Kim Cattrall seems to have found something interesting to do on her time off from the hit HBO series Sex and the City. Cattrall and Martha Plimpton will play lesbians in the New York premiere of David Mamet's Boston Marriage at the Public Theater this November, Variety reports. Boston Marriage, a Victorian comedy about two aristocratic lesbians, recently ran at the Donmar Warehouse in London. Sharon Stone had been mentioned to star in a Broadway production of the Mamet play two seasons ago, but it never materialized. Other HBO stars hitting the stage during their series hiatus include The Sopranos' Edie Falco, who is starring in Frankie and Johnny, and Six Feet Under's Michael C. Hall, appearing in Chicago.
Jason Priestley was released from Methodist Hospital in Indianapolis late Saturday morning, The Associated Press reports. The 32-year-old former Beverly Hills, 90210 star spent 12 days in the hospital, recovering from injuries he sustained when his car crashed at Kentucky Speedway on Aug. 11. Doctors say he is expected to make a full recovery.
Still no trial date has been set for Winona Ryder, who was accused of shoplifting from a Saks Fifth Avenue store more than eight months ago. According to Reuters, her lawyers met with the prosecutors and a judge Friday, fueling speculation that a plea bargain was in the works. But after the hastily arranged closed-door meeting, Superior Court Judge Elden Fox instead set Ryder's next pretrial hearing for Sept. 5, where he is expected to set a date for her trial.
There was more trouble on the Romanian set of Nicole Kidman's new film, Cold Mountain. According to Ananova.com, the Romanian daily Evenimentul Zilei reports that Paul Cojocaru, 17, was impaled by a metal spike after falling from a height of two meters while he was cleaning a tent. An investigation is being made into how the accident occurred. The teenager was taken to Floreasca Emergency Hospital, where surgeons removed the spike. Three weeks ago, a young boy trying to get a spot as an extra in the film suffered multiple fractures to the head and shoulder after being crushed in a crowd of people.
Lee Zlotoff, the creator Paramount Television's series MacGyver, closed a seven-figure deal Friday with New Line Cinema to write, direct and produce a feature version of late 1980s series, according to The Hollywood Reporter. There is no deal yet for Richard Dean Anderson, who starred as the secret agent in the series, to reprise his role. There is no script yet, although a plot has been completed for the big-screen version.
A judge ruled last week that Phil Donahue lost the "first dibs" right to buy rerun rights of his former show when his contract with the show's owner expired in 1996, the AP reports. Donahue sued Multimedia Inc., Universal Television Enterprises Inc. and Gannett Co., Inc. in 1997 saying he didn't get the chance to be first to buy the rights to the show when Gannett bought Multimedia in 1995 or when Universal Television bought the rerun rights from Gannett one year later. Donahue might appeal the ruling.
R&B singer Ashanti accepted her entertainer of the year honors at Saturday's Soul Train Lady of Soul Awards, despite complaints from music fans that she didn't deserve it. More than 28,000 signatures were collected on an Internet petition posted at PetitionOnline.com, railing against the decision to bestow Ashanti with the entertainer of the year honor. Her critics complain that she isn't talented enough to deserve the award. Previous winners include Toni Braxton, Mariah Carey, TLC and Jill Scott. The awards show was hosted by Arsenio Hall, Scott and Soul Train host Shemar Moore. Winners were determined by an unspecified group of radio programmers, recording artists and music retail employees.
The Producers Guild of America will give out awards tonight, with the teams behind A Beautiful Mind, Moulin Rouge and Shrek among those in contention for its top honor. The producers of Harry Potter and the Sorcerer's Stone and Lord of the Rings: The Fellowship of the Ring are also in the running for the Darryl F. Zanuck Producer of the Year Award.
The honor is similar to the motion picture academy's best picture prize, and the winner is considered a near shoo-in for Oscar gold. The 1,500-member Producers Guild has correctly predicted the best picture Oscar winner 10 out
of the last 13 years.
A Beautiful Mind, Lord of the Rings and Moulin Rouge are
nominated for both the PGA award and best picture Oscar. But the guild opted for box office hits Shrek and Harry Potter for its other two slots,
while the Academy chose the indie critic faves In the Bedroom and Gosford Park.
The Producers Guild will also hand out awards in three television categories, with such shows as The West Wing and The Sopranos among those in the running.
The teams behind CSI: Crime Scene Investigation, Law & Order, Six Feet Under, The Sopranos and The West Wing are nominated for the Norman Felton Producer of the Year Award in episodic television-drama.
Contenders for the Danny Thomas Producer of the Year Award in episodic television-comedy are Frasier, Friends, Malcolm in the Middle, Sex and the City and Will & Grace.
The nominated producers of Frasier include the late David Angell, who was aboard one of the hijacked planes that crashed on Sept. 11.
Among the David L. Wolper Producer of the Year Award in longform television nominees are some well-known names--Billy Crystal for HBO's 61*, and Tom Hanks and Steven Spielberg for HBO's Band of Brothers.
Husband-and-wife actors Bradley Whitford of The West Wing and Jane Kaczmarek of Malcolm in the Middle will host the guild's 13th annual ceremony at the Century Plaza Hotel & Spa.
Formed in 1950, the Producers Guild has about 500 active members and 1,000 affiliated members.
Here is the full list of nominees:
Darryl F. Zanuck Theatrical Motion Picture Producer of the Year Award in Motion Pictures
A Beautiful Mind, Brian Grazer and Ron Howard
Harry Potter and the Sorcerer's Stone, David Heyman
Lord of the Rings: Fellowship of the Ring, Barrie M. Osborne, Peter Jackson and Fran Walsh
Moulin Rouge, Martin Brown, Baz Luhrmann and Fred Baron
Shrek, Aron Warner, John H. William and Jeffrey Katzenberg
Norman Felton Producer of the Year in Episodic Television-Drama
CSI Crime Scene Investigation, Jerry Bruckheimer, Ann M. Donahue, Carol Mendelsohn, Anthony Zuiker, Jonathan Littman, Sam Strangis, Danny
Cannon, Cynthia Chvatal and William Petersen
Law & Order, Dick Wolf, Barry Schindel, Jeffrey L. Hayes, Lewis H. Gould and Kati Johnston
Six Feet Under, Alan Ball, Robert Greenblatt, David Janollari and Alan Poul
The Sopranos, David Chase, Brad Grey, Mitchell Burgess, Robin Green, Ilene S. Landress and Terence Winter
The West Wing, John Wells, Aaron Sorkin, Thomas Schlamme, Llewellyn Wells, Christopher Misiano, Alex Graves and Michael Hissrich
Danny Thomas Producer of the Year Award in Episodic Television-Comedy
Frasier, David Angell, Peter Casey, Kelsey Grammer, David Lee, Dan O'Shannon, Mark Reisman and Maggie Blanc
Friends, Kevin S Bright, Marta Kauffman, David Crane, Shana Goldberg-Meehan, Scott Silveri, Andrew Reich, Ted Cohen and Todd Stevens
Malcolm in the Middle, Linwood Boomer and James S. Simons
Sex and the City, Michael Patrick King, Cindy Chupack, John P. Melfi and Sarah Jessica Parker
Will & Grace, James Burrows, Jeff Greenstein, Max Mutchnick, David Kohan and Tim Kaiser
David L. Wolper Producer of the Year Award in Longform Television
61*, Billy Crystal and Ross Greenburg
Anne Frank, Hans Proppe and David R. Kappes
Band of Brothers, Tom Hanks, Steven Spielberg and Tony To
Life With Judy Garland: Me and My Shadows, Craig Zadan, Neil Meron, Robert Allan Ackerman and Lorna Luft
Wit, Cary Brokaw
Ryan (Freddie Prinze Jr.) and Jennifer (Claire Forlani) first met on a plane when they were 12. He’s terrified of planes she promptly tells him about her first period so it’s granted that they don’t exactly click. Fast-forward to high school where they bump into each other again. Now he’s the school mascot she’s the homecoming queen. No sparks. Fast forward to college where he’s the geeky engineering major (yes you read correctly) and she’s the free-spirited rocker-dating Latin student. Finally here they become friends help each other with their love issues and despite their opposing viewpoints … well take a guess.
Prinze the BMOC in "She’s All That " is supposed to be an anal-retentive doofus. And while the pageboy cut (split down the middle) and glasses do little to mask his good looks he plays against type surprisingly well doing his best to rise above the cliché-filled script. Forlani who was calm and luminous in the sluggish "Meet Joe Black " still has "proper British upbringing" written all over her so she’s not really believable as an outrageous one-night-stander (she also looks too old for Prinze). Heather Donahue (showing a promising comedy career post-"Blair Witch") and Amanda Detmer make a great supporting cast but the show is stolen by an underused Jason Biggs. As Ryan’s woman-chasing roommate Biggs also gets the single funniest scene in the film which you’ll miss if you walk about before the credits roll.
"She’s All That" director Robert Iscove is back and using the same traits again. First we have the you-are-there flashback narration ("So I was watching him play with his band " a character might reflect in her dorm room and suddenly she’s sitting at the concert still in her pajamas). Then there’s the choreographed dance number. Disguised as a scene to show Ryan trying to loosen up at a "foam club" (like a car wash soapy water douses the dancers) it’s really an excuse to show off Iscove’s choreography background by having all patrons wiggle simultaneously to Apollo Four Forty’s "Stop the Rock." It’s cute and all but the biggest faux pas Iscove makes is having Ryan and Jennifer take a "walk" from Berkeley … and miraculously wind up at the Golden Gate bridge.
A year ago, five unknown guys from Orlando, Fla., went to the Sundance Film Festival with a cheap movie, a neato gimmick and a good publicist.
Today they return to Park City, Utah, as Hollywood players -- the creators of what might become the biggest horror film franchise ever -- and as bona fide filmmakers afforded multimillion-dollar budgets.
Their film cost $10,000 to $100,000, depending on what you read. They sold it for $1 million. It made $140 million in theaters. Maybe you've heard of it: "The Blair Witch Project."
Hands down, the "Haxan Five," as they like to call themselves (Get it? It rhymes with "Jackson Five") are the biggest rags-to-riches story ever to come out of Sundance. Sure, other nickel-and-dime neophytes such as Kevin Smith and Edward Burns have received more critical praise. But none of those guys launched a commercial juggernaut like "Blair Witch," which left most of last year's major studio films in the dust. If not for the festival, the phenomenon may have forever remained a figment of their fertile imaginations.
"Everything hinged on us getting into Sundance," Daniel Myrick, who co-wrote and directed the movie with partner Eduardo Sanchez, told the Dallas Morning News last year. "It's such a validation for our sort of filmmaking. It's like winning the lottery.
"We have these bongos in our office that we beat whenever something good happens. The day we were picked, we partied and beat on those drums all night. Now, we're living the dream, man."
How's tricks nowadays with Myrick, Sanchez and their producers, Gregg Hale, Mike Monello and Robin Cowie? Not bad at all.
This spring, they are set to begin filming their first post-"Witch" feature, a comedy called "Heat of Love" for Artisan. Earlier this month, they signed a big deal with Artisan in which Sanchez and Myrick will executive produce "Blair Witch 2," to be directed by veteran documentarian Joe Berlinger, and they will write and direct a third installment, a "Blair Witch" prequel, set for release in fall 2001. Both the sequel and prequel will be budgeted in the $7 million to $10 million range.
Add to that all their talk show appearances, magazine interviews, the merchandising (including a hugely hyped pre-Halloween home video release, a video game version of the movie, books, etc.), and a TV show in development at Fox, it's been quite a year. Their schedules are so full, they couldn't (or wouldn't) be interviewed for this article (their publicist apologized).
"I think in terms of money, 'Blair Witch' is the most successful movie to come out of Sundance. There's not anything that comes close," says John Anderson, chief film critic for Newsday in New York and author of the book "Sundancing: Hanging Out and Listening in at America's Most Important Film Festival" (Spike Publishing).
But now that Sanchez, Myrick, et. al. are players, the player-haters will inevitably come out of the woodwork. It's already started: After receiving a big buzz-bounce out of Sundance last year, "Blair Witch" was greeted with mostly favorable reviews as critics praised it as an anti-film, a horror original. But as the film became a phenomenon, detractors appeared, saying, "it's not scary," "it's cheap-looking" or "stop shaking the camera already, you're giving me a migraine."
"The reaction was kind of funny," Anderson says. "Almost as soon as it started making money, people turned on it. There's always this perverse critical reaction when something becomes too popular, but you have to admit it had one of the great marketing plans, both by the filmmakers and by Artisan."
That marketing plan began back in 1997, when Sanchez and Myrick succeeded in getting snippets from "Blair Witch," then a work-in-progress, onto indie film guru John Pierson's cable TV show "Split Screen." From the beginning, the project was presented as if it were a true-to-life documentary, and the filmmakers neither confirmed nor denied its authenticity. To maintain a veil of mystery, they made sure the film's three actors, who portray the film crew lost in a haunted Maryland woods, didn't speak to the media until after the film was released theatrically in July.
The actors, Heather Donahue, Joshua Leonard and Michael Williams, who lent their real names to their characters, have also fared well in the wake of the film's box-office bonanza. All three were complete unknowns beforehand -- they didn't even have SAG cards -- but they spent last summer making promo appearances on Jay Leno, the MTV Movie Awards and other gigs. Now they all live in Los Angeles and have agents.
Leonard has enjoyed the most immediate big-time success, recently landing a part in "Navy Divers," a mainstream Hollywood flick with Robert De Niro and Cuba Gooding Jr. He also worked on a low-budget film, "City of Bars," which was shot last year in San Francisco. Not bad for a guy whose resume previously boasted of a few films most have never heard of and stage work at the Seattle Fringe Festival.
Donahue, whose credits included stage work in New York, is now auditioning for films and spends time camping in the California mountains, an interest she developed while working on "Blair Witch." And Williams is also passing out headshots in Hollywood, having moved to the area last year after getting married. He also has diffused a longstanding rumor that he once played minor league baseball in the Yankees farm system.
What's next? Many filmmakers who hit pay dirt the first time out suffer a sophomore jinx, and the industry will surely be watching to see if the Haxan guys sink or swim with their new comedy. Will it be funny? Will it be in focus? Will there be lots of rocks and twigs?
The Haxan guys are being familiarly coy about "Heat of Love," which they have described as "'It's A Mad Mad Mad Mad World' meets Ruth Buzzi and Erik Estrada."
"Whatever they do next, they're going to have to try extra hard to get over the hump," Anderson adds. "A lot of people feel like they were snookered by 'Blair Witch' because they [Sanchez and Myrick] were so cagey about the origins of the footage.
"Mainstream narrative filmmaking is a whole new ball game for them. There's no reason to think that they'll be better at it than anybody else. They caught lightning in a bottle the first time out."
Brace yourself Dr. Laura. This clueless teen queen (Natasha Lyonne) has it all: good looks a football captain boyfriend and a popular pair of pom-poms. But her candy-colored world crumbles when her panicked parents stage an intervention after finding a Melissa Etheridge poster that leads them to conclude she's a friend of Ellen. After being carted off to an anti-gay rehab camp for teens the perky princess must choose between the straight and narrow-minded or the love that dare not speak its name.
The quirky ensemble casting is half this film's fun. Lyonne is charming as the pepster tempted by T&A and she sparks onscreen with swanky and sexy co-star Clea DuVall who plays the butch femme fatale suitor (alarmingly reminiscent of Nancy McKeon's Jo from "The Facts of Life.") Drag queen supreme RuPaul is unrecognizable out of his high heels and even higher blond wig wearing a "Straight is Great" T-shirt as a macho militant ex-gay counselor. Cathy Moriaty is sweetly sinister as the homophobic headmistress and Mink Stole steals scenes as the uptight upright meddling mom.
Kudos to Jamie Babbit for tackling this hot-potato topic but this well-intentioned film too often misses its mark turning potentially comical scenes into unbearably awkward moments. Babbit fouls when tugging at the heartstrings but hits home runs when the humor is at its broadest.