Tribeca Film via Everett Collection
For a film that involves a love triangle, mental illness, a Bohemian colony of free-spirits, an impending war and several important historical figures, the most exciting elements of Summer in February are the stunning shots of the English country and Cornish seaside. The rest of the film never quite lives up to the crashing waves and sun-dappled meadows that are used to bookend the scenes, as the entertaining opening never manages to coalesce into a story that lives up the the cinematography, let alone the lives of the people that inspired it.
Set in an Edwardian artist’s colony in Cornwall, Summer in February tells the story of A.J. Munnings (Dominic Cooper), who went on to become one of the most famous painters of his day and head of the Royal Academy of Art, his best friend, estate agent and part-time soldier Gilbert Evans (Dan Stevens), and the woman whom they both loved, aspiring artist Florence Carter-Wood (Emily Browning). Her marriage to Munnings was an extremely unhappy one, and she attempted suicide on their honeymoon, before killing herself in 1914. According to his journals, Gilbert and Florence were madly in love, although her marriage and his service in the army kept them apart.
When the film begins, Munnings is the center of attention in the Lamorna Artist's Colony, dramatically reciting poetry at parties and charming his way out of his bar tab while everyone around him proclaims him to be a genius. When he’s not drinking or painting, he’s riding horses with Gilbert, who has the relatively thankless task of keeping this group of Bohemians in line. Their idyllic existence is disrupted by the arrival of Florence, who has run away from her overbearing father and the fiancé he had picked out for her in order to become a painter.
Stevens and Browning both start the film solidly, with enough chemistry between them to make their infatuation interesting. He manages to give Gilbert enough dependable charm to win over both Florence and the audience, and she presents Florence as someone with enough spunk and self-possession to go after what she wants. Browning’s scenes with Munnings are equally entertaining in the first third of the film, as she can clearly see straight through all of his bravado and he is intrigued by her and how difficult she is to impress. Unfortunately, while the basis of the love triangle is well-established and entertaining, it takes a sudden turn into nothing with a surprise proposal from Munnings.
Neither the film nor Browning ever make it clear why Florence accepts his proposal, especially when they have both taken great pains to establish that she doesn’t care much for him. But once she does, the films stalls, and both Stevens and Browning spend the rest of the film doing little more than staring moodily and longingly at the people around them. The real-life Florence was plagued by depression and mental instability, but neither the film nor Browning’s performance ever manage to do more than give the subtlest hint at that darkness. On a few occasions, Browning does manage to portray a genuine anguish, but rather than producing any sympathy from the audience, it simply conjures up images of a different film, one that focused more on Florence, and the difficulties of being a woman with a mental illness at a time when both were ignored or misunderstood.
Stevens is fine, and Gilbert starts out with the same kind of good-guy appeal the won the heart of Mary Crawley and Downton Abbey fans the world over. However, once the film stalls, so does his performance, and he quickly drops everything that made the character attractive or interesting in favor of longing looks and long stretches of inactivity. He does portray a convincing amount of adoration for Florence, although that's about the only real emotion that Gilbert expresses for the vast majority of the film, and even during his love scene, he never manages to give him any amount of passion.
Cooper does his best with what he’s given, and tries his hardest to imbue the film with some substance and drama. His Munnings is by turns charming, brash, and brooding, the kind of person who has been told all of their life that they are special, and believes it. He even manages to give the character some depth, and even though he and Browning have very little chemistry, he manages to convey a genuine affection for her. It’s a shame that Munnings becomes such a deeply unlikable character, because Cooper is the only thing giving Summer in February a jolt of life – even if it comes via bursts of thinly-explained hostility. It's hard to watch just how hard he's working to connect with his co-stars and add some excitement to a lifeless script and not wish that he had a better film to show off his talents in.
Unfortunately, by the time Florence and Gilbert are finally spurred into activity, the film has dragged on for so long that you’re no longer invested in the characters, their pain, or their love story, even if you want to be. Which is the real disappointment of Summer in February; underneath the stalled plot and the relatively one-note acting, there are glimmers of a fascinating and compelling story that’s never allowed to come to the forefront.
Top Story: Bob Hope Eulogized at Memorial Mass
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CIA Recruits Alias Star for Promotional Video
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More Jail Time For Bobby Brown
Singer Bobby Brown, who was arrested at a suburban Atlanta restaurant while Friday while dining with wife Whitney Houston, was ordered to serve nine additional days in jail on for violating his probation from a drunken driving conviction, Reuters reports. DeKalb County Court Judge Wayne Purdom ordered Brown to serve 14 days of jail time, with credit for five days already served, and warned the singer of harsher consequences if he failed to fulfill terms of the probation. Brown, wearing the familiar orange jail uniform, apologized to the judge.
Radio Station Reprimanded for Mocking Holocaust
A Vancouver radio station was reprimanded Wednesday for running an episode of the syndicated advice show Loveline that mocked the Holocaust. It featured a call from a telephone sex operator who wanted advice on how to make her clients stay on the phone longer. Host Adam Carolla suggested she use words like "Holocaust," "Vietnam" and "cancer" to dampen her clients' zeal. The Canadian Broadcast Standards Council said that while it understood the "intended humor" in the piece, Corolla exceeded any reasonable level of propriety when he responded with, "Yeah, yeah, burn those Jews. Gas 'em in the shower, baby. Yeah, yeah ... send 'em on the train to Krakow."
John Singleton Gets Walk of Fame Star
Director John Singleton, whose credits include Poetic Justice, Shaft and 2 Fast 2 Furious, received a star Tuesday on the Hollywood Walk of Fame to celebrate the 12th anniversary of the gangland drama Boyz N the Hood. Singleton penned the script for the film, which helped launch the acting careers of Cuba Gooding Jr., Ice Cube and Morris Chestnut, when he was a film student at the University of Southern California. "I am tripping out," Singleton said. "In 1977, when I was 9 years old, I had a date with my dad to go the Chinese Theatre to see Star Wars. This is where I learned to appreciate cinema. I want to thank my dad for that."
Sony Pushes Back Big Fish Release
Director Tim Burton 's new film Big Fish, which had originally been set for wide release Nov. 26 to take advantage of the Thanksgiving holiday, is being held back by two months to give the marketing campaign more time, according to The Hollywood Reporter. Sony Pictures will platform release the film in New York, Los Angeles and Toronto beginning Dec. 18 to an eventual wide release in 2,500 theaters Jan. 23. Big Fish, about a man coming to terms with his dying father, stars Ewan McGregor, Albert Finney, Billy Crudup and Jessica Lange.
Malibu Film Fest Unspools With Lou
The fourth annual Malibu Film Festival, which honors undiscovered, cutting-edge films, will open Sept. 26 with actor Brett Carr's directorial debut Lou, about a boxer with a speech impediment who can only speak without a stutter when he's fighting or impersonating the fictional Rocky Balboa. According to Variety, this year's festival will present 33 shorts, 10 documentaries and seven features, which were selected from an unprecedented pool of 3,000 international submissions. The festival closes Oct. 2.
Role Call: Sydney Pollack May Go Skate
Oscar-winning director Sydney Pollack is in talks to helm Fox 2000's Shockproof Sydney Skate, based on the 1973 novel by Marijane Meaker. According to Variety, Shockproof is one of the longest gestating projects in Hollywood: It has been in development at Fox for several years, and its producer, Teri Schwartz, has held options to the book dating back to 1977. The film is a coming-of-age story about a young man who just before college falls in love with the same gorgeous model as his lesbian mother. Pollack picked up two Oscars for Out of Africa in 1985, one as pr