The stars of Downton Abbey beat their show back to the states. PBS will begin airing season four of the phenomenon on Jan. 5, but a few residents of the big house were on hand at a PBS event in New York City on Tuesday to preview the new episodes for some superfans. Superfans with impeccable restraint, if they've steered clear of downloads. The Dowager would be proud.
After a screening of the first 40 minutes of episode one, the cast took the stage with executive producers Julian Fellowes and Gareth Neame. The discussion was plagued by lazy questions from moderator Bill Carter (just because you work for The New York Times doesn't mean you don't have to do your homework). Six months have passed since the gut-wrenching twist at the end of season three, and there's plenty more to talk about than how gosh darn uncomfortable those costumes must be.
Still, we managed to get some scoop. Hugh Bonneville (Lord Grantham) reminded us that his character means well, but remains "a beat behind the action" in terms of social change. Michelle Dockery hinted that the widowed Lady Mary will have several suitors pursuing her this year, and pointed out that many fans think Branson (Allen Leech) should be among them. Speaking of love connections, Phyllis Logan gave some hope to those who'd like to see Mrs. Hughes and Mr. Carson get together: "She has great affection for him." When asked if Lady Edith will finally catch a break this season, Laura Carmichael struggled to give a spoiler-free answer. But we're guessing the answer is no. Lesley Nicol is still lobbying for Mrs. Patmore to get a boyfriend. And clear audience favorite Rob-James Collier reassured us that Thomas won't stop scheming anytime soon. Thomas has been told by society that he's an abomination, and so he meets those expectations. "As Eminem once said," Collier quoted, "I am whatever you say I am." Barrow is a 1920s Eminem. It all makes sense now.
It's a sad day for Saturday Night Live fans. The male half of Two A-Holes is following in the footsteps of his gum-chewing better half. The what? Yep, Jason Sudeikis is officially leaving SNL.
On Wednesday night, the actor and comedian appeared on CBS's The Late Show to promote his upcoming movie We're the Millers, co-starring Jennifer Anison. When David Letterman asked him about his long run on SNL, he made a sad announcement. "I'm definitely done," Sudeikis said. "I'm going to leave. Yeah, I'm not coming back next fall." This marks the end of an era for the comedian, who spent a decade on the show, first for two years as a writer and then eight as a performer. But Sudeikis looked back on his time there fondly. "It's been really, really amazing. I was very, very lucky."
But what will Lil' Blaster do without DJ Supersoak? What will Jonathan Cavanaugh-san and Rebecca Stern-Markowitz-san do without their outraged Japanese Studies professor Sansei Mark Hoffman? How will we get The Devil's hilarious take on current events?
Well, we thought SNL would have a lot of big shoes to fill after the departure of Seth Meyers, Fred Armisen and Stefon (oops, we mean Bill Hader). Now, they can add another sizeable pair to the mix.
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A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.