For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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After garnering widespread praise (and an Oscar nomination for screenwriting) for his 2000 directorial debut You Can Count on Me Kenneth Lonergan was in-demand. In September 2005 the writer/director began production on a follow-up feature: Margaret which touted Anna Paquin Matt Damon Mark Ruffalo Matthew Broderick Allison Janney as well as legendary filmmakers Sydney Pollack and Anthony Minghella (The English Patient) as producers. The movie wrapped production in a few months time. The buzz was already growing.
Now six years later the movie is finally hitting theaters. So…what took so long?
The journey to this point hasn't been an easy one and it shows. If a film's shot footage is a block of granite and the editing process is the careful carving that turns it into a statuesque work of art Margaret feels like it was attacked by a blind man with a jackhammer. The film is a cinematic disaster a mishmash of shallow characters overwrought politics and sporadic tones. The story follows Lisa Coen (Paquin) a New York teenager who finds herself drowning in chaos after distracting a bus driver (Ruffalo) causing him to hit and kill a pedestrian (Janney). Initially Lisa tells the police it was all an accident but as time passes regret takes hold and the girl embarks on a mission to take down the man she now regards as a culprit. That's just the tip of the iceberg–along the way Lisa deals with everyday teen stuff: falling for her geometry teacher (Damon) combating her anxiety-ridden actress mother losing her virginity dabbling in drugs debating 9/11 and the Iraq War cultivating a relationship with her father in LA and more. There are about eight seasons of television stuffed into Margaret but even a two and a half hour run time can't make it all click.
For more on Margaret check out Indie Seen: Margaret the Long Lost Anna Paquin/Matt Damon Movie
WHAT IT’S ABOUT?
Claire is an attractive CIA operative and Ray is an M16 agent who simultaneously leave their Governmental spy activities in the dust to try and profit from a battle between two rival multi-national corporations both trying to launch a new product that will transform the world and make billions. Their goal is to secure the top-secret formula and get a patent before they are outsmarted. While their respective egomaniacal CEOs engage in an unending battle of wills and one-upmanship Claire and Ray start out conning and playing one another in a clever game of industrial espionage that is even more complicated due to their own long-term romantic relationship.
WHO’S IN IT?
Reuniting Closer co-stars Julia Roberts (as Claire) and Clive Owen (as Ray) turns out to be an inspired idea. They turn out to be the perfect pair oozing movie-star charm and electricity in this elaborate con-game that might have been the kind of thing Audrey Hepburn and Cary Grant might have made in the '60s (in fact they did in Charade). Roberts with that infamous hairstyle back the way we like it and Owen looking great in sunglasses prove they have what it takes to navigate us through this ultra-complex plot in which no one is sure who they can trust at any given moment. They play it all in high style and the wit just flows as the story skirts back and forth during the period of five years. The supporting cast is well-chosen with juicy roles for Tom Wilkinson and Paul Giamatti (out of their John Adams duds) as the two CEOs going for each other’s throats. Giamatti who sometimes has a tendency to overdo it is especially slimy here and great fun to watch.
Big-star studio movies today rarely take risks and often talk down to the audience but in Duplicity writer/director Tony Gilroy (Michael Clayton) has crafted a complicated con-comedy that requires complete attention at all times just to keep up with the dense plot’s twists and turns. It’s the cinematic equivalent of a New York Times crossword puzzle and Gilroy and his top-drawer production team deliver a glossy beautiful-looking film that’s easy on the eyes hitting locations from Dubai to Rome to New York City.
Like any good puzzle it sometimes can be frustrating putting it all together and Gilroy’s habit of taking us back in time and then inching forward gets a little confusing even with the on-screen chyron pointing out where we are at any given moment. Stick with it though and you will be well-rewarded.
A scene near the end where the formula must be found scanned and faxed in a matter of minutes is sweat-inducing edge-of-your-seat moviemaking and it provides the ultimate opportunity for Roberts and Owen to take the “con” to the next level. Another where Roberts uses a thong to try and trick Owen into admitting an affair he never had is also priceless and gets right to the heart of the game-playing.
GO OUT AND GET POPCORN WHEN ...
Never. Stock up during the coming attractions. If you miss a moment of this entertaining romp you might never figure it all out.
Winners of the second annual Tribeca Film Festival were announced at the Stuyvesant High School Auditorium in Tribeca Sunday, with French director Valeria Bruni-Tedeschi taking the prize for emerging narrative feature filmmaker for her Italo-French comedy, It's Easier For a Camel.... The comedy revolves around a walthy woman, Frederica, whose money is keeping her a prisoner rather than giving her a life of ease.
The French director also stars in the pic and walked away with best actress honors, Variety reports. Tedeschi collected a $25,000 prize for her film plus six months of services from PMK/HBH Public Relations.
Igor Bares won the actor category for his role in Some Secrets, along with Ohad Knoller in the Israeli army love story Yossi & Jagger.
Tribeca also honored Li Yang's tale of Chinese mine workers, Blind Shaft, which won the Silver Bear award at Berlin earlier this year.
In the documentary category, Mohamed Zran won the prize for emerging documentary feature filmmaker for Song for the Millennium. The prize includes $25,000 and six months of services from PR firm PMK/HBH.
Prize for documentaries by directors with two or less previous films went to Elizabeth Chai Vasarhelyi and Hugo Berkeley for A Normal Life, with honorable mentions going to Laura Gabbert's Sunset Story and Francesca Comencini for Carlo Giuliani, a Boy.
For directors with more than two previous features, Moslem Mansouri won for Trial with Nick Broomfield and Joan Churchill picking up an honorable mention for Aileen: Life and Death of a Serial Killer.
The winners picked up $25,000 worth of services from Technicolor Creative Services New York.
The documentary short film award went to Harvey Wang for Milton Rogovin: The Forgotten Ones.
Lars Daniel Krutzkoff Jacobsen won the narrative short film category with Precious Moments, and Richard Linklater's Live From Shava's Dance Floor received a special citation.
The Budweiser/TriggerStreet.com audience award for feature film went to the documentary by David G. Berger, Holly Maxson and Kate Hirson, Keeping Time: The Life, Music & Photographs of Milt Hinton and Chen Kaige for Together. Both films will share the $25,000 prize.
The MTV Films Award for student visionary film went to Enrico Kahn for Make Up.
Presenters at this year's festival included Martin Scorsese, Kevin Spacey, Whoopi Goldberg, Parker Posey, Nora Ephron, Sheila Nevins, Fisher Stevens and Sandra Bernhard.
Top Story: Polanski, Eminem Give Thanks
Exiled director Roman Polanski feels honored by winning the Best Director Oscar for his Holocaust drama The Pianist, Reuters reports. "I am deeply touched to have received the Oscar for best director for a film which recounts events which are so close to my personal experience, events which helped me to understand that art can transcend pain," Polanski said Tuesday in a brief statement. "I thank the members of the Academy with all my heart for this magnificent reward." Meanwhile, the evening's other no-show was Best Song winner Eminem, aka Marshall Mathers, who won for his "Lose Yourself" from the film 8 Mile. The Associated Press reports a spokesman for the rapper said Eminem was surprised by the win, but that he is "always thankful when the work he puts into his music is recognized by others."
In More Eminem News…
As hot as Eminem is after his Oscar win, the sales from the DVD version of his debut film 8 Mile is even hotter. According to Variety, buyers spent more than $75 million on the Universal Studios Home Video release, the most ever for an R-rated film in the first week and among the top 10 overall.
NBC, Bravo Snap Up Chicago
Wasting no time, NBC and sister network Bravo have purchased the rights to Best Picture winner Chicago, Variety reports. Details of the deal weren't fully revealed but Variety states Miramax Films will pocket about $13 million, far less than the benchmark of 15 percent of domestic box office, which indicates a winning network sale. Chicago has grossed $134.1 million so far.
P. Diddy Rekindles Love With Ex-Girlfriend
Looking for a little love in his life, Sean "P.Diddy" Combs has reconciled with his former girlfriend and mother of his youngest son, model Kim Porter, even after their bitter child-support battle that was settled in 2002. "My love life is straight. I'm back with Kim," the rap mogul told People magazine in its March 31 issue.
Rowling Has Her Own Little Harry
Harry Potter author J.K. Rowling and husband Neil Murray welcomed their first child, a son, David Gordon Rowling Murray, Sunday in Scotland, Reuters reports. Rowling has a 10-year-old daughter from her first marriage.
Will & Grace "Just Jack" Lawsuit Settled
Will the real Jack please stand up? A lawsuit filed against Will & Grace writer Jason "Max" Mutchnick by his friend, interior designer Jack Deamer, claiming Deamer was the model for Sean Hayes' character Jack McFarland has been settled out of court, Reuters reports. The suit states Mutchnick, who patterned the TV Jack after Deamer, had promised to buy the real Jack a house and a car if the show were to become a hit.
Miss Mass. is Miss USA
Speaking of frivolity, the age-old beauty pageant Miss USA crowned Miss Massachusetts Susie Castillo as 2003's reigning beauty. Castillo, 23, of Lawrence, Mass., takes the crown from Shauntay Hinton, who represented the District of Columbia in last year's event. AP reports Castillo, an office manager and model, will be America's candidate in the Miss Universe pageant in June in Panama City, Panama.