Eva Longoria's ex-husband, basketball star Tony Parker, has wed his fiancee Axelle Francine, according to reports. The French sportsman, who plays for the San Antonio Spurs, tied the knot with Francine in a ceremony in San Antonio, Texas, on Saturday (02Aug14).
An employee at the Cowboy Dancehall, where the pre-wedding reception took place, tells People.com, "It was just a little gathering. He wanted to show them a Texas country good time."
The couple has been dating since 2011 and welcomed son Josh in April (14).
Parker's four-year marriage to Longoria ended in 2011 amid allegations of his infidelity.
Musical theatre composer Mary Rodgers has died, aged 83. The daughter of Broadway icon Richard Rodgers passed away on 26 June (14), according to Playbill.com.
Rodgers grew up with her father's enormous success in the theatre, and she wrote the music to Once Upon a Mattress, the musical adaptation of the Hans Christian Anderson tale The Princess and the Pea, in her 20s.
The production, which debuted in 1959, gave lead actress Carol Burnett her big break and her first Tony Award nomination.
Once Upon a Mattress closed less than a year after opening, but found success with a TV special in 1964 and 1972, both starring Burnett, as well as a Broadway revival in 1996 starring Sarah Jessica Parker.
Rodgers also composed the music to such shows as A to Z, Hot Spot, and Working.
She later became a children's book author, and wrote A Billion for Boris, Summer Switch, The Rotten Book and Freaky Friday, which was adapted for the big screen in 1976, featuring Barbara Harris and Jodie Foster, and again in 1995 and 2003, when it starred Jamie Lee Curtis and Lindsay Lohan.
Rodgers' son with her second husband Henry Guettel, Adam Guettel, is also a musical theatre composer. He earned two Tony Award wins for Best Score and Best Orchestrations for his 2003 musical The Light in the Piazza.
Rodgers is survived by her sister, Linda Rodgers Emory, five children, seven grandchildren and step-grandchildren.
Actor Tony Danza is officially heading back to Broadway for the first time in 13 years with a musical adaptation of 1992 movie Honeymoon In Vegas. The Taxi star will take on the role of gambler Tommy Korman, the character made famous by James Caan in the film, about a man who falls for a young woman while she is in Las Vegas to wed her boyfriend.
Actress Brynn O'Malley will play the bride-to-be, depicted by Sarah Jessica Parker on the big screen, while Rob McClure will take on the role Nicolas Cage played in the early 1990s.
Gary Griffin will direct the show, which will begin previews on 18 November (14) at the Brooks Atkinson Theatre, ahead of its official opening on 15 January (15).
Danza last appeared on the Great White Way in a 2001 production of The Producers, while he previously featured in The Iceman Cometh in 1999 and A View From the Bridge in 1997.
Rumours about Danza's Broadway return first surfaced in 2011, before producers decided to give the Honeymoon in Vegas musical a trial run at New Jersey's Paper Mill Playhouse last year (13).
"Just landed in Italy! Congrats the San Antonio Spurs!!" Actress Eva Longoria celebrates her hometown basketball team's NBA championship win. The Spurs, featuring her ex-husband Tony Parker, beat the Miami Heat on Sunday night (15Jun14) to win the title.
"Go Spurs Go!!!" Eva Longoria is cheering on her hometown San Antonio Spurs as they kick off a National Basketball Association finals series against the Miami Heat in Texas on Thursday night (05Jun14). The actress' ex-husband, Tony Parker, plays for the Spurs.
Few filmmakers come out of the gate swinging with an epic two-hour feature film debut that goes on to achieve huge box office success. Most of them start small with commercials, shorts, and low-budget indie flicks. And some of the most renowned filmmakers started out creating visuals for the music world, eventually working their way up to narrative features. Here are just a few movie directors who have also made great contributions to the world of music video.
This year he took home his first Oscar for Her, winning the award Best Original Screenplay. But back in the '90s he brought us the video to one of the most infectiously delightful songs ever, Fatboy Slim's "Praise You." As you can see, his sense of whimsy hasn't changed over the years.
Even if Belly wasn't the greatest cinematic achievement of all time (although, if you were a huge DMX fan back in the day, it probably was), it was exciting to see hip-hop video director extraordinaire Hype Williams create a feature film. Did it play a lot like a really long rap video at times? Yes. But that unforgettable scene with DMX watching Gummo was so amazing, it really didn't matter. Hype's love for cinema can also be seen in his "California Love" video for Tupac and Dr. Dre, which was partly inspired by Mad Max Beyond Thunderdome. F. Gary Gray and Antoine Fuqua are two other acclaimed directors known for making waves on the hip hop music video scene.
Michael D. Ratner
This is a name you'll want to commit to memory. Ratner's work with New York's Hot 97, the leading voice in hip-hop radio, has resulted in some brilliant, satirical videos that went viral over the last couple of years. This year he and his crew at One Big Ball pictures (gotta love that name) made their Tribeca Film Festival debut with Ratner's hilarious short film The 30 Year Old Bris. Although he's continuing his work in music (he produced the upcoming Diddy/Meek Mill video for "I Want The Love"), Ratner also has more romantic comedies in the works. We suspect that good things are bound to come from a fella who's been hanging out with everyone from Spike Lee to 50 Cent and the great Jim Jones.
The director of Scarlett Johansson's most recent feature Under the Skin is also known for having made some powerful music videos in the '90s and early '00s. He worked with artists like Jamiroquai and Massive Attack before making his directorial debut with Sexy Beast (for which Ben Kingsley received an Oscar nomination for Best Actor in a Supporting Role). One of Glazer's most compelling works was the "Karma Police" video for Radiohead. Although he himself was critical of the finished product, it earned him the MTV Director of the Year award in 1997.
Fincher may be the best example of a director whose talent in music videos translated into brilliance in feature films. He went from being the director of many iconic and acclaimed videos (Paula Abdul's "Straight Up," Michael Jackson's "Who Is It," Justin Timberlake's "Suit & Tie") to being the Oscar-nominated director behind Fight Club, The Girl with the Dragon Tattoo, House of Cards, and the upcoming Gone Girl.
Best known for films like Love & Basketball and The Secret Life of Bees, Prince-Bythewood has a good collection of throwback R&B and hip-hop videos under her belt as well. This year she's returning to the big screen with the highly-anticipated Blackbird, starring Minnie Driver, Danny Glover, and Nate Parker, but it's fun to look back at her days with Fat Joe and Tony Sunshine.
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Actress Eva Longoria's ex-husband, Tony Parker, is a new dad - the French basketball star's fiancee has given birth to the couple's first child. Little Josh was born on Wednesday (30Apr14), hours before Parker helped the San Antonio Spurs beat the Dallas Mavericks in the National Basketball Association's 2014 play-offs.
His teammate Tim Duncan says, "He was really excited before the game. Obviously, he was really excited to have his son here and wanted to get this game really badly, not only for his son but for the situation and the timing of it."
Parker announced he was expecting a son with French journalist Axelle Francine in October (13). He ended his four year marriage to Longoria in 2011.
The Book Of Mormon has officially been deemed a West End hit after winning four prizes, including Best New Musical, at the 2014 Olivier Awards in London. The Tony Award-winning stage show, from South Park creators Trey Parker and Matt Stone, opened in London last year (13) and it dominated the musical categories at the annual theatre prizegiving, taking home Best Actor in a Musical for Gavin Creel, Best Performance in a Supporting Role in a Musical for Stephen Ashfield and Best Theatre Choreographer for Casey Nicholaw.
The Best Actress in a Musical title went to Zrinka Cvitesic for Once.
Meanwhile, Lucy Kirkwood's thriller Chimerica was another big winner, being named Best New Play and earning Best Director for Lyndsey Turner, as Rory Kinnear walked away with Best Actor for Othello and Lesley Manville claimed the female equivalent for Ghosts.
Ghosts was also named Best Revival and landed Jack Lowden Best Actor in a Supporting Role. Sharon D Clarke was awarded the Best Actress in a Supporting Role prize for The Amen Corner.
Guests at the Royal Opera House event on Sunday (13Apr14) were treated to performances from Broadway regular Bernadette Peters and tenor Joseph Calleia, but the highlight of the night came when ABBA stars Benny Andersson and Bjorn Ulvaeus joined the cast of Mamma Mia! to sing a medley of hits in celebration of the musical's 15th anniversary in the West End.
"It was written by Adam Duritz and Ryan Adams. I know them, I love the song. It doesn't get a lot of airplay though. Adam told me he started writing it the night after I won a Tony, and then Ryan came over. They're two of my favourite singers and good friends, both of them." Actress Mary Louise Parker confirms Counting Crows' Butterfly in Reverse was written about her.
Columbia Pictures via Everett Collection
Two new bits of information from the set of The Avengers: Age of Ultron. First, according to Twitch, the movie is looking to add a new international location to its filming schedule, and will be shooting in the Gangnam neighborhood of Seoul, South Korea. Rumors of a Korean shoot have been circulating for some time now, and although star Mark Ruffalo has shot them down in the past, Korean representatives have confirmed that South Korea will be joining Italy and the U.K. as filming locations for the upcoming film. In addition, Korean actress Kim Soo-hyun has been added to film's cast of thousands, and although her character has yet to be revealed she has reportedly been cast "in a villain role."
Kim's character would be the third villain in Age of Ultron, as James Spader and Thomas Kretschmann have already signed on to play Ultron and Baron Wolfgang von Strucker, respectively. It's very likely that her character will play more of a supporting role, and probably work for or with one of the two main villains of the film, although, since her role is being kept under wraps, there's still a chance that she would be playing a more prominent villain. Superhero films have often been known to use multiple villains as a way of distracting both the heroes and the audience from the real villain of the piece, which means either Strucker or Ultron would be used to draw attention away from a more important character. However, both Ultron and Strucker are long-term adversaries of the Avengers in the comics, so it would be a more logical choice for the film to use them as the primary villains.
Regardless of the size of the role that Kim will play, the addition of a third villain might be cause for concern amongst fans of the series. Of course, having multiple villains in a superhero film is nothing new, but it's a difficult feat to pull of successfully, which might explain why there are so few films in which such a trope has worked well. Most movies like to establish some sort of backstory for their villains, in order for the audience to understand why they have turned to evil, and why they choose to terrorize this particular city or hero. Adding a second or even third villain would then require additional backstory for those characters as well, which tends to eat up a significant amount of the film's runtime — not to mention the fact that a film can only sustain so many subplots before everything starts to become convoluted. Spider-Man 3 attempted to circumvent the backstory issue by connecting Sandman with Uncle Ben's murder, but even that became confusing when added to Harry Osborn inheriting his father's role as the Green Goblin and Venom turning to evil after a petty feud with Peter Parker. Yes, that film has a myriad of other issues, but having three separate superheroes competing for screentime and Spider-Man's attention did nothing but drag things down even further.
Of course, even if Kim is playing a more supporting, henchman-type role instead of being a distinct villain in her own right, that doesn't necessarily mean the film is in the clear. Iron Man 2 attempted to add in a second villain with the addition of Justin Hammer, who plays a secondary role to Ivan Vanko, and assists in his scheme to take down Tony Stark, but ultimately, his storyline feels like an unneccessary subplot, and he's dispatched with easily and quietly. The plot of the film works just as well without him, and he doesn't add anything important to Tony's story or even to Vanko's story, so all he's doing is providing addition wisecracks and taking attention away from the rest of the story. It's not just Marvel that has difficulty balancing multiple villains, either; The Dark Knight Rises attempted to work in both Bane and Talia al Ghul by having the former provide the main villainy causing problems within Gotham, while distracting Batman from the fact that Talia was the mastermind behind the whole thing. Most of the film's plot focused on Bane, and when it was revealed at the very end that his story was actually hers, it felt more like an attempt at a surprise twist ending than anything else. She was never given the attention needed to make that ending feel earned or justified, which again, results in the double-villain trope being unsuccessful.
Even without factoring in Kim's character, the deck is stacked against Age of Ultron. Both Ultron and Strucker are significant parts of the Avengers mythology, which means they have complicated and dense histories, which the film will have to find a way of condensing or entwining in order to do justice to both of the character's origins and relationship with the Avengers. Marvel has been known to focus on one villain as the main antagonist, and slowly establish the second one as a long-term villain who will play a more significant role in the next film. However, in this case, it's impossible to tell if that will be the direction they choose for Age of Ultron, as neither Ultron or Strucker gives of the impression of being a one-and-done character, which makes it all the more important that both characters receive the time and attention they need. The best way to go about this would be to follow in the footsteps of The Dark Knight, which incorporated Two-Face's origin story into the Joker's plot, and allowed them both to succeed as the villains of the piece. If Age of Ultron can find a way to combine the two stories — for example, having Ultron work for HYDRA, or having him be the catalyst for Strucker's founding of the organization — then it might be able to avoid the "multiple villain" curse that haunts superhero films.
With the addition of Scarlet Witch, Quicksilver, and Rhodey, Age of Ultron already has the difficult task of keeping the story from becoming over-crowded with characters, and so, as a result, multiple villains doesn't seem to be a solid plan. They're already having to relegate some of the good guys to background and subplots, which makes it hard to see where writer/director Joss Whedon will be able to fit in the many backstories needed to sustain a proper villain arc. Furthermore, the increased size of the cast seems to be counterintuitive to the "smaller" and "more personal" nature of the story that he has promised, as more characters means there is less room to focus on the individual, be it hero or villain. The Marvel universe has thus far seen great results with its attempts to focus on the psychological and emotional elements of the characters as well as the action that we expect, and the description of the script for Age of Ultron makes it sound as if this will be joining Iron Man 3 and Captain America: The Winter Soldier as successful looks at the inner lives of the heroes. But adding in so many new characters seems to undermine that story thread, and might only result in a film that has too many plots to properly explore anything.
We're hoping that Marvel will be able to avoid the pitfalls that come with having too many villains in a film, and we'd like to see Age of Ultron join the short list of superhero films that have been successful. However, the larger this cast seems to grow, the more reservations we have about whether or not the film will be able to pull it off. It's a delicate balancing act to work so many subplots and backstories into a film that is cohesive and engaging, but Marvel's on a hot streak right now, so we'll just have to hold out hope that Age of Ultron won't allow everything to come crashing down. And if it does, at least they'll have a few dozen more films in which to make things right.