The daytime gang came out strong tonight to serve up its 39th Emmy Awards ceremony, with nary a mention of the of the earlier murder-suicide that occurred late last night at the Beverly Hilton--where the awards were taking place. The show started off with a very lost Anthony Geary, having trouble finding the stage after a sing-songy intro between Oscar the Grouch and Anderson Cooper.
So let's get down to brass tacks and talk winners and losers, alligators, dry skin jokes (Thanks, Bethenny Frankel), and THE Susan Lucci!
Almost as a parting gift to the legacy of Regis Philbin, Live! With Regis & Kelly won several trophies in their respective categories. General Hospital was the big winner of the evening, bringing home several of the biggest trophies of the evening--including Outstanding Drama Series. But enough of us yammering on; check out the full list below of the biggest winners (winners are bolded) and the ones who shocked 'em all at the awards.
Outstanding Drama Series
All My Children (ABC)
Days Of Our Lives (NBC)
General Hospital (ABC)
The Young And The Restless (CBS)
Outstanding Lead Actress In A Drama Series
Crystal Chappell, as Dr. Carly Manning Days Of Our Lives (NBC)
Debbie Morgan, as Angie Hubbard All My Children (ABC)
Erika Slezak, as Viki Lord One Life To Live (ABC)
Heather Tom, as Katie Logan Spencer The Bold And The Beautiful (CBS)
Laura Wright, as Carly Corinthos Jax General Hospital (ABC)
Outstanding Lead Actor In A Drama Series
Maurice Bernard, as Michael “Sonny” Cointhos, Jr. General Hospital (ABC)
Anthony Geary, as Luke Spencer General Hospital (ABC)
John McCook, as Eric Forrester The Bold And The Beautiful (CBS)
Darnell Williams, as Jesse Hubbard All My Children (ABC)
Robert S. Woods, as Bo Buchanan One Life To Live (ABC)
Outstanding Supporting Actor in a Drama Series
Bradford Anderson as Damien Spinelli (General Hospital, ABC)
Matthew Ashford as Jack Deveraux (Days of our Lives, NBC)
Sean Blakemore as Shawn Butler (General Hospital, ABC)
Jonathan Jackson as Lucky Spencer (General Hospital, ABC)
Jason Thompson as Patrick Drake (General Hospital, ABC)
Outstanding Supporting Actress in a Drama Series
Melissa Claire Egan as Annie Chandler (All My Children, ABC)
Genie Francis as Genevieve Atkinson (The Young and the Restless, CBS)
Nancy Lee Grahn as Alexis Davis (General Hospital, ABC)
Elizabeth Hendrickson as Chloe Mitchell (The Young and the Restless, CBS)
Rebecca Herbst as Elizabeth Webber (General Hospital, ABC)
Outstanding Younger Actor in a Drama Series
Eddie Alderson as Matthew Buchanan (One Life To Live, ABC)
Chad Duell as Michael Corinthos (General Hospital, ABC)
Chandler Massey as Will Horton (Days of our Lives, NBC)
Nathan Parsons as Ethan Lovett (General Hospital, ABC)
Outstanding Younger Actress in a Drama Series
Molly Burnett as Melanie Layton (Days of our Lives, NBC)
Shelley Hennig as Stephanie Johnson (Days of our Lives, NBC)
Christel Khalil as Lily Winters (The Young and the Restless, CBS)
Jaqueline Macinnes Wood as Steffy Forrester (The Bold and the Beautiful, CBS)
Outstanding Talk Show — Entertainment
The Ellen DeGeneres Show (Syndicated)
Live With Regis And Kelly (Syndicated)
The Talk (CBS)
The View (ABC)
Outstanding Talk Show — Informative
The Dr. Oz Show
Outstanding Lifestyle/Culinary Host
Giada De Laurentiis, Giada At Home
Rick Bayless, Mexico One Plate at a Time with Rick Bayless
Nate Berkus, The Nate Berkus Show
Paula Deen, Paula's Best Dishes
Sandra Lee, Semi-Homemade Cooking with Sandra Lee
Outstanding Culinary Program
Bobby Flay's Barbecue Addiction
Giada At Home
Guy's Big Bite
Outstanding Game Show Host
Ben Baily (Cash Cab, Discovery Channel)
Todd Newton (Family Game Night, The HUB)
Wayne Brady (Let's Make A Deal, CBS)
Meredith Vieira (Who Wants To Be A Millionaire, Syndicated)
Outstanding Talk Show Host
Anderson Cooper (Anderson, Syndicated)
Dr. Mehmet Oz (The Dr. Oz Show, Syndicated)
Regis Philbin, Kelly Ripa (Live with Regis and Kelly, Syndicated)
Rachael Ray (Rachael Ray, Syndicated)
Dr. Lisa Masterson, Jillian Michaels, Dr. Andrew Ordon, Dr. Jim Sears, Dr. Travis Stork, Wendy Walsh (The Doctors, Syndicated)
Outstanding Game/Audience Participation Show
Cash Cab (Discovery Channel)
Let's Make A Deal (CBS)
Wheel of Fortune (Syndicated)
Who Wants To Be A Millionaire (Syndicated)
Outstanding Legal/Courtroom Program
America's Court with Judge Ross
Judge Joe Brown
Last Shot with Judge Gunn
We the People with Gloria Allred
Oustanding Morning Program
Good Morning America (ABC)
Today Show (NBC)
Outstanding Drama Series Writing Team
All My Children (ABC)
Days of Our Lives (NBC)
General Hospital (ABC)
The Young and the Restless (CBS)
Oustanding Children's Animated Program
Curious George (PBS)
Kung Fu Panda: Legends of Awesomeness (Nickelodeon)
Peep & The Big Wide World (American Public Television)
Penguins of Madagascar (Nickelodeon)
Sid the Science Kid (PBS)
SpongeBob SquarePants (Nickelodeon)
Outstanding Performer in a Children's Series
Dakota Goyo as Josh (R.L. Stine's The Haunting Hour The Series, The HUB)
Leslie Carrara-Rudolph as Abby Cadaby (Sesame Street, PBS)
Kevin Clash as Elmo (Sesame Street, PBS)
Caroll Spinney as Big Bird (Sesame Street, PBS)
Lifetime Achievement Award
What did you think of this year's awards? Anyone you were surprised or happy to see recognized? Let us know in the comments!
[Image Credit: HLN]
Follow Alicia on Twitter @alicialutes
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The age-old debate over fate vs. free will has been and always will be a tough theme to crack in any medium but with the benefits of modern filmmaking technology the theory can be explored in ways that Philip K. Dick never imagined. However when one relies too heavily on spectacle to tell a story a piece of cerebral science fiction can quickly become just another action extravaganza. In this day and age there’s a fine line between the two; The Matrix walked that tightrope with style and grace while Next never found its footing in the first place. Fortunately the precious work of novelist Dick has for the most part been treated with respect by Hollywood (the aforementioned Nic Cage dud notwithstanding) but that doesn’t necessarily mean movies based on his stories are completely faithful to his vision.
Case in point: George Nolfi’s directorial debut The Adjustment Bureau an adaptation of Dick’s short story “Adjustment Team.” The film stars Matt Damon as David Norris a successful businessman and rising political candidate who after a chance encounter with the girl of his dreams (Emily Blunt) loses a crucial election. He happens to run into her on a Manhattan bus the following week before finding his office swarming with masked men who are “adjusting” everyone inside. Richardson (John Slattery) the man in charge captures Norris who unsuccessfully flees the scene after seeing behind “a curtain he wasn’t even supposed to know existed” as the enigmatic figure puts it. From that point on Norris must live with the knowledge that he (and we for that matter) is not in control of his own life. Rather the choices he makes fit perfectly into “The Plan” that’s been written by “the Chairman”.
In relation to my earlier statement I have to say that Nolfi’s picture looks stunning but his natural urban aesthetic doesn’t overpower the story. Sleek contemporary production design and elegant costumes characterize the high-concept story and the wraithlike agents who shape our destinies. Topically we’re dealing with some heavy material but Nolfi and editor Jay Rabinowitz move the action along at a brisk pace that keeps you engaged and entertained without having to try. The film is properly proportioned as a chase thriller romantic adventure and sci-fi fantasy and thankfully no component overshadows another.
Setting the film in the world of politics and big business helps make its larger-than-life revelations a bit more accessible (as do appearances from Michael Bloomberg Jon Stewart and Chuck Scarborough) while providing sub-text about the corruption involved in elections and campaigns (there are conspicuous shades of The Manchurian Candidate in the movie) but the writer-director often tries too hard for broad appeal. For a film with existential implications as severe as they are here the dialogue is at times hokey and superficial. Dick’s source material is far more abstract and Nolfi for the sake of commercial success panders to the palette of soccer moms and mallrats.
What’s worse is his unwarranted exposition of the Bureau a shadowy organization whose major allure is anonymity. Some secrets are best kept and less can be so much more when crafting a mysterious atmosphere; Nolfi reaches that level of magnetic curiosity but squanders it as he reveals the truth about the Bureau and its grand scheme. On the other hand he brushes over the technical lingo between agents Harry Mitchell (Anthony Mackie) McCrady (Anthony Ruivivar) and others without explanation perhaps hoping that the ambiguous terminology will fool you into thinking that his script is smarter than it really is.
Even though Nolfi’s allegorical conclusions are uncomfortably ham-fisted the chemistry between Damon and Blunt alone is enough to enchant you; this is one highly watchable cinematic pairing that should be revisited as soon as possible. Their innocent relationship blossoms organically and together they make it seem as natural on screen as it is for their star-crossed characters. Even if you have a hard time believing in higher powers or manipulative Orwellian forces you’ll have faith in David and Elise’s fated relationship one of the most captivating couplings I’ve seen on the big-screen in some time.
Easy A a teen sex comedy with no actual sex aims rather conspicuously to plumb the best bits of Diablo Cody and Alexander Payne in its upside-down self-consciously campy take on Nathaniel Hawthorne’s The Scarlet Letter. In the role of its high-school Hester Prynne is Emma Stone the sly husky heroine of last year’s surprise hit Zombieland. Tested by a film that is far less clever than its director Will Gluck or screenwriter Bert Royal would have us believe (and they desperately want us to believe) she passes with flying colors delivering a performance that should elevate her into the upper echelon of actresses possessing brains and beauty in equal measure.
Stone plays Olive the kind of quick-witted hyper-literate teen that our educational system produces in ever-diminishing numbers. (If it ever produced them to begin with.) More knowing and sophisticated than others her age she is nonetheless not immune to the pressure of peers and the dread of being labeled a loser. Under duress by a prying friend (Aly Michalka) to dish the details of her birthday weekend a rather mundane affair mainly spent jumping on her bed to the tune of Natasha Bedingfield’s pop monstrosity “Pocket Full of Sunshine ” she feels compelled to embellish a bit and concocts an entirely fictional account of losing her virginity (dubbed the “V-Card” by Royal trying too hard) to a boy from a junior college across town.
Word of Olive’s deflowering spreads with startling speed aided by the incessant rumor-mongering of a catty Evangelical eavesdropper (Amanda Bynes). Suddenly branded a tramp on account of a seemingly harmless little lie Olive opts to embrace her newly tarnished reputation and put it to good use. In a viciously stratified social environment where even the most awkward acne-plagued pariah can earn respect and even admiration from members of the upper castes for having gone All the Way Olive anoints herself the Mother Theresa of (fake) sluts bestowing her blessing upon downtrodden gents in need of a reputation boost. And she resolves to look the part too traipsing around in scandalous bustiers and affixing the letter “A” to her chest.
There are limits to Easy A’s Scarlet Letter conceit overly Glee-ful tone forced repartee and pop-culture references (John Hughes is invoked so many times he should get a producer credit). Which is why director Gluck must be grateful to have found Stone who handles the verbal calisthenics of Royal’s script with charm and verve and a certain effortless appeal that keeps us engaged even as the film wallows in contrived irony and heavy-handedness. Keep your eye on her.