For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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Every year, people all over the entertainment world pull together their lists of the best performances, actors, directors, film, and shows of the year, making special note of all of the newcomers who managed to breakthrough into the mainstream with exceptional projects in 2013. However, when we were running through out lists of the best breakout actors of the year, we happened to notice that many of our new favorite television characters bore some strong resemblances to some of our favorite characters from classic sitcoms.
With that in mind, we've picked 10 of our favorite breakout television stars of 2013 and cast them in roles from our favorite shows of yesteryear.
Joe Lo Truglio as Barney Fife from The Andy Griffith ShowAs the weird, bumbling, food-obsessed Det. Charles Boyle, Joe Lo Truglio has been stealing scenes week after week on Brooklyn Nine-Nine, and we think he could continue to put all of that strange ineptness to use as Barney Fife, the nervous, incompetent deputy to Andy Griffith's Sheriff Andy Taylor. Lo Truglio's proven that he excels at making life more complicated for others, and he would be able to portray the perfect mix of heart and humor.
James Wolk as Wally Cleaver from Leave It to BeaverJames Wolk specializes in characters that are charming, popular and intelligent, which makes him the perfect pick to play the Beaver's charismatic older brother. Sure, he's a lot older than Wally was on the show, but it's hard to think of an actor who would be better at portraying a character described by all of the girls as "the most," because as Zach on The Crazy Ones, Wolk is the most charming, funny and attractive actor on TV right now.
Tatiana Maslany as One of Charlie's AngelsIt's not quite a sitcom, but Charlie's Angels had the right combination of action and comedy that would make it the perfect vehicle for Orphan Black's Tatiana Maslany. On the show, she's proven that she can handle whatever twists and turns come her way, as well as being able to hold her own in a fight, but Maslany is also funny and charming enough to handle the show's more humorous moments with ease. Plus, with Maslany at the forefront, this would finally be a Charlie's Angels reboot worth watching.
Andre Braugher as Lou Grant from The Mary Tyler Moore ShowAndre Braugher's been a well-respected television actor for a long time now, but as Captain Ray Holt on Brooklyn Nine-Nine, he proved that he can handle comedy just as well — if not better — than he does drama. We think he'd be perfect to take on the role of Lou Grant, Mary Richards' tough but loving boss on The Mary Tyler Moore Show. He's already got plenty of experience keeping a group of goofballs in line, and it would finally give him the chance to break out and play something other than a cop for a change.
Malin Ackerman as Samantha from BewitchedJust try and put the terrible Nicole Kidman and Will Ferrell film out of your mind for a second, and instead picture Malin Akerman as the loveable witch struggling to balance her magical powers and her role as a normal housewife. Ackerman's honed her comedy chops on the new sitcom Trophy Wife, and her perky-yet-sarcatsic demeanor makes her the perfect choice to take on Samantha. Plus, she's proven that she's great with phsyical comedy, which will come in handy when it's time for her to wiggle her nose.
Nicole Beharie as Agent 99 on Get SmartA beautiful, intelligent, highly skilled agent tasked with balancing both her bumbling, confused sidekick and a top secret mission? It may sound like Nicole Beharie's Sleepy Hollow character Abbie Mills, but it's actually Agent 99 from the sitcom Get Smart, which proves that Beharie would be the ideal choice for the role. She's got the looks, smarts, and comedic chops to take on the slapstick spy comedy, but also has plenty of experience with the more action-intensive elements. On top of all that, she's a compelling actress, who would be able to give the character enough depth to keep her from being a complete caricature. Just add Tom Mison as Maxwell Smart, and you've got yourself a show.
Albert Tsai as Dennis from Dennis the MenaceAt only nine years old, Albert Tsai has become one of the biggest breakout stars of the year through his role as the quirky, hilarious Bert, one of Kate's stepsons on Trophy Wife. When it comes time for Tsai to properly break out, say into feature films or a reboot of a classic sitcom, we think there would be no better vehicle for him than as everyone's favorite troublemaker Dennis the Menace. He's got enough charm to keep Dennis loveable, despite his antics, but would also be able to give the character a much needed dose of weirdness.
Corey Stoll as Fred from I Love LucyAs Rep. Peter Russo on Netflix's House of Cards, Corey Stoll did most of the show's heavy emotional lifting. If he's looking for some lighter fare, we think he'd do a great job as Fred Mertz, the stingy husband of Lucy's best pal Ethel. Since Fred fought in World War I and lived through the Great Depression, it gives Stoll enough gravitas to ground the character, while also giving him plenty of screwball plots and slapstick comedy to keep things light and up-beat — plus, no Kevin Spacey around to manipulate all of his actions. It's a win-win.
Rebel Wilson in Her Own Version of The Carol Burnett ShowRebel Wilson's show Super Fun Night may not have done as well as many were expecting, but she's still had a pretty stellar year. We think that the best way for her to capitalize on that would be her own Carol Burnett-inspired variety show. She's already got plenty of experience writing sketches, and even created and starred in several sketch shows and comedies in Australia. And since she showcased her musical talents in last year's Pitch Perfect, she's become the ideal candidate to bring back the variety show format to a younger generation.
Michael Ealy as Lionel from The JeffersonsThough his new sci-fi drama Almost Human has only just begun airing, Michael Ealy has become one of the most popular new television stars, due to the perfect combination of good looks, charm and talent. We think all of those qualities would serve him well as Lionel Jefferson, the smart, kind, wise-cracking son of George and Louise. Ealy's already proven that he has enough charm to take on the part, but Lionel's complicated relationship with his father and his wife, Jenny, would give him plenty of opportunities to showcase his acting talent. With Ealy on board, there's no doubt that Lionel would become much more than just a funny supporting character.
Italian movie Sacro Gra has become the first-ever documentary to win the coveted Golden Lion prize at the Venice Film Festival after seeing off competition from a number of Hollywood offerings. The event's top trophy was handed out on Saturday (07Sep13) and Sacro GRA's win also marked the first time an Italian project has won the prize in 15 years.
The documentary, by filmmaker Gianfranco Rosi, beat out a number of notable entries, including Stephen Frears' Philomena, starring Dame Judi Dench, which took the Best Screenplay award for writer Steve Coogan.
Scarlett Johansson's Under The Skin, Terry Gilliam's The Zero Theorem starring Christoph Waltz and Matt Damon, Zac Efron's Parkland and Nicolas Cage film Joe all failed to win any prizes in the competition.
The Silver Lion trophy for best director went to Greek moviemaker Alexandros Avranas for his drama Miss Violence, while the film's star, Themis Panou, was named best actor.
The Jury Grand Prize went to retiring Chinese director Tsai Ming-Liang's Stray Dogs and the Special Jury Prize was awarded to Philip Groning's The Police Officer's Wife.