Captain America: The Winter Soldier is filled — and I mean jam-packed — with genre-bending, action-heavy, sportily tense and relentlessly sinuous, sky-high-concept and maniacally bonkers stuff. Polygonal mayhem that aims, and impressively so, to top the Marvel lot in ideas, deconstructing every thriller staple from government corruption to talking computers to odd couple agents gone rogue. But oddly enough, the moment in the Cap sequel that I find most arresting several weeks after seeing the film is our peaceful reunion with Steve Rogers, trotting merrily around the Washington Monument as the sun rises on our nation's capital.
The scene is shot from far overhead, a low pulse/high spirits Chris Evans reduced to a shapeless blur as he repeatedly (but politely!) laps fellow jogger and veteran Sam Wilson (Anthony Mackie)... and yet it might be the closest we feel to Cap throughout the movie.
The Winter Soldier has a lot to worry about in the delivery of its content. Managing a plot as ambitious and multifaceted as its own, with themes as grand as the scope of the American mentality — as represented by Steve Rogers, raised in the good old days of gee-golly-jingoism — it doesn't always have the faculties to devote to humanizing its central troupe. Cap isn't left hollow, but his battles with the dark cloud of contemporary skepticism play more like an intriguing Socratic discussion than an emotional arc. Scarlett Johansson's Black Widow, a character who ran circles around her Avengers co-players in flavor, feels a bit shortchanged in that department here (in her closest thing to a starring role yet, no less).
Mackie's Falcon, a regular joe who is roped into the calamity thanks largely to his willingness to chat with a fellow runner — a rare skill, honestly — is less of a problem. He doesn't have much to do, but he does it all well enough. Dynamic though he may be, Mackie keeps things bridled as Cap's ad-hoc sidekick, playing up the along-for-the-ride shtick rather than going full (or even half) superhero. We might want more from him, knowing just how fun he can be, but it's a sating dose. The real hunger is for more in the way of Black Widow, Cap, and — perhaps most of all — the titular villain.
Still, these palpable holes pierce through a film that gets plenty right. As elegantly as Joe Johnston did the Spielberg thing back in 2011, Joe and Anthony Russo take on the ballots of post-innocence. They aren't afraid to get wild and weird, taking The Winter Soldier through valleys that feel unprecedented in superhero cinema. We're grateful for the invention here — for Robert Redford's buttoned-up Tom Clancy villain, for the directors' aggressive tunneling through a wide underworld of subterranean corruption, and especially for one scene in an army bunker that amounts to the most charmingly bats**t crazy reveal in any Marvel movie yet. We might be most grateful, though, for a new take on Nick Fury; here, the franchise gives Samuel L. Jackson his best material by a mile.
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But in the absence of definitive work done in our heroing couple, a pair rich in fibers but relegated to broad strokes and easy quips in this turn, most of it amounts to a fairly good spy thriller, not an ace-in-the-whole neo-superhero masterpiece... which, justly or otherwise, is what we've come to expect and demand from these things.
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Greetings, Entourage fans. I'm Natalie, and I’ll be taking over for the lovely Kelsea this week. She’s come down with a bad case of Lollapalooza, and is currently indisposed. So forgive me if I get anything wrong, I’m the new kid on the digital block.
Vince tries to get his miners TV movie off the ground with the help of Carl Ertz, the producer who screwed him over on Danger Beach! (which in my head, is always pronounced with an exclamation point). But their partnership is cut short when Carl kills himself in the bathroom. It’s only slightly more painful than watching Drama and Dice work on their poor man’s Family Guy cartoon (and since Family Guy is a poor man’s Simpsons, any poorer and we’ll be in a third world country.)
Turtle and E both officially end their relationships. Turtle loses his job at Avion and vicariously breaks up with Alex, while E sleeps with Sloane for what may be the last time as she heads out to NYC. Ari, meanwhile, has given up trying to ruin his wife’s lovelife in favor of getting his own, taking a young woman (emphasis on YOUNG) out for a date before chickening out and running to his age-appropriate friend Dana. I don’t know if that’s a step forward for him, but at least it’s a step...sideways.
“You are the good kind of addict!”
The main criticism I’ve heard of Entourage, other than the fact that the characters are all douchebags, is that there’s never any plot. (Perhaps they could borrow one from True Blood, they’ve got plot to spare.) That certainly wasn’t the case tonight, as Vince’s reunion with Ertz ends in the producer’s suicide. Vince actually tried to be the better man this episode, giving Ertz a second chance to work together, despite Ari, E and Turtle’s objections. Well-founded objections, as it turns out, when Ertz tries to get Vince to commit to a “Tax Man” movie (that doesn’t sound much more ridiculous than his usual projects, honestly) and does a Woody-Allen-in-Annie-Hall sized amount of coke. Vince handles being around the drugs, but who knows how he’ll handle seeing Ertz’s suicide. At least it will be something for him to do this season besides hanging around and encouraging the other guys, like some poofy-haired fairy godmother.
“Stella did, right?” “Who?” - Ari, and his date.
Back in the usual Entourage land free of consequences, Johnny Drama tries to get a raise for his banana-themed TV show based on screen test numbers. Of course, it goes nowhere and E warns him against it, but Andrew “Dice” Clay doesn’t give a damn. And neither do I, actually. For a show with so many cameos, they couldn’t have gotten a more interesting comedian? Even Turtle’s funnier than the guy, getting some good lines in when he’s not mourning the loss of his Avion job. Fortunately, he discovers the perfect replacement for his girlfriend Alex- clams! No, not like that, Turtle just decided to get into the restaurant business, bringing a NYC clam bar to the west coast.
And Ari learns the most important lesson in dating- always date someone old enough to understand your pop cultural references. A shared familiarity with outdated memes is the bedrock on which a relationship is built.
“I would hack off my penis before I would allow you to work with Carl Ertz again.”
“I don’t know how much you can relate to that girl who blew her brother for an eight-ball”
“I’m not in the program, so I still think you’re a douche”
“I’m an incredibly tight 116-year-old man”
Johnny Drama’s Ed Hardy shirt was incredibly terrible. Good job, wardrobe department!
When Marvel Studios, Paramount Pictures and director Jon Favreau began casting Iron Man 2, many names popped up that made a lot of sense to me. Scarlett Johansson was an obvious choice to play the seductive secret agent Black Widow, while Mickey Rourke's hiring as the tech-savvy super villian Whiplash was inspired. But I was puzzled when I heard that legendary laugh-meister Garry Shandling would be joining the production. Where were Favreau & co. going to fit him into the Marvel Universe?
As time went on I learned that Shandling would lend his skills to a character named Senator Stern and as soon as the teaser trailer for the film hit, I found that Shandling was born to portray a no-nonsense politician who has a courtroom clash with playboy protagonist Tony Stark. The comedic sparks were flying on the set that day and now, with Iron Man 2 on Blu-ray and DVD, you can relive the hilarity of that soon to be classic scene anytime you want!
We sat down for an exclusive talk with Mr. Shandling to talk about the current state of comedy and his work on Iron Man 2. Read on for the complete interview and be sure to get your hands on Iron Man 2 today!
Q: What do you think about the current state of American comedy?
Garry Shandling: You know it’s funny, coincidentally, I bumped into David Mamet at a function last night - I’ve never met him – and he came up to me and he said “Gary, David Mamet” and I said “Oh my gosh, I always had you confused with Neil Simon.” Which I think is hopefully a good opener for David Mamet. He couldn’t help but smile and I think that phrase is very specific: “He couldn’t help but smile.” And he had told me that he had done a couple of videos for Funny or Die, and I said to him “I have to check it out, because those fellas are friends of mine, Adam McKay and Chris Henchy, over there at that production company that Will has, and I’m about three months behind. I check in about every three months, which I have to change, but I love the idea that certainly online we can, on that site, do quick, short things. We discussed several things that I’ll eventually get to doing on that site. We’re going to shoot a kind of retro, very dirty version of the 20,000 Dollar Pyramid. Which I can’t do for you now, but I’ve done it before with my buddy Alan (inaudible) and we want to shoot that and put that on there. Both Adam and Chris play basketball here so we talk about some of that stuff in between games occasionally, so I love that particular website.
The state of television, seems to be, that in fact what I was thinking when I was describing the Larry Sanders Show to HBO in ’92, I had a vision of the show that is basically what it is, you know it’s exactly what it is, strangely enough. I realized that I could not use any other shows that were on TV even as examples for – in segments even, I couldn’t even use pieces of other shows as an example – so, that show must have been different because I’m working backwards, you see. I remember when I described that show to them, I could not describe it other than directly, what my vision was and I know that they couldn’t quite visualize it yet. But Michael Fuchs had given me a 13 show commitment so, I was lucky because they trusted me because they know I’m tougher on myself than they would be, as a critic, I’m tougher on myself. And they knew the first series, and that thing was also different, so we were really constructing basically, my audience is Stephen Hawking. You know, a man who writes the scientific explanation of how something can come out of nothing, is exactly what The Larry Sanders Show is and how we worked, so there was something coming out of nothing because there was no precursor to it exactly other than I was influenced by The King of Comedy where Scorsese has a cut backstage to a talk show that I think Jerry Lewis played a character that hosted and it was very cinematic. And I remembered that as a way of delineating what happened in front of the curtain and what happened behind the curtain, and so I think then the naturalness of the acting and the decision not to use, of course, a laugh track and then the strong reality of it and the organic quality that’s not forced at that period of time was only appropriate for cable television. The networks, you know might have – you can look up ’92 and see what’s on, it’s quite different than Larry Sanders and quite different than what’s on now. We’ve seen the slow disappearance of the regular old school sitcom and I wasn’t interested in doing a sitcom. So, I think some of the shows, there are certain similarities and tone on the broadcast networks that didn’t exist before Larry Sanders and I think that probably it showed people what could be done and it probably had some influence. I’ve been told by others that it’s been an influence on them, Ricky Gervais being one, and then others and that’s an interesting circumstance and yet here we are, speaking in this moment.
It’s also, by the way if I may, it’s also the way Jon Favreau works and when I was shooting Iron Man 2, the same time I was making this box set – or helping out with the box set, I didn’t have as much a hand in this that I’ve had in some of the others – and he also believes in this organic kind of spontaneous acting and that’s why he called me and I think the DVD of that is coming out as well and I’m sure it’s gonna be evident from the outtakes in that and the documentary and backstage look at how that movie was done, you’ll see the willingness to create in the moment that Jon brings. And then Downey just loves to improvise, and to look and to reinvent constantly. Those are the people I love working with.
Q: In the main court room scene that you were in on Iron Man 2, he (Downey) was bringing the laughs and you were really playing the character more straight. What was it like sharing the set with him there?
GS: Well, it was fantastic, I had been in Hawaii for three weeks prior to starting that movie, in fact Jon had called me in Hawaii to offer me this role, and when I got back from Hawaii I went in and sat with Robert and Jon to see where our sensibilities lie so that we could see how it worked, and we really hit it off. And I am so challenged by Robert and sparked by Robert that, again, on the DVD, there are so many different takes. Some in which I’m which I’m funny and some in which I’m straight and there’s so much other material because we just would go on and on and around and around. I think that that Senator if not played straight, is not going to communicate effectively what that scene is about. And so, my first very strong intention was to be honest and true to the scene and the character, but you know there’s still a twist in that guy that isn’t exactly of the norm. And that’s what Jon sensed. He called me up and he said, “What are you doing there in Hawaii?” and I said, “Just hanging out,” and he said, “I don’t think this is the time to withdraw,” and he said, “Come on man, I think we can really do something no one expects in this thing and then we can look to make it a little longer because it’s just been on my mind,” and he said, “I want to be there to support you to go to some place that no one expects including us.” And that’s what got me into it, because he was talking about the work itself and the style of work.
Q: Will you be reprising the role in future movies (The Avengers, Iron Man 3)?
GS: They have not spoken to me about reprising that character, which I would do in a second. I mean I really rarely have a good time working because I need to be around the quality of people that was in and around this movie and the Marvel people were fantastic but they have not yet mentioned anything about doing more, but I think I heard conceivably I could get free parking.
You know, I feel, I could impress somebody with free parking to the next Marvel project. One of my pitches for the end – it was a joke – was, I said I’d like to say “I’m Iron Man” as he did in the first one and I said to Robert that you should say, “No I’m Iron Man,” and then they would have an argument with him about who really is Iron Man. When Jon called me and he said, “I'm doing Iron Man 2 and there’s a part for you,” I said, “What kind of suit do I get to wear?” and he goes, “A regular suit.” And I said, “I mean no, what kind of weapons will be on it?” We hadn’t gotten to the senator part yet, so I said, “What kind of weapons will be on it?” and he said, “No, it’s a suit and tie, you play a senator.” Yeah, it’s a three piece, there’s a vest, a tie, a jacket, pants and a belt.” So I said, “So I get no weapons?” I brought a gun, I had a gun in my pocket the whole time.
Q: Maybe we can get some sort of arm piece or a helmet or something.
GS: From your mouth to God’s ears.
Q: GQ called you the comedian’s comedian’s comedian, what does that mean? And how do you feel about being the comedian’s comedian’s comedian?
GS: I think what they mean by the comedian’s comedian’s comedian is I am the comedian’s comedian unless they watch too long and then they change their mind. Then I’m just a comedian. So I’m the comedian’s comedian slash comedian again. I end up as a comedian, I think that’s what they mean. They’re giving me a compliment and then taking it right away.
Q: Who are the three entertainers that you follow or most look forward to seeing new stuff from?
GS: Oh well, look. For the sake of this conversation and the fact that we have just discussed it, I have two projects coming out on DVD in two months which I find hilarious if I may say somewhat facetiously, what about a high point in my career that I have two DVDs coming out. But, here you go it feels like I’m selling DVDs today, so while we’re on that I think the Scott Pilgrim DVD comes out the first week of October, it comes out as well in this time period. And I have nothing to do with that except, I’m a big fan of Michael Cera and I would recommend also picking that one up. Probably I would go in this order: Iron Man 2, Scott Pilgrim, and then God forbid anyone has any money left, Larry Sanders: The Complete Series.
Q: If you think that any comedian could be elected to be Commander in Chief, who do you think that would be?
GS: Well, I mean Al Franken’s already got a head start. I think we need a Native American in as Chief of Staff, if Rahm Emanuel leaves, we’ve got to get a Native American into the administration and it seems natural that that should be Chief of Staff. I think it’s an insult to the Native Americans that it’s not a Native American – it’s the Chief of Staff. So there’s the discussion of Rahm Emanuel.
Q: I was always hoping for Dana Carvey so that way we can get his own opinions and more imitations of George Bush as well.
GS: Well, Dana Carvey would be great and Jimmy Fallon does some great impressions and he would be great. And I wouldn’t leave out Sarah Silverman just as a nice big change, that would be big, big change.