After Dark Films
It seems a bit odd to take on a movie review of Courtney Solomon's Getaway, as only in the loosest terms is Getaway actually a movie. We begin without questions — other than a vague and frustrating "What the hell is going on?" — and end without answers, watching Ethan Hawke drive his car into things (and people) for the hour and a half in between. We learn very little along the way, probed to engage in the mystery of the journey. But we don't, because there's no reason to.
There's not a single reason to wonder about any of the things that happen to Hawke's former racecar driver/reformed criminal — forced to carry out a series of felonious commands by a mysterious stranger who is holding his wife hostage — because there doesn't seem to be a single ounce of thought poured into him beyond what he see. We learn, via exposition delivered by him to gun-toting computer whiz Selena Gomez, that he "did some bad things" before meeting the love of his life and deciding to put that all behind him. Then, we stop learning. We stop thinking. We start crashing into police cars and Christmas trees and power plants.
Why is Selena Gomez along for the ride? Well, the beginnings of her involvement are defensible: Hawke is carrying out his slew of vehicular crimes in a stolen car. It's her car. And she's on a rampage to get it back. But unaware of what she's getting herself into, Gomez confronts an idling Hawke with a gun, is yanked into the automobile, and forced to sit shotgun while the rest of the driver's "assignments" are carried out. But her willingness to stick by Hawke after hearing his story is ludicrous. Their immediate bickering falls closer to catty sexual tension than it does to genuine derision and fear (you know, the sort of feelings you'd have for someone who held you up or forced you into accessorizing a buffet of life-threatening crimes).
After Dark Films
The "gradual" reversal of their relationship is treated like something we should root for. But with so little meat packed into either character, the interwoven scenes of Hawke and Gomez warming up to each other and becoming a team in the quest to save the former's wife serve more than anything else as a breather from all the grotesque, impatient, deliberately unappealing scenes of city wreckage.
And as far as consolidating the mystery, the film isn't interested in that either, as evidenced by its final moments. Instead of pressing focus on the answers to whatever questions we may have, the movie's ultimate reveal is so weak, unsubstantial, and entirely disconnected to the story entirely, that it seems almost offensive to whatever semblance of a film might exist here to go out on this note. Offensive to the idea of film and story in general, as a matter of fact. But Getaway isn't concerned with these notions. Not with story, character, logic, or humanity. It just wants to show us a bunch of car crashes and explosions. So you'd think it might have at least made those look a little better.
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Top Story: "EW" Names Chris Rock Funniest Man in America
Comedian, actor and writer Chris Rock has been named the funniest man in America by Entertainment Weekly in the magazine's March 19 issue. Rock began performing in Manhattan comedy clubs as a teenager and by 1987 had made an early TV appearance on the HBO special Uptown Comedy Express--the same year the comedian made his feature film debut as a parking valet in Beverly Hills Cop II. But it was during his three-year stint on NBC's Saturday Night Live that people really took note. Rock, 39, is now on his Black Ambition Tour, which will culminate in his fourth HBO special set to air April 17. "Watching Rock in 2004--21 years into his comedy career--is like watching a great prize-fighter in peak condition," the magazine said. Also gracing the list of the 25 funniest Americans are Jon Stewart, Will Ferrell, Larry David, Dave Chappelle, Ellen DeGeneres, Bill Murray, Jim Carrey and Jack Black.
"Wardrobe Malfunction" Invades English Language
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Russell Crowe's Cinderella Man Gets Pushed Back
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Sex Outfits Sell Like Hot Pants
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Judge in Jackson Case Keeps Audiotapes Secret
On Thursday, Santa Barbara County Superior Court Judge Rodney S. Melville kept sealed an audiotape that apparently contains defense interviews with Michael Jackson's accuser and his family, but allowed prosecutors to see videotapes he called "innocuous," The Associated Press reports. The judge said the audiotape, which is of an interview conducted early last year by an investigator for defense attorney Mark Geragos, could identify areas of defense strategy and should remain secret. Melville added, "the persons interviewed are equally available to the prosecution. Jackson pleaded innocent on Jan. 16 to seven counts of performing lewd or lascivious acts on a child under 14 and two counts of administering an intoxicating agent. He's free on $3 million bail.
R. Kelly's Sex Photos Inadmissible in Court
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Rodney Dangerfield Finally Gets Respect
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David Crosby Denounced Drug Use Prior to Arrest
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