WHAT IT’S ABOUT?
Claire is an attractive CIA operative and Ray is an M16 agent who simultaneously leave their Governmental spy activities in the dust to try and profit from a battle between two rival multi-national corporations both trying to launch a new product that will transform the world and make billions. Their goal is to secure the top-secret formula and get a patent before they are outsmarted. While their respective egomaniacal CEOs engage in an unending battle of wills and one-upmanship Claire and Ray start out conning and playing one another in a clever game of industrial espionage that is even more complicated due to their own long-term romantic relationship.
WHO’S IN IT?
Reuniting Closer co-stars Julia Roberts (as Claire) and Clive Owen (as Ray) turns out to be an inspired idea. They turn out to be the perfect pair oozing movie-star charm and electricity in this elaborate con-game that might have been the kind of thing Audrey Hepburn and Cary Grant might have made in the '60s (in fact they did in Charade). Roberts with that infamous hairstyle back the way we like it and Owen looking great in sunglasses prove they have what it takes to navigate us through this ultra-complex plot in which no one is sure who they can trust at any given moment. They play it all in high style and the wit just flows as the story skirts back and forth during the period of five years. The supporting cast is well-chosen with juicy roles for Tom Wilkinson and Paul Giamatti (out of their John Adams duds) as the two CEOs going for each other’s throats. Giamatti who sometimes has a tendency to overdo it is especially slimy here and great fun to watch.
Big-star studio movies today rarely take risks and often talk down to the audience but in Duplicity writer/director Tony Gilroy (Michael Clayton) has crafted a complicated con-comedy that requires complete attention at all times just to keep up with the dense plot’s twists and turns. It’s the cinematic equivalent of a New York Times crossword puzzle and Gilroy and his top-drawer production team deliver a glossy beautiful-looking film that’s easy on the eyes hitting locations from Dubai to Rome to New York City.
Like any good puzzle it sometimes can be frustrating putting it all together and Gilroy’s habit of taking us back in time and then inching forward gets a little confusing even with the on-screen chyron pointing out where we are at any given moment. Stick with it though and you will be well-rewarded.
A scene near the end where the formula must be found scanned and faxed in a matter of minutes is sweat-inducing edge-of-your-seat moviemaking and it provides the ultimate opportunity for Roberts and Owen to take the “con” to the next level. Another where Roberts uses a thong to try and trick Owen into admitting an affair he never had is also priceless and gets right to the heart of the game-playing.
GO OUT AND GET POPCORN WHEN ...
Never. Stock up during the coming attractions. If you miss a moment of this entertaining romp you might never figure it all out.
Freddy Krueger and Jason Vorhees teamed up this weekend to defend their No. 1 title at the box office--and it worked: Freddy vs. Jason managed to murder the competition for the second week in a row with $13.4 million*.
Freddy vs. Jason was followed by the '70s inspired police pic S.W.A.T., which claimed the No. 2 spot with $10.8 million, while the Western Open Range and the family remake Freaky Friday tied for third place with $9.4 million apiece. The Jackie Chan martial arts actioner The Medallion, the only one of this week's new wide releases to crack the Top Five, followed with $8.2 million.
The two new comedies, however, failed to tickle the fancy of moviegoers. The finally released, two-year-old Ashton Kutcher laffer My Boss's Daughter premiered in tenth place with $5 million while the hip-hop comedy Marci X disappeared off the charts with a paltry $865,000.
Although Freddy vs. Jason dropped off significantly from its $36.4 million high last week, it is the first summer film since X2: X-Men United to spend two weekends in a row at the top of the box office. But after a full month of $30 million plus openers, the box office lost its typical end of summer steam.
This week's Top 12 films grossed a total of $86.1 million, down a little more than 35 percent from last week, when they earned $132.6 million. The total, however, was up almost 33 percent form this time last year, when the Top 12 films grossed $64.8 million.
THE TOP TEN
New Line Cinema's R rated horror flick Freddy vs. Jason defended its No. 1 title for the second week in a row with an ESTIMATED $13.4 million (-63%) in 3,014 theaters (unchanged). Its $4,463 per theater average was the highest of any movie playing wide this week. Its cume is approximately $61.4 million.
Directed by Ronny Yu, it stars Robert Englund and Ken Kirzinger.
Sony Pictures' PG-13 rated S.W.A.T. retained in its No. 2 spot in its third week with an ESTIMATED $10.8 million (-40%) in 3,204 theaters (-16 theaters; $3,371 per theater). Its cume is approximately $88 million.
Directed by Clark Johnson, it stars Colin Farrell, Samuel L. Jackson, LL Cool J and Michelle Rodriguez.
Buena Vista's R rated Western Open Range also held on to third place in its second week with an ESTIMATED $9.4 million (-33%) in 2,075 theaters (+88 theaters; $4,346 per theater). Its cume is approximately $29 2 million.
Directed by and starring Kevin Costner, it also stars Robert Duvall, Annette Bening, Diego Luna and Michael Gambon.
Buena Vista's PG rated family remake Freaky Friday tied for third place in its third week with an ESTIMATED $9.4 million (-30%) in 3,058 theaters (+79 theaters; $3,074 per theater). Its cume is $74.5 million.
Directed by Mark Waters, it stars Jamie Lee Curtis, Lindsay Lohan, Chad Michael Murray and Mark Harmon.
*Box office estimates provided by Exhibitor Relations, Inc.
Sony Pictures' PG-13 rated martial arts actioner The Medallion premiered in fifth place with an ESTIMATED $8.2 million at 2,648 theaters, with a $3,097 per theater average.
The film, Jackie Chan's first theatrical release in three years without a famous co-star, revolves around a Hong Kong detective who must protect a Buddhist monk child and a mysterious medallion from a ruthless crime lord.
Directed by Gordon Chan, it stars Jackie Chan, Lee Evans and Claire Forlani.
Buena Vista Pictures' PG-13 rated fantasy pic Pirates of the Caribbean: The Curse of the Black Pearl remained strong in sixth place in its seventh week with an ESTIMATED $7.3 million (-20%) at 2,404 theaters (-306 theaters; $2,500 per theater). Its cume is approximately $261 million.
Directed by Gore Verbinski and produced by Jerry Bruckheimer, it stars Johnny Depp, Geoffrey Rush, Orlando Bloom and Keira Knightley.
Universal Pictures' PG-13 rated equestrian drama Seabiscuit gained a spot to finish in the No. 7 position in its fifth week with ESTIMATED $6.3 million (-22%) in 2,534 theaters (+72 theaters; $2,500 per theater). Its cume is approximately $93.1 million and headed for the $100 million mark.
Directed by Gary Ross, it stars Tobey Maguire, Jeff Bridges and Chris Cooper as three down-and-out men who find fame and fortune in an equally down-and-out racehorse.
MGM's PG-13 rated riches-to-rags tale Uptown Girls dropped three rungs to place eight in its second week with an ESTIMATED $5.6 million (-50%) in 2,495 theaters (unchanged; $2,244 per theater). Its cume is approximately $22.3 million.
Directed by Boaz Yakin, it stars Brittany Murphy, Dakota Fanning, Donald Faison, Marley Shelton and Heather Locklear.
Universal Picture's R rated teen comedy American Wedding fell two spots to finish ninth in fourth week with an ESTIMATED $5.7 million (-34%) at 2,467 theaters (-518 theaters; $2,260 per theater). Its cume is $90.6 million.
Directed by Jesse Dylan, it stars Jason Biggs, Seann William Scott, Alyson Hannigan, Eddie Kaye Thomas and Thomas Ian Nicholas.
Rounding out the Top Ten is Dimension Films' PG-13 rated fowl comedy My Boss's Daughter, which debuted in tenth place with an ESTIMATED $5 million in 2,201 theaters with a $2,272 per theater average.
In the film, a young executive housesits for his boss and tends to his prized pet owl in hopes of skipping a few rungs up the corporate ladder.
Directed by David Zucker, it stars Ashton Kutcher, Tara Reid, Molly Shannon and Andy Richter.
Paramount Pictures R rated hip-hop comedy Marci X opened to a disappointing $875,000 in 1,200 theaters with a $721 per theater average.
In the film, a New York Jewish socialite is forced to take over a hard-core hip-hop label and deal with a controversial rapper whose record is gaining some negative publicity.
Directed by Paul Rudnick, it stars Lisa Kudrow, Damon Wayans, Richard Benjamin, Christine Baranski and Jane Krakowski.
Fox Searchlight's R rated teen drama Thirteen, meanwhile, opened in five theaters to an impressive $112,213 with a $22,443 per theater average.
The movie focuses on an innocent, pigtailed 13-year-old who enters junior high with a promising future ahead of her, until she falls in with the ultra-popular, hottest girl in school and is introduced to a world of sex, drugs and misdemeanors.
Directed by Catherine Hardwicke, it stars Holly Hunter, Evan Rachel Wood and Nikki Reed.
Miramax Film's PG-13 rated comedy The Battle of Shaker Heights, winner of the 2002 Project Greenlight competition developed by Ben Affleck and Matt Damon, also opened in limited release this week. The film took in $52,000 in 5 theaters with a $10,400 per theater average.
Set in the Cleveland suburb of Shaker Heights, the film is about a teenage World War II buff and battle re-enactor, Kelly Enswiler, who is encouraged by a new friend to take on the school bully.
Directed by Kyle Rankin and Efram Potelle, it stars Shia LaBeouf, Kathleen Quinlan, Amy Smart and Shiri Appleby.
Last year's top three included: Buena Vista's PG-13 rated sci-fi thriller Signs, which reclaimed the No. 1 spot in its fourth week of release with $14.2 million at 3,453 theaters ($4,137 per theater average); Sony's PG-13 rated actioner xXx, which dropped to second place its third week with $13.2 million in 3,517 theaters ($3,770 per theater average); and Dimension's Spy Kids 2: The Island of Lost Dreams, which came in third in its third week with $7.5 million at 3,307 theaters ($2,295 per theater).
A violent and gritty film A Man Apart follows DEA agents Sean Vetter (Vin Diesel) and Demetrius Hicks (Larenz Tate) as they try to stop the drug pipeline along the US/Mexico border. After seven years of surveillance they take down Baja California cartel kingpin Memo Lucero (Geno Silva) whose ominous last words to Vetter are "You have no idea what kind of mistake you are making." Vetter doesn't take the threat to heart--until a hail of bullets kills his wife Stacy (Jacqueline Obradors) as she sleeps. Vetter discovers the man responsible for Stacy's death is Diablo who has stepped in to claim the Baja cartel. A grief-stricken Vetter enlists Hicks's help to avenge his wife's murder but his personal involvement in the case clouds his judgement--and at this point we know for certain that two things will happen. First Vetter will be pulled off the case and second he will go after his wife's killer without the department's authorization. When this ultimately happens Vetter turns to the jailed Memo for help tracking down Diablo. But just when you think you have the story all figured out it comes back at you with a twist.
A Man Apart gives Diesel a chance to play a character with more depth than um Zander Cage in XXX or Dominic Torreto in The Fast and the Furious. He definitely sinks his teeth into the role--a little too much. As Vetter Diesel shares some "tender" moments with his on-screen wife but the chemistry between the two is lukewarm and their oh-so-perfect marriage is too fairytale-like to buy. They drink red wine and dance on the beach at sunset (really). And as a widower Diesel overdoes the dazed and detached thing. In one scene Vetter beats a man to a pulp then slumps down against his car and stares vacantly into the distance a victim of his own misbehavior. But Diesel's performance lacks sincerity. Vetter's DEA partner Hicks is played by Tate (Biker Boyz) who carves out a more grounded and representational character. Tate shapes Hicks into a multifaceted character that is tough streetwise and sympathetic--minus the showboating. Worth an honorable mention is Timothy Olyphant (Dreamcatcher) in the role of Hollywood Jack an obnoxious drug supplier who runs a tanning salon. This two-faced hoodlum steals some of the film's best moments.
If there is one thing that director F. Gary Gray has mastered it is the art of making cheesy material watchable. Like Gray's last two films The Negotiator and Set It Off A Man Apart is a gritty urban drama that is entertaining if you allow yourself to be absorbed in the director's dynamic visual style. There is never a dull moment here and like a trailer it cuts from one action-packed scene to another. But if you stop to analyze what's going on or being said corny lines are likely to pop out and cause you to laugh out loud when you're not supposed to. Imagine a line such as "You alone are trying to bring down a monster. As a cop that's impossible; you must become a monster" reverberating in your head. It's enough to distract you from the film's hair-raising violence. Not all of the dialogue is laughable however and there is one scene in particular that is funny and bitingly genuine where Vetter and Hicks pump a dealer named Overdose for information. It's reminiscent of the wisecracking dialogue in Gray's 1995 directorial debut Friday.