One of the greatest TV Tropes to behold is tortuous and often unrequited love. Just like in life, one character pines for another, or sometimes both characters unknowingly pine for each other. Since they’re easily some of the most relatable aspects of any TV series, this Valentine’s Day we celebrate the greatest unrequited love stories in TV history. Even if the couple finally gets together, it’s the journey through unrequited territory before they get together that makes the eventual romance so rewarding.
Desmond David Hume & Penny Widmore of Lost
For regular readers of this column, it’s no secret that I was a huge Lostie right up until the head-scratching finale. One of the biggest reasons I watched Lost was the ballad of Desmond and Penny. When we first meet Desmond, he’s pushing a button in the Hatch to save the world. As flashbacks eventually reveal, Desmond was preparing for a race around the world to prove to Penny’s father, Charles Widmore that he was worthy of his daughter’s affections. What seemed to be nothing more than a backstory about unrequited love turned into a game-changer for the entire series, as the “Not Penny’s Boat” scene is one of Lost’s most heartbreaking moments. The heartache would continue in and episode called “The Constant” in which Desmond’s “flashes” between 1996 and Christmas 2004 begin and he realizes Penny is his constant. The episode is widely regarded as Lost’s finest hour of television and it aired - not coincidentally - two weeks after Valentine’s Day.
Luke Spencer & Laura Webber of General Hospital
Talk about unrequited love stories. Luke and Laura are daytime TV’s most recognizable couple and certainly the breakout stars of General Hospital. But before their wedding attracted nearly 30 million viewers and (reportedly) gifts from Princess Diana, their story would begin far too violently for my tastes, as theirs is essentially the story of a woman falling for her drunken rapist. For you younger readers out there, ask your mother or aunt and they’ll likely tell you that they forgave Luke Spencer’s actions just as Laura did. I know it’s a bitter pill to take, but in the zany world of Soap Operas, this somehow works. The encounter has since been rewritten to be more of a seduction than an attack, but for GH fans, it didn’t seem to matter and no matter how many times their love falters and they are broken up, Luke and Laura always seem to find a way back into each other’s arms.
Jim Halpert & Pam Beasley of The Office
Sure, they’ve been happily married for several years now, but admit it: The Office was at its best when these two were pining for one another. The first few years of the series saw Jim pining for Pam and vice versa in many ways, but first Pam had to rid herself of her Jerk Store boyfriend, Roy. Jim has it so bad for Pam that he moved to the Stamford branch to alleviate the pain of seeing her every day. Jim even tried to date Scranton co-worker, Karen. But as we all know, Roy and Karen were sent packing and the big moment finally occured in the Season 3, in an episode called “The Job” and the sweetest couple on TV was finally joined, with Jim admitting he bought an engagement ring a week into their dating. A collective “aww” was heard round the world. To keep the romantic tension going (at least a little bit), it would take Big Tuna another year to muster up the stones to pop the question.
Milhouse Van Houten & Lisa Simpson of The Simpsons
Matt Groening’s answer to Charlie Brown has always been Milhouse. And always pulling that proverbial football of a heart out from under him has been his best friend’s little sister, Lisa. You would think that after harboring a hopelessly devoted crush for almost 25 years,the poor guy would take a hint, but Milhouse Mussolini Van Houten just keeps soldiering on. When Lisa gave up her first crush, Nelson, Milhouse rejoiced with newfound faith when Lisa told him her next crush could be anyone. Considering in most of the Simpsons’ flash-forward episodes, Milhouse is finally with Lisa, it’s no wonder the kid won’t give up.
Jimmy Chance & Sabrina Collins of Raising Hope
The newest show on our list allows for Jimmy and Sabrina’s unrequited affections to remain unknown. If you haven’t seen Raising Hope yet, then you don’t know what you’re missing. Jimmy pining for Sabrina is played up for some good jokes, as his folks, Virginia and Burt, often make fun of the poor guy’s inability to open up to Sabrina and tell her the truth. Of course, it was revealed in a flashback episode that when Jimmy used to dress up as an emo-Goth kid, she had the hots for him. But alas, it was not to be and Jimmy grew out of his dark overlord phase and Sabrina never knew it was him and still doesn’t. Despite the wrinkle of Sabrina’s boyfriend, the two still spend a lot of time together, with Sabrina teaching Jimmy about the world and being a surrogate mom to Hope. It’s only a matter of time before these two consummate.
Spike & Buffy Summers of Buffy the Vampire Slayer
Before True Blood’s Sookie, every vampire on TV had it bad for Buffy. Punk vamp Spike was supposed to be different. The guy had come to Sunnyvale with his vampire girlfriend, Drusilla, and was genuinely sickened by the fact that his former friend, Angel, had feelings for a slayer. After losing Dru and having “nightmares” about her, Spike is forced to admit that he’s in love with Buffy, who despite initiating violent and seductive meetings will have no part of a real relationship with Spike. Despite being turned down, Spike remained a loyal right hand to Buffy in the final seasons of the show, even sacrificing himself to close the Hellmouth in the series finale. When Buffy finally declares her love, Spike glibly replies, “No, you don’t, but thanks for saying it.”
Samuel “Screech” Powers & Lisa Turtle of Good Morning Miss Bliss and Saved by the Bell
Yes, I refuse to not acknowledge that Saved by the Bell was once a series called Good Morning Miss Bliss and was supposed to be vehicle for star Haley Mills. (Iif anyone remembers Zack introducing stories from when he, Lisa, and Screech were in Middle School, they are from that show.)Anyway, for any awkward teen who ever pined for the one of the nicest, sweetest, cutest girls in school, it’s easy to understand the pains of unrequited love. If you’re Screech, puberty hits, hormones are racing, and there’s Lisa Turtle looking cute beyond belief. Like many teenage boys falling for their first crush, you’d be powerless to her charms as well.
Every supernatural creature in the world & Sookie Stackhouse of True Blood
Vampires, werewolves, ghosts, goblins, shape-shifters, lions, tigers, bears – if you’re a supernatural male and you live in Bon Temps, odds are you have got it bad for one Sookie Stackhouse, and usually that ain’t good. Heck, most times, it usually leads to the end of the world until Sookie and her pals stop it. Sweet fairy blood notwithstanding, Anna Paquin does play Sookie with a certain bit of adorable bravado; she’s sexy and she knows it. And at its heart, True Blood is the ultimate female wish fulfillment fantasy –and correct me if I’m wrong, ladies. It’s a show about a girl who literally entices every eligible good looking male around her to protect her and gladly die for her. Oh, and they all have six- to eight-pack abs.
Carmela Soprano & Furio Giunta of The Sopranos=”3”>
These poor mob wives, they just have nothing to do but sit around all day while their husbands are out with all kinds of mistresses. Carmela Soprano had to put up with Tony’s philandering ways for years and barely said a peep about any of them. But when Carmela laid eyes on the tall, dark Italian man, Furio, she developed feelings for the dashing, sensitive mobster. The sentiments between the two were mutual, however they never consummated their love – after all, they’d both be dead if anything ever happened. When Furio caught Tony in the act, he belived Carmela deserved better he almost shoved Tony into helicopter blades. Not being able to contain his feelings, Furio packed up and left New Jersey for his native Naples. Carmela on the other hand, revealed her feelings for Furio to Tony in Season 4’s explosive finale, “Whitecaps.” =”3”>
What couples are your favorite tumultuous love stories? Do you think the chase is better than the catch, or can you not wait for your favorite lovebirds to get together and be happy? Leave your opinions in the comments and follow me on Twitter @CouchForceOne. Happy Hallmar – err, I mean Valentine’s Day!
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
It's no easy thing to define the "black experience" in the United States, but if artists working in any particular medium have succeeded time and again, it's filmmakers. We wanted to take a deep dive into some of these films because its Black History Month, there have been tremendous contributions to cinema that shouldn't go unrecognized and well, we think it's important.
Highlighted below are some of what we feel are the most crucial and influential films that honor the hardships, triumphs and history of the black experience. In no particular order, here are 20 films that we believe helped define entire generations and continue to define great cinema.
Do the Right Thing
Spike Lee’s 1989 masterpiece took audiences into the BedStuy neighborhood in Brooklyn on the single hottest day of the summer, just as racism and bigotry are boiling over until it all ends in violence. When the Italian American- African American prejudices overflow, Lee’s Mookie is left to make a split second, difficult decision. The film is considered to be one of the most controversial movies ever; debate swirls around whether or not Mookie actually does the right thing in the end, but Lee has noted that those who truly value life over property shouldn’t question Mookie’s choice.
This 1977 television miniseries showed viewers the devastating history of slavery in America as they’d never seen it before. LeVar Burton stars in the film based on acclaimed author Alex Haley’s history of his ancestors. The story follows Haley’s fourth great grandfather, Kunte Kinte, as he is ripped from his home, brought to America and sold into slavery. As the story continues Kunte Kinte and his children and grandchildren endure separation and violence as well as many historical events such as the Civil War and Emancipation. Haley ends the miniseries with a short narration and photo montage connecting himself directly to history and the ancestors whom the film depicts, truly personalizing history by pairing faces and names with a time that most only ever encountered in textbooks.
Driving Miss Daisy
This 1989 film presents the southern prejudices in the late 1940s while proving that race and religion could overcome those elements. In Georgia, 72 year old Daisy already knows the cold front of religious prejudice in the South. When she has a driving mishap and is forced to hire a driver, she learns the true impact of racism in the region. Miss Daisy’s friendship with Hoke (Morgan Freeman) improves and grows over time, and through his experiences her eyes are opened to the overtly discriminatory society. The film explores the prejudices that plagued Jewish Americans and Black Americans and shows the beginning of society’s upward turn when Daisy attends a dinner where Martin Luther King Jr. is speaking.
Gone With The Wind
The classic film from 1939 tells the dramatized tale of the Civil War and the Reconstruction Era from the Southern point of view. The film is also credited with giving a role to the first African American person to ever win an Oscar, Hattie McDaniel. It was the biggest film of its time, and its premiere highlighted the staunch racism that had yet to be resolved in the US. McDaniel and other black actors were barred from the premiere due to remaining Jim Crow laws, and if it had not been for McDaniel’s request that he attend, Clark Gable would have boycotted the premiere. McDaniel’s Oscar win and her non-admittance to her own film premiere drew attention to the archaic prejudices that managed to survive and this attention helped to move towards abolishing them.
Boyz 'N the Hood
Much like Do the Right Thing did for Brooklyn, this 1991 film chronicled the lives of a group of friends in South Central Los Angeles as they dealt with violence in their neighborhood. It starts with this message: "1 in 21 American black males will be a victim of murder. Most will be killed by other black males." The group of friends navigate gang life and their own big dreams but by the end of the film, blood has been shed and some of those dreams have been cut short. The film was praised for its striking look at a harsh reality and made director John Singleton the youngest person and first African American to earn an Oscar nomination for Best Director.
The Autobiography of Miss Jane Pittman
Cicely Tyson is praised for her performance in this 1974 TV miniseries, based on the book by acclaimed author Ernest J. Gaines. The film tells the story of a woman in the South who is born into slavery, witnesses the Civil War but lives long enough to eventually become a part of the Civil Rights Movement in the 1962 at age 110. The miniseries preceded Roots, and was a landmark in the art of prosthetic makeup as the film depicted Jane aging from 23 to 110.
To Kill a Mockingbird
This literary classic turned iconic film is a story that almost every American should know – it’s been required reading for high school students almost every year since its publication. Gregory Peck lends his talents to the role of Atticus Finch, a 1930s Southern lawyer who defends a wrongly accused black man from his undeserved rape charge and the prejudices of the time. Many criticize the film and the novel for their lack of depth amongst the black characters, but what the 1962 film did accomplish was evoking the long history of racial injustice and crippling prejudices that continued to plague the US while its audience was in the midst of the Civil Rights Movement.
The Jackie Robinson Story
This 1950 biopic can’t not be included on this list. It tells the story of Jackie Robinson through his own eyes, as it stars Robinson as himself. The film follows his struggle in the sports world as he moves up from the minor leagues and becomes the first African American Major League Baseball player ever. Even though racial segregation was rampant at the time of its release, the film did remarkably well in the box office, making steps toward eventual changes in the long-standing societal prejudices.
This classic 1971 film is often credited as the father of the Blaxploitation film genre. John Shaft is a private eye hired by a crime lord to bring back his kidnapped daughter and the action film draws on elements of film noir while still forging its own genre. Shaft is hugely culturally significant; it’s preserved in National Film Registry and is considered one of the best films of 1971. It was also a landmark film in that is cost only half a million dollars to make, but earned over $13 million. The pop culture effects of Shaft are countless, and can still be seen all over television and movies today.
This 2004 film captures the life of Ray Charles, one of the most significant musicians of the 20th century. Jamie Foxx delivers an Oscar-winning performance while sharing Charles’ legacy with a new generation. Not only did Charles pioneer his hybrid style of music (gospel, country, jazz and orchestral) but he revolutionized the music world by fighting segregation in jazz clubs and fighting for artists’ rights within the music business. He also overcame his own demons as his musical genius allowed to become one of the most beloved musicians of all time.
Guess Who’s Coming To Dinner
Screenwriter William Rose created an ideal subject for Spencer Tracy’s liberal upper class patriarch to criticize: a charming and educated African American doctor who wishes to take his daughter’s hand in marriage. Sidney Poitier’s sterling John Prentice made it difficult for Tracy’s Matt Drayton to judge him on any other ground but his skin color and this helped the Oscar-winning 1967 drama address the growing Civil Rights Movement head on, exploring the underbelly of prejudices that plagued society in a though-provoking but entertaining package.
A Raisin in the Sun
Based on the award-winning play, A Raisin in the Sun sees Sidney Poitier leading a stellar cast including Ruby Dee and Louis Gossett in this drama centering on the Younger family’s hopes for a better life. We learn that the various generations of African Americans represented by the contrasting characters all have different notions of what success means to a black family in the United States (pre-Civil Rights Movement), but the moral of the story is that they can all succeed in fulfilling their dreams as long as they stick together. It was a powerful message at a time when assimilation seemed to be the safest move, especially for young African Americans, and showed that they could all live together and become a part of a larger community while keeping their individuality and identity in tact.
In The Heat Of The Night
Wow, Sidney Poitier has been in a lot of landmark movies, huh? This one casts him as a big-city detective from the progressive north who’s sent down to the narrow-minded South to assist a racist cop in hunting down a murderer. The major accomplishment of the film, other than giving the world an incredibly quotable line of dialogue (“They call me MR. TIBBS!”), was its development of a mutual understanding and respect between the two central characters -- a breakthrough that mirrored the changing sociopolitical climate in the U.S.
One of the most controversial figures in American history was given a stirring biopic thanks to one of the most culturally significant filmmakers of the 20th century. Spike Lee shouldered a massive responsibility in telling the tale; his vision for the project was subject to scrutiny from nearly everyone remotely involved in the production. Spanning Malcolm’s entire life and depicting both the seedy and stoic sides of his character, the film was a truthful, sympathetic epic on par with heralded biopics such as Ghandi and Lawrence of Arabia.
The Color Purple
Steven Spielberg’s heartbreaking film, based on the acclaimed book by Alice Walker, chronicled the life of Celie Johnson and the hardships she faced as a black woman in early 20th Century America. Though the story is a personal account, the trials and tribulations that Celie endured were representative of entire generations of African American women.
Director Michael Mann gave Cassius Clay a rousing and realistic tribute in this pricey motion picture that saw star Will Smith knock it out of the park with his impressive portrayal of the people’s champ. Aside from following the fighter from his earliest days in the ring through his championship bouts, the film revealed the intentions and ulterior motives of many in Muhammad Ali’s inner circle – figures, in some cases, that were major forces in the Civil Rights and Islamic movements, including Malcolm X and Martin Luther King Jr.
The Great White Hope
James Earl Jones plays the first black heavyweight (a fictional take on Jack Johnson) in this emotional roller coaster. Jones' Jack Jefferson faces adversity in and out of the ring as he rises to the top of the sport and courts a beautiful white woman with whom a romantic relationship is forbidden. The film speaks worlds about the turbulent times in which it is set and the hegemonic society determined to keep African Americans in a hopeless situation.
A Time To Kill
A brutal film to watch, A Time to Kill shows that director Joel Schumacher pulled no punches in telling the tale of a father on trial for murdering the men who viciously raped his young daughter. Aside from revealing the terrible truth that the Ku Klux Klan is sadly still very much alive and well in the U.S., the movie dramatized real-life injustices against African American women.
New Jack City
Director Mario Van Peebles gave gang culture its due with this gritty urban drama. Its relevance was key to its success; by the time the film was released, violent crime syndicates like the one depicted in the movie were making headlines daily as a result of drive-by shootings and drug wars. Americans have always had a fascination with gangsters, and Wesley Snipes’ Nino Brown became an inner-city icon thanks to his take-no-prisoners attitude.
A tribute to the unsung heroes of the Civil War, Ed Zwick’s epic adaptation of a pair of novels inspired by the memoirs of Col. Robert Gould Shaw (who commanded the all-black 54th Regiment during the Civil War) is an inspirational tale of acceptance and camaraderie. The film chronicled the rise of the first all-black regiment from laborers to respected soldiers. The triumph of the movie, however, was the mutual respect built between the black and white characters throughout the picture.
The God of Legion secular Hollywood’s latest Biblically-inspired action flick is old-school an angry spiteful Almighty with a penchant for Old Testament theatrics. Fed up with humanity’s decadent warmongering ways He’s decided to pull the plug on the whole crazy experiment and start over from scratch.
Fortunately for us the God of Legion is also a rather lazy fellow. Instead of doing the apocalyptic work himself and wiping us out with a giant flood which worked perfectly well last time He opts to delegate the task to His army of angels — a questionable strategy that starts to fall apart when the archangel charged with leading the planned extermination Michael (Paul Bettany) refuses to comply.
Michael who unlike his boss still harbors affection for our sorry species abandons his post and descends to earth where inside the swollen belly of Charlie (Adrianne Palicki) an unwed mother-to-be working as a waitress in an out-of-the-way diner sits humanity’s lone hope for survival. Why is this particular baby so important? Is it the one destined to lead us to victory over Skynet? Heaven knows — Legion reveals little details its script devoid of actual scripture. What is clear is that God’s celestial hitmen want the kid whacked before it’s born.
But Michael won’t let humanity fall without a fight. Armed with a Waco-sized arsenal of assault weapons he hunkers down with the diner’s patrons a largely superfluous collection of thinly-sketched caricatures from various demographic groups led by Dennis Quaid as the diner’s grizzled owner Tyrese Gibson as a hip-hop hustler and Lucas Black as a simple-minded country boy.
Together they mount a heroic final stand against hordes of angels who’ve taken possession of “weak-willed” humans turning kindly old grandmas and mild-mannered ice cream vendors into snarling ravenous foul-mouthed beasts. They descend upon the ramshackle diner in a series of full-frontal assaults commanded by the archangel Gabriel (Kevin Durand) the George Pickett of End of Days generals.
Beneath its superficial religious facade Legion is really just a run-of-the-mill zombie flick a Biblical I Am Legend. Bettany an actor accustomed to smaller dramatic roles in films like A Beautiful Mind and The Da Vinci Code looks perfectly at ease in his first major action role wielding machine guns and bowie knives with equal aplomb. Conversely first-time director Scott Stewart a former visual effects artist does little to prove himself worthy of such a promotion serving up some impressive CGI work but not much else worthy of note.
If you go see "Scary Movie" this weekend, then you'll certainly have it and lots of other lowbrow, bathroom humor. A parody of the "Scream" films and their ilk, the latest cinematic flourish from the Wayans brothers tries to flush out the competition by one-upping the Farrelly brothers at their own gross-is-funny game.
In other words, it's that time of year -- the post-holiday summer weeks when the flood of big new releases starts to ebb a little. The only other new offering this weekend is "Disney's The Kid," a comedy starring Bruce Willis and a little boy -- this time, one who doesn't see dead people.
But the big story this weekend could be "The Perfect Storm" again, if the George Clooney disaster pic continues to float.
Here's a look at this weekend's new releases:
"Scary Movie" SCARY MOVIE (See the trailer) The Skinny: A knife-wielding guy in a ghost mask is terrorizing teens in a small town. The difference is, he likes to smoke pot with his victims before he kills them. The Upside: The "Scream" films each grossed more than $100 million. The Downside: This one's just plain gross.
"Disney's The Kid" DISNEY'S THE KID (See the trailer) The Skinny: A burned-out PR guy suffering a mid-life crisis (Bruce Willis) rediscovers his love for life after he's confronted with his 8-year-old self, who travels forward in time. Isn't that cute? The Upside: Willis scored big last year when he was paired with another little boy, Haley Joel Osment, in "The Sixth Sense." The Downside: "The Kid" in question is Spencer Breslin, and he's nowhere near as cute as Haley Joel Osment (Sorry, Spencer).
Elsewhere in theaters, Mel Gibson will continue trying to figure out why "The Patriot" isn't No. 1, Robert De Niro will try to figure out why he's not funny in the quickly sinking "The Adventures of Rocky and Bullwinkle," the limp "Shaft" remake and "Gone in 60 Seconds" will hang around a little longer.