If that plot alone doesn’t make it a nondescript movie, perhaps knowing that critics were careful enough to note the poor musical score will solidify things. At least things ended well for Affleck, who managed to follow this pointless flick with one of the most hated and deception-based movies of the year!
The Wolfman was one of, if not the only movie this year that dealt with werewolves. That alone should mean we’d be most likely to remember when Benicio Del Toro played a man who was bitten by a werewolf when he went back to his hometown in search of his brother’s killer. But because Benicio looks like a werewolf when he’s walking to the dry cleaners, this films place in this year’s cinema roundup seems totally hazy. Not even the presence of Emily Blunt and Anthony Hopkins made this movie stand out, which again is quite telling since it was the only movie this year about the guys on our flannel sheets!
Cop Out had Bruce Willis playing a police officer who was planning to pay for his daughter’s wedding by selling a very expensive and collectible baseball card, but when it is suddenly stolen he enlists the help of his cop friend and “memorabilia-obsessed gangster,” played by Tracy Morgan, to help him retrieve it. Despite featuring a widely favored and totally under-cast Morgan, the method of getting us to care about a baseball card by making it worth the price of an innocent girl's dream wedding was cheap and transparent and therefore deemed unworthy of our neurons by our neurons.
Ah yes, Legion: the movie that was supposed to encourage us to consider how fragile the human race is, despite appearing in theaters during a period in history when we're so resourceful that we're downloading apps on our iPhones to tell us which restaurants have bathrooms that aren’t reserved just for patrons. In Legion, God loses faith in humanity and sends a bunch of angels to kick-start the Apocalypse. Humanity is saved only by Paul Bettany (which isn’t entirely unbelievable in real life either), when random strangers are trapped in a diner with him and he restores their good-nature.
Greenberg was a Noah Baumbach film starring Ben Stiller, who played a New Yorker that moved to Los Angeles to do the most annoying thing to watch someone do onscreen: GET THEIR SHIT TOGETHER. While house sitting for his brother, Greenberg starts to feel something for his brother’s assistant, which while sweet does not make his existence (no matter how fictionalized) on the planet any harder to resent.
Ryan Reynolds played Jeff Daniels’ imaginary superhero friend and Emma Stone played some weird teenage girl that was friends with Daniels somewhere in Long Island. I swear I’m not leaving anything out. Except Lisa Kudrow.
In Repo Men, Jude Law and Forest Whitaker played members of “The Union” that repossess the highly efficient mechanical organs from the unwell people who’ve failed to make the necessary payments on them. After Law’s (or former soldier Remy) heart fails on the job, he receives one of “The Union’s” organs but is naturally unable to pay for it. He then finds himself fighting his ex-partner, who has been assigned to reclaim the device inside him, to keep the organ (and his life). Why “The Union” was smart enough to have people to repossess the organs from those who couldn’t make the payments but dumb enough to loan the organs out to people that couldn’t pay for them was beyond all of us.
This was the movie that resulted in Joan Jett and Cherie Currie briefly emerging from their igloos of gold records to defend Kristen Stewart and Dakota Fanning as legitimate actresses. It made you buy a guitar that you're currently trying to figure out who to give to for Christmas.
You either loved or hated MacGruber, but chances are you forgot it was made the second Joseph Gordon-Levitt explained what a "kick" was in Inception. It was based on the series of SNL sketches that were also headed by Will Forte (which were actually quite hilarious) and was excellent in that it juxtaposed serious actors like Val Kilmer and Ryan Phillippe opposite noted comedians and SNL alumni. The worst and saddest thing about this movie was that it came in a year where we were basically so starving for good movies that when something revolutionary came along (like Inception), this flick was instantaneously pushed to the side way before it should have been.