David Mitchell's novel Cloud Atlas consists of six stories set in various periods between 1850 and a time far into Earth's post-apocalyptic future. Each segment lives on its own the previous first person account picked up and read by a character in its successor creating connective tissue between each moment in time. The various stories remain intact for Tom Tykwer's (Run Lola Run) Lana Wachowski's and Andy Wachowski's (The Matrix) film adaptation which debuted at the Toronto International Film Festival. The massive change comes from the interweaving of the book's parts into one three-hour saga — a move that elevates the material and transforms Cloud Atlas in to a work of epic proportions.
Don't be turned off by the runtime — Cloud Atlas moves at lightning pace as it cuts back and forth between its various threads: an American notary sailing the Pacific; a budding musician tasked with transcribing the hummings of an accomplished 1930's composer; a '70s-era investigatory journalist who uncovers a nefarious plot tied to the local nuclear power plant; a book publisher in 2012 who goes on the run from gangsters only to be incarcerated in a nursing home; Sonmi~451 a clone in Neo Seoul who takes on the oppressive government that enslaves her; and a primitive human from the future who teams with one of the few remaining technologically-advanced Earthlings in order to survive. Dense but so was the unfamiliar world of The Matrix. Cloud Atlas has more moving parts than the Wachowskis' seminal sci-fi flick but with additional ambition to boot. Every second is a sight to behold.
The members of the directing trio are known for their visual prowess but Cloud Atlas is a movie about juxtaposition. The art of editing is normally a seamless one — unless someone is really into the craft the cutting of a film is rarely a post-viewing talking point — but Cloud Atlas turns the editor into one of the cast members an obvious player who ties the film together with brilliant cross-cutting and overlapping dialogue. Timothy Cavendish the elderly publisher could be musing on his need to escape and the film will wander to the events of Sonmi~451 or the tortured music apprentice Robert Frobisher also feeling the impulse to run. The details of each world seep into one another but the real joy comes from watching each carefully selected scene fall into place. You never feel lost in Cloud Atlas even when Tykwer and the Wachowskis have infused three action sequences — a gritty car chase in the '70s a kinetic chase through Neo Seoul and a foot race through the forests of future millennia — into one extended set piece. This is a unified film with distinct parts echoing the themes of human interconnectivity.
The biggest treat is watching Cloud Atlas' ensemble tackle the diverse array of characters sprinkled into the stories. No film in recent memory has afforded a cast this type of opportunity yet another form of juxtaposition that wows. Within a few seconds Tom Hanks will go from near-neanderthal to British gangster to wily 19th century doctor. Halle Berry Hugh Grant Jim Sturgess Jim Broadbent Ben Whishaw Hugo Weaving and Susan Sarandon play the same game taking on roles of different sexes races and the like. (Weaving as an evil nurse returning to his Priscilla Queen of the Desert cross-dressing roots is mind-blowing.) The cast's dedication to inhabiting their roles on every level helps us quickly understand the worlds. We know it's Halle Berry behind the fair skinned wife of the lunatic composer but she's never playing Halle Berry. Even when the actors are playing variations on themselves they're glowing with the film's overall epic feel. Jim Broadbent's wickedly funny modern segment a Tykwer creation that packs a particularly German sense of humor is on a smaller scale than the rest of the film but the actor never dials it down. Every story character and scene in Cloud Atlas commits to a style. That diversity keeps the swirling maelstrom of a movie in check.
Cloud Atlas poses big questions without losing track of its human element the characters at the heart of each story. A slower moment or two may have helped the Wachowskis' and Tykwer's film to hit a powerful emotional chord but the finished product still proves mainstream movies can ask questions while laying over explosive action scenes. This year there won't be a bigger movie in terms of scope in terms of ideas and in terms of heart than Cloud Atlas.
If you're planning to see Ocean's Eleven, prepare yourself for some deja vu come 2002, as George Clooney will make his directorial with Confessions of a Dangerous Mind, starring Ocean's pals Brad Pitt, Matt Damon and Julia Roberts. The film, set to begin shooting in January, is a comedic biopic about Gong Show host Chuck Barris.
The early list of presenters and performers at the upcoming American Music Awards--set to air January 9 on ABC--has been released. Presenters include Alicia Keys, Chris Klein, LeAnn Rimes, Frankie Muniz, Method Man, Niki Taylor, Tyrese and many more entertainment stars. Performers include Lenny Kravitz, Kid Rock, Brooks & Dunn and Cher.
William Jovanovich, chief executive and chairman of publishing house Harcourt Brace Jovanovich, died of a heart attack on Tuesday in his home in Point Loma, Calif., his family announced Thursday. He was 81.
Cast Away director Robert Zemeckis pulled a disappearing act of his own on Tuesday: he secretively eloped, marrying actress Leslie Harter in Venice, Italy. This is Zemeckis' second marriage.
A life-size bronze statue was dedicated to late actor Cary Grant on Friday in the British city of Bristol, his hometown. Grant's widow, Barbara Jaynes, unveiled the statue, which was paid for by the people of Bristol.
On Thursday, Robert De Niro announced that he plans to launch a new event called the Tribeca Film Festival in lower Manhattan's Tribeca neighborhood. The festival, to be held just north of "ground zero," the location of the World Trade Center collapse, will commence May 1, 2001 and last for five days, showcasing 40 films from around the world.
While CBS pulled off a victory in total primetime viewers in the November sweeps, the Eye Network also performed well in late-night ratings for the month, according to Nielsen Media Research. The Late Show with David Letterman had its best November since 1997, up 21% in viewers 18-49, while The Late Late Show with Craig Kilborn shot up 25% in the same key demographic.
After three years on the hit NBC drama ER, actress Michael Michele--who plays Dr. Cleo Finch--is leaving the show due to physical duress caused by constant cross-country flights from New York to Los Angeles. Michele plays Will Smith's wife in the upcoming film Ali.
United Nations Secretary-General Kofi Annan taped an episode of Sesame Street on Thursday, The Associated Press reports. Annan will serve as a peacekeeper in the episode, teaching Elmo and the gang how to get along as friends.
Hot on the heels of the success of Harry Potter and the buzz surrounding The Lord of the Rings, Walden Media announced on Thursday that they have joined forces with The C.S. Lewis Co. to produce a live-action film based on the novel The Lion, the Witch, and the Wardrobe. Walden Media, a newcomer on the studio scene, plans to produce all seven of Lewis' popular "Narnia" novels.