In the political thriller The Ides of March – George Clooney’s adaptation of the stage drama Farragut North – Ryan Gosling stars as Stephen Meyers campaign press secretary to Mike Morris (Clooney) a leading candidate for the Democratic presidential nomination. Savvy self-assured and blessed with a preternatural ability to spin a story in his candidate’s favor Stephen is a fast-rising figure with a dazzlingly bright future. Unlike his more seasoned – and cynical – campaign-manager boss Paul Zara (Philip Seymour Hoffman) Stephen all of 30 years old still boasts something of an idealistic streak. He believes in Morris not just as a meal ticket but as someone who just might make the world a better place.
Stephen’s idealism and ambition come into conflict when in the feverish days leading up to the pivotal Ohio primary he suffers a series of judgment lapses that threaten to derail his promising career. Teased with the prospect of a job offer he’s lured into a meeting with Tom Duffy (Paul Giamatti) the campaign manager of Morris’ main Democratic rival – a major no-no in a business that prizes loyalty above all else. Later he beds a beguiling young intern Molly (Evan Rachel Wood) who unwittingly drops a bombshell that could very well bring down the entire Morris campaign.
There’s nothing particularly revelatory about Ides of March. Our eyes were long ago opened to the amorality and viciousness of electoral politics. And goodness knows we’ve witnessed political scandals far more salacious than anything depicted in the film. Ides of March’s strength lies in the power of its storytelling in the way that Clooney brings together several distinctive headstrong characters and sets them against each other in a riveting game of intrigue. It helps compensate for the been-there done-that familiarity of the topics explored.
Clooney is very much an actor’s director and Ides of March is a testament to how absorbing it can be to witness skilled performers operating at the peak of their powers. Gosling is particularly fascinating to watch as his character awakens to the severity of his predicament. When Stephen is dismissed from the Morris campaign after Zara learns of his meeting with Duffy the firing triggers in him something akin to a fight-or-flight instinct. His livelihood endangered he scrambles to outwit his former colleagues seizing upon tragedy and scandal to worm his way back into the fold. All pretense of idealism vanishes and his expression betrays the slightest hint of derangement. The game has claimed him.
Larry the Cable Guy: Health Inspector opens with a man scratching his plumber’s-crack re-using a cotton swab to clean his ear and wearing the sleeveless shirt he uses as a towel. Naturally this is Larry (the Cable Guy) a health inspector. Halfheartedly inspecting the local food joints he’s leading the life that suits him well. But when his boss (Thomas F. Wilson) assigns him a serious-minded female partner (Iris Bahr) his world is turned upside down--or at least made less comfy. Larry’s called in to investigate “some fartin’ Jewish folks” at a swankier restaurant and learns that it’s not an isolated incident. While Larry’s unorthodox methods manage to arouse the interest of a waitress (Megyn Price) with bowel habits that he adores his tactics arouse the ire of the restaurateurs he investigates and it costs him his job. Now he’s forced to do whatever it takes to prove his innocence. Even the D-listers here must’ve gone straight to confession upon accepting these roles to help cushion their bank accounts. Let’s start with Larry the Cable Guy (of the Blue Collar Comedy Tour “Git-R-Done” fame) who is one of the most successful stand-up comics today. He’s right in his element seemingly with fart blanche on toilet humor but to the unconverted he’s a little more than grating. Speaking of grating the (hopefully) affected voice of Bahr makes the movie mostly unlistenable in addition to being unwatchable. But take pity on her for this is no way to jumpstart a movie career. Tony Hale clearly still reeling from the potential cancellation of TV’s Arrested Development (on which he plays Buster) also lowers his star and integrity with an ambiguous character here. And Joe Pantoliano shows his face. The once great character actor reaches a new low with this one even if his performance isn’t all bad. Health Inspector masters the art of the fart. But more disgusting than the settings with which the farts are juxtaposed is the ad nauseam (pun intended) level of over-usage. So congratulations go to along with fart Yoda Larry the Cable Guy director Trent Cooper who makes his feature directorial debut. And might we add what a fart-tastic debut it is! But it’s not all farts ladies and gentleman--all forms of gross-out humor are exploited unlike ever before. On the er serious side the collection of running jokes adds to a few legit laughs. Cooper helms a story that naturally doesn’t work deferring instead to Larry’s natural um charisma. The script offers no segue into Larry’s stand-up persona but anyone who sees this here flick ain’t lookin’ for no dang Oscar winner. Clearly Health Inspector will appeal to Larry’s following but is not meant for those of sound mind.