Funnyman Kevin James was reunited with his high school wrestling partner, WWE heavyweight Mick Foley, during an appearance on U.S. TV talk show Katie on Friday (12Jul13). The star was reminiscing about his fighting days while promoting the Grown Ups sequel when host Katie Couric brought the professional tough guy out from backstage, after showing off a photo of the two men together as students.
James said, "He was the greatest partner. He was awesome... He's the nicest guy in the world but also the craziest guy I've ever seen in my life. Jumping off the roof of his house."
Foley also shared the love, adding, "Kevin was the toughest kid in school - one of only two people in the 300 pound bench press club."
Foley revealed he and his high school pal stayed in touch for 25 years but hadn't spoken in about five, prompting James to promise to check out his old friend on his upcoming stand-up comedy tour.
There was also a surprise for James' Grown Ups 2 co-star Adam Sandler on the show - his Manchester Central High School gym teacher Don Tibbetts was in the audience for the show.
The funnyman told Couric that Tibbetts was "like having a friend in school," adding, "You never considered him a real teacher, you thought he was your buddy."
2009’s Sherlock Holmes found unexpected synergy in the pairing of Robert Downey Jr.’s impish charm and Guy Ritchie’s macho kinetic visual style reinventing Sir Arthur Conan Doyle’s master detective for a modern blockbuster audience. The follow-up Sherlock Holmes: A Game of Shadows employs the same winning formula while adhering judiciously to the Law of Sequels and its more-more-more dictates: more action bigger set pieces higher stakes and a darker more convoluted plot. But more as so many past sequels have taught us is rarely better.
Game of Shadows marks the emergence of Doyle’s most famous villain James Moriarty (Jared Harris). Glimpsed only in darkness in the first film Moriarty takes center stage in the sequel as Holmes’s foremost criminal foil a genius-level university professor whose extracurricular interests range from horticulture to homicide. Holmes has deduced him to be at the center of a wave of terrorist bombings as well as the seemingly unrelated deaths of various titans of industry but can’t quite discern just what the professor’s endgame might be. Composed and calculating to a menacing degree Harris makes for a promising counterweight to Downey’s manic verbosity. But as in the first film Game of Shadows’ best moments are found in the comic interplay between Holmes and his reluctant sidekick Dr. Watson (Jude Law) who is plucked from his honeymoon to accompany the detective on a trans-continental trip in search of clues to Moriarty’s machinations.
And it’s very much a boys-only trip. The female leads from the first film Rachel McAdams and Kelly Reilly are tossed aside – literally in the case of the latter – in Game of Shadows while the cast’s highest-profile new addition Swedish star Noomi Rapace (best known as the original non-emaciated Lisbeth Salander) is a curious non-factor in the role of a Gypsy (or Roma if you prefer) fortune-teller. The film maintains only the slimmest pretense of a romantic subplot between her and Downey. Rapace looking perhaps a bit lost in her first English-speaking role can’t hope to eclipse the Holmes-Watson traveling road show.
Ritchie’s technique with its signature blend of rapid cutting and slow-mo and super-high frame-rates – perfect for admiring the odd apple tossed in the air or a piece of bark shot off a tree – is once again evident in the film’s awe-inspiring (and occasionally coherence-defying) set pieces the most memorable of which is set in a munitions factory with Watson wielding a gatling gun like an early T-600 prototype. But some of the novelty of the stylistic juxtaposition has faded since the first film. Ritchie tries to compensate by ramping up the firepower to limited effect. Absent amid the hail of mortar blasts and automatic weapons fire is any real sense of intrigue or suspense which proves to be Game of Shadows’ most vexing mystery.
God bless Christopher Nolan. Thanks to his masterful direction, Inception has become the most talked about film of the year and a bonafide hit, and his international cast is now enjoying the spoils of success. Just a day after we found out that Tom Hardy would replace Sam Worthington in 20th Century Fox's action-comedy This Means War, Deadline reports that Cillian Murphy, who played Robert Fischer in the twisty, sci-fi action opus, has picked up a role in a new psychological thriller titled The Retreat.
The story centers on a husband and wife who rent a remote island cottage while trying to repair their marriage. One day they find a biohazard-suited soldier washed up on the beach, who warns them that everybody on the mainland has been killed by an airborne virus. That's when the paranoia, mental breakdowns and socio-psychological allegories kick in.
First time writer-director Carl Tibbetts will helm the film and though an untried auteur doesn't inspire a great deal of confidence in what sounds like an ambitious and cerebral project, I have faith in it based on it's solid cast. Thandie Newton has been locked to play Murphy's wife, and that pairing should make you very excited. Both of these performers are incredibly versatile and talented - Murphy's proved it in films like 28 Days Later, Red Eye and Breakfast on Pluto while Newton has shown us time and time again that she should be a go-to leading lady in Hollywood with her work in Beloved, Crash and The Pursuit of Happiness among others. Add in David Tennant as the mysterious soldier who puts the fear into the unsuspecting couple and you've got a highly anticipated movie on the horizon.
There is no start date yet, as all of the players are currently hard at work on various projects, but we'll be following the development of this one very closely as it's got "cult favorite" written all over.
WHAT IT’S ABOUT?
Set in 1957 and designed to be mistaken for the corny B-monster movies of the era Alien Trespass focuses on a group of characters who encounter an alien named Urp whose spaceship has crash-landed in the Mojave Desert inadvertently setting loose another creature on board: the terrifying Ghota a monster bent on destroying everything in its path including Earth. In order to defeat him Urp takes over the body of a local astronomer and bands together with small-town citizens to save civilization as we have come to know it.
WHO’S IN IT?
A game cast tries to make us believe in this hokum from a more innocent time — and mostly succeed. All with a straight face Will & Grace’s Eric McCormack plays the pipe-smoking Dr. Ted Lewis the astronomer whose body has morphed into that of the visiting alien Urp. Making her motion-picture debut as a waitress who shows great courage in the face of this monstrous crisis Jenni Baird is sweet and convincing. As the skeptical police chief and his officer Dan Lauria and Robert Patrick (The Unit) are right out of the kind of bad B-movie Alien Trespass is trying to clone. Lewis’ wife Lana is played by Jody Thompson channeling any number of '40s or '50s buxomy film starlets who populated these pre-feminist roles.
Director/producer R. W. Goodwin is a veteran of TV’s The X-Files and exhibits a real fondness for the far less sophisticated brand that started the sci-fi genre in the first place. It's no Airplane!-style spoof but gets laughs in such a good natured way that this nifty homage could have been released in 1957 and no one would have ever known the difference.
Unless you’re really into '50s movies like It Came From Outer Space and Invaders From Mars this sly but very tame takeoff will probably have you headed for the lobby well before the end credits.
NETFLIX OR MULTIPLEX?
You won’t have long to wait for this thing to land on DVD shelves so a better bet is to hold off and rent it with a couple of the real B-movies that inspired it. What better triple-feature matinee could there be?
Playing second fiddle to a more famous sibling can be rough. Just ask Fred Claus (Vaughn) a regular guy who has had to grow up under the shadow of his little brother Nicholas Claus (Paul Giamatti) aka Santa. That’s a big shadow to say the least both figuratively and literally. As an adult Fred has pretty much steered clear of his family but when he finds himself in dire need of some fast cash he calls his brother. Pleased as punch to hear from him Nicholas nonetheless makes him a deal: If he comes up to the North Pole for a visit and to help out the few days before Christmas then Fred can have the money. Fred reluctantly agrees and soon he’s being whisked off in Santa’s sleigh by head elf Willie (John Michael Higgins). But once Fred gets to the North Pole nothing seems to go right and soon he is the cause of much chaos--which unbeknownst to Fred causes Nicholas even more stress since his North Pole operation is one step away from being shut down by a cold-hearted efficiency expert (Kevin Spacey). Can Fred quit being bitter in time to save his brother’s livelihood? Of course he can. Hmmm Vince Vaughn minus the R-rated Wedding Crashers/Old School irreverence? It’s a stretch. Seeing the comic actor playing it PG is a little weird but you might enjoy how Vaughn infuses his unique energy into Fred Claus. From getting all the elves to boogie down in Santa’s workshop to going on one rant after another (on his brother: “He’s a clown a megalomaniac a fame junkie!”) to pilfering money on the street and then being chased by Salvation Army Santas it’s all good. Giamatti too seems a little out of his comfort zone as the saintly St. Nick. The actor who usually plays such endearing sad sacks has already played against type to great effect this year as the maniacal bad guy in Shoot ‘Em Up but he isn't nearly as successful in doing the flipside of that in Fred Claus. And what the hell is Kevin Spacey doing in this? As the villain of the film he fills the shoes nicely but he is almost too good at it (natch) for such a feel-good family film. Even Higgins--a character actor who is usually so hilarious in films such as The Break Up and all of Christopher Guest’s movies—has to shed the cheekiness and sugar himself up for Fred Claus. There’s also Rachel Weisz as Fred’s beleaguered girlfriend (you heard right) and Kathy Bates as the Claus boys’ mother who always sees Fred as inferior to her other son to fill out a cast of big names doing family fare. Director David Dobkin is a Vince Vaughn favorite having directed him in Wedding Crashers and Clay Pigeons but like his muse Dobkin seems a little out of place guiding this material. Granted Dobkin creates a pretty magical North Pole complete with an entire city of little dwellings a Frosty Tavern and a huge domed Santa’s Workshop. The montage of Fred delivering presents on Christmas Eve—falling down chimneys stuffing cookies in his face zooming around in the sleigh—is also well done. But overall Fred Claus is a Vaughn vehicle—even as sugary sweet and family-friendly as it is--and all Dobkin really does is turn the camera on and let the man do his stuff. Dan Fogelman's script is also so very bland full of any number of holes and only picks up once Vaughn starts to improvise. Bottom line: If you’re looking to take the kids to a sweet Christmas movie and are a Vince Vaughn fan then Fred Claus is for you.