We all have guilty pleasures. For some of us, it’s HGTV’s do-it-yourself home improvement shows. For others, it’s marathoning sitcoms like Arrested Development or Modern Family on online sites like Netflix from the comfort of our beds. And still for others, it’s the romantic entanglements found in old soap operas that keep us replaying them time after time. Well, earlier this year, Prospect Park’s The Online Network revealed that they would be rebooting two of our most loved soaps: All My Children and One Life to Live. And Wednesday, the network announced all of the cast members participating in both shows.
For All My Children, the following stars have been announced as members of the cast: Sal Stowers as Cassandra Foster, Eric Nelson as AJ Chandler, Denyse Tontz as Miranda Montgomery, Jordan Lane Price as Celia Fitzgerald, Ryan Bittle as JR Chandler, Eden Riegel as Bianca Montgomery, Cady McClain as Dixie Cooney, Ray MacDonnell as Dr. Joe Martin, David Canary as Adam Chandler, Heather Roop as Jane McIntyre, and Francesca James as Evelyn Johnson. Previously announced members include Darnell Williams as Jesse Hubbard, Debbi Morgan as Dr. Angela Hubbard, Vincent Irizarry as Dr. David Hayward, Lindsay Hartley as Cara Martin, Jordi Vilasuso as Griffin Castillo, Jill Larson as Opal Cortlandt, and Thorsten Kaye as Zach Slater.
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And this is who you can expect to see on One Life to Live: Robert Gorrie as Matthew Buchanan and Laura Harrier as Destiny Evans. These stars join the previously announced members (Erika Slezak as Victoria Lord Buchanan, Robin Strasser as Dorian Lord, Tuc Watkins as David Vickers, Robert S. Woods as Bo Buchanan, Kassie DePaiva as Blair Cramer, Jerry verDorn as Clint Buchanan, Florencia Lozano as Tea Delgado, Melissa Archer as Natalie Buchanan Banks, Hillary B. Smith as Nora Buchanan, Kelley Missal as Danielle Manning, Josh Kelly as Cutter Wentworth, and Andrew Trischitta as Jack Manning). Recurring actors include: Sean Ringgold as Shaun Evans, Shenaz Treasury as Rama Patel, and Nick Choksi as Vimal Patel.
New 30-minute episodes of both series will be launching each day of the week on Hulu.com, where content generally can be viewed for free. The episodes will also be available on iTunes.
Follow Lindsey on Twitter @LDiMat.
[Photo Credit: ABC]
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The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.