The Oscar nominations came out on Thursday morning, and as of now, it's anybody's race. Some say 12 Years a Slave has it in the bag, while others think American Hustle will snatch the Best Picture trophy. There's no one way to know for sure — does the Academy weigh emotional impact? Flashy performances? The film's lasting message?
How about titles? Yes, you can tell a lot about a film by its title, and about its Oscar chances, too. We've compiled some handy data about each Best Picture nominee's title and what it says about the film's chances come time to hand out the awards. (You can also head over to BBC America to check out this fantastic infographic that predicts the Best Picture winner!)
Movies with the word "America" in their titles......to win a Best Picture Oscar: 2 (An American in Paris; American Beauty) ...to get nominated for BP, but not win: 2 (America, America; American Graffiti)
Movies whose titles refers to a crime or act of duplicity......to win a Best Picture Oscar: 2 (Mutiny on the Bounty; The Sting)...to get nominated for BP, but not win: 11 (The Racket; She Done Him Wrong; Imitation of Life; Libeled Lady; Grand Illusion; The Caine Mutiny; The Hustler; Mutiny on the Bounty; The Killing Fields; The Fugitive; Traffic)
Columbia Pictures via Everett Collection
Movies with a main character's surname in their titles......to win a Best Picture Oscar: 10 (The Great Ziegfeld; Ben-Hur; Tom Jones; Patton; Annie Hall; Kramer vs. Kramer; Gandhi; Schindler’s List; Forrest Gump; Shakespeare in Love)...to get nominated for BP, but not win: 45 (Disraeli; Trader Horn; Arrowsmith; The House of Rothschild; Alice Adams; Captain Blood; David Copperfield; Ruggles of Red Gap; Anthony Adverse; Dodsworth; Mr. Deeds Goes to Town; The Story of Louis Pasteur; The Life of Emile Zola; The Adventures of Robin Hood; Goodbye, Mr. Chips; Mr. Smith Goes to Washington; Kitty Foyle; Citizen Kane; Here Comes Mr. Jordan; Sergeant York; Mrs. Miniver; The Magnificent Ambersons; Madame Curie; Wilson; Mildred Pierce; Johnny Belinda; Julius Caesar; Mister Roberts; The Diary of Anne Frank; Elmer Gantry; Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb; Mary Poppins; Doctor Zhivago; Who’s Afraid of Virginia Woolf?; Doctor Dolittle; Butch Cassidy and the Sundance Kid; Barry Lyndon; Prizzi’s Honor; Jerry Maguire; Good Will Hunting; Saving Private Ryan; Erin Brokovich; Capote; Michael Clayton; Lincoln)
Movies whose titles include a military rank......to win a Best Picture Oscar: o...to get nominated for BP, but not win: 6 (The Smiling Lieutenant; Captain Blood; Captains Courageous; Sergeant York; Saving Private Ryan; Master and Commander: The Far Side of the World)
DALLAS BUYERS CLUB
Focus Features via Everett Collection
Movies with a city name in their titles......to win a Best Picture Oscar: 4 (Cimarron; Casablanca; An American in Paris; Chicago)...to get nominated for BP, but not win: 18 (Hollywood Revue; Shanghai Express; San Francisco; In Old Chicago; The Philadelphia Story; Mr. Smith Goes to Washington; Casablanca; Roman Holiday; Peyton Place; Judgment and Nuremberg; Chinatown; Nashville; Fargo; L.A. Confidential; Gangs of New York; Munich; Letters from Iwo Jima; Midnight in Paris)
Movies whose titles seem like they should probably have a possessive apostrophe, but don't......to win a Best Picture Oscar: 0...to get nominated for BP, but not win: 4 (Boys Town; Kings Row; Dead Poets Society; Howards End)
Warner Bros via Everett Collection
Movies whose titles are a single intangible noun......to win a Best Picture Oscar: 1 (Crash)...to get nominated for BP, but not win: 8 (Alibi; Suspicion; Crossfire; Deliverance; Traffic; Atonement; Inception; Moneyball)
Movies whose titles end in "ity"......to win a Best Picture Oscar: 1 (From Here to Eternity)...to get nominated for BP, but not win: 3 (Double Indemnity; Atlantic City; Sense and Sensibility)
Warner Bros via Everett Collection
Movies whose titles are made up three letters or fewer......to win a Best Picture Oscar: 0...to get nominated for BP, but not win: 4 (Z; JFK; Ray; Up)
Movies that have the word "her" in their titles......to win a Best Picture Oscar: 1 (Ben-Hur)...to get nominated for BP, but not win: 1 (Hannah and Her Sisters)
Paramount via Everett Collection
Movies with U.S. state names in their titles......to win a Best Picture Oscar: 0...to get nominated for BP, but not win: 2 (In Old Arizona; Mississippi Burning) *Note: Mr. Smith Goes to Washington and Gangs of New York both refer to cities, not states, and the "Virginia" in Who's Afraid of Virginia Woolf is a human woman.
We loved Nebraska, but this is really the only one we could think of for it. Sorry, Alexander Payne. Sorry, everybody.
Weinstein Company via Everett Collection
Movies whose titles are just a main character's first name......to win a Best Picture Oscar: 5 (Rebecca; Hamlet; Marty; Gigi; Oliver!)...to get nominated for BP, but not win: 20 (Skippy; Cleopatra; Ivanhoe; Shane; Fanny; Cleopatra; Alfie; Lenny; Rocky; Julia; Norma Rae; Tess; Bugsy; Babe; Elizabeth; Seabiscuit; Ray; Juno; Precious; Hugo)
Movies whose titles were mispronounced by Leonardo DiCaprio on live television......to win a Best Picture Oscar: 0...to get nominated for BP, but not win: 0 (There can be only one Philomania.)
12 YEARS A SLAVE
Movies with numbers in their titles......to win a Best Picture Oscar: 6 (It Happened One Night; Around the World in 80 Days; The Godfather Part II; One Flew Over the Cuckoo’s Nest; Million Dollar Baby; Slumdog Millionaire)...to get nominated for BP, but not win: 36 (Seventh Heaven; Five Star Final; One Hour with You; 42nd Street; The Private Life of Henry VIII; One Night of Love; Broadway Melody of 1936; A Tale of Two Cities; Three Smart Girls; One Hundred Men and a Girl; Four Daughters; One Foot in Heaven; 49th Parallel; Henry V; Miracle on 34th Street; A Letter to Three Wives; Twelve O’Clock High; Seven Brides for Seven Brothers; Three Coins in the Fountain; The Ten Commandments; 12 Angry Men; The Defiant Ones; A Thousand Clowns; Anne of the Thousand Days; Five Easy Pieces; Born on the Fourth of July; The Godfather Part III; Four Weddings and a Funeral; Apollo 13; The Sixth Sense; The Lord of the Rings: The Two Towers; District 9; 127 Hours; Toy Story 3; Zero Dark Thirty)
Movies that refer to a unit of time in their titles......to win a Best Picture Oscar: 2 (The Best Years of Our Lives; Around the World in 80 Days) ...to get nominated for BP, but not win: 9 (One Hour with You; Lady for a Day; The Yearling; The Longest Day; Anne of the Thousand Days; Dog Day Afternoon; Remains of the Day; The Hours; 127 Hours)
THE WOLF OF WALL STREET
Paramount via Everett Collection
Movies whose titles include mention of an animal......to win a Best Picture Oscar: 3 (The Deer Hunter; Dances with Wolves; The Silence of the Lambs)...to get nominated for BP, but not win: 17 (Of Mice and Men; The Little Foxes; The Maltese Falcon; The Ox-Bow Incident; The Snake Pit; Cat on a Hot Tin Roof; To Kill a Mockingbird; The Lion in Winter; One Flew Over the Cuckoo’s Nest; Dog Day Afternoon; The Elephant Man; Raging Bull; Kiss of the Spider Woman; Crouching Tiger, Hidden Dragon; Black Swan; War Horse)
Movies whose titles include the name of a street......to win a Best Picture Oscar: 1 (The Broadway Melody) ...to get nominated for BP, but not win: 5 (42nd Street; The Barretts of Wimpole Street; Broadway Melody of 1936; Miracle on 34th Street; Sunset Boulevard)
Cast your bets, folks. Captain Phillips looks like it has this one locked down.
*Special thanks to Hollywood.com writers Julia Emmanuele and Jordan Smith for helping to compile data and entertaining the madness of this post, and to our CTO Greg Zimerman for recovering hours of work after my Word Doc crashed. You're a hero, Greg.
Follow @Michael Arbeiter
| Follow @Hollywood_com
Jesse Tyler Ferguson and Sutton Foster took the stage together. No, they haven't teamed up for a Broadway show, a new television series, or a Modern Family/Bunheads crossover (which would be awesome). But the theater-loving stars came together Tuesday to announce the nominations for the 2013 Tony Awards. (They are the hosts for this year's show, after all, so it only made sense that these two would have the honors of making the big announcement.)
Check out which plays and actors are nominated for Tony Awards for their work on the stage this year.
2013 Tony Awards Nominations:
Best Play:The Assembled PartyLucky GuyThe Testament of MaryVanya and Sonia and Masha and Spike
Best Musical:Bring It On: The MusicalKinky BootsMatilda The MusicalA Christmas Story, The Musical
Best Book of a Musical:A Christmas Story, The MusicalKinky BootsMatilda The MusicalRodgers + Hammerstein's Cinderella
Best Revival of a Play:Golden BoyOrphans The Trip to BountifulWho's Afraid of Virginia Woolf?
Best Revival of a Musical: AnnieThe Mystery of Edwin DroodPippinRodgers + Hammerstein's Cinderella
Best Performance by an Actress in a Leading Role in a Play: Laurie Metcalf, The Other PlaceAmy Morton, Who's Afraid of Virginia Woolf?Kristine Nielsen, Vanya and Sonia and Masha and SpikeHolland Taylor, AnnCicely Tyson, The Trip to Bountiful
Best Performance by an Actor in a Leading Role in a Play: Tom Hanks, Lucky GuyNathan Lane, The NanceTracy Letts, Who's Afraid of Virginia Woolf?David Hyde Pierce, Vanya and Sonia and Masha and SpikeTom Sturridge, Orphans
Best Original Score (Music and/or Lyrics) Written for the Theatre: A Christmas Story, The Musical Music and Lyrics: Benj Pasek and Justin Paul Hands on a Hardbody Music: Trey Anastasio and Amanda Green Lyrics: Amanda Green Kinky Boots Music & Lyrics: Cyndi Lauper Matilda The Musical Music & Lyrics: Tim Minchin
Best Performance by an Actress in a Leading Role in a Musical: Stephanie J. Block, The Mystery of Edwin Drood Carolee Carmello, Scandalous Valisia LeKae, Motown The Musical Patina Miller, Pippin Laura Osnes, Rodgers + Hammerstein’s Cinderella
Best Performance by an Actor in a Leading Role in a Musical: Bertie Carvel, Matilda The Musical Santino Fontana, Rodgers + Hammerstein’s Cinderella Rob McClure, Chaplin Billy Porter, Kinky Boots Stark Sands, Kinky Boots
Best Performance by an Actress in a Featured Role in a Play: Carrie Coon, Who’s Afraid of Virginia Woolf? Shalita Grant, Vanya and Sonia and Masha and Spike Judith Ivey, The Heiress Judith Light, The Assembled Parties Condola Rashad, The Trip to Bountiful
Best Performance by an Actor in a Featured Role in a Play:Danny Burstein, Golden Boy Richard Kind, The Big Knife Billy Magnussen, Vanya and Sonia and Masha and Spike Tony Shalhoub, Golden Boy Courtney B. Vance, Lucky Guy
Best Performance by an Actress in a Featured Role in a Musical:Annaleigh Ashford, Kinky Boots Victoria Clark, Rodgers + Hammerstein’s Cinderella Andrea Martin, Pippin Keala Settle, Hands on a Hardbody
Best Performance by an Actor in a Featured Role in a Musical:Charl Brown, Motown The Musical Keith Carradine, Hands on a Hardbody Will Chase, The Mystery of Edwin Drood Gabriel Ebert, Matilda The Musical Terrence Mann, Pippin
Best Costume Design of a Play: Soutra Gilmour, Cyrano de Bergerac Ann Roth, The Nance Albert Wolsky, The Heiress Catherine Zuber, Golden Boy
Best Costume Design of a Musical: Gregg Barnes, Kinky Boots Rob Howell, Matilda The Musical Dominique Lemieux, Pippin William Ivey Long, Rodgers + Hammerstein’s Cinderella
Best Direction of a Play:Pam MacKinnon, Who’s Afraid of Virginia Woolf? Nicholas Martin, Vanya and Sonia and Masha and Spike Bartlett Sher, Golden Boy George C. Wolfe, Lucky Guy
Best Direction of a Musical:Scott Ellis, The Mystery of Edwin Drood Jerry Mitchell, Kinky Boots Diane Paulus, Pippin Matthew Warchus, Matilda The Musical
Best Choreography:Andy Blankenbuehler, Bring It On: The Musical Peter Darling, Matilda The Musical Jerry Mitchell, Kinky Boots Chet Walker, Pippin
Best Orchestrations:Chris Nightingale, Matilda The Musical Stephen Oremus, Kinky Boots Ethan Popp & Bryan Crook, Motown The Musical Danny Troob, Rodgers + Hammerstein’s Cinderella
Best Scenic Design of a Play:John Lee Beatty, The Nance Santo Loquasto, The Assembled Parties David Rockwell, Lucky Guy Michael Yeargan, Golden Boy
Best Scenic Design of a Musical:Rob Howell, Matilda The Musical Anna Louizos, The Mystery of Edwin Drood Scott Pask, Pippin David Rockwell, Kinky Boots
Best Lighting Design of a Play: Jules Fisher & Peggy Eisenhauer, Lucky Guy Donald Holder, Golden Boy Jennifer Tipton, The Testament of Mary Japhy Weideman, The Nance
Best Lighting Design of a Musical:Kenneth Posner, Kinky Boots Kenneth Posner, Pippin Kenneth Posner, Rodgers + Hammerstein’s Cinderella Hugh Vanstone, Matilda The Musical
Best Sound Design of a Play:John Gromada, The Trip to Bountiful Mel Mercier, The Testament of Mary Leon Rothenberg, The Nance Peter John Still and Marc Salzberg, Golden Boy
Best Sound Design of a Musical:Jonathan Deans & Garth Helm, Pippin Peter Hylenski, Motown The Musical John Shivers, Kinky Boots Nevin Steinberg, Rodgers + Hammerstein’s Cinderella
Special Tony Award for Lifetime Achievement in the Theatre:Bernard GerstenPaul LibinMing Cho Lee
Regional Theatre Award:Huntington Theatre Company, Boston, MA
Isabelle Stevenson Award:Larry Kramer
Tony Honors for Excellence in the Theatre:Career Trainsition For DancersWilliam CraverPeter LawrenceThe Lost ColonyThe four actresses who created the title role of Matilda The Musical on Broadway: Sophia Gennusa, Oona Laurence, Bailey Ryon, and Milly Shapiro
Follow Lindsey on Twitter @LDiMat.
More:Sofia Vergara Joins 'Heat' RemakeNate Berkus Is Engaged 'Modern Family' Ratings Are Down
From Our Partners:40 Most Revealing See-Through Red Carpet Looks (Vh1)33 Child Stars: Where Are They Now? (Celebuzz)
Widening the thematic scope without sacrificing too much of the claustrophobia that made the original 1979 Alien universally spooky Prometheus takes the trophy for this summer's most adult-oriented blockbuster entertainment. The movie will leave your mouth agape for its entire runtime first with its majestic exploration of an alien planet and conjectures on the origins of the human race second with its gross-out body horror that leaves no spilled gut to the imagination. Thin characters feel more like pawns in Scott's sci-fi prequel but stunning visuals shocking turns and grand questions more than make up for the shallow ensemble. "Epic" comes in many forms. Prometheus sports all of them.
Based on their discovery of a series of cave drawings all sharing a similar painted design Elizabeth (Noomi Rapace) and Charlie (Logan Marshall-Green) are recruited by Weyland to head a mission to another planet one they believe holds the answers to the creation of life on Earth. Along for the journey are Vickers (Charlize Theron) the ruthless Weyland proxy Janek (Idris Elba) a blue collar captain a slew of faceless scientists and David (Michael Fassbender) HAL 9000-esque resident android who awakens the crew of spaceship Prometheus when they arrive to their destination. Immediately upon descent there's a discovery: a giant mound that's anything but natural. The crew immediately prepares to scope out the scene zipping up high-tech spacesuits jumping in futuristic humvees and heading out to the site. What they discover are the awe-inspiring creations of another race. What they bring back to the ship is what they realize may kill their own.
The first half of Prometheus could be easily mistaken for Steven Spielberg's Alien a sense of wonder glowing from every frame not too unlike Close Encounters. Scott takes full advantage of his fictional settings and imbues them with a reality that makes them even more tantalizing. He shoots the vistas of space and the alien planet like National Geographic porn and savors the interior moments on board the Prometheus full of hologram maps sleeping pods and do-it-yourself surgery modules with the same attention. Prometheus is beautiful shot in immersive 3D that never dampers Dariusz Wolski's sharp photography. Scott's direction seems less interested in the run-or-die scenario set up in the latter half of the film but the film maintains tension and mood from beginning to end. It all just gets a bit…bloodier.
Jon Spaihts' and Damon Lindelof's script doesn't do the performers any favors shuffling them to and fro between the ship and the alien construction without much room for development. Reveals are shoehorned in without much setup (one involving Theron's Vickers that's shockingly mishandled) but for the most part the ensemble is ready to chomp into the script's bigger picture conceits. Rapace is a physical performer capable of pulling off a grisly scene involving an alien some sharp objects and a painful procedure (sure to be the scene of the blockbuster season. Among the rest of the crew Fassbender's David stands out as the film's revelatory performance delivering a digestible ambiguity to his mechanical man that playfully toys with expectations from his first entrance. The creature effects in Prometheus will wow you but even Fassbender's smallest gesture can send the mind spinning. The power of his smile packs more of a punch than any facehugger.
Much like Lindelof's Lost Prometheus aims to explore the idea of asking questions and seeking answers and on Scott's scale it's a tremendous unexpected ride. A few ideas introduced to spur action fall to the way side in the logic department but with a clear mission and end point Prometheus works as a sweeping sci-fi that doesn't require choppy editing or endless explosions to keep us on the edge of our seats. Prometheus isn't too far off from the Alien xenomorphs: born from existing DNA of another creature the movie breaks out as its own beast. And it's wilder than ever.