The Oscar nominations came out on Thursday morning, and as of now, it's anybody's race. Some say 12 Years a Slave has it in the bag, while others think American Hustle will snatch the Best Picture trophy. There's no one way to know for sure — does the Academy weigh emotional impact? Flashy performances? The film's lasting message?
How about titles? Yes, you can tell a lot about a film by its title, and about its Oscar chances, too. We've compiled some handy data about each Best Picture nominee's title and what it says about the film's chances come time to hand out the awards. (You can also head over to BBC America to check out this fantastic infographic that predicts the Best Picture winner!)
Movies with the word "America" in their titles......to win a Best Picture Oscar: 2 (An American in Paris; American Beauty) ...to get nominated for BP, but not win: 2 (America, America; American Graffiti)
Movies whose titles refers to a crime or act of duplicity......to win a Best Picture Oscar: 2 (Mutiny on the Bounty; The Sting)...to get nominated for BP, but not win: 11 (The Racket; She Done Him Wrong; Imitation of Life; Libeled Lady; Grand Illusion; The Caine Mutiny; The Hustler; Mutiny on the Bounty; The Killing Fields; The Fugitive; Traffic)
Columbia Pictures via Everett Collection
Movies with a main character's surname in their titles......to win a Best Picture Oscar: 10 (The Great Ziegfeld; Ben-Hur; Tom Jones; Patton; Annie Hall; Kramer vs. Kramer; Gandhi; Schindler’s List; Forrest Gump; Shakespeare in Love)...to get nominated for BP, but not win: 45 (Disraeli; Trader Horn; Arrowsmith; The House of Rothschild; Alice Adams; Captain Blood; David Copperfield; Ruggles of Red Gap; Anthony Adverse; Dodsworth; Mr. Deeds Goes to Town; The Story of Louis Pasteur; The Life of Emile Zola; The Adventures of Robin Hood; Goodbye, Mr. Chips; Mr. Smith Goes to Washington; Kitty Foyle; Citizen Kane; Here Comes Mr. Jordan; Sergeant York; Mrs. Miniver; The Magnificent Ambersons; Madame Curie; Wilson; Mildred Pierce; Johnny Belinda; Julius Caesar; Mister Roberts; The Diary of Anne Frank; Elmer Gantry; Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb; Mary Poppins; Doctor Zhivago; Who’s Afraid of Virginia Woolf?; Doctor Dolittle; Butch Cassidy and the Sundance Kid; Barry Lyndon; Prizzi’s Honor; Jerry Maguire; Good Will Hunting; Saving Private Ryan; Erin Brokovich; Capote; Michael Clayton; Lincoln)
Movies whose titles include a military rank......to win a Best Picture Oscar: o...to get nominated for BP, but not win: 6 (The Smiling Lieutenant; Captain Blood; Captains Courageous; Sergeant York; Saving Private Ryan; Master and Commander: The Far Side of the World)
DALLAS BUYERS CLUB
Focus Features via Everett Collection
Movies with a city name in their titles......to win a Best Picture Oscar: 4 (Cimarron; Casablanca; An American in Paris; Chicago)...to get nominated for BP, but not win: 18 (Hollywood Revue; Shanghai Express; San Francisco; In Old Chicago; The Philadelphia Story; Mr. Smith Goes to Washington; Casablanca; Roman Holiday; Peyton Place; Judgment and Nuremberg; Chinatown; Nashville; Fargo; L.A. Confidential; Gangs of New York; Munich; Letters from Iwo Jima; Midnight in Paris)
Movies whose titles seem like they should probably have a possessive apostrophe, but don't......to win a Best Picture Oscar: 0...to get nominated for BP, but not win: 4 (Boys Town; Kings Row; Dead Poets Society; Howards End)
Warner Bros via Everett Collection
Movies whose titles are a single intangible noun......to win a Best Picture Oscar: 1 (Crash)...to get nominated for BP, but not win: 8 (Alibi; Suspicion; Crossfire; Deliverance; Traffic; Atonement; Inception; Moneyball)
Movies whose titles end in "ity"......to win a Best Picture Oscar: 1 (From Here to Eternity)...to get nominated for BP, but not win: 3 (Double Indemnity; Atlantic City; Sense and Sensibility)
Warner Bros via Everett Collection
Movies whose titles are made up three letters or fewer......to win a Best Picture Oscar: 0...to get nominated for BP, but not win: 4 (Z; JFK; Ray; Up)
Movies that have the word "her" in their titles......to win a Best Picture Oscar: 1 (Ben-Hur)...to get nominated for BP, but not win: 1 (Hannah and Her Sisters)
Paramount via Everett Collection
Movies with U.S. state names in their titles......to win a Best Picture Oscar: 0...to get nominated for BP, but not win: 2 (In Old Arizona; Mississippi Burning) *Note: Mr. Smith Goes to Washington and Gangs of New York both refer to cities, not states, and the "Virginia" in Who's Afraid of Virginia Woolf is a human woman.
We loved Nebraska, but this is really the only one we could think of for it. Sorry, Alexander Payne. Sorry, everybody.
Weinstein Company via Everett Collection
Movies whose titles are just a main character's first name......to win a Best Picture Oscar: 5 (Rebecca; Hamlet; Marty; Gigi; Oliver!)...to get nominated for BP, but not win: 20 (Skippy; Cleopatra; Ivanhoe; Shane; Fanny; Cleopatra; Alfie; Lenny; Rocky; Julia; Norma Rae; Tess; Bugsy; Babe; Elizabeth; Seabiscuit; Ray; Juno; Precious; Hugo)
Movies whose titles were mispronounced by Leonardo DiCaprio on live television......to win a Best Picture Oscar: 0...to get nominated for BP, but not win: 0 (There can be only one Philomania.)
12 YEARS A SLAVE
Movies with numbers in their titles......to win a Best Picture Oscar: 6 (It Happened One Night; Around the World in 80 Days; The Godfather Part II; One Flew Over the Cuckoo’s Nest; Million Dollar Baby; Slumdog Millionaire)...to get nominated for BP, but not win: 36 (Seventh Heaven; Five Star Final; One Hour with You; 42nd Street; The Private Life of Henry VIII; One Night of Love; Broadway Melody of 1936; A Tale of Two Cities; Three Smart Girls; One Hundred Men and a Girl; Four Daughters; One Foot in Heaven; 49th Parallel; Henry V; Miracle on 34th Street; A Letter to Three Wives; Twelve O’Clock High; Seven Brides for Seven Brothers; Three Coins in the Fountain; The Ten Commandments; 12 Angry Men; The Defiant Ones; A Thousand Clowns; Anne of the Thousand Days; Five Easy Pieces; Born on the Fourth of July; The Godfather Part III; Four Weddings and a Funeral; Apollo 13; The Sixth Sense; The Lord of the Rings: The Two Towers; District 9; 127 Hours; Toy Story 3; Zero Dark Thirty)
Movies that refer to a unit of time in their titles......to win a Best Picture Oscar: 2 (The Best Years of Our Lives; Around the World in 80 Days) ...to get nominated for BP, but not win: 9 (One Hour with You; Lady for a Day; The Yearling; The Longest Day; Anne of the Thousand Days; Dog Day Afternoon; Remains of the Day; The Hours; 127 Hours)
THE WOLF OF WALL STREET
Paramount via Everett Collection
Movies whose titles include mention of an animal......to win a Best Picture Oscar: 3 (The Deer Hunter; Dances with Wolves; The Silence of the Lambs)...to get nominated for BP, but not win: 17 (Of Mice and Men; The Little Foxes; The Maltese Falcon; The Ox-Bow Incident; The Snake Pit; Cat on a Hot Tin Roof; To Kill a Mockingbird; The Lion in Winter; One Flew Over the Cuckoo’s Nest; Dog Day Afternoon; The Elephant Man; Raging Bull; Kiss of the Spider Woman; Crouching Tiger, Hidden Dragon; Black Swan; War Horse)
Movies whose titles include the name of a street......to win a Best Picture Oscar: 1 (The Broadway Melody) ...to get nominated for BP, but not win: 5 (42nd Street; The Barretts of Wimpole Street; Broadway Melody of 1936; Miracle on 34th Street; Sunset Boulevard)
Cast your bets, folks. Captain Phillips looks like it has this one locked down.
*Special thanks to Hollywood.com writers Julia Emmanuele and Jordan Smith for helping to compile data and entertaining the madness of this post, and to our CTO Greg Zimerman for recovering hours of work after my Word Doc crashed. You're a hero, Greg.
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Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
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The singer and dancer was 68.
Fields was just 12 when she was offered the chance to become one of Walt Disney's Mouseketeers, and she became a show regular in 1957.
She went on to enjoy a film and theatre career but her love of dance led to her creating the popular Lynn Fields School of Tap and Performing Arts in Santa Monica, California.
Fields also performed in live shows at Disneyland and appeared in the TV shows The New Adventures of Spin and Marty and Annette, opposite another Mickey Mouse Club favourite, Annette Funicello.
Jason Lee's ex-wife has accused Church of Scientology officials of wrecking her marriage to the My Name Is Earl actor - because she refused to give them intimate details about her sex life.
The Church hit the headlines recently after high-profile member Tom Cruise's wife Katie Holmes filed for divorce last month (Jun12), amid reports Scientology was partly to blame for her decision.
Last week (ends13Jul12), former counsellor Marty Rathbun, who claimed to have worked with Cruise during his divorce from Nicole Kidman, revealed secrets about how the children of members are "indoctrinated" to turn them against non-Church members, but officials and Cruise's attorney Bert Fields dismissed his remarks as the "false" allegations made by an "ex-communicated self-promoter".
However, now the Church is in the spotlight again thanks to new revelations from Lee's ex-wife, actress and photographer Carmen Llywelyn, who is a former Scientologist.
She tells U.S. news show Access Hollywood, "Scientology broke my heart... worse almost than Jason did."
Llywelyn wed Lee, a Scientologist, in 1995 and quickly found herself part of the Church, but she claims her reluctance to get more involved with her husband's faith led to their split.
She explains she struggled with the Church's much talked-about "auditing" process, which she claims was too invasive.
The actress explains, "When you get married and you have that dynamic of family and children there is that entity, that other extra part, that is involved in so much of the intimate details that at this point in my life I couldn't imagine being a mature woman... and actually allow it, literally, into my bedroom. The Church goes into your bedroom.
"When you're in session and you're going through the auditing process, if a question comes up or a thought comes up that has to do with your husband or an intimate sexual detail, you are required to say it... I don't want to get too gross, but (it would) have to do with sexual positions."
Llywelyn also admits she was not surprised to hear Cruise and Holmes had split: "I knew it was gonna happen. You could tell that she had a plan and that was going to be her saving grace and by her just putting it all out there, I think (it) made it very difficult for them (Scientology officials) to attack her."
One-time Scientology counsellor Marty Rathbun tells U.S. news show Rock Center he helped Cruise through his divorce from Kidman, but didn't approve of what he claims the couple's kids were being subjected to during their sessions.
Rathbun alleges Church of Scientology Celebrity Center staff in Los Angeles "nannied" and "tutored" Cruise's son Connor and daughter Bella when they were six and nine, respectively.
He says, "He (Cruise) and I were intensively at it, auditing several hours a day over several months, so the kids were in the hands of Church of Scientology staff and they were being indoctrinated and they were reporting to Tom on how that was going in my presence.
"The initial indoctrination... was teaching them that certain people are anti-social personalities; they're suppressive people, and they started teaching them the characteristics of the anti-social personality... like their own mother."
Cruise's lawyer Bert Fields has dismissed the claims, which featured in a preview on TV show Access Hollywood on Thursday (12Jul12).
He states, "It is absolutely false that Mr. Cruise, or anyone else to his knowledge, did or said anything to lessen Connor or Bella's communication or relationship with their mother,"
And a spokesman for the Church itself tells Access Hollywood that the conversations between Cruise and Rathbun never happened, calling the former counsellor an "ex-communicated self-promoter".
Cruise and the Church of Scientology have become front-page news since the actor's third wife, Katie Holmes, filed for divorce at the end of June (12), amid reports his faith in Scientology was partly to blame.