Actress Zoe Saldana has fuelled rumours she is pregnant with her first child after attempting to hide her stomach while shopping on Saturday (05Jul14).
The Avatar beauty wed Italian artist Marco Perego in a secret ceremony in London last summer (13), but the famously-private star only confirmed the news in December (13), admitting she wanted to "maintain some kind of sanity" by keeping details about her personal life under wraps.
Saldana first sparked speculation she was expecting last month (Jun14), when the usually-svelte actress was photographed sporting what appeared to be a small baby bump while shopping for groceries in Los Angeles and again as she celebrated her 36th birthday on 19 June (14).
She did little to silence the gossip on Saturday after stopping at the Beverly Hills, California branch of retail store Barneys New York, where she was snapped strategically holding a bag in front of her stomach.
The rumours continued to swirl on Sunday (06Jul14), when Saldana was pictured in workout gear which clung to her protruding belly, although on Monday (07Jul14), she opted for a loose-fitting navy blue blouse to hide her figure as she arrived at Los Angeles International Airport.
Representatives for Saldana have yet to respond to WENN's requests for a comment. If the baby news is true, Saldana won't be the only new mum in her family - her sister Mariel Saldana Webb is due to give birth later this month (Jul14).
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
Follow @Michael Arbeiter
| Follow @Hollywood_com
Laura Ziskin, producer of more than twenty films over the course of thirty years, passed away after a battle with breast cancer on Sunday, June 12. In addition to her work in cinema, Ziskin was a co-founder of the well-known organization Stand Up to Cancer, and a frequent campaigner against the disease.
Some of her better known productions include the classic romantic comedy Pretty Woman, the James L. Brooks slice-of-life As Good as it Gets, starring Jack Nicholson and Helen Hunt, and Sam Raimi’s Spider-Man trilogy, as well as the first installment of Marc Webb’s reboot of the series. Furthermore, Ziskin was responsible for the production of the 2002 and 2007 Academy Awards ceremonies.
The producer’s trial with breast cancer began in 2004, subsiding after several treatments. In 2009, the cancer returned, spreading to her liver and bones. Ziskin’s involvement in charity did not stop at Stand Up to Cancer: she was also heavily involved in Education First and the National Council for Jewish Women. Friends and colleagues attribute Ziskin with credit for paving the way for female producers in Hollywood.
Ziskin was 61 at her time of death. Her husband, screenwriter Alvin Sargent, who worked with his wife on Spider-Man 2 and Spider-Man 3, and her daughter Julia from a previous marriage, request that people continue to support Ziskin’s cause of Stand Up to Cancer.
In news that doesn't really surprise anyone, MGM likes Blu-rays (but seriously, who doesn't like Blu-rays?). The studio just announced that it plans to make eight throwback titles available to consumers on Blu-ray: Three musicals (New York, New York, Hair and The Adventures of Priscilla Queen of the Desert) and five others (Death at a Funeral, The Long Riders, Posse, Vera Cruz and Original Sin). Below is the official synopsis for each:
Fresh off the farm, Claude Bukowski (John Savage) arrives in New York City to join the army, but he’s quickly swept up in the counterculture when a group of hippies introduce him to their psychedelic world…and a beautiful rich girl named Sheila (Beverly D’Angelo). When the group’s leader (Treat Williams) tries to keep Claude out of Vietnam, the consequences are shocking for everyone involved.
The Adventures of Priscilla Queen of the Desert:
They came. They conquered. They looked fabulous! With a contract to perform a drag show way out in the Australian desert, Tick (Weaving), Adam (Pearce) and Bernadette (Stamp) each has his own reason for wanting to leave the safety of Sydney. Christening their battered, pink tour bus “Priscilla,” this wickedly funny and high-drama trio heads for the outback…and into crazy adventures in even crazier outfits. You go, girls!
New York, New York:
Acclaimed director Martin Scorsese teams with Academy Award® winners* Liza Minnelli and Robert De Niro in this splashy, flashy musical spectacle celebrating the glorious days of the Big Band Era in the Big Apple! Jimmy is a joint-jump in saxophonist on his way to stardom. Francine is a wannabe starlet who dreams of singing in the spotlight. When they meet, sparks fly and when he plays and she sings, they set New York on fire! It's the beginning of a stormy relationship, as the two struggle to balance their passions for music and each other under the pressures of big-time show biz.
Death at a Funeral:
As the mourners and guests at a British country manor struggle valiantly to "keep a stiff upper lip," a dignified ceremony devolves into a hilarious, no-holds-barred debacle of misplaced cadavers, indecent exposure, and shocking family secrets. Packed with extras including audio commentaries and an uproarious gag reel, Death at a Funeral blows the lid off the proverbial coffin as "the film's delicious comic flourishes... sight gags, slapstick, flawless timing... are served up by an outstanding cast" (O, The Oprah Magazine).
The Long Riders:
Jesse James and his gang of outlaws ride again in this "extraordinary" (LA Herald-Examiner) western that pulsates with hard-driving action and electrifying drama. Four sets of acclaimed actor brothers David, Keith and Robert Carradine, James and Stacy Keach, Dennis and Randy Quaid, and Christopher and Nicholas Guest each depict real-life siblings in emotionally charged portrayals of the Old West's legendary bandits. The notorious James-Younger gang is the most famous group of outlaws in the country, robbing banks, trains and stagecoaches with a sense of daring that makes them folk heroes throughout the land. But when the mighty Pinkerton detective agency swears to track them down, these criminals must face an awesome enemy that will stop at nothing to see them behind bars...or dead! Only through the strength of their loyalty and blood ties can the outlaws hope to survive the brutal pursuits, unexpected betrayals and blistering showdowns that mark the end of their dangerous ride.
Mario Van Peebles (Judgment Day), Billy Zane (Titanic) and Stephen Baldwin (Fled) shake up the frontier in this "fast-paced, star-studded, big brawny western" (Janet Maslin, The New York Times)! Filled with gun-blazing, fist-pounding action and co-starring Big Daddy Kane, Blair Underwood, Tone Loc, Pam Grier, Isaac Hayes, Nipsey Russell, Aaron Neville and more, Posse takes a page missing from the history books - and unfolds it with suspense, humor and awe-inspiring power! In 1892, a group of mostly black infantrymen, betrayed by their white commander, Colonel Graham (Zane), desert the Spanish-American War. With Graham hot on their trail, Jessie Lee (Van Peebles) leads the men to his hometown, Freemanville, only to find it's also besieged by war - a racist war! Lee's attempts to bring justice and freedom to his people make for a brilliant western that's short on words and long on "killer entertainment" (Los Angeles Times)
Legendary screen icons Gary Cooper (High Noon) and Burt Lancaster (Elmer Gantry) team up for a magnificent, action-packed western from director Robert Aldrich (The Dirty Dozen) and screenwriters Roland Kibbee and James R. Webb. With sweeping vistas and larger-than-life heroics, it's a tale as bold and rugged as the characters it so brilliantly depicts. Cooper and Lancaster portray Benjamin Trane and Joe Erin, two daredevil mercenaries who journey to Mexico in search of adventure and cold hard cash during the 1866 revolution. But they get more than they bargained for when the wealthy and beautiful Countess Duvarre (Denise Darcel) hires them to escort her (and a fortune in gold!) to Emperor Maximilian's fighting forces in Vera Cruz. The trail is fraught with danger, betrayal and murder... and when Ben is swept up in the revolutionaries' fervor, he and Joe find themselves at odds with the Mexican Army and each other
Oscar Winner Angelina Jolie and Antonio Banderas sizzle in this smoldering tale of passion, deception and danger. A wealthy Cuban merchant (Banderas) only knows his mysterious bride to be (Jolie) through letters, but when he finally meets and marries her, his life takes a deadly turn. With footage too hot for theaters, director’s commentary and more, this unrated Blu-ray is sinfully satisfying
Source: MGM Pictures