Movies and TV shows might have touched on the fantasy football before but The League really dives into it. When there is a group of people that come together for one thing, there are many dynamics that come into play and insanity ensues. Ever wondered if your fantasy football team had the same thing going on as this crazy cast? Here are 12 signs to find out!
1. You guys tend to threaten each other's lives over your league.
2. You have that one guy who seems to have the worst luck in the group.
3. You all have gone as far as to make a trophy for your league.
4. You confide each other.
5. You have seen more of each other than you would like to admit.
6. Your league knows that "rosterbation" is a thing.
7. There is a bromance within the group.
8. You send each other videos talking trash.
9. One of you might have broken into the other's house at some point in time...
10. At least one of you has had to quit because you all drive each other crazy.
11. At least two of you are...
12. But most of all, you all love each other.
Are you and your friends like the guys on The League? Tweet us your answers to the Twitter handles below!
"I think they're a wonderful family. I'm welcomed by all. We had our wedding planned at the last minute, so his daughter's birthday was happening (and) we didn't want to conflict with that." Model and TV personality Jenny Mccarthy insists there's no feud between her and new brother-in-law Mark Wahlberg after he skipped her recent wedding. McCarthy wed actor/singer Donnie Wahlberg on 31 August (14).
Donnie Wahlberg's actor brother Mark Wahlberg was unable to attend his sibling's weekend wedding to Jenny Mccarthy, so the New Kids on the Block star recruited his four bandmates to serve as his groomsmen instead. The happy couple chose The Sound of Music classic song Edelweiss for their first dance following the ceremony in St. Charles, Illinois.
Mark Wahlberg confirmed reports his brother Donnie and actress/model Jenny Mccarthy wed in Chicago, Illinois on Sunday (31Aug14) by tweeting his congratulations.
The couple teased the media in July (14) when announcing plans to wed in McCarthy's hometown of Chicago on 15 August, but reports suggest the nuptials took place in suburb St. Charles over the weekend - and groom Wahlberg's movie star brother was a no-show. He may have missed the wedding, but Mark made an effort to congratulate his brother on his big day, tweeting, "Congratulations@DonnieWahlberg and @JennyMcCarthy, so happy for you both today."
The actor, his wife Rhea Durham and their kids also filmed an Instagram video congratulating the newlyweds and posted it online, revealing they were celebrating daughter Ella's 11th birthday in Los Angeles.
Meanwhile in St. Charles, McCarthy's former The View co-star Sherri Shepherd was on hand for the ceremony at the Hotel Baker, as well as Wahlberg's New Kids on the Block bandmates Jordan Knight and Danny Wood, according to local newspaper The Courier-News.
The wedding is the second for both stars - Wahlberg has two sons from his nine-year marriage to Kim Fey, which ended in divorce in 2008, and McCarthy shares a son, Evan, with her ex John Asher. They divorced in 2005.
Mark Wahlberg has no plans to attend his brother Donnie Wahlberg's wedding to Jenny Mccarthy this weekend (30-31Aug14).
Donnie is reportedly set to wed the former The View co-host in New York on Saturday (30Aug14) but his younger brother Mark will not be in attendance. Reports suggested Mark and McCarthy have a frosty relationship but his representative has denied the claims.
The Fighter star cannot make the ceremony because he will be in Los Angeles throwing a birthday party for his daughter Ella, who will turn 11 next week (01Sep14).
English actress Emily Watson is set to play the mother of a girl who was killed in the London 7/7 bombings in an upcoming TV drama. The War Horse star will portray Julie Nicholson, whose daughter, Jenny, was killed at Edgware Road underground station when suicide bombers conducted a series of attacks on London Underground trains and a double-decker bus, killing 52 people and injuring 700 on 7 July, 2005.
A Song For Jenny will be based on Nicholson's memoir, A Song for Jenny: A Mother's Story of Love and Loss, and will air in July, 2015 on BBC One to mark the 10th anniversary of the tragedy.
Playwright Frank McGuinness will pen the screenplay for the project.
Watson says, "Although daunted by the task ahead, as a Londoner who was there on 7/7, I feel honoured to be part of the team asked to tell this compelling story. I hope we can do it justice."
Nicholson adds, "Despite the poignancy of the subject, I am delighted that my memoir has inspired the re-telling of Jenny's story for film. I believe it is in safe hands and I have long admired and respected the work of Frank McGuinness."
Now that we're reached the halfway mark between the dawn of a hopeful 2014 and the inevitable exasperated gasp of relief that another year of harrowing grief is finally over, we're inclined to look back on the past six months' cinematic highs. First, we set our sights to the best performances of the year, both leading and supporting. The thespian achievements that made us laugh, cry, wince (in the good way, not the Adam Levine in Begin Again way), and cheer. Here's a quick list of some of the most impressive performances we've seen so far in 2014.
Fox Searchlight Pictures via Everett Collection
Ralph Fiennes in The Grand Budapest HotelIt would be no surprise to anyone that Ralph Fiennes can act his way around a cerebral drama, and probably no real shock that he can handle himself in a sharp, fast-paced comedy either. But Grand Budapest is even doses of both, and Fiennes never slips up in his delivery of the rigid, obsessive Gustave H. as both a humane hero and a comic wonder.
Gina Piersanti in It Felt Like LoveThe best part of this terrific movie about struggling with your identity in adolescence is its star, Gina Piersanti, who makes the subtleties of her sad story vividly accessible.
Nicolas Cage in JoeSome of the picks on this list are less a result of the performance in question having blown us away, but more due to how happy we were to see the actors in question turn in something worthwhile. Cage is great in Joe, his first halfway decent movie in quite some time, serving to prove that he's still an actor who deserves critical attention.
Tilda Swinton in Only Lovers Left AliveSharing screentime and immaculate chemistry with Tom Hiddleston, who is also wonderful in the picture, Swinton manages an unfathomable energy without detracting from the film's focal point of the duo's romantic partnership. Shining so bright through the dark and dusky sheaths of Only Lovers, Swinton is the best part of what is plausibly the very best movie of 2014.
A24 via Everett Collection
Tom Hardy in LockeIf you liked Locke whatsoever, you'd have to credit that to Hardy's performance. As the only actor onscreen toggling his attentions between a steering wheel, a cell phone, and his own inner demons, the man gets truly theatrical in a way you don't often get to see on the big screen.
Mira Grosin in We Are the Best!One of the youngest individuals on the list is one third of the headlining trio in We Are the Best!, a sweet, fun, earnest film about Swedish schoolgirls reaching for (and just about finding) a new identity in punk rock music. Although each member of the band is a treat, the plucky and acerbic Grosin stands out as a particularly special performer.
Tom Cruise in Edge of TomorrowIn the vein of the Nic Cage/Joe qualification, we chose Cruise's Edge of Tomorrow performance stricly because of how long it's been since we've seen the once beloved and presently bemoaned movie star provide genuine thrills... it's been even longer since he's provided genuine laughter, which he does in no small doses in Edge of Tomorrow. The reason Cruise works so well in the sci-fi picture? He's playing a jackass — the sort of character at which he proved himself a master back in the '80s but has shied away from in recent years. Stick to the jerks, Cruise. Maverick, Charlie Babbitt, Tom "Morrow" Edgerson... you're good at 'em.
Jenny Slate in Obvious ChildThe most impressive part of Slate's turn as the early-life-crisis-stricken Donna in Obvious Child: her stand-up comedy routines are a genuine pleasure to watch (no mean feat for any movie). Slate's fresh turn on the wacky gal we often see in stand-up comedies is bolstered by her agency and palpable identity; this isn't just someone we're forced to see through a hard time, this is a human being who we're truly rooting for. We can give thanks to the script, certainly, but also to the naturally funny and engaging Slate.
Jesse Eisenberg in The DoubleEisenberg gets a rare gift in The Double: a chance to bank on the sort of work that made him famous in the first place, and to try out a brand new bag on the viewing public. The always neurotic performer ups the ante on his nervous shtick as Simon James, but breaks loose with a dickish confidence that tops even Mark Zuckerberg's hubris as James Simon.
Agata Kulesza in IdaThanks to Kulesza, Ida winds up a shockingly charming, funny, and (less surprisingly) very sad film. A look at the post-Holocaust years through the eyes of a long-internally-suffering Jewish woman (Kulesza) and her neice doesn't seem like a ground particularly fertile for anything "upbeat," but the sharp and spry performance of Kulesza makes for a uniquely inviting portrait of a somber, bizarre world.
Ken Watanabe in GodzillaWatanabe delivers what is hands down the weirdest performance in any blockbuster we've seen this year, or plausibly in recent years. The actor channels Jeff Goldblum-level "out there"-ness as a scientist who comes face to face with the titular monster after a lifetime devoted to research on the subject. Most of Watanabe's screentime is spent staring off into nowhere, a choice emblematic of unmistakable lunacy residing in the mind of this obsessed professor. We can feel his pain... but it's pure joy to watch.
Nat Wolff in Palo Alto Likely more recognizable for his supporting turn in The Fault in Our Stars, Wolff is a powerhouse in another ennui-soaked high school drama: Palo Alto, which is far more cynical (and terrific) than the aforementioned feature. Wolff plays a teen succumbing to loneliness, self-loathing, and substance abuse in the nihilistic tornado that is his upper class existence. At once the clown and the beacon of tragedy, Wolff really knocks it out of the park in Gia Coppola's debut.
Tilda Swinton in SnowpiercerThe only actor on this list twice (unless you count Jesse Eisenberg for his dual roles in The Double) is Tilda Swinton, who proves herself as powerful a character actor as she is a leading stoic. In stark contrast to her Only Lovers heroine, Swinton's Snowpiercer character is a wicked, delusional tyrant who would be petrifying were she not so damn hilarious.
Agata Trzebuchowska in IdaYep, there is a second actor from Ida on this list, and she's also named Agata. In fact, the younger of the two stars gives what is indeed the more remarkable performance, playing almost exclusively silent as she drinks in her aunt's life of tragic hedonism from a two-foot distance. The Ida/Anna role might have been little more than a lens for the audience to view the horrors of the Holocaust, but Trzebuchowska's restrained anguish gives the story an intriguing slant. All the pangs of the post World War II world that filter through her come out the other end with a peculiar, insightful flavor.
Daniel Radcliffe in What ifSometimes all it takes for a role to stick with you is laughter. Daniel Radcliffe, who we all love, is destined for a long career in comedy. As the romantic lead of What if, Radcliffe is super-Hugh-Grant levels of dashing, debonair, self-deprecating, and f**king funny. His rapid fire delivery, affable countenance, and complete mastery of the most eclectic wordplay makes his What if turn (as a guy named Wallace, no less) more than worthy of the world's post-Potter love.
Nathan Varnson in Hide Your Smiling FacesFinally, representing one of our favorite movies of the year is Nathan Varnson, a child actor who plays a young boy dealing with the sudden death of a close friend. There are no big, showy moments in Smiling Faces. Everything Varnson showcases is largely internalized; his role is predominantly wordless, in fact. All the more reason why it stands out in our minds as one of the best of the year.
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Actor Jason Biggs delivered a foul-mouthed rant against the newsmakers on U.S. breakfast show Good Morning America during a TV chat on Monday (16Jun14) after they dedicated a segment of their show to his baby announcement In February (14). To mark little Sid's arrival, the American Pie star and his actress wife Jenny Mollen posted a series of images on Instagram and they were stunned to get negative feedback from people who felt they were "over-sharing".
Taking aim at his critics during an appearance on U.S. chat show Chelsea Lately, Biggs explained, "I had documented Jenny's labour and delivery... I videoed everything and a couple of days later, Jenny wanted to go through my footage... and we decided that the way we would make the birth announcement, if you will, was through a series of Instagram posts..., sort of chronologically starting in the middle of the night leaving our house, her labouring, getting the epidural, pre-op, post-op and then finally revealing a picture of Sid.
"People thought this was too much. People with sticks firmly inserted up their a**holes, including the wonderful people at Good Morning America, decided to bring in a panel of experts.
"It's just so ridiculous that these people would dedicate any amount of time at all to us. (They) literally (had) a whole segment on celebrity over-sharing... What makes you an expert in over-sharing...? Do you get a PhD in f**king over-sharing?"
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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Look who's outshining her famous sons every week on A&E.
Viewers tuned into Wahlburgers because of the famous names behind the show's titular Boston burger joint. But we're staying because of the Wahlberg family's fierce and loving matriach Alma. Donnie and Mark may be key investors. Her chef son Paul may run the kitchen. But it's Alma who rules the roost. They adore her. We adore her.
Alma's no Real Housewife. She raised nine kids on welfare in Boston's Dorchester neighborhood. And we can see how she managed it. She's got a habit of imposing her will on her boys, even if they resist. She hires Paul an assistant and gets her started without his permission. She knows she's always right, he just has to come around to it. She puts Donnie's new girlfriend Jenny McCarthy to work in the kitchen as soon as she walks into her house. And Alma's sons are forever arguing with each other over who is mom's real favorite.
With her raspy voice and thick Boston accent, Alma's constantly letting her will be known. It's no secret that the boys were wild in their youth, and they make frequent mention on the show of her regular trips to collect them from hospital or, on occasion, jail. But now they're older, wiser, and totally devoted to the woman who stuck by them. And, despite their fame and forture, she's still keeping them in line.
A&E has already ordered 18 more episodes of Wahlburgers. Have you been watching and loving Alma as much as we do?